
The basics of the plot are the entwined destinies of young Pip Pirrip, an orphan being raised by his severe sister, the wife of a local blacksmith named Joe Gargery, a mysterious and scary villain, who encounters Pip in a graveyard and asks him to steal food and a file, and the bizarre Miss Havisham, a rich, bitter old maid who has never gotten over being jilted at the altar and who has raised her adopted daughter, Estella, so that she will break the hearts of every boy she meets.

Dickens always peopled his novels with great characters, so, along Pip's journey, we meet Biddy, a young girl of his own age, Jaggers, a lawyer, and his assistant Wemmick, and, eventually, Magwitch. Our own expectations of the book are turned on their head, just as Pip's are, when he learns the truth about his benefactor.
While there's no doubting Dickens' talents as a writer to carry his readers along, language has changed over the past 150 years and the sheer size of Great Expectations as a novel (the latest Penguin edition clocks in at 544 pages, the Wordsworth Edition at 430) is going to be as offputting to a child today as it was thirty plus years ago when I was looking at this brick of a book that I was being told to read.

The artwork is nothing short of superb. Drawn by John Stokes and coloured by Digicore Studios & Jason Cardy, it's detailed, evocative and moody, as good as you'd expect from John Stokes—probably better known as an inker to most people reading this but to me always the artist of "Fishboy" and "Marney the Fox" in Buster and "Star Trek" in Valiant, which I would much rather have been reading at school than Great Expectations. If only we'd had this book back then... I wouldn't have been nearly so unenthusiastic about reading it.

Great Expectations (Original Text, abridged). Classical Comics ISBN 978-1-906332-09-9, March 2009.
Great Expectations (Quick Text). Classical Comics ISBN 978-1-906332-11-2, March 2009.
(* artwork © Classical Comics Ltd.)
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