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| The Moment of Eclipse |
I would have had it finished but decided I needed to celebrate in some small way the publication of THE SHINKER. Apart from posting orders on Saturday, I had a lazy weekend, thinking I'd pick up the pace again on Monday. Nope. I went out for a pub lunch with my Mum and chatted to her for hours. I promised myself I'd do better Tuesday. However, the morning was spent prepping the posts for Wednesday and Thursday, gardening (I'm chopping back some trees), and diving into the bath post-garden for a good soak. I did manage to do a reasonable amount of work Tuesday afternoon.
Wednesday... well, I have to confess that me and Mel went out for my second pub lunch of the week. We sat down by the river watching the boats go by, with a pint and a plate of fish and chips. Very enjoyable.
We wanted to have something substantial at lunchtime because we were planning a mini-picnic for the eclipse. We knew the best place to see the eclipse from would be the local park, so, armed with a blanket, a colander and a sheet of cardboard, water bottles and some rolls, we headed over to King George V Playing Field (so named because land was set aside for the public following the death of King George V) and found ourselves a spot to sit. A few other people were milling around or already sat down and more arrived at the time approached 7 o'clock. You can see how dry the field is in the photo.
We couldn't get any glasses, which I'm sure would have made a huge difference. As it was, the light dimmed, and you could see a tiny chunk bitten out of the side of the circles on the cardboard, but overall I have to admit it was a bit of a disappointment. We hung around for a bit afterwards, so we heard the dawn chorus picking up as the sun brightened again, but soon wandered home and got a better view of the whole eclipse on the news.
The Perseids... I'll catch them on the Breakfast Show.
I've had a couple of nice books land on the doormat this week to which I contributed introductions. One is for a strip I've banged on about for years as being one of the best war strips ever committed to print. It's TRELAWNY OF THE GUARDS, from Lion. Rebellion have now reprinted the first six month's worth of the strip (July to December 1966), which was chiefly drawn by Victor de la Fuente and written, I am convinced, by Eric Hebden — compare come of his contemporary stories for Battle and War Picture Library and you'll see the same concerns and style. He was definitely writing for Lion in that period.
'Trelawny of the Guards' didn't concentrate on the officer classes, but on the troops on the ground, many of them novices seeing combat for the first time and in many instances following the orders of NCOs without battle experience. Trelawny is a veteran of the Grenadier Guards who knows that his decisions can mean life or death to the troops below him, so he rules them with an iron hand and a sympathetic ear to see them through every battle.
I have begun seeing people's reaction to the collection on Facebook and I'm very pleased to see that Trelawny is finding his audience at long last.
Someone who doesn't need my help to introduce them is Sean Phillips, although I have now done exactly that. HEARTBREAKER: THE LOST ART OF SEAN PHILLIPS was a Kickstarter project that I was asked to write a piece for last August. I now have a couple of copies of the book in hand and it's gorgeous. It features a number of Sean's earliest comic strips, drawn for DC Thomson's girls' comics Bunty, Judy, Nikki, Mandy, etc., at first as the assistant to Ken Houghton but then on his own.
It's amazing to think that he was drawing for Crisis, filling in for Jim Baikie on 'New Statesmen', and drawing episodes of 'Third World War' while still drawing strips like 'Heartbreaker', 'The School Trip', 'Too Shy' and 'We Both Love Ben!'.
The only regret is that my preferred title for the introduction wasn't used 'The Lost Hearts of Sean Phillips' — the lost art of... the lost hearts of... geddit?
I've also been doing a little bit of work on the fourth volume of a German translation of the works of Don Lawrence — Meister der Illustrations und Comickunst. The new volume will include translations of 'Wells Fargo' and 'Longbow'. I'm trying to think of something to write about in the introduction, although I'm quite proud of the essay I wrote about Wells Fargo and the Pony Express I wrote for the Book Palace edition back in 2010. I think that was also used on a previous German or Spanish edition. I get confused. I know Longbow is coming out in Spain at some point.
Maybe it has been a busy week, after all...





















































