
Memories of Look and Learn
One day in 1971 I picked up a copy of World of Wonder from my local newsagent. It was an event that changed my life completely. The magazine was so interesting that, with no writing experience whatsoever, I contacted the editor suggesting a series of articles on famous magicians. The idea was accepted and I produced a 15-week series.
Prior to the series being published (starting 16 October 1971), I came across some information about Willow Pattern. I wrote about this and sent it, speculatively, to Bob Bartholemew, the editor of World of Wonder. It was accepted and I contributed to the magazine thereafter.

During the writing process I saw Philip Emms on our local railway station. As we had been neighbours when we were kids I knew he was an artist (although we had not met for some twenty years) and I invited him to illustrate my book. He accepted the invitation adn we did a couple of books together thereafter.
It may have been through Phil that I first heard of Look and Learn because he was a regular illustrator. The first piece I wrote for Look and Learn was, as far as I can tell, about Madame Tussaud (18 August 1972) and this led to regular articles until the demise of the magazine.

Andy Vincent was the editor when I first started contributing to Look and Learn and I got on well with him. I do remember, however, one occasion that he suggested that I do a series on the history of steam power. When I delivered the material he had forgotten all about it and I had to "sell" the idea back to him. This I did not find surprising because of the speed at which the editors had to work. A similar thing happened on World of Wonder when Bob Bartholemew commissioned me to write a piece. When I delivered it I discovered that he had also commissioned another writer to do the same piece! It is, however, to Bob Bartholemew that I owe a big debt of gratitude for he was a great encouragement and a regular purchaser of my material right from the start of my career as a freelance writer.

In spite of regular visits to the editorial offices of these three magazines I did not have much contact with staff other than the editors, although I did meet them while I was in the office. Many of the staff, other writers, illustrators and the production staff were met at the Christmas get-togethers of Look and Learn on the 17th (I think) floor of King's Reach Tower.
During my period supplying material to Look and Learn I also organised some prize trips to The Magic Circle and The Magic Circle Christmas Show.

Two coincidences were associated with my involvement with Look and Learn. The first being that I was introduced to the magazine by artist Philip Emms who was my next door neighbour when we were kids and had no idea that our paths would be linked at a later date. The second came in when I employed the services of a literary agent and later discovered that the agency also acted for John Davies and Andy Vincent, both editors of Look and Learn, and Robin May, a regular contributor to the magazine!

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