Tuesday, January 12, 2010

Chas. Pears

The Artists' Yacht 'Wanderer'

The Illustrative Art of Charles Pears
by Gordon Howsden

Charles Pears working on an oil painting of 'R.M.S. Orcades'

From joke cartoonist and theatrical caricaturist to distinguished war artist and President of the Royal Society of Marine Artists, Charles Pears certainly made best use of his significant artistic talents.

Born on 9 September 1873 in Pontefract, Yorkshire, Charles' early inspiration came from his father, George William Pears, who was a competent amateur painter. Educated at East Hardwick College, he started his working life as an assistant in his father's tailors shop. He found a useful source of extra pocket money by submitting some of his sketches to the local weekly paper, the Yorkshireman but his breakthrough came when he entered and won a competition organized by the leading fine art magazine, The Studio.

Moving to London, Pears was soon contributing to several magazines, including Punch, the Dome, the Longbow and the Sketch, before securing the position of theatrical caricaturist for Pick-Me-Up magazine in 1898. A collection of his drawings taken from the latter was published in 1902 under the title, Men: Drawn and Rhymed About. In similar vein he edited and illustrated Mr. Punch's Book for Children and followed it up with Mr. Punch's New Book for Children in 1903.

That same year he provided the illustrations for the book, Toby and his Little Dog Tan written by James Gilbert and for the next twenty years he was to receive regular commissions from book publishers. Apart from book and magazine illustrations Pears also carried out commercial work for clients, of which his postcard designs for chocolate makers J S Fry & Co are now highly prized by collectors.

During the Edwardian years Pears began to make a name for himself within the fine art world and exhibited at several galleries. Nine of his works were accepted by the Royal Academy and other prominent institutions that exhibited his paintings were the Royal Institute of Oil Painters, where he was elected a member in 1913, the Fine Art Society, the New English Art Club and the Royal Institute of Painters in Watercolour.

Sailing and the sea were to become lifetime passions and in 1910 Charles Pears wrote his first book on the subject titled From the Thames to the Seine and he followed this up in 1914 with From the Thames to the Netherlands. Although the 1914/18 war interrupted his burgeoning career, Pears' maritime skills were put to good use as an official Admiralty War Artist. Several of his paintings from this period are held by the Imperial War Museum. He still found time for commercial work including some dramatic action pictures for The Illustrated London News.

After the war he became one of a long line of distinguished artists to illustrate a volume of Alice in Wonderland but book and magazine illustrations gradually gave way to his marine paintings and poster designs. This latter work had started in 1913 with some designs for the London Underground, which continued through to 1936. He also created some magnificent posters for the railway companies and the Empire Marketing Board. A particular favourite of mine from 1938 is titled "The Cambrian Coast" which was commissioned by the GWR and, along with other examples of his work, this is illustrated in Railway Posters 1923-1947 by Beverley Cole and Richard Durack.

In 1938 he was asked by John Player & Sons to produce a series of 25 paintings for a set of cigarette cards titled "Racing Yachts". He later admitted that of all vessels yachts were among his least favourite marine subjects, due to the fastidiousness of their owners who liked everything to be precisely depicted. However, he did John Player proud with some excellent paintings of many craft that were active at the time. In all probability he also wrote the informative texts on the reverse of the cards. He had by this date written and illustrated a total of five books on sailing although, sadly, the only volume with colour illustrations is Yachting on the Sunshine Coast published by the Southern Railway Company in 1932.

During World War II, Pears again acted as an Official War Artist and the resultant works are now shared between the Imperial War Museum and the National Maritime Museum at Greenwich. Several images of his paintings can be viewed by accessing the IWM and NMM websites. Just prior to the war he had founded the Royal Society of Marine Artists of which he became the first President. An award in his name is still given by the Society to this day.

Timber Barges

Between September 1949 and January 1950, Charles Pears contributed a series of five articles to Artist magazine titled “On Marine Painting” These are most informative and apart from the valuable advice given to budding marine artists they also provide an insight into the method Pears used to create his atmospheric paintings. Among several illustrations that accompanied these articles are photographs of Pears in his studio and also a very fine picture of his own yacht "Wanderer".

Having moved from London to St Mawes in Cornwall to be near the sea that he loved, Charles Pears died on 28 January 1958. The bibliography below is taken from the British Library Catalogue, AbeBooks and my own collection. I must also give credit to Tony Woolrich, whose listing of the artists who contributed to Modern Wonder magazine included the name of Charles Pears, and reminded me that this artist's varied work might be of interest to other Bear Alley devotees.

PUBLICATIONS

Books by Charles Pears
Men: Drawn and Rhymed About. London, Black & White Publishing Co, 1902.
Mr. Punch's Book for Children. London, Punch Office, 1902.
Mr. Punch's New Book for Children. London, Punch Office, 1903.
From the Thames to the Seine. London, Chatto & Windus, 1910.
From the Thames to the Netherlands. London, Chatto & Windus, 1914.
South Coast Cruising. London, Edward Arnold, 1931.
Yachting on the Sunshine Coast. London, Southern Railway Company, 1932.
Going Foreign. London, Edward Arnold, 1933.

Books Illustrated by Charles Pears
Toby and his Little Dog Tan by James Gilbert. London, Hodder & Stoughton, 1903.
Glyn Severn's Schooldays by George M Fenn. London & Edinburgh, W & R Chambers, 1904.
The Pedlar's Pack by Mrs Alfred Baldwin. London & Edinburgh, W & R Chambers, 1904.
A Christmas Carol by Charles Dickens. London, Library Press, 1905.
From Fancy's Realm by Louisa Baldwin. London & Edinburgh, W & R Chambers, 1905.
Christmas Eve by Robert Browning. London & Edinburgh, T.C. & E.C. Jack, 1906.
Poems of Coleridge Ed. by Edward Dowden. Edinburgh, T.C. & E.C. Jack, 1906.
Lady Geraldine's Courtship by Elizabeth Barrett Browning. London & Edinburgh, W & R Chambers, 1906.
Poems of Whittier Ed. by Arthur C Benson. London, Caxton Publishing, 1906.
The Heroes or Greek Fairy Tales for my Children by Charles Kingsley. London, Gowans & Gray, 1907.
Some Round About Papers by W.M. Thackeray. Edinburgh & London, T.N. Foulis, 1908.
By Their Fruits by Rosa Caroline Praed. London, Cassell, 1908.
Mr. Midshipman Easy by Captain Marryat. London, Collins, 1908.
The Middy of the "Blunderbore" by Charles Gleig. London & Edinburgh, W & R Chambers, 1909.
Old Christmas by Washington Irving. London, Chatto & Windus, 1909.
Robert Orange by John Oliver Hobbes. London, Collins, 1910.
The Four Georges and the English Humorists by W.M. Thackeray. London, Collins, 1910.
On Windycross Moor by Mabel Quiller Couch. London & Glasgow, Collins, 1910.
Sea Yarns by John Arthur Barry. London & Edinburgh, W & R Chambers, 1910.
With Morgan to Panama by Edward Hamilton Currey. London & Edinburgh, W & R Chambers, 1911.
Two Years Before the Mast by Richard Henry Dana. London, Macmillan, 1911.
The Waverley Edition of the Works of Charles Dickens. London, Waverley, 30 vols., 1913-1915.
In the Press and Out Again by Robert P Gossop. London, St Catherine Press, 1913.
A Born School Captain by W J Batchelder. London, Blackie, 1915.
Salt-Water Poems & Ballads by John Masefield. New York, Macmillan, 1916.
Sea Scouts All by Percy Westerman. London, Blackie, 1920.
Sea Scouts Abroad by Percy Westerman. London, Blackie, 1921.
The East Africa Force 1915-1919 by Brigadier-General C.P. Fendall. London, H.F. & G. Witherby, 1921.
Alice in Wonderland by Lewis Carroll. London, Collins, 1922.
Cissy by E Maria Albanesi. London, Collins, 1920s?.
Endless Story: An Account of the Work of the Destroyers, Flotilla Leaders, Torpedo Boats and Patrol Boats in the Great War by 'Taffrail' (Taprell Dorling). London, Hodder & Stoughton, 1931.
The Diary of Benjamin Newton Ed. by C.P. Fendall & E.A. Crutchley. Cambridge, University Press, 1933.

Books, Annuals etc Containing Illustrations by Charles Pears
Pears Annual, 1914.
The Children's Treasure Book. London, Odhams, 1934.
Soho Centenary: A Gift from Writers, Artists and Musicians. London, Hutchinson, 1944.

Monday, January 11, 2010

Swipe File

Thanks to Domingos Isabelinho we have a fine example of international swiping. The first image from the Enero 22 (January 22nd) 1958 issue of the Argentinean comic Hora Cero Suplemento Semanal (issue 21) and the second from Thriller Picture Library 302, from January 1960. The first is an image relating to the "Randall the Killer" strip by Arturo del Castillo, the latter a cover by Nino Caroselli. The connection is Creazioni D'Ami, the Italian agency which was representing the European sales of the Randall strip and via whom Caroselli worked for the UK.

A quick note regards Bear Alley: for those of you wondering what has happened to the comic strips, I've simply not had any time to get anything loaded up to Blogger. As I've been scanning and cleaning strips all week, the thought of doing more over the weekend for fun struck me as... well, not much fun, to be honest. I did have some covers ready for uploading (as you'll have seen, or will see below) and I've been working on the next part of the Comic Novelisations and Tie-Ins listing that has been on pause for a couple of months now as it involves an incredible number of images—I uploaded 94 covers this weekend and I've still got quite a way to go.

Acksherley, as Dickie Morton used to say, I did have a comic strip I wanted to post but when I dug it out I found that I had a couple of issues missing. Rats! I won't say what it is as I want it to be a surprise and I'll pick up those missing issues at some point.

But don't panic... I've plenty of other ideas of strips that deserve to be rediscovered and once I get this latest load of scanning cleared, the strips will be back.

Sunday, January 10, 2010

Christie Cover Cavalcade: part 4

A slightly different approach for this episode. Below are a number of variations on the same titles. Must confess that I usually rank the covers in age order when it comes to favourites: the purely illustrative covers are better than the covers that use a montage of items to hint at the contents and these, in turn, are preferable to the photographic covers.

The Mysterious Affair at Styles by Agatha Christie
Pan 310, 1954. Cover by Roger Hall.
Pan G112, 1958. Cover by Jack Keay.
Pan G112, 1962. Cover by W. Francis Phillipps.
Pan X284, 1963. (cover as above)
Pan 10284-2. Cover: photo


Poirot Investigates by Agatha Christie
Pan 326, 1955. Cover by Roger Hall [Not shown]
Pan G139, 1961. Cover by W. Francis Phillips?
Pan X243, 1963. [Not shown]
Pan 10243-5, 1967. Cover: photo


The Murder on the Links by Agatha Christie
Pan G323, 1960. Cover by Tayler.
Pan X241, 1963. [Not shown]
Pan X241, 196? (later imp.) Cover: photo



The Secret of Chimneys by Agatha Christie
Pan 366, 1956
Pan G106, 1958. Cover as above.
Pan G106, c.1961. Coverby W. Francis Phillipps.
Pan X283, 1965. Cover: photo

The Secret Adversary by Agatha Christie
Pan 357, 1955. Cover by ?
Pan GP82, 1957. Cover by Jack Keay.
Pan X265, 1963. Cover by W. Francis Phillipps
Pan 10265-6, 1967. Cover: photo

Saturday, January 09, 2010

Christie Cover Cavalcade: part 3

Here's another selection of Agatha Christie covers, these all published by Fontana.

Lord Edgware Dies by Agatha Christie (Fontana 31, 3rd imp., 1958)

After the Funeral by Agatha Christie (Fontana 110, 1956)

Why Didn't They Ask Evans? by Agatha Christie (Fontana 114, 1956)

Cards on the Table by Agatha Christie (Fontana 166, 1957)

4.50 From Paddington by Agatha Christie (Fontana 434, 1960)

Peril at End House by Agatha Christie (Fontana 513, 1961) Cover by John Rose

The Hollow by Agatha Christie (Fontana 546, 5th imp., 1961) Cover by Barbara Walton

Death in the Clouds by Agatha Christie (Fontana 586, 4th imp., 1961) Cover by John Rose

Friday, January 08, 2010

Comic Cuts - 8 January

Well I hope you all had a great Christmas and New Year. Ours turned out to be fairly quiet and hugely relaxing and I even got some of the dreaded tidying up I'd promised I'd do done. Usually that just means shifting one dusty pile of stuff to another location... this time I had virtually the whole contents of one room out in the hallway to see what was buried in the corners. I managed to shuffle some long-lost items into more accessible places, some of which will be showing up here on Bear Alley in the coming months, no doubt.

Apparently one and a half million people skipped work because of the snow. No such luck here as I work from home and unless a snowdrift cuts off the bedroom, I'm forced to keep working while others enjoy a day off. On the up side, I don't have to struggle on icy pavements. On the down side, I put my back out shoveling snow off the drive, so even sitting in front of the computer is quite painful at the moment.

The five articles I mentioned doing last month are finished. Since then I've been doing some scanning and I'm currently working on a couple of strips called "Wells Fargo" and "Pony Express" which will be turning up in a nice book from those nice folk at Book Palace some time this year. They are beautifully drawn (mostly line & wash) strips by Don Lawrence, originally drawn for Swift and only ever partly reprinted as far as I'm aware, so this should be something of a collector's item. I'll hopefully then finish off a couple of Bear Alley projects before getting down to the next Book Palace book.

The collapse of Borders just before Christmas has had a knock-on effect for British comics' fans as it has dealt a blow to Crikey!, one of the few British fanzines around. Borders had become a big part of Crikey!'s distribution (70%) and the collapse has not only set back any plans for expansion in the near future, but also means that they will lose a huge chunk of revenue from issue 12. Issue 13 will see a bit of retrenching as the magazine goes back to black & white... but it's not all doom and gloom as there has been at least one offer of financing future issues made and Crikey! will certainly continue.

Talking of magazines, Tuesday's Guardian had an article announcing plans by Future Publishing for a new "coffee table" magazine called Comic Heroes, to be published as a 132-page, £7.99 quarterly. The magazine will concentrate on the latest superhero movies, videogames "and the comic books themselves"... comic books coming a poor third, it seems as the rest of the press release only talks about upcoming films. Thankfully there's still enough good stuff going on in the world of comics to prevent them turning wholly into the ephemeral stuff that surrounds movies, along with the novelisation and the cardboard container your burger comes in.

Day2Day Trading have recently announced they are working on two Dan Dare action figures for release hopefully in March or April. The 12" figures are based on designs by Chris Weston, some of which you can see at the head of this column. The company won an award for their 2009 Buck Rogers' figures.

A somewhat belated congratulations to Bill Graham on his retirement from D. C. Thomson. Bill was one of my editors (along with sub-editor Bill McLoughlin) when I had a brief stab at being a comic strip writer for Starblazer. You couldn't find nicer people to work for. Bill has been a huge help over the years whenever I've had enquiries relating to comics published by Thomsons, the most recent only a couple of weeks ago. All the best, Bill. Keep in touch.

Over on the FPI blog, Joe reports that Cam Kennedy is also thinking of retiring. A professional artist since 1962 and active in comics since 1968, Kennedy is now in his late sixties. Here in the UK he's probably best known for his work in Battle, 2000AD and his recent collaborations with Alan Grant on Kidnapped and Dr Jekyll and Mr Hyde, in the USA probably Star Wars: Dark Empire. I've always had a soft spot for "Fighting Mann". And The Light and Darkness War. And many, many others.

I'll end today's column with a random scan. Since I've been trying to cover sales of annuals over the past few weeks, I thought this might bring back some memories of days gone by. It's an ad for the Amalgamated Press annuals for 1958 from Everybody's, 2 November 1957. "Easy to pack—Easy to post—Certain to please". Those were the days...

(* My thanks to Norman Boyd for the above scan.)

Thursday, January 07, 2010

Smilby (Francis Wilford-Smith) (1927-2009)

Mirror, Mirror on the wall, whose is the largest...
(original artwork sold at Christie's, New York, in December 2003)

Francis Wilford-Smith, better known as cartoonist and advertising artist 'Smilby', died at a nursing home in Ledbury, Hertfordshire, on 4 December 2009, aged 82. His work included over 350 full-page cartoons for Playboy and hundreds of others published in the UK, America, France, Germany, Austria, Switzerland and Norway.

Born Francis Wilford Smith--the hyphen was added by deed in 1983--in Rugby, Warwickshire, on 12 March 1927, he was the second son of Wilford Smith, a chemist and businessman who owned a number of chemist shops, and his wife Frances Eleanor (nee Hunt), who died shortly after her son's birth, aged only 36.

A fan of cartoons following his dicovery of bound volumes of Punch magazine in the school library at Warwick School, Wilford-Smith's first choice of career was, in fact, the sea. At the age of 14 he ran away from home only to be picked up by the dock police at Bristol. Poor eyesight meant that he was turned down by the Royal Navy in 1943 and, aged 16, he became a trainee at the Marconi Radio School in London. Qualifying as a Radio Officer, he joined the Merchant Navy, serving on convoys to Africa and across the Atlantic and on supply ships to Cherbourg following the D-Day landings.

After being demobbed in 1946, he attended Camberwell School of Art, studying under John Minton, Edward Ardizzone and others. His romancing of fellow student Pamela Kilby (whom he married in 1949) earned them the collective nickname 'Smilby', a pen-name he would later use on his cartoons. They married in 1949 and had one son and one daughter.

His first work appeared in British Farmer, Melody Maker and the News Chronicle whilst he was studying, specialising in his last two years in illustration and wood engraving. After graduating, he worked briefly for Halas & Bachelor but was unable to obtain a union card. Instead he became an assistant display manager for the women's clothing chain Richards Shops and assistant to industrial designer Ian Bradbury.

Shall I come in, my sweet -- are you ready for me yet?
(original artwork sold by Bloomsbury Auctions in July 2009)


In 1951 he was granted a £100 Punch scholarship and began selling to Punch, Lilliput, London Opinion and Men Only. Turning freelance, he sold to a wide range of magazines and newspapers. When markets began to disappear in the UK, he decided to concentrate on American and European magazines following his successful debut in Playboy in 1960. His work has been widely exhibited.

Wilford-Smith's interests also included blues and gospel music (his home in Sussex included a recording studio and he broadcast on the subject on Radio 3's Bluebird Blues), collecting and gardening. In 1994, he was diagnosed as suffering from Parkinson's Disease.

Obituaries: The Independent (7 January).

PUBLICATIONS

Non-fiction (as Francis Smilby)
Stolen Sweets: The Cover Girls of Yesteryear. Chicago, Playboy Press, 1981.

Illustrated Books (as Smilby)
Phogey! or, How to Have Class in a Classless Society by Malcolm Bradbury. London, Max Parrish, 1960.
Les Anglais: Are They Mad? by Corinne. London, Arthur Barker, 1961.
No Mother to Guide Her by Anita Loos. London, Arthur Barker, 1961. [dust jacket]
The Love Investigator by Ernest Gebler. London, Arthur Barker, 1961.

R. B. Saxe

(* I'm reposting this as, following the original posting on 20 September 2009, I had a very informative note from a relative of Saxe. However, rather than rewrite the whole thing, I've added some details as a postscript.)

R. B. Saxe has been a name I've stumbled over a number of times in the past twenty-whatever years as a writer of comic strips and crime novels. I've struggled to find out anything about him, even a first name... until now.

Saxe had a very odd CV. He was a musician and songwriter from at least as early as 1916 and, presumably, played with bands during the teens and twenties, although the only mention I have been able to discover is that he was a drummer with Gerry Moore, a jazz pianist, who had a residency at the Trident Club, London, in 1928.

He was writing short stories as early as 1929 when "The Democracy of Love" appeared in the Daily Mail. However, he disappears from sight in the 1930s, apart from the co-writing, with Laurence Huntington, of an unproduced screenplay entitled Romance in Rhythm in 1933.

In 1940, the first of a series of novels, written in a hard-boiled American style that seems to me to be deliberately over the top and meant to be comical. Three novels appeared during the Second World War featuring amateur detective John Dobbs, also known as The Ghost. They were briefly popular, and one of the books was even translated into French for the Serie Noir series as Le fantôme sait nager (1954). The first novel, The Ghost Knows His Greengages, was described by one reviewer as "enormous fun; it lies largely in the transposition of Chicago gangsterism into the purer air of Belgravia; written in a slang which is fresh and very lively, and, what is more, immediately understandable.... It is very funny, very violent... a piece of high-spirited nonsense."

Saxe's last novel, also crime, was What Can You Lose?, published in 1947 and described as "another piece of light reading with a Hollywood background." He briefly disappears again until 1952 when he is suddenly credited with a series of biographical comic strips published on the back page of Eagle, all drawn by Norman Williams. Saxe then disappeared suddenly in 1953, with two strips appearing in that year's Eagle and Girl annuals. However, a lengthy search of death records turned up nobody by the name R. B. Saxe. It was a similar story for birth records.

I've returned to Saxe many times over the years, finding a brief mention here, a song title there. Today I struck lucky with an entry in the London Gazette which followed Saxe's death (it is likely that he did not leave a will, so a notice had to be posted informing people of his death giving people with a claim the chance to get in touch with the company handling his estate).

The notice revealed that R. B. Saxe was pseudonym of Francis John Dickson. Er... no, I've never heard of him either.

So after years of digging around, the man behind R. B. Saxe is finally revealed. I have to admit, it has been a bit of an anti-climax. All I've been able to find out about him was that Dickson was born in Camberwell in 1888; he was living at 10 Dryden Street, London W.C.2 and working as a commercial traveller at the time of his death on 6 February 1953, aged 64.

Update: 6 January 2010

I'm pleased to say that my original post was spotted by David Jones, grandson of Francis Dickson. Although David was only three years old when his grandfather died, he was able to fill in some fascinating family history: "He came from a theatrical background," says David. "His father, Jimmy Dickson (actually James Bernard) wrote music hall material for Fred Williams and Harry Randall (e.g. Little Teddy Brown Down at Margit). Jimmy's day job was a salesman for a paper company. Francis's brother, James Augustine, was an actor, mostly in pantomime under the name Charles Cardiff. In later life, Francis adopted a third forename, Aloysius. I have no idea where these names came from...

"Francis's daughter, my mother, was a musician, playing the piano in London department store bands before the war (Whiteleys in Bayswater, for instance). She also had a brief spell as a drummer at the Kit Kat club in the Haymarket."

Francis John Dickson died of lung cancer (he smoked like a chimney, says David). During the First World War he was a balloon-based observer in France. His father was James Bernard Dickson (b. Newington, 1860) who was married to Mary Josephine Ross (b. Ireland, c.1860) in 1884.

The photograph at the top of the column is from the dust jacket of the French edition of The Ghost Knows His Greengages.

PUBLICATIONS

Novels (series: John Dobbs [The Ghost])
The Ghost Knows His Greengages (Dobbs). London, Constable, Dec 1940.
A Ghost Does a Richard III (Dobbs). London, John Long, Mar 1943.
The Ghost Pulls the Jackpot (Dobbs). London, John Long, Feb 1945.
What Can You Lose?. London, John Long, Nov 1947.

Short Stories
The Democracy of Love (Daily Mail, 24 Sep 1929)
Chicken-Hearted (The Novel Magazine, Oct 1929)
The Customer Is Always Right (The 20-Story Magazine, Dec 1930)
The Survival of the Slickest (The 20-Story Magazine, Feb 1931)
A Filmdom Tragedy (The 20-Story Magazine, Mar 1931)
Hearts Entwined (The 20-Story Magazine, Jan 1932)
Fickle Fate (The 20-Story Magazine, Feb 1932)
The Girl Who Wouldn't Smile (The 20-Story Magazine, Jul 1932)
Mr. Snip Snaps (The 20-Story Magazine, Oct 1932)
The Reunion of Snake-Face (Illustrated London News, Xmas 1941)
'Remember Me?' (Evening Standard, 15 Nov 1947)

Songs
The Ghost of the Stilton Cheese, with Harry Stafford. London, Francis, Day & Hunter, c.1916.
What Are Little Girls Made Of, with Harry Stafford. 1920.
Strait-laced Jane, with Donovan Meher. 1923.
Everybody Slips a Little, with Donovan Meher. Toronto, Leo Feist, 1923.
A Rose in a Garden of Weeds, with Hubert W. David. 1926 (performed & recorded by Jack Simpson, Billy Cotton, The Five Smith Brothers, Maurice Keary, Charlie Chester and others).
It’s Too Late Now, with G. Silver. 1927.
Oh, My Darling Clementine. 1927.
Take a Letter, Maria, with Hubert W. David. [date unknown]

Comic Strips
Louis the Fearless (biographical strip, Eagle, 4 Jan-27 Jun 1952, art by Norman Williams)
Deep Sea Doctor (biographical strip, Eagle, 4 Jul-19 Dec 1952, art by Norman Williams)
Man of Courage (biographical strip, Eagle, 24 Dec 1952-3 Jul 1953, art by Norman Williams)
Wenceleas the Good (biographical strip, Eagle Annual 3, Sep 1953, art by Norman Williams)
Elizabeth Fry (biographical strip, Girl Annual 2, Sep 1953, art by Edgar Ainsworth)

(* "Deep Sea Doctor" artwork by Norman Williams © Dan Dare Corporation. Many thanks to David Jones for the additional information and a scan of the photo.)

Comic Cuts: Charts w/e 2 January

Because of deep-discounting by most retailers, annuals dominated the Top 50 bestsellers for week-ending 2 January 2010, although Nielsen typically does not include titles which are discounted by 65% on average in their "Official" Top 50.

Top 20 Annuals (week ending 2 January 2010)
1 (7) The X Factor Annual (approx. 28,000)
2 (1) Beano Annual (22,449)
3 (6) High School Musical Annual (18,033)
4 (3) WWE Annual (over 12,000)
5 (-) Pokemon Annual (over 12,000)
6 (-) Clone Wars Annual (over 12,000)
7 (-) Star Wars Annual (over 12,000)
8 (2) The Official Doctor Who Annual (over 12,000)
9 (9) Ben 10 Alien Force Annual (approx. 12,000)
10 (5) Match Annual (approx. 11,000)
11 (4) Hannah Montana Annual (over 10,000)
12 (-) Peppa Pig: The Official Annual (approx. 10,000)
13 (-) Dandy Annual (under 10,000 hereon)
14 (-) Horrid Henry's Annual (
15 (-) Bratz Annual (
16 (-) Robert Pattinson Annual: Beyond Twilight (
17 (8) Broons Annual (
18 (-) In the Night Garden Annual (
19 (-) Disney Princess Annual (
20 (-) Thomas and Friends Annual (

Wednesday, January 06, 2010

Reina Bull

Science-Fantasy, Winter 1951. Cover by Reina M. Bull

Reina M. Bull, who also signed her work RMB and Janine, has been a bit of a mystery woman for collectors of old British science fiction. Almost nothing was known about her beyond a handful of contributions to a couple of SF magazines published in the early 1950s, notable for their flat, almost two-dimensional design. The covers were sexual at a time when the emphasis was on hardware—space rockets, astronauts, robots—or vistas of alien planets; Bull's focal point was always a menaced female. Brian Aldiss called her "one of the most remarkable artists to enter the British field," whilst Simon Marsh-Devine noted that "Her science fiction style has often been considered as reminiscent of Margaret Brundage, an American, painting for Weird Tales, mainly in the 1930s and early 1940s. Though possibly inspired and to an extent influenced by the work of Brundage, another woman, RMB covers were originally conceived and different in style and method."

Her career at the cheaper end of the paperback market began immediately after the Second World War when she was discovered by Todd Publishing, who used a number of imprints—Vallancey Press, Poynings press, Polybooks and Bantam Books—to publish short (often only 16 page) collections of stories during and after the War. These have become very scarce and are highly collectable as they include booklets by Agatha Christie, Daphne Du Maurier, Louis Golding, E. Phillips Oppenheim, P. C. Wren and many others.

The Talking Gun by Nigel Morland (Polybooks, 1946?) Cover by Sington

Her subsequent career in this market was patchy and came to an end with her contribution of four covers to Nova Publications in the early 1950s. Between those two dates—1945 to 1952—she produced some remarkable work. Her career outside of those two dates remained a mystery, although I can now fill in a few gaps relating to her family life.

She was born Reina Mary Sington in Bexhill-on-Sea on 24 July 1924, the eldest daughter of Alfred Julius Sington and his wife Gwendoline. Alfred Sington was born in Hamburg, Germany, in around 1890, a German subject, who moved to England and was living with his uncle Philip J. Jonas, a farmer based in Stock, Essex, by 1901. Alfred earned a scholarship at St. Paul's School and attended University College, London, studying German.

During the First World War he served with the 3rd Home Counties (Cinque Ports) Brigade, earning a Military Cross, which he was awarded in 1919. He continued to serve in the Territorial Army Reserve with the 59th (Home Counties) Brigade into the early 1920s and rose to the rank of Captain in 1924.

Three Plays by John Gawsworthy (Pan Books 49, 1948) Cover by Sington

In 1923, Professor Sington married Gwendoline De Pinna in Battle, Sussex. Two daughters were born, Reina Mary in 1923 and Sylvia Ann in 1925. In 1926 Alfred and Gwendoline travelled to Japan where Alfred worked as a lecturer in Kobe. Gwendoline returned to raise their children in Bexhill-on-Sea until 1930 when the whole family travelled to Japan, where another daughter, Elizabeth, was born in 1931. Gwendoline and her children returned to England in 1934 and Professor Sington followed in 1936. It is possible that Professor Sington was the A. J. Sington appointed in 1948 as His Majesty's Consul for Solovakia who resided in Bratislava. If that is the case, he was awarded the O.B.E. in 1951.

Alfred Julius Sington died in Sussex in 1951, aged 60. Mrs. Sington outlived her husband by many years, her death registered in Lewes, Sussex, in 1972.

Science-Fantasy, Spring 1952. Cover by Reina M. Bull

It is interesting to speculate that her early travels to Japan had an influence on the artistic work that Reina Sington was to subsequently produce, although one might also claim that she was as influenced by classic paintings of Rubens and the then contemporary style of fashion design. Whatever her direct influences, Reina Sington melded them into a unique style.

Her early (1945-46) work for Todd was signed 'Sington', and included not only covers (at least two of them for Agatha Christie booklets) but a number of internal illustrations as well. She is next sighted as an illustrator of fairy stories published by T. V. Boardman and Andrew Dakers in 1949. Around the same time she also teamed up with Benson Herbert and began illustrating magazines for his Utopian Press, the first, College Capers (Sep 1948), signed 'Reina' although all her subsequent covers for Utopian were signed 'Janine', perhaps to distance her from her fairy tale illustrations.

The Utopian magazines were collections of saucy short stories with plenty of emphasis on stockings, panties and female flesh, mostly told in a humorous style, but veering off into any direction the monthly title dictated. Utopian's publisher, Benson Herbert, wrote some of the stories himself, but the bulk of the stories were written by Norman Firth and Sydney Bounds, who told me that it was a good place to learn his craft as he was able to practice and get paid at the same time. Syd wrote sexy crime epics like "Death in Black Chiffon" and "Model for Murder", illustrated sexily, but innocently, by 'Janine'.

Because of laws restricting the publication of new periodicals, Herbert's regular monthly magazine carried a new title each issue: Sultry Stories, for instance, was followed over the next few months by Taboo Tales, Prairie Pranks, Footlight Follies, Hayride Antics and Racy Stories. A full checklist of these magazines can be found at our companion site, Bare Alley, not from any prudery on my part but because Bear Alley gets quite a few hits from young children. It's unlikely that they'll be reading this, so consider it a treat for regular readers who actually read these columns.

In 1949 Reina Sington married Randolph Cecil Bull. Bull (1922-1997), a director of publisher Home & van Thal Ltd. who was also an editor of anthologies. His books include Perturbed Spirits (Arthur Barker, 1954), Upon a Midnight (Macdonald, 1957), Great Stories of Detection (Arthur Barker, 1960) and Great Tales of Mystery (Weidenfeld & Nicolson, 1960; reprinted as Great Tales of Terror, Panther, 1963).

Her connection to Nova Magazines, publishers of New Worlds and Science-Fantasy was probably through Walter Gillings, early editor of the latter who may have known Bull from her time at Utopian. She painted four remarkable covers for the two magazines, all of them stylistically remarkable and unique. Simon Marsh-Devine notes: "Certain threads continue to link the two periods, i.e. a complete and deliberate disregard for formal laws of perspective, unusual disjointed and often impossible poses, the use of impractical and very feminine garments whatever the genre."

New Worlds, Autumn 1951. Cover by Reina M. Bull

After the last of her four Nova covers, Reina Bull disappears from sight (my sight, at least). A number of illustrations were submitted by John Carnell to Phil Harbottle in 1969 when Harbottle was editing Visions of Tomorrow but they were non-fantasy and disappointing; Phil rejected them, uncertain if they were old, unused artwork from the 1950s or new material.

It seems likely that Bull and her husband separated at some point as her death was registered under her maiden name of Sington in Uttlesford, Essex, in November 2000.

Books illustrated as Reina Sington
The Black Cat and other stories by Edgar Allan Poe. London, Vallancey Press, 1945.
Holiday from Life by Lyn Arnold. London, Vallancey Press, 1945.
Little Thumbelina by Hans Christian Andersen. London, Poynings Press, c. 1946.
The Magic Forefinger, and other Welsh fairy stories by William Glynne-Jones. London, T.V. Boardman, 1949.
The Book of Fairy Princes by Isabel Wyatt. London, Andrew Dakers, 1949.
Little Bear by Arthur Groom. Hyland Press, n.d.

Cover illustrations as Reina Sington
Poirot Knows the Murderer by Agatha Christie. London, Francis Hodgson, 1946.
Poirot Lends a Hand by Agatha Christie. London, Francis Hodgson, 1946.
The Invisible Companion and other stories by J. Jefferson Farjeon. London, Polybooks, 1946.
The Talking Gun by Nigel Morland. Polybooks, 1946?
Three Plays by John Galsworthy. Pan Books (49), Jun 1948; reissued as Escape, Pan, 1951.
The Moving Finger by Agatha Christie. Pan Books (55), Jul 1948.
I, Said the Fly by Elizabeth Ferrars. Pan Books (56), Aug 1948.
A Deed Without a Name by Dorothy Bowers. Pan Books (67), Nov 1948.

Cover illustrations as Janine
College Capers (Nov 1948) Harlem Hotspots (Nov 1948), Zippy Stories (1948), Cowgirl Capers (Dec 1948), Peppy Stories (Jan 1949), Hula Hotcha (Feb 1949), Studio Frolics (Mar 1949), Sultry Stories (Apr 1949), Taboo Tales (May 1949), Prairie Pranks (Jun 1949), Footlight Follies (Jul 1949), Hayride Antics (Aug 1949), Racy Stories (Sep 1949), Cuban Capers (Oct 1949), Reno Revels (Nov 1949), Hubba Hubba (Dec 1949), Sporty Stories (Jan 1950), Carnival Capers (Feb 1950), Blue Stories (Mar 1950), Salty Stories (Apr 1950), Outdoor Antics (May 1950), Heebee Jeebee (Aug 1950), Flip-Flap (Sep 1950), Ritzy Stories (Oct 1950), Snap (Nov(?) 1950), Can-Can Capers (Dec(?) 1950), Haywire (Jan 1951), Animal Crackers (Feb 1951), Turkish Delight (Mar 1951), Delicious Stories (1951?).
Fads and Fancies (Jul-Dec 1950).

Cover illustrations as RMB [Reina M. Bull]
Science-Fantasy, Winter 1951, Spring 1952.
New Worlds, Autumn 1951, Nov 1952.

Monday, January 04, 2010

The Best of Jennings

Prion recently published The Best of Jennings, which some might argue is a bit of a misnomer as it contains the first four Jennings novels rather than a calculated selection from the Jennings canon of "the best". Mind you, the first four are as good a selection as any.

This collection features Jennings Goes to School, Jennings Follows a Clue, Jennings' Little Hut and Jennings and Darbishire, originally published between 1950 and 1952. I re-read the first some while back and it was as hilarious as it was the first time I read it forty or so years ago. I was a bit nervous that the language would be as fossilised as I've now become but it was still an utter wheeze to read.

The four novels appears to be of the original texts, with tuppenny bus fairs intact, which is something all readers should appreciate. The books are of their time, as are the lives that our heroes experience at Linbury Court boarding school and no amount of updating could improve the stories for a "modern" audience. I know this from my own reading of the books (and the Billy Bunter and Lone Pine books, all those years ago): they were nothing like the schools I attended or the holidays of my childhood any more than Hogwarts has any comparison to a modern comprehensive. The Jennings novels are historical documents of a time long gone and any child will quickly understand that fact and immerse themselves in this rich and very different world.

Of course, a new audience isn't what Prion are after. The book is for those of us afflicted with the nostalgia bug and, as far as I'm concerned, they could not have chosen a better author to revive.

The Best of Jennings. Prion ISBN 978-1853757242, October 2008.

Sunday, January 03, 2010

Classic Brooke Bond Picture Cards Collections

Although I'm a hardcore coffee drinker, I was born into a tea-drinking family and grew up with Brooke Bond picture cards. Without wanting to overstate the excitement, it was a bit of a thrill to open up new packets of tea and dig out the card that came with them. I remember having some of the albums , like The Saga of Ships and The Race into Space, originally published in the early 1970s. The first sets dated back to 1954, based on the old cigarette cards that had existed for years. Brooke Bond's first set of 20 featured photographs of British birds; photos also featured in the second set of 50 wild flowers and it was only with the third set, Out Into Space, that the cards were illustrated with paintings.

Many of the early sets issued in the 1950s and 1960s were drawn by C. F. Tunnicliffe, a superb nature artist whose talents would eventually earn him an O.B.E. Tunnicliffe illustrates five of the twelve sets reproduced in Mark Knowler's Classic Brooke Bond Picture Cards Collections and the book is worth picking up for those five sets alone.

But there's a lot more included. The twelve complete sets include Transport Through the Ages, Flags and Emblems of the World, History of the Motor Car, as well as the wildlife sets. It might have been nice to have had a little more diversity... the introduction hints at some of the many other fascinating subjects covered by Brooke Bond over the years, including Peter Scott's Wildlife in Danger from 1963, highlighting animals that were facing extinction, and its sequel, Vanishing Wildlife, Inventors and Inventions, Police File, Unexplained Mysteries of the World, Creatures of Legend or even the final set, The Secret Diary of Kevin Tipps, which featured the PG Tips chimps used in so many hilarious adverts.

That's not to belittle the choices here, but the concentration on nature for three-quarters of the book doesn't show off the variety of sets to their best. It does, however, open the way for a sequel, which I'd be eager to see.

Classic Brooke Bond Picture Cards Collections. Prion ISBN 978-1853757204, October 2008.

Saturday, January 02, 2010

Comic Cuts: Charts - Bestselling annuals of 2009

The following total sales figures are derived from sales probably up to the end of November (I'm not completely sure). The total sales for The Beano Annual 2010 as of 26 December 2009 is the only figure I know: 227,949. If I find more, I will update.

Top 5 Selling Annuals 2009
1 Beano Annual (137,765)
2 Peppa Pig: The Official Annual (121,775)
3 Hannah Montana Annual (105,915)
4 Ben 10 Alien Force Annual (103,900)
5 Top Gear Annual (102,220)

Friday, January 01, 2010

Comic Cuts: Charts w/e 19 & 26 December

I delayed posting the chart for 19 December in the hope that I might be able to discover some actual numbers... then got caught up in Christmas, so here are the latest chart positions for the last two weeks.

Top 10 Annuals (week ending 19 December 2009)
1 (1) Beano Annual (
2 (4) The Official Doctor Who Annual (
3 (3) Hannah Montana Annual (
4 (2) Ben 10 Alien Force Annual (
5 (7) Private Eye Annual (
6 (8) High School Musical Annual (
7 (6) Match Annual (
8 (9) Broons Annual (
9 (-) The X Factor Annual (
10 (10) Peppa Pig: The Official Annual (

Top 9 Annuals (week ending 26 December 2009)
1 (1) Beano Annual (27,514)
2 (2) The Official Doctor Who Annual (16,956)
3 (-) WWE Annual (
4 (3) Hannah Montana Annual (
5 (7) Match Annual (
6 (6) High School Musical Annual (
7 (9) The X Factor Annual (
8 (8) Broons Annual (
9 (4) Ben 10 Alien Force Annual (

I expect annual sales to fall away sharply in the new year, so it's unlikely that we will see nearly as many books hit the Neilsen Top 50 (from which I create these charts). In the past, there would have been a boost from January Sales as the price of annuals dropped, but sellers like Amazon selling their annuals for around £4 throughout the whole selling season and many shops following that trend, it's unlikely that anyone has had to wait for a bargain to be had. Once kids have spent their Christmas money, that's likely to be it.

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