Friday, October 30, 2026
Comic Cuts — 30 October 2026
After a somewhat chaotic fortnight, I'm back on track. I think I'm back on track.
We had a friend, Stacy, over from America and we made plans to go out a few times over the nine days she was staying. There were a couple of days where Mel and Stacy were up in London and I spent those days trying to catch up with orders; other days we all went out to meet other friends for lunch, visit shops and galleries; and some days we just chilled out here at the house, or went down the pub.
The aftermath of all this fun and frolic is that I was left with a few hundred photos to sort out. So often I just dump them in a folder and copy them to an external hard drive because that's a lot easier than the alternative. Well, this time I was determined to actually do some posts based on our days out, which you will have seen over the past week. There are a few things that didn't make the cut, like a trip to Firstsite to have a look at the Berryfield Mosaic, a piece of Roman mosaic from c. 200 AD, discovered in Colchester in 1923. Unfortunately, attempts to photograph the mosaic were thwarted by its dirty, scratched, glass cover. Oh, well...
Between sorting through photos (straightening and cropping them, and doing a little touching up here and there where light or reflections spoiled an otherwise good shot) and keeping up with orders for the new SEXTON BLAKE book, and dealing with the regular run-of-the-mill stuff that life throws up, I haven't had much time to do any work. I've answered a few enquiries and I'm pretty much up to date there; I even updated a couple of picture galleries while I was playing around with Photoshop, but at some point I need to settle down and sort out the second volume of BLAKE and get to work on the next book, whatever that is.
I did do one bit of research into a book I recently picked up: Smart Guy by Frank Kenny. It's a digest crime novel published by the almost unheard of Vanguard Publishing Co. of Burton-upon-Trent. I say "almost" because I actually own a copy of the sequel, Hellish Smart, published at the same time in 1954. There were two other novels that formed a brief series: Rod Rover Rides High and Rod Rover Gets Out, both by Dane Yates. I've seen neither of the latter books. I don't even know if they are crime or western.
Anyway, Vanguard Publishing Co. (Burton-on-Trent) Ltd. was registered in April 1954 at 160 High Street, Burton-on-Trent with a nominal capital of £1,000 in £1 shares. Its directors were J.M.G.C. Tresise and John Travis Kauntze. The latter was a solicitor who probably had nothing to do with the daily running of the company; he died in 1960 aged only 45.
The second director led me a bit of a run-around as the only official record I could find referred to the marriage of Jeanne-Marie Gilbert Catherine Tresuse to one Hector L. Macneal in 1963. This was the year after Vanguard was struck from the Register of companies in September 1962, although it had been inactive from almost the moment its first four books were released in August 1954.
I ended up with quite an extensive family tree drawn up for the Tresises of Burton-upon-Trent covering five generations as they were locally famously a firm of printers and newspaper owners. The firm was founded by Cornishman Joseph Nicholas Tresise (1828-1893), who moved to Burton in 1840 and set up a printing machine in his front room in Moor Street in 1859.
His sons, Charles Arthur (1853-1932), one time Mayor of Burton, and Joseph Nicholas (1861-1914), a town councillor, were joint proprietors and founders of the Burton Chronicle and the Burton Evening Gazette. The business passed down to Charles' son Horace Herbert Tresise (1891-1950) and then to Horace's son, Charles Edward Tresise (1917-1999).
Teddy, as he was known, was born in January 1917 and attended Burton Grammar School before joining the family firm at the age of 15, learning the trade of cost accountant. He joined the T.A. and, for the first three years of the Second World War, was in the 8th Army, commissioned as Britain Intelligence Officer in time for the invasion of Sicily and Italy. After spending three months back in England giving talks at war factories, he became a War Correspondent Contacting Officer in Monty's No.5 Public Relations Unit from D-Day to Berlin.
Teddy had married Isabella Joan Staples in 1940, but the marriage ended in divorce when Isabella fell pregnant to a GI. Now stationed in Brussels, acting as a wet nurse to reporters, he was invited to a New Year's Eve (1944) party given to honour the liberators of Brussels — Captain Tresise being one of the first officers to enter the capital on September 3, 1944.
Tresise arrived shortly before midnight and was introduced by the party's organiser to her cousin, Jackie... just in time to link arms for Auld Lang Syne. They spent the night together when the Germans launched a last-minute air attack on Brussels on January 1st. Four months later, the couple were married, on V.E. Day at the Hotel De Ville at Uccle, between Brussels and Waterloo.
Jackie was Jeanne-Marie Gilberte Katrine Cambron of Chaussee de Waterloo — the co-director of Vanguard Publishing Co. — although one imagines her husband's experience as a publisher and printer was the driving force behind the firm. Teddy had helped launch Soldier as an Army newspaper in 1945 ahead of being demobbed in January 1946, when he rejoined Tresises. Known locally for printing street directories, souvenir brochures and stationery, the firm had a growing business making beer mats.
Teddy split the business in two, his brother Kenneth Herbert Tresise (1913-1999) retaining the old printing firm while Teddy set up Tresise Drip Mats in Moor Street in partnership with Keith Hornby Priestnall with Clifford Gothard as chairman. They became the country's biggest producer of beer mats and coasters, eventually being sold to Bryant and May.
What led to Tresise to launch Vaguiard Books is unknown, although it may be that a gap in the market was spied when a great many paperback companies — New Fiction Press (Hank Janson), Harborough Publishing (Michael Storme), R.S. Grey (Ace Capelli), Edwin Self, etc. — stopped publishing in the first six months of 1954. Certainly Smart Guy, the first of the two Frank Kenny novels featuring Guy Smart, has none of the extreme violence and sexual overtones of the gangster novels of that era.
Smart Guy is a fun, fast read involving an actress past her prime, her adoring manager, her deadbeat (but titled) husband, his floozie, her dresser/assistant and an ivory-handled gun that is used in a darkened theatre dressing room to kill Lord Roderick Caryll. Actress Stella Roselle is the chief suspect and is arrested by Chief Inspector Godliman of Yarbury C.I.D.. Enter Guy Smart, who had previous with Stella (then known as Rosie Steel) while working as a clerk to a firm of lawyers in Yarbury. Although he was fired when Rosie fell pregnant, Guy (married to his boss's daughter) was not the father. Discovering the identity of the child — given up for adoption — and the father is one thread Guy sets out to uncover.
There's a fair amount of action along the way, including a boathouse battle with a group of young thugs who have set upon two young girls hitching a lorry ride, and a firework performance from Guy at the coroner's court. The mystery is satisfactorily resolved in the final chapter and Guy sets off towards new adventures as a private eye.
I'm looking forward to reading the second novel in the series, chiefly for the trio of heroes: Guy Smart, D.S.O., the ruggedly good-looking ex-Squadron Leader, a brawny six-footer with a curt, sceptical manner; the Hon. Ethelred (Plummy) Plumleigh-Bretherton, a happy-go-lucky idler-about-town playboy who partners Smart in business; ex-Sergeant Bert (Tiny) Addenham, a burly, red-faced, bald-headed Cockney, genial, slow-witted greengrocer and unregistered bookie who also runs a number of sidelines; and, as the book opens, they are joined in a new business by secretary Marcia Brice.
What adventures will they face in their second book? I'll let you know...
Labels:
Comic Cuts
Wednesday, October 28, 2026
Rebellion Releases — 28 October 2026
It’ll be the galaxy’s greatest party — Rebellion is delighted to announce a huge event to celebrate 50 years of 2000 AD!
To celebrate half a century of the groundbreaking comic book in 2027, a special two-day immersive live extravaganza will be staged at Protein Studios in Shoreditch, London on 6-7 March.
This explosive, must-see celebration will be as unique and thrilling as the Galaxy’s Greatest Comic itself, with a jam-packed schedule of prestige events, original programming, world exclusive merchandise, and one-of-a-kind spectacles befitting the legacy of the finest comic book export the UK has ever produced.
Special guests will be announced in the coming weeks, with an unprecedented number of writers, artists and editors from the past 50 years. Honouring the achievements of both legendary talent and new voices from the pages of 2000 AD, this landmark event that will be the culmination of a slate of nationwide signings and events.
It will also be a chance for 2000 AD to thank its fans for their continued loyalty across the last 50 years — regular subscribers will get the chance to secure exclusive limited edition early bird tickets a week before they go on general sale!
Day tickets for this much-anticipated celebration will go on sale online on Thursday 5 November, with limited early bird tickets for 2000 AD subscribers on sale from 29 October.
Launched in 1977 and led by founding editor and writer Pat Mills 2000 AD quickly became a cultural powerhouse, influencing everything from music, film, TV, comedy and literature — and even politics. Its most popular character the satirical sci-fi cop Judge Dredd, created by John Wagner and Carlos Ezquerra, has become a global comics icon, spawning two major movies and entering the English language as a byword for hardline policing.
2000 AD has served as a launchpad for some of the world’s most celebrated comics talent, from Alan Moore and Dave Gibbons – who reimagined comics with the incredibly influential Watchmen – to Brian Bolland (Batman: The Killing Joke), Grant Morrison, Garth Ennis (Preacher, The Boys), Mark Millar (Marvel’s The Ultimates), Jock (Batman, Dredd), and many, many more. It has also been an inspiration for world-leading creative minds, from musicians such as Madness, The Human League, and Anthrax, to actors such as Simon Pegg and Karl Urban, directors such as Alex Garland and Duncan Jones, and comedians such as Sue Perkins, Bill Bailey and Al Murray.
Jason Kingsley CBE, CEO and co-founder of Rebellion said: “We are delighted to be celebrating 50 years of the galaxy’s greatest comic. We have been the custodians of this cherished British cultural icon for over half of its life, which means a great deal to us. Not only is this a celebration of 2000 AD’s past but we are very much looking toward to marking our way into the future, telling more incredible stories that will delight audiences both existing and new. We cannot wait to see you there!”
Matt Smith, the editor of 2000 AD for the last 26 years, said: “It’s only natural that the comic with the thermonuclear impact would have a lasting legacy – and 2000 AD is still thrilling readers fifty years since its launch. It’s an incredible achievement for a weekly British sci-fi anthology to still be here five decades on, and testament to the strength and timeless quality of the stories from an amazing roster of talent. Such a milestone demands a celebration to match – and I hope loyal Squaxx will come join the droids for this galactic event!”
Ticket ordering information
All current 2000 AD subscribers will each receive a unique code by email on Tuesday 27 October — which will allow them to order early bird tickets for the event — as well as a link to the order site. Tickets are limited to two per code and the code can only be used once. Emails will be sent to the addresses currently attached to each subscriber’s account. Early bird tickets will be limited and, once these limited numbers are exhausted, no more tickets will be released until the general release on Thursday 5 November.
Limited early bird ticket sales for subscribers will go live on the link sent to subscribers at 6pm GMT on Thursday 29 October.
Standard tickets for the event will then go on sale on at 6pm GMT on Thursday 5 November.
And now, this week's releases...
2000AD Prog 2506
Cover: Toby Willsmer.
It's a huge week! 2000 AD lands with a BUMPER-SIZED issue this week, featuring complete new stories for Judge Anderson and Rogue Trooper alongside your regularly-scheduled Judge Dredd, Durham Red Ghosted, and Herne & Shuck! Anderson deals with the fallout of the Mega-Epic Oubliette event, whilst Dredd has a crisis of his own - there's a ticking clock counting down in Mega-City One!
JUDGE DREDD // THE NEW FUTURE by Rob Williams & Arthur Wyatt (w) Henry Flint (c) Annie Parkhouse (l)
ROGUE TROOPER // LONG SHOT by Andi Ewington (w) Conor Boyle (a) Rob Steen (l)
DURHAM RED // HUNGRY CITY by Alec Worley (w) Ben Willsher (a) Simon Bowland (l)
GHOSTED // BOOK TWO by Guy Adams (w) Megan Huang (a) Simon Bowland (l)
HERNE & SHUCK // STORMING THE STONE by David Barnett (w) Lee Milmore (a) Quinton Winter (c) Annie Parkhouse (l)
JUDGE ANDERSON // EGREGORE by Liam Johnson (w) Simon Fraser (a) Gary Caldwell (c) Rob Steen (l)
The Scream! Halloween Special 2026
Cover: Salvador Lavado.
The Scream! Halloween Special 2026 arrives with five all-new stories filled with frights and fear! The Dracula File finds the world's most famous vampire getting involved in Realpolitik; The Thirteenth Floor claims a new victim; Consent Is Key makes a deal with the devil; The Bog Body is awakened; and a small town receives some visitors in Welcome To Bishop's End! With stories from Babs Tarr, Zoe Tunnell, Chloe Brailsford, Vic Malhotra, Zac Thompson and more horrific talents, it's the best horror comic you'll read this spooky season!
THE DRACULA FILE // REALPOLITIK by Alex Paknadel (w) Alejandro Aragon (a) Jason Wordie (c) Jonathan Stevenson (l)
THE THIRTEENTH FLOOR // CONVERSATIONAL REALITY GENERATION by Zac Thompson (w) Mattia Monaco (a) Maco (l)
CONSENT IS KEY by Zoe Tunnell (w) Chloe Brailsford (a) JP Jordan (c) Jodie Troutman (l)
THE BOG BODY by Oliver Gerlach (w) Vic Malhotra (a) Maco (l)
BISHOP'S END // LIGHTS OUT by Michael Gorman (w) Babs Tarr (a) Kyle Fewell (c) Maco (l)
Tuesday, October 27, 2026
Comic Cuts: Banksy & the art of dissent
The Banksy exhibition we went to last week was far more than a showing of that one artist. The number of other street artists represented ran to double figures, most of them unknown to me. Wefail opened a pop-up shop in Colchester a year or two ago, and some of the artwork is still visible, but I don't think anyone else has had artwork displayed locally. The variety and artistic talent on display makes me rather wish we saw more of this kind of thing out in the wild.
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| Alma Singer |
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| Bambi |
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| Chris Dobrowolski |
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| Chris Dobrowolski |
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| Dr D |
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| Freya Gascoyne |
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| Grow Up Art |
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| Hush |
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| Jeremy Deller |
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| KAWS |
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| King Robbo |
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| King Robbo |
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| Lamont White |
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| Merny Wernz |
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| My Dog Sighs |
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| My Dog Sighs |
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| My Dog Sighs |
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| Patrick Hughes |
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| Pest Control |
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| Peter Kennard |
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| Pure Evil |
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| Pure Evil |
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| Sarah Boris |
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| Sarah Boris |
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| Shepard Fairey |
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| Sherlock |
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| SPQR |
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| SPQR |
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| STIK |
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| Sunny Howe |
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| Swoon |
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| Swoon |
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| Tom Armstrong |
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| Tom Armstrong |
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| Wefail |
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| Wefail |
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| Wefail |
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| West Country Prince |
Labels:
Banksy,
Comic Cuts
Monday, October 26, 2026
Comic Cuts: Banksy & the art of dissent
Our recent art trail trip into town was inspired by the announcement of a Banksy exhibition at The Minories gallery in Colchester. I believe this has been the most successful exhibition the gallery has ever held. The gallery is supported by also being a popular cafe. But with no sign of tea and cakes this time, they've had to charge an entrance fee for (I believe) the first time.
We had to book in advance and choose one of the hour-long slots in which to pay our visit. Arriving just ahead of our slot, there were already a few people milling around the entrance, but it was only a couple of minutes before we were allowed in, divested ourselves of various bags and coats in the cloakroom, and were let loose in the first of a number of rooms.
Although Banksy had garnered all the advance publicity, there were dozens of other artists on display, most in the same street/urban art category, mostly aimed at highlighting social inequalities and injustices in one way or another, from graphical slogans on canvas to political dissent stenciled on walls. (And two of the pieces actually were sprayed on walls that had to be wheeled carefully in cradles into the Minories garden!)
The pictures here have been straightened but you might find reflections and other light pollution. Thankfully, Mel picked up the catalogue that went with the exhibition, although it didn't feature all of the displayed artwork, so I'm pleased I spent some time snapping photos.
These are all Banksy pieces. I'll so another post featuring some of the other artists.
Labels:
Banksy,
Comic Cuts
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