In 2010, Rich Johnson (Bleeding Cool) named him his favourite comic creator of all in an article titled "The Greatest Comic Creator You May Never Have Heard Of". "His writing reminds me of Alan Moore on BoJeffries Saga and
Skizz, of Kieron Gillen on Phonogram, of Roger Langridge on The Muppet Show," said Johnson.
"His art a beautiful amalgamation of Paul Grist, Dave Sim, Posy Simmonds, Leo
Baxendale, Jamie McKelvie and Bryan Talbot – and he can, if he wishes, imitate
many a style. And also he’s a star colourist and letterer."
Brian Talbot said in 2015: “Quite frankly, nobody else produces comic stories that are anywhere similar to Terry Wiley’s. They are unique, well-crafted, character-driven comics, filled with humour, incident and emotion and populated largely by a cast of distinctly individual female characters. In a medium that’s still, in the English-speaking world at least, largely considered by the general public to be dominated by male adolescent power fantasies, Terry’s stories are firmly set outside this geek boy’s locker-room territory.”
Brian Talbot said in 2015: “Quite frankly, nobody else produces comic stories that are anywhere similar to Terry Wiley’s. They are unique, well-crafted, character-driven comics, filled with humour, incident and emotion and populated largely by a cast of distinctly individual female characters. In a medium that’s still, in the English-speaking world at least, largely considered by the general public to be dominated by male adolescent power fantasies, Terry’s stories are firmly set outside this geek boy’s locker-room territory.”
Born in Newcastle upon Tyne on 9 November 1961, he started drawing comics when he was five. Wiley and school friend Adrian Kermode, who met in 1979, created a science fiction strip, "Amoeba's Playtime" for Lepton, the school magazine. In 1983 he converted it into a game for the 48K Spectrum.
Wiley first came to notice with More Tales From Sleaze Castle (later shortened to just Sleaze Castle) (9 issues, 1989-99), written by Dave McKinnon, featuring Jocasta "Jo" Dribble, perpetual student working on an M.A. in Televisual Studies, her family – mum Poppy, hard-drinking sister, Petra – and her friend, albino extra-dimensional Empress of a parallel Earth, Pandadomino "Panda" Quartile, stranded in this realm. The stories meandered from tales of student life at Newcastle University and coping with family crises, to tales of time travel and bizarre encounters with characters such as Ralph (an anteater) and Dweng (a zombie) along the way. It's strong and likeable cast and offbeat storytelling that delighted in surrealistic interludes, earned the comic a steady following.
Released under their own Gratuitous Bunny Comix imprint, it was held back by an irregular schedule, with often over a year between issues. The strip has been reprinted a number of times, including a 3-volume Director's Cut (1995-96; recently reprinted by Markosia in 2016).
While More Tales was still running, McKinnon and Wiley launched Tales of Sleaze Castle (4 issues 1993-94), a prequel, collected as The Director's Cut #0 (1996; reprinted 2013). Petra, Jo Dribble's younger sister, found solo fame in her own rather more real-world stories, Petra Etcetera, written by Wiley's schoolboy friend Adrian Kermode, first as a back-up in Sleaze Castle and then a 3-issue series (1999-2001); an epilogue written by Kermode in 2005 eventually appeared in a complete edition of the series (2010), a year after Kermode's untimely and early death in 2009.
Wiley first came to notice with More Tales From Sleaze Castle (later shortened to just Sleaze Castle) (9 issues, 1989-99), written by Dave McKinnon, featuring Jocasta "Jo" Dribble, perpetual student working on an M.A. in Televisual Studies, her family – mum Poppy, hard-drinking sister, Petra – and her friend, albino extra-dimensional Empress of a parallel Earth, Pandadomino "Panda" Quartile, stranded in this realm. The stories meandered from tales of student life at Newcastle University and coping with family crises, to tales of time travel and bizarre encounters with characters such as Ralph (an anteater) and Dweng (a zombie) along the way. It's strong and likeable cast and offbeat storytelling that delighted in surrealistic interludes, earned the comic a steady following.
Released under their own Gratuitous Bunny Comix imprint, it was held back by an irregular schedule, with often over a year between issues. The strip has been reprinted a number of times, including a 3-volume Director's Cut (1995-96; recently reprinted by Markosia in 2016).
While More Tales was still running, McKinnon and Wiley launched Tales of Sleaze Castle (4 issues 1993-94), a prequel, collected as The Director's Cut #0 (1996; reprinted 2013). Petra, Jo Dribble's younger sister, found solo fame in her own rather more real-world stories, Petra Etcetera, written by Wiley's schoolboy friend Adrian Kermode, first as a back-up in Sleaze Castle and then a 3-issue series (1999-2001); an epilogue written by Kermode in 2005 eventually appeared in a complete edition of the series (2010), a year after Kermode's untimely and early death in 2009.
The complete sequence – the four-volume Director's Cut and the complete Petra Etcetera, was reprinted as the 480-page The Incomplete Final Cut by Markosia in 2012. There were a number of spin-off comics, including Good Morning Vietgrove (1994), Surreal School Stories (6 issues, 1995-98), a penny-dreadful format of text and illustrations, and Characters! What Are They Like, Eh? (1996).
Wiley later created another comedy soap opera, VerityFair, featuring talented 40-something actress Verity Bourneville, described by Wiley as "a mess, a loudmouth, waver of hands, a pain in the neck, a cack-handed, bath-singing, confabulating pest; she makes up words and forgets to tell anyone what they mean." Verity first appeared in The Girly Comic #19 and the first issue of the comic was serialised on Factor Fiction, the website for The Girly Comic from March 2010.
VerityFair was reviewed by Ed Fortune (here), who thought it Wiley's best work: "The art is strong, the characters are interesting and the plot, though
slow, is fun and clever. The tale of one women’s journey through a tough
world is never going to fly off the shelves; comic book fans aren’t
famed for their love of domestic drama, which is a real shame as it
means they’ll miss out on a great read."
VerityFair ran for 6 issues (May 2010-2014) and was gathered together with additional material in two digital volumes VerityFair 1: Custard Creams (2013) and VerityFair 2: Pink Elephants (2014) and a print edition, VerityFair (Borderline Press/Fanfare Press, 2015).
VerityFair ran for 6 issues (May 2010-2014) and was gathered together with additional material in two digital volumes VerityFair 1: Custard Creams (2013) and VerityFair 2: Pink Elephants (2014) and a print edition, VerityFair (Borderline Press/Fanfare Press, 2015).
Wiley was a contributor to Super State Funnies (1997) and Borderline ("Miffy", 2001-03). He drew "Trip Into Space" to the Image anthology This is a Souvenir: The Songs of Spearmint and Shirley Lee (2009) and lettered Frankenstein, A Christmas Carol, Jane Eyre and other titles for Classical Comics. His work also reprinted in two anthology collections of The Girly Comic: The Girly Comic Book 1 (2012) and The Girly Comic Book 2 (2012).
Wiley continued to support conventions and small press events into 2017.
He is survived by his fiance, Cindi Geeze, who, when announcing his death, revealed that he had been battling cancer of the brain for two years. "He kept the severity of it from everyone, including me, leading us all to believe that he was getting better, that he was beating it. But that’s just how Terry was. He didn’t want to worry anyone. He didn’t want anyone fussing over him. This gentle soul wanted to protect those he loved from the pain and stress of his impending departure from this life. We only knew that things were dire in the last couple of months as his decline started to gain speed."
UPDATE: A very small selection of tributes that have appeared on Facebook and Twitter:
From Dave McKinnon on Facebook:
Just to let everyone know, Terry Wiley passed away peacefully on Saturday afternoon. I was there with him, as were his cousin Lesley and Penny. We'd been with him pretty much on a daily basis for the last month, and were supported by a constant stream of his friends - it was most gratifying that so many people came to visit him, travelling from all over the country - and some coming all the way over from Ireland. The local guys and girls have been amazing. I've lost a pal, a brother, a creative partner, fellow performer, and co-conspirator. We lived inside each other's head for a very long time. He and Adrian Kermode have now both gone, leaving just me behind. I suspect they're somewhere having a laugh at my expense.
Very sad to hear about this. With Dave, Terry was a true force of nature on the 90s UK comics scene, and beyond. He was a brilliant artist and storyteller, a genuine maverick, and never quite got the recognition or breaks he deserved. Terrible news. #RIPTerryWiley https://t.co/ojiBRfrHWi— Nick Abadzis (@NickAbadzis) September 9, 2018
Terry Wiley was a pioneer in British self-publishing, a superb, original cartoonist, a delightful eccentric who was a regular presence at UK comics events. He’s passed away way much too soon, with too much art undrawn and too many stories untold. Rest in Peace, Terry. https://t.co/SCa5CDb3WR— Gary Spencer Millidge (@millidge) September 9, 2018
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