I'm still cleaning up artwork, so there's not much in the way of news. I've taken it fairly slowly this week, putting together a couple of biographical sketches of creators that were involved in the books I'm currently working on. Not that there was an urgent need, but I wanted to make sure I had all my facts straight should I need them for an introduction.
I have one more to do for someone I know very little about, and those can take just as long — not in the writing, but the banging your head into a brick wall trying to find even the tiniest fragment of information. I have no biographical details for the artist I wrote up yesterday, not even a birth or death date, and to achieve that level of zero knowledge, I researched (as best I could) ten people with the same name, ruling out six where I could figure out their occupations (they were not artists) or their year of death (while our artist was still working). But that still leaves four, any one of which could be our guy.
But that's most of a day's work. The packing and post associated with Bear Alley Books can take some time, and whether I sell one or ten books, the Post Office doesn't get any closer. There's mowing the lawn and we're having a general spring clean around the house; a leak in the roof needed fixing; I'm chasing up a missing birth certificate which has taken over a month to arrive — all distractions that slow down any progress I'm trying to make on the books. It's a miracle I get any out, let alone five a year.
(2024: Beyond the Void, Forgotten Authors Vol. 5, High Seas and High Adventures, The Phantom Patrol, Dreaming of Utopia; 2025: Mytek Vols. 1-4, The Air Ace Companion; 2026: Action... and more to follow!)
Cleaning up artwork can be fiddly. Letterpress printing was never meant for anything but for a quick read and the paper quality was never great, and six decades on its often yellow with age. The slightest imperfection would send ink spraying across the page, and line work would drop out and disappear. This is especially noticeable in the gutters between the panels and in the captions and word balloons.
What I'm doing isn't restoration. That would require a lot more work. What I'm doing is mostly cleaning up any damage in the balloons, tidying up panel borders and removing any obvious problems on a page. Here's a typical example (certainly not the worst, but it happened to be on the page I was working on when I had the notion to show you what I was talking about when I said I was cleaning up pages).
The scan showed some damage, perhaps where a patch was used to correct a spelling error, or over-inking on the reverse page was showing through. It's the sort of problem that appeared in every single episode and is easily fixed by zooming in and attacking the lettering with a tiny eraser, but boy is it time consuming!
Another common problem is where the page has a small tear affecting the lettering. Here I generally use Photoshop to copy the existing lettering, although I have had to go in with a pencil tool in a couple of instances and fix some lettering. The results are usually invisible — you won't notice any difference when you're reading the book and that means all the hard work will have been worth it. It's not The Repair Shop and nobody is filming it... so I thought I'd give it a mention.











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