30 April. David Fickling is taking David Fickling Books solo after years under the wing of Random House. Where this leaves The Phoenix is uncertain. Presumably still with Fickling, although I was under the impression that Random House were financing it for two years. Can anyone confirm?
28 April. Glenn Fabry is returning to 2000AD to draw the next Slaine yarn, Slaine: The Book of Scars, later this year following an appearance on the cover of prog 1833. R. M. Guerra (of Scalped fame) is pencilling a Judge Dredd yarn for Megazine #338.
19 April. Neil Gaiman's keynote speech at the Digital Minds Conference on 14 April 2013. (video)
17 April. Sean Phillips has four nominations in the 2013 Eisner Awards. Fatale is nominated twice (Best Continuing Series, Best New Series) and Phillips is up twice himself (Best Penciller/Inker, Best Cover Artist). Other British nominees include Paul Grist (Best Lettering) and 2000AD (Best Anthology).
10 April. Future Shock! The story of 2000AD is the title of a documentary feature currently in production with Paul Goodwin directing. Goodwin plans to blog as during production ... just follow the link.
5 April. Tim Pilcher has a Kickstarter project that will offer an insider's memories of the UK Vertigo office in the 1990s. Expect plenty of drink and drugs.
Barry Ono was a former music hall comedian whose collection of old penny bloods and penny dreadfuls was legendary amongst fans of such things. Barry (real name Frederick Valentine Harrison) bequeathed the collection to the British Library when he died in 1941, but for years it remained uncatalogued. Finally, over 50 years later, Elizabeth James and Helen R. Smith catalogued this astonishing collection in Penny Dreadfuls and Boys' Adventures: The Barry Ono Collection of Victorian Popular Literature in the British Library (London, British Library, 1998). The collection had been microfilmed some years earlier and examples from Barry's collection often pop up on John Adcock's Yesterday's Papers blog.
You can find out a little more about Barry Ono here.
Thanks for this Steve.I recently posited the notion of archiving audio and video interviews over at the ComicsUK forum but not much interest there surprisingly,due in part to copyright thingies.But surely this is as much a part of comic history as the written word and in some cases more important as we get to hear and see fans and people working in the media.This stuff is screaming out to be archived properly,especially this example where a fan discusses the very start of comics-the penny dreadfuls!What say you sir!
What say I? I agree. I'd love to see some kind of archive for tapes, film reels, video and written interviews. I'm rather saddened to admit that some of the interviews I did years ago are long gone because I used to transcribe interviews and then reuse the tapes.
I try to link to anything that relates to old British comic strips and British comics creators whenever I come across it in the Comics Cuts columns but I'm sure I miss stuff. If people want to send in links, I'm more than happy to have Bear Alley act as a kind of central clearing house for anything to do with the history of British comic strips and I'm always pleased to have contributions from other people.
Wonderful thing, the internet. I'd would never have stumbled upon the Barry Ono film reel without it. Makes me wish we'd had all these wonderful tools twenty years ago when I started and when people like Bill Lofts were still around.
I first heard of Barry Ono in the early Story Paper Collectors' Digest magazine. Just an allusion to the man. I thought to myself, that with a name like 'Barry Ono' he must be a rather colourful character! Also that his collection of Penny Dreadfuls would have been dreadfully extensive. That seems to be true if they were more in extent than several Museum combined. Very good to see footage of an old-time collector, even if revolving around story-papers that I will probably never be impelled to read.
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6 comments:
I love to hear barry Ono exclaim in his plummy music hall voice, "Sweeney Todd, the Demon Barber of Fleet Street." Thanks for this one, Steve.
Thanks for this Steve.I recently posited the notion of archiving audio and video interviews over at the ComicsUK forum but not much interest there surprisingly,due in part to copyright thingies.But surely this is as much a part of comic history as the written word and in some cases more important as we get to hear and see fans and people working in the media.This stuff is screaming out to be archived properly,especially this example where a fan discusses the very start of comics-the penny dreadfuls!What say you sir!
Fascinating to finally see and hear his voice. Thanks, Steve.
What say I? I agree. I'd love to see some kind of archive for tapes, film reels, video and written interviews. I'm rather saddened to admit that some of the interviews I did years ago are long gone because I used to transcribe interviews and then reuse the tapes.
I try to link to anything that relates to old British comic strips and British comics creators whenever I come across it in the Comics Cuts columns but I'm sure I miss stuff. If people want to send in links, I'm more than happy to have Bear Alley act as a kind of central clearing house for anything to do with the history of British comic strips and I'm always pleased to have contributions from other people.
Michael,
Wonderful thing, the internet. I'd would never have stumbled upon the Barry Ono film reel without it. Makes me wish we'd had all these wonderful tools twenty years ago when I started and when people like Bill Lofts were still around.
I first heard of Barry Ono in the early Story Paper Collectors' Digest magazine. Just an allusion to the man. I thought to myself, that with a name like 'Barry Ono' he must be a rather colourful character! Also that his collection of Penny Dreadfuls would have been dreadfully extensive. That seems to be true if they were more in extent than several Museum combined.
Very good to see footage of an old-time collector, even if revolving around story-papers that I will probably never be impelled to read.
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