Novels (series: Frank Elder; Will Grayson; Hart the Regulator, Scott Mitchell, Charlie Resnick, Tempest Twins)
One of Our Dinosaurs is Missing (novelisation of screenplay). London, New English Library, 1976.
New English Library 0450-02826-7, Mar 1976, 128pp, 40p. Cover: photo (Walt Disney)
Amphetamines and Pearls (Mitchell). London, Sphere, 1976.
Sphere, 1976.
The Geranium Kid (Mitchell). London, Sphere, 1976.
Sphere, 1976.
Junkyard Angel (Mitchell). London, Sphere, 1977.
Sphere 07221-4407-5, 1977, 143pp, 65p. Cover photo
Neon Madman (Mitchell). London, Sphere, 1977.
Sphere, 1977.
Herbie Rides Again (novelisation of screenplay), illustrated by Tony Masero. London, New English Library, 1977.
New English Library 0450-03140-3, Jan 1977, 128pp, 60p. Cover: photo (Walt Disney)
Herbie Goes to Monte Carlo (novelisation of screenplay). London, New English Library, 1978.
New English Library 0450-03651-0, Apr 1978, 124pp, 60p. Cover: photo (Walt Disney)
What About It, Sharon? (juvenile). London, Peacock Books, 1979.
Peacock Books, 1979.
Frame. London, Magnum Books, 1979.
Magnum Books 0417-03940-9, 1979, 223pp, 95p. Cover photo by Rod Sutherland
Hart #1: Cherokee Outlet.
Pan, 1980.
Hart #2: Blood Trail.
Pan, 1980.
Hart #3: Tago.
Pan, 1980.
Hart #4: The Silver Lie.
Pan, 1980.
Hart #5: Blood on the Border.
Pan, 1981.
Hart #6: Ride the Wide Country.
Pan, 1981.
Blind.
Magnum, 1981.
Hart #7: Arkansas Breakout.
Pan, 1982.
Hart #8: John Wesley Hardin.
Pan, 1982.
Hart #9: California Bloodlines.
Pan, 1982.
Hart #10: The Skinning Place.
Pan, 1982.
Reel Love. London, Hippo, 1982.
Hippo, 1982.
Footwork.
Hippo, 1982.
Sundae Date.
Hippo, 1983.
What Game Are You Playing.
Hippo, 1984.
Duty Free (novelisation of the TV series).
Ravette, 1985.
More Duty Free (novelisation of the TV series).
Ravette, 1986.
Wild Love.
Pan 0330-29332-X, 1986, 125pp, £1.25. Cover photo by Gio Barto
Last Summer, First Love.
Pan, 1986.
The Tempest Twins #1: Kidnap!.
Beaver, 1987.
The Tempest Twins #2: Daylight Robbery!.
Beaver 0099-45570-6, 1987, 188pp, £1.95.
The Tempest Twins #3: Hot Property!.
Beaver, 1987.
The Tempest Twins #4: Terror Trap!.
Beaver , 1988.
The Tempest Twins #5: Downeast to Danger.
Beaver, 1988.
The Tempest Twins #6: Runner!.
Beaver, 1988.
Hard Cases (novelisation of TV series).
Ravette 1953-04022-3, 1988, 263pp, £2.95. Cover photo (Central)
Lonely Hearts (Resnick). London, Viking, 1989; New York, Holt, 1989.
Penguin 0140-16936-9, 1990.
---- [3rd imp.] n.d., 282pp, £4.99. Cover photo by John Timbers
Rough Treatment (Resnick). London, Viking, 1990; New York, Holt, 1990.
Penguin 0140-16937-7, 1991.
---- [4th imp.] n.d., 277pp, £4.99. Cover photo by John Timbers
Mandarin
Cutting Edge (Resnick). London, Viking, 1991; New York, Holt, 1991.
Penguin
Mandarin 0749-32150-4, 1996, 331pp, £5.99. Cover photo by Tony Hutchings
Off Minor (Resnick). London, Viking, 1992; New York, Holt, 1992.
Mandarin 0749-32155-5, 1996, 324pp, £5.99. Cover photo by Tony Hutchings
Wasted Years (Resnick). London, Heinemann, 1993; New York, Holt, 1993.
Mandarin 0749-31842-2, 1994, 339pp, £4.99. Cover photo by Barbara & Zafer Baran
Cold Light (Resnick). London, Heinemann, 1994; New York, Holt, 1994.
Mandarin 0749-31818-X, 1995, 374pp, £5.99. Cover photo by Barbara & Zafer Baran
Living Proof (Resnick). London, Heinemann, 1995; New York, Holt, 1995.
Mandarin 0749-31823-6, 1996, 276pp, £5.99. Cover photo by Tony Hutchings
---- [2nd imp.] 1996; [3rd imp.] 1997
Easy Meat (Resnick). London, Heinemann, 1996; New York, 1996.
Mandarin 0749-32132-6, 1996, 419pp, £5.99. Cover photo by Tony Hutchings.
---- [2nd imp.] 1996; [3rd imp.] 1997
Still Water (Resnick). London, Heinemann, Sep 1997; as Still Waters, New York, Holt, Oct 1997.
Arrow 0749-32137-7, 1998, 360pp, £5.99. Cover photo by Peter Strachan
Last Rites (Resnick). London, Heinemann, Sep 1998; New York, Holt, Apr 1999.
Arrow
Arrow 978-0099-42163-4 [7th imp.] 2006, 355pp, £6.99. Cover photo by Getty Images
In a True Light. London, Heinemann, Oct 2001; New York, Carroll & Graf, Sep 2002.
Arrow 0099-41674-3 [4th imp.] 2005, 305pp, £6.99. Cover photo by images.com
Flesh and Blood (Elder). London, Heinemann, Apr 2004; New York, Harcourt, Dec 2004.
Arrow 0099-46622-8, 2005, 453pp, £6.99. Cover photo by Corbis
Ash & Bone (Elder). London, Heinemann, Apr 2005; New York, Harcourt, Dec 2005.
Arrow 0099-46623-6, 2006, 416pp, £6.99. Cover photo by Blacksheep
Nick’s Blues (translated into French by Benjamin GuĂ©rif) France, Syros, May 2005; in English, Nottingham, Five Leaves Publications, Jul 2008.
Five Leaves Publications ISBN 978-1907-86943-3, Jul 2008, 168pp, £5.99. Cover by Darius Hinks.
Darkness & Light (Elder). London, Heinemann, Apr 2006; New York, Houghton Mifflin Harcourt, Jul 2006.
Arrow 978-0099-48995-5, 2007, 432pp, £6.99. Cover photo by Phontonica
Gone to Ground (Grayson). London, Heinemann, Feb 2007; New York, Houghton Mifflin Harcourt, Feb 2008.
Arrow 978-0099-48996-2, 2008, 481pp, £6.99. Cover photo by Richard Jenkins
Cold in Hand (Resnick). London, Heinemann, Jan 2008; New York, Houghton Mifflin Harcourt, Sep 2008.
Arrow 978-0099-50564-8, 2009, 487pp, £6.99. Cover photo by Getty Images
Far Cry (Grayson). London, Heinemann, May 2009; New York, Houghton Mifflin Harcourt, Jun 2010.
Arrow 978-0099-53943-8, 2010, 563pp, £6.99. Cover photo by Getty Images
Good Bait. London, Heinemann, Jan 2012; New York, Pegasus, Jan 2013.
Arrow 978-0099-56859-9, 2013, 404pp, £6.99. Cover photo by Silas Manhood/Getty Images
Darkness, Darkness (Resnick). London, Heinemann, May 2014.
Arrow 978-0099-59095-8, Sep 2014, 419pp, £6.99. Cover photos by Alamy/Black Sheep
COLLECTIONS
Now's the Time: The Complete Resnick Short Stories (London, Slow Dancer Press, Sep 1999; expanded, London, Arrow, Sep 2002)
Arrow 978-0099-43556-3 2002, 306pp.
---- [5th imp.] n.d., 306pp, £7.99. Cover photo: Arcangel-Images.cp,
Arrow 978-0099-56793-6, 2013, 306pp, £7.99. Cover design www.blacksheep-uk.com
Minor Key (Nottingham, Five Leaves Publications, Sep 2009)
(no paperback edition)
A Darker Shade of Blue (London, Heinemann, Jun 2010)
Arrow 978-0099-54923-2, 2010, 366pp, £7.99. Cover photo: Getty Images
Arrow 978-0099-54823-3, 2013, 366pp, £7.99. Cover photo: Arcangel
Novels as James Barton (series: Wasteworld)
Wasteworld #3: Angels. London, Granada, 1984.
Novels as Jon Barton (series: Deathshop)
Kill Hitler!. London, Corgi, 1976.
Forest of Death. London, Corgi, 1977.
Lightning Strikes!. London, Corgi, 1977.
Novels as William S. Brady
Hawk #2: Blood Money. London, Fontana, 1979.
Hawk #4: Killing Time. London, Fontana, 1980.
Hawk #6: Blood Kin. London, Fontana, 1980.
Hawk #8: Desperadoes. London, Fontana, 1981.
Hawk #10: Dead Man’s Hand. London, Fontana, 1981.
Hawk #11: Sierra Gold. London, Fontana, 1981.
Hawk #12: Death and Jack Shade. London, Fontana, 1982.
Hawk #14: Border War. London, Fontana, 1983.
Hawk #15: Killer!. London, Fontana 6674, 1983.
Peacemaker #3: Whiplash. London, Fontana, 1981.
Peacemaker #6: War Party. London, Fontana, 1983.
Novels as Jerry Bronson (with Lawrence James)
Cut. Los Angeles, Pinnacle, 1976.
Novels as L. J. Coburn (series: Caleb Thorn)
Caleb Thorn #2: The Raiders. London, Sphere, Sep 1977.
Caleb Thorn #4: Bloody Shiloh. London, Sphere, 1978.
Novels as J. B. Dancer (series: Lawmen)
Lawmen #1: Evil Breed. Sevenoaks, Coronet, Jul 1977.
Lawmen #3: Judgement Day. Sevenoaks, Coronet, 1978.
Lawmen #5: The Hanged Man. Sevenoaks, Coronet, 1979.
Novels as Jon Hart (series: Mercenaries)
Black Blood. London, Granada, 1977.
High Slaughter. London, Granada, 1977; New York, Chelsea House, 1980.
Triangle of Death. London, Granada, 1977; New York, Chelsea House, 1980.
Guerilla Attack!. London, Granada, 1977; New York, Chelsea House, 1980.
Death Raid. London, Granada, 1978; New York, Chelsea House, 1980.
Novels as William M. James (series: Apache)
Apache #15: Blood Rising. Los Angeles, Pinnacle, 1979.
Apache #17: Blood Brother. Los Angeles, Pinnacle, 1980.
Apache #20: Death Dragon. New York, Pinnacle, 1981.
Apache #24: Death Ride. New York, Pinnacle, Mar 1983.
Apache #26: The Hanging. New York, Pinnacle, 1983.
Apache #27: Debt of Blood. New York, Pinnacle, Jan 1984.
Novels as Terry Lennox
Dancer Draws a Wild Card. London, Robert Hale, 1985.
Novels as John J. McLaglen (series: Herne the Hunter)
Herne #2: River of Blood. London, Corgi, Nov 1976.
Herne #4: Shadow of the Vulture. London, Corgi, Apr 1977.
Herne #6: Death in Gold. London, Corgi, 1977.
Herne #8: Cross Draw. London, Corgi, 1978.
Herne #10: Vigilante!. London, Corgi, 1979.
Herne #12: Sun Dance. London, Corgi, 1979.
Herne #13: Billy the Kid. London, Corgi, Jan 1980.
Herne #15: Till Death. London, Corgi, 1980.
Herne #18: Dying Ways. London, Corgi, 1982.
Herne #20: Hearts of Gold. London, Corgi, 1982.
Herne #22: Wild Blood. London, Corgi, 1983.
Novels as James Mann
Endgame. London, New English Library, 1982; New York, Pinnacle, 1985.
Novels as Thom Ryder
Avenging Angel. London, New English Library, Mar 1975.
Angel Alone. London, New English Library, Jul 1975.
Novels as J. D. Sandon (series: Gringos)
Gringos #2: Cannons in the Rain. London, Granada, 1979.
Gringos #4: Border Affair. London, Granada, 1979.
Gringos #6: Mazatlan. London, Granada, 1980.
Gringos #8: Wheels of Thunder. London, Granada, 1981.
Gringos #9: Durango. London, Granada, 1982.
Novels as Sally-Ann Silver
Diary of a Sixth Former. London, New English Library, 1976.
Novels as Michael Syson
The Eagle’s Wing (novelisation of screenplay). London, Corgi, 1978.
Novels as Jonathan White (series: Nick & Barrie Patch)
Double Trouble. Sevenoaks, Coronet 20511-3, 1976.
Double Dutch. Sevenoaks, Coronet 20791-4, 1976.
Double Exposure. Sevenoaks, Coronet 20806-6, 1976.
Double Up. Sevenoaks, Coronet 21811-8, 1977.
Double Act. Sevenoaks, Coronet 21991-2, 1977.
Double Bed. Sevenoaks, Coronet, 1978.
Verse
Provence. Berkhamstead, Hertfordshire, Priapus Press, 1978 (limited to 135 copies).
The Old Postcard Trick. Nottingham, Slow Dancer Press, 1985.
Neil Sedaka Lied. Nottingham, Slow Dancer Press, 1987.
Taking the Long Road Home. Nottingham, Slow Dancer Press, 1988.
The Downeast Poems. Westgate, Huddersfield, Yorkshire, Smith/Doorstop Books, 1989.
Sometime Other Than Now, with Sue Dymoke. Nottingham, Slow Dancer Press, 1989.
Ghosts of a Chance. Westgate, Huddersfield, Yorkshire, Smith/Doorstop Books, 1992.
Territory. West Bridgford, Nottingham, Slow Dancer Press, 1992.
Bluer Than This. Huddersfield, Yorkshire, Smith/Doorstop Books, Sep 1998.
Out of Silence: New and Selected Poems. Huddersfield, Yorkshire, Smith/Doorstop Books, May 2014.
Showing posts sorted by relevance for query sevenoaks. Sort by date Show all posts
Showing posts sorted by relevance for query sevenoaks. Sort by date Show all posts
Saturday, February 07, 2015
Sunday, June 02, 2013
Jack Vance (1916-2013)
The above cover gallery celebrates the late Jack Vance, who died last Sunday (26 May 2013). There's plenty of information to be found about Vance at his official website, at Wikipedia and at the Science Fiction Encyclopedia. Below is a list of his books that I compiled as an aide memoire to help me put together the cover gallery.
PUBLICATIONS
Novels (series: Big Planet; Demon Princes (Keith Gersen); Durdane; Dying Earth; Lyonesse; Tschai (Planet of Adventure))
The Space Pirate. New York, Toby Press, 1953; as The Five Gold Bands, New York, Ace, 1963; London, Granada, 1980.
Vandals of the Void (for children). Philadelphia, Winston, 1953.
To Live Forever. New York, Ballantine, 1956; London, Sphere, 1976.
Big Planet (Big Planet) New York, Avalon, 1957; London, Coronet, 1977.
The Languages of Pao. New York, Avalon, 1958; St. Albans, Hertfordshire, Mayflower, 1974.
Slaves of the Klau. New York, Ace, 1958; Sevenoakes, Kent, Coronet, 1980; revised as Gold and Iron (Slaves of the Klau), San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1982.
The Dragon Masters. New York, Ace, 1963; London, Dobson, 1965.
The Houses of Iszm. New York, Ace, 1964; London, Mayflower, 1974.
Son of the Tree. New York, Ace, 1964; London, Mayflower, 1974.
The Star King (Demon Princes). New York, Berkley, 1964; London, Dobson, 1966.
The Killing Machine (Demon Princes). New York, Berkley, 1964; London, Dobson, 1967.
Monsters in Orbit. New York, Ace, 1965; London, Dobson, 1977.
Space Opera. New York, Pyramid, 1965; Sevenoaks, Kent, Coronet, 1982.
The Blue World. New York, Ballantine, 1966; St. Albans, Hertfordshire, Mayflower, 1976.
The Brains of Earth. New York, Ace, 1966; London, Dobson, 1976; as Nopalgarth in Nopalgarth: Three Complete Novels, New York, DAW, 1980.
The Palace of Love (Demon Princes). New York, Berkley, 1967; London, Dobson, 1968.
City of the Chasch (Tschai). New York, Ace, 1968; St. Albans, Hertfordshire, Mayflower, 1974.
Emphyrio. New York, Doubleday, 1969; London, Coronet, 1980.
Servants of the Wankh (Tschai). New York, Ace, 1969; St. Albans, Hertfordshire, Mayflower, 1975; as Wankh, New York, Bluejay, 1986.
The Dirdir (Tschai). New York, Ace, 1969; London, Dobson, 1975.
The Pnume (Tschai). New York, Ace, 1970; London, Dobson, 1975.
The Anome (Durdane). New York, Dell, 1973; London, Coronet, 1975; as The Faceless Man, New York, Ace, 1978; London, Gollancz, 1987.
The Brave Free Men (Durdane). New York, Dell, 1973; London, Coronet, 1975.
Trullion: Alastor 2262 (Alastor Cluster). New York, Ballantine, 1973; London, Mayflower, 1979.
The Asutra (Durdane). New York, Dell, 1974; London, Coronet, 1975.
The Gray Prince. Indianapolis, Bobbs Merrill, 1974; London, Coronet, 1976; as The Grey Prince, London, Coronet, 1982.
Showboat World (Big Planet). New York, Pyramid, 1975; Sevenoaks, Kent, Coronet, 1977; as The Magnificent Showboats of the Lower Vissel River, Lune XXIII South, Big Planet, San Francisco, Underwood-Miller, 1983.
Marune: Alastor 993 (Alastor Cluster). New York, Ballantine, 1975; London, Coronet, 1978.
Maske: Thaery. New York, Berkley, 1976; London, Fontana, 1978.
Wyst: Alastor 1716 (Alastor Cluster). New York, DAW, 1978; Sevenoaks, Kent, Coronet, 1980.
The Face (Demon Princes). New York, DAW, 1979; London, Dobson, 1980.
Nopalgarth. New York, DAW, 1980; London, Panther, 1984.
The Book of Dreams (Demon Princes). New York, DAW, 1981; Sevenoaks, Kent, Coronet, 1982.
Lyonesse. I: Suldrum's Garden (Lyonesse). New York, Berkley, 1983; as Lyonesse, London, Granada, 1984.
Cugel's Saga (Dying Earth). New York, Pocket Books, 1983; London, Panther, 1985.
Rhialto the Marvellous. New York, Baen, 1984; London, Panther, 1984.
Lyonesse II: The Green Pearl (Lyonesse). Lancaster, Pennsylvania, Underwood-Miller, 1985; London, Grafton, 1986.
Strange Notions. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1985.
The Dark Ocean. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1985.
The Cadwal Chronicles Book 1: Araminta Station (Cadwal). New York, Tor, 1988; London, New English Library, 1988.
Lyonesse III: Madouc (Lyonesse) Lancaster, Pennsylvania, Underwood-Miller, 1989; London, Grafton, 1990.
Cadwal II: Ecce and Old Earth (Cadwal). Novato, California, and Lancaster, Pennsylvania, Underwood-Miller, 1991; London, New English Library, 1992.
Cadwal III: Throy (Cadwal). Novato, California, and Lancaster, Pennsylvania, Underwood-Miller, 1992; London, New English Library, 1993.
Night Lamp. New York, Tor, 1996.
Omnibus
Durdane (includes The Anome, The Brave Free Men, The Asutra). London, Gollancz, 1989.
Alastor (includes Trullion: Alastor 2262, Marune: Alastor 993, Wyst: Alastor 1716). New York, Tor, 1995.
Collections (series: Dying Earth)
The Dying Earth. New York, Curl, 1950; London, Mayflower, 1972.
Future Tense. New York, Ballantine, 1964; as Dust of Far Suns, New York, DAW, 1981.
Monsters in Orbit. New York, Ace, 1965; London, Dobson, 1977.
The World Between and Other Stories. New York, Ace, 1965; as The Moon Moth and Other Stories, London, Dobson, 1975.
The Eyes of the Overworld (Dying Earth). New York, Ace, 1966; London, Mayflower, 1972.
The Many Worlds of Magnus Ridolph. New York, Ace, 1966; London, Dobson, 1977; expanded, New York, DAW, 1980; further expanded as The Complete Magnus Ridolph, San Francisco, Underwood-Miller, 1985.
The Last Castle. New York, Ace, 1967.
Eight Fantasms and Magics. New York, Macmillan, 1969; as Fantasms and Magics, London, Mayflower, 1978.
The Worlds of Jack Vance. New York, Ace, 1973.
The Best of Jack Vance. New York, Pocket Books, 1976.
Green Magic. San Francisco, Underwood-Miller, 1979; with other stories as Green Magic: The Fantasy Realms of Jack Vance, 1979.
The Bagful of Dreams. San Francisco, Underwood-Miller, 1979.
The Seventeen Virgins. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1979.
Morreion: A Tale of the Dying Earth (Dying Earth). San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1992.
Galactic Effectuator. Columbia, Pennsylvania, Underwood-Miller, 1980; Sevenoaks, Kent, Coronet, 1983.
Dust of Far Suns. New York, DAW, 1981.
The Narrow Land. New York, DAW, 1982; Sevenoaks, Kent, Coronet, 1984.
Lost Moons. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1982
Rhialto the Marvellous (Dying Earth). San Francisco and Columbia, Pennsylvania, Brandywyne, 1984; London, Grafton, 1985.
Light from a Lone Star. Cambridge, Massachusetts, NEFSA Press, 1985.
The Augmented Agent, edited by Steven Owen Godersky. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1986; London, New English Library, 1989.
The Dark Side of the Moon: Stories of the Future. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1986; London, New English Library, 1989.
Chateau d'If and Other Stories. Novato, California, and Lancaster, Pennsylvania, Underwood-Miller, 1990.
When the Five Moons Rise. Novato, California, and Lancaster, Pennsylvania, Underwood-Miller, 1992.
Novels as Peter Held
Take My Face. New York, Mystery House, 1957; as Jack Vance, Los Angeles, Underwood-Miller, 1988.
Novels as Ellery Queen
The Four Johns. New York, Pocket Books, 1964; as Four Men Called John, London, Gollancz, 1976.
A Room to Die In. New York, Pocket Books, 1965.
The Madman Theory. New York, Pocket Books, 1966; North Harrow, Middlesex, Kinnell, 1986 .
Novels as John Holbrook Vance
The Man in the Cage. New York, Random House, 1960; London, Boardman, 1961.
The Fox Valley Murders (Bain). Indianapolis, Bobbs Merrill, 1966; London, Hale, 1967.
The Pleasant Grove Murders (Bain). Indianapolis, Bobbs Merrill, 1967; London, Hale, 1968.
The Deadly Isles. Indianapolis, Bobbs Merrill, 1969; London, Hale, 1970.
Bad Ronald. New York, Ballantine, 1973.
The House on Lily Street. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1979.
The View from Chickweed's Window. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1979.
Novels as Alan Wade
Isle of Peril. New York, Mystery House, 1957; as Bird Isle by Jack Vance, Los Angeles, Underwood-Miller, 1988.
PLAYS
Television Plays
Captain Video (6 episodes), 1952 -53.
PUBLICATIONS
Novels (series: Big Planet; Demon Princes (Keith Gersen); Durdane; Dying Earth; Lyonesse; Tschai (Planet of Adventure))
The Space Pirate. New York, Toby Press, 1953; as The Five Gold Bands, New York, Ace, 1963; London, Granada, 1980.
Vandals of the Void (for children). Philadelphia, Winston, 1953.
To Live Forever. New York, Ballantine, 1956; London, Sphere, 1976.
Big Planet (Big Planet) New York, Avalon, 1957; London, Coronet, 1977.
The Languages of Pao. New York, Avalon, 1958; St. Albans, Hertfordshire, Mayflower, 1974.
Slaves of the Klau. New York, Ace, 1958; Sevenoakes, Kent, Coronet, 1980; revised as Gold and Iron (Slaves of the Klau), San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1982.
The Dragon Masters. New York, Ace, 1963; London, Dobson, 1965.
The Houses of Iszm. New York, Ace, 1964; London, Mayflower, 1974.
Son of the Tree. New York, Ace, 1964; London, Mayflower, 1974.
The Star King (Demon Princes). New York, Berkley, 1964; London, Dobson, 1966.
The Killing Machine (Demon Princes). New York, Berkley, 1964; London, Dobson, 1967.
Monsters in Orbit. New York, Ace, 1965; London, Dobson, 1977.
Space Opera. New York, Pyramid, 1965; Sevenoaks, Kent, Coronet, 1982.
The Blue World. New York, Ballantine, 1966; St. Albans, Hertfordshire, Mayflower, 1976.
The Brains of Earth. New York, Ace, 1966; London, Dobson, 1976; as Nopalgarth in Nopalgarth: Three Complete Novels, New York, DAW, 1980.
The Palace of Love (Demon Princes). New York, Berkley, 1967; London, Dobson, 1968.
City of the Chasch (Tschai). New York, Ace, 1968; St. Albans, Hertfordshire, Mayflower, 1974.
Emphyrio. New York, Doubleday, 1969; London, Coronet, 1980.
Servants of the Wankh (Tschai). New York, Ace, 1969; St. Albans, Hertfordshire, Mayflower, 1975; as Wankh, New York, Bluejay, 1986.
The Dirdir (Tschai). New York, Ace, 1969; London, Dobson, 1975.
The Pnume (Tschai). New York, Ace, 1970; London, Dobson, 1975.
The Anome (Durdane). New York, Dell, 1973; London, Coronet, 1975; as The Faceless Man, New York, Ace, 1978; London, Gollancz, 1987.
The Brave Free Men (Durdane). New York, Dell, 1973; London, Coronet, 1975.
Trullion: Alastor 2262 (Alastor Cluster). New York, Ballantine, 1973; London, Mayflower, 1979.
The Asutra (Durdane). New York, Dell, 1974; London, Coronet, 1975.
The Gray Prince. Indianapolis, Bobbs Merrill, 1974; London, Coronet, 1976; as The Grey Prince, London, Coronet, 1982.
Showboat World (Big Planet). New York, Pyramid, 1975; Sevenoaks, Kent, Coronet, 1977; as The Magnificent Showboats of the Lower Vissel River, Lune XXIII South, Big Planet, San Francisco, Underwood-Miller, 1983.
Marune: Alastor 993 (Alastor Cluster). New York, Ballantine, 1975; London, Coronet, 1978.
Maske: Thaery. New York, Berkley, 1976; London, Fontana, 1978.
Wyst: Alastor 1716 (Alastor Cluster). New York, DAW, 1978; Sevenoaks, Kent, Coronet, 1980.
The Face (Demon Princes). New York, DAW, 1979; London, Dobson, 1980.
Nopalgarth. New York, DAW, 1980; London, Panther, 1984.
The Book of Dreams (Demon Princes). New York, DAW, 1981; Sevenoaks, Kent, Coronet, 1982.
Lyonesse. I: Suldrum's Garden (Lyonesse). New York, Berkley, 1983; as Lyonesse, London, Granada, 1984.
Cugel's Saga (Dying Earth). New York, Pocket Books, 1983; London, Panther, 1985.
Rhialto the Marvellous. New York, Baen, 1984; London, Panther, 1984.
Lyonesse II: The Green Pearl (Lyonesse). Lancaster, Pennsylvania, Underwood-Miller, 1985; London, Grafton, 1986.
Strange Notions. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1985.
The Dark Ocean. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1985.
The Cadwal Chronicles Book 1: Araminta Station (Cadwal). New York, Tor, 1988; London, New English Library, 1988.
Lyonesse III: Madouc (Lyonesse) Lancaster, Pennsylvania, Underwood-Miller, 1989; London, Grafton, 1990.
Cadwal II: Ecce and Old Earth (Cadwal). Novato, California, and Lancaster, Pennsylvania, Underwood-Miller, 1991; London, New English Library, 1992.
Cadwal III: Throy (Cadwal). Novato, California, and Lancaster, Pennsylvania, Underwood-Miller, 1992; London, New English Library, 1993.
Night Lamp. New York, Tor, 1996.
Omnibus
Durdane (includes The Anome, The Brave Free Men, The Asutra). London, Gollancz, 1989.
Alastor (includes Trullion: Alastor 2262, Marune: Alastor 993, Wyst: Alastor 1716). New York, Tor, 1995.
Collections (series: Dying Earth)
The Dying Earth. New York, Curl, 1950; London, Mayflower, 1972.
Future Tense. New York, Ballantine, 1964; as Dust of Far Suns, New York, DAW, 1981.
Monsters in Orbit. New York, Ace, 1965; London, Dobson, 1977.
The World Between and Other Stories. New York, Ace, 1965; as The Moon Moth and Other Stories, London, Dobson, 1975.
The Eyes of the Overworld (Dying Earth). New York, Ace, 1966; London, Mayflower, 1972.
The Many Worlds of Magnus Ridolph. New York, Ace, 1966; London, Dobson, 1977; expanded, New York, DAW, 1980; further expanded as The Complete Magnus Ridolph, San Francisco, Underwood-Miller, 1985.
The Last Castle. New York, Ace, 1967.
Eight Fantasms and Magics. New York, Macmillan, 1969; as Fantasms and Magics, London, Mayflower, 1978.
The Worlds of Jack Vance. New York, Ace, 1973.
The Best of Jack Vance. New York, Pocket Books, 1976.
Green Magic. San Francisco, Underwood-Miller, 1979; with other stories as Green Magic: The Fantasy Realms of Jack Vance, 1979.
The Bagful of Dreams. San Francisco, Underwood-Miller, 1979.
The Seventeen Virgins. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1979.
Morreion: A Tale of the Dying Earth (Dying Earth). San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1992.
Galactic Effectuator. Columbia, Pennsylvania, Underwood-Miller, 1980; Sevenoaks, Kent, Coronet, 1983.
Dust of Far Suns. New York, DAW, 1981.
The Narrow Land. New York, DAW, 1982; Sevenoaks, Kent, Coronet, 1984.
Lost Moons. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1982
Rhialto the Marvellous (Dying Earth). San Francisco and Columbia, Pennsylvania, Brandywyne, 1984; London, Grafton, 1985.
Light from a Lone Star. Cambridge, Massachusetts, NEFSA Press, 1985.
The Augmented Agent, edited by Steven Owen Godersky. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1986; London, New English Library, 1989.
The Dark Side of the Moon: Stories of the Future. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1986; London, New English Library, 1989.
Chateau d'If and Other Stories. Novato, California, and Lancaster, Pennsylvania, Underwood-Miller, 1990.
When the Five Moons Rise. Novato, California, and Lancaster, Pennsylvania, Underwood-Miller, 1992.
Novels as Peter Held
Take My Face. New York, Mystery House, 1957; as Jack Vance, Los Angeles, Underwood-Miller, 1988.
Novels as Ellery Queen
The Four Johns. New York, Pocket Books, 1964; as Four Men Called John, London, Gollancz, 1976.
A Room to Die In. New York, Pocket Books, 1965.
The Madman Theory. New York, Pocket Books, 1966; North Harrow, Middlesex, Kinnell, 1986 .
Novels as John Holbrook Vance
The Man in the Cage. New York, Random House, 1960; London, Boardman, 1961.
The Fox Valley Murders (Bain). Indianapolis, Bobbs Merrill, 1966; London, Hale, 1967.
The Pleasant Grove Murders (Bain). Indianapolis, Bobbs Merrill, 1967; London, Hale, 1968.
The Deadly Isles. Indianapolis, Bobbs Merrill, 1969; London, Hale, 1970.
Bad Ronald. New York, Ballantine, 1973.
The House on Lily Street. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1979.
The View from Chickweed's Window. San Francisco and Columbia, Pennsylvania, Underwood-Miller, 1979.
Novels as Alan Wade
Isle of Peril. New York, Mystery House, 1957; as Bird Isle by Jack Vance, Los Angeles, Underwood-Miller, 1988.
PLAYS
Television Plays
Captain Video (6 episodes), 1952 -53.
Labels:
Author
Wednesday, June 08, 2016
Perry's Picture Post part 14
I was telling you about how I'd had two visitors on my first day in Poland Street working for Purnell Books. The first . . . well, you can read the previous episode to find out what happened there. But my second visitor that day passed on some news that left me quite stunned.
I’d left Polystyle Publications on Friday, 9 November 1973 and started my new job with Purnell Books the following Monday. During the late morning or early afternoon, artists' agent Dennis Bosdet called in to find out how I was getting on. He was particularly interested as it had been his suggestion to Managing Editor Charles Harvey and his Number Two Michael Thomas that I might be interested in filling the post of Art Editor that had led me to Poland Street. With initial preliminary pleasantries over (taking all of 2·73 seconds to do so), Dennis quickly launched into something he was bursting to get off his chest.
“I got an urgent call from one of Jon Davis’s children to say that their father had stabbed and killed their mother with a bread knife!”
I knew Jon, of course, for we had met and chatted several times over the years, but I cannot say that I knew him all that well. One reason for this was that about every eight or ten weeks, Dennis had organised a gathering whereby four, five or six couples (plus Dennis and Bernard) had all met up at a certain Chinese Restaurant in Gerard Street which is the hub of London’s Chinese community. The live-in partner of Belinda Lyon (she was mentioned in Part Five, having created the art of our doll-dressing books) was himself a Chinese national and had presided over the meal, ordering all that we were about to eat. Over time, attending couples at these gatherings included Malcolm Stokes, Graham Allan, Jon Davis and several other artists that, after all these years, I now need to be reminded as to who they might have been. Plus, of course, their wives.
It was at one of these get-togethers that Graham Allan (with whom I had worked extensively at 96 Long Acre) had laughingly said that he couldn’t stand redheads . . . and yet, he had married one!
Jon Davis was a big giant of a man whose creative world had revolved around goblins and gnomes and all airy-fairy-like beings of that ilk – he of course had carried out creations of other subjects, but it was these that were what he had enjoyed the most. He lived in Sevenoaks with his wife and five children (although by that time, most had flown the nest and were in the throes of producing offspring of their own). They lived in a pleasant three-up-two-down semi in a short and compact cul-de-sac about a mile outside town. According to Dennis, the wife of their next-door neighbour was an actress and, earlier that year, she had come knocking upon their door so that she might ask Jon and Daphne for their thoughts and advice on a forthcoming employment matter.
It would appear that she had been offered a six-month contract to appear in a variety of plays touring all over South Africa, but had been concerned about leaving her husband on his own for that length of time (as far as I know, they had no children). She was keen to hear what Jon and Daphne thought she should do about it. They both agreed that she should go – particularly as jobs in repertory were few and far between – and tried to alleviate the woman’s worries by saying that, in her absence, they would keep en eye on her husband and would look after him as and when a bit of “looking after” was deemed to be required.
I didn’t hear the blow-by-blow account of what happened in her absence, but from what I understood Daphne had done rather more than keep an eye on her neighbour.
On the evening in question, Daphne had got herself ready to go out, and Jon had asked where she thought she was going.
“I’m going to the cinema with Malcolm,” she had replied smugly.
“Oh no you are not!” retorted Jon. But, ten minutes later, when he looked out of the kitchen window, there was Daphne, bold as brass, walking arm in arm with Malcolm down the cul-de-sac towards the main road.
Jon – in a fit of fury – grabbed hold of the nearest object to hand, which turned out to be a bread-knife, and had down the road after them and to where a small Renault-“Dauphine” mini-cab they had ordered was already waiting. The first thing the cab-driver knew that anything was amiss was when he saw this huge man – clearly in a state of intense fury – run up and plunge the knife he’d been wielding into the woman’s chest. Daphne died instantly and collapsed to the ground (although I have learnt since that it was only when she reached hospital that she was pronounced dead), Jon withdrew the knife and buried the blade up to the hilt in her companion – not actually killing him but certainly doing some damage by puncturing his lung.
An arrest was a foregone conclusion and, while Daphne and the hapless neighbour were being rushed off to the hospital, Jon was taken to a jail in Maidstone. Although he’d wanted to, while in custody, Jon had not been allowed to carry out any kind of illustrative work.
Some months later, Jon was sent for trial. A great hoard of Jon’s friends (including his own children) had appeared as character witnesses and had given the presiding Judge glowing reports on Jon’s character but painted rather a poor picture of Daphne. So Jon – who was given a two-year suspended sentence and was put on probation – was told to “go home” by the Judge. But before he left the Courtroom, the Judge had enquired if Jon had liked living where he did in Sevenoaks.
“Yes, Your Honour,” replied Jon, and proceeded to tell the Court of how as a family, they had moved a good number of times over the years to various spots in southern England, and that at long, long last, he and his family had felt that they had found somewhere that they all had thought was “just about right”.
“Yes,” said the Judge, “Quite right, quite right.” Then he turned to face the neighbour – whose name incidentally had been Butcher – and told him to stand up.
“Butcher,” he ordered, “You have 48 hours to vacate your house and find somewhere else to live.” And that was the end of that.
Jon went home, and a year or two later had found himself a charming new wife. On the occasions when we met up, the two girls had got on so well together that my wife Jenny and I often stayed with them in Sevenoaks.
On our first Sunday there, we’d woken to hear the transforming experience of Gustav Mahler’s Fifth Symphony permeating throughout the house. For those who might not recognise the title, it was a moving piece where one tends to forget the passing of time. It was used extensively in the film Death in Venice staring Dirk Bogarde and Björn AndrĂ©sen (with whom Bogarde’s character becomes infatuated).
One of my earliest encounters with a Purnell Books' contributor was with Jesse Davis – yes, another Davis, although I have no evidence that he was related to Jon. Jesse had supplied my predecessors with text and pictures for the pages of his book but as far as I could see had supplied nothing for the front cover. As Jesse lived in London, he called in to see me and when I sketched out how I saw the cover – I wanted a more dreamy, misty, homely sort of shot as I was keen to get away from the bog-standard shot of a ballerina on stage doing her “plum-fairy” thing – he was so enthused by my alternative way at looking at things that he instantly invited me to accompany him at the shoot he’d set up for a day or so later. To create the soft dreamy effect, he’d placed a piece of mid-brown nylon stocking over the lens.
My final six weeks of working in London had been unusual to say the least. In essence, I’d come in daily and toiled away totally on my own in a huge room where I systematically worked my way through the pile of wrapped-up packages. It was a bit like Christmas, as I never knew what the next parcel would bring.
These were the days when bomb scares were ten a penny – some being hoaxes while others were undoubtedly been real. At the beginning of 1974, bombs had exploded at Madame Tussauds Waxworks and at the Boat Show at Earls Court Exhibition Centre. In May, Heathrow airport was targetted; a month later, it was the turn of the Houses of Parliament; and, in July, the target was the Tower of London.
Given the situation, it didn’t come as a surprise when Purnell Books' Production Assistant Michael Gee called in to see me one afternoon to say that the bomb-scare we’d had earlier that day was nothing more than a hoax.
“What bomb scare?” I asked. Apparently everyone had been instructed to leave the building shortly before lunch, but no-one had given any thought of letting me know, so I had just carried on working during the lunch hour, while I chomped my way through the three rounds of Jenny’s lovingly-made sandwiches.
My second encounter with a Purnell Book contributor was with the author Robert Moss, a Spiritual Scientist who believed that even succumbing to the effects of the common cold was a sin (although a sin against whom, he didn’t actually divulge). Mind you, I’ve always thought much along the same lines . . . but it has nothing to do with any religious belief I can tell you.
Robert Moss had many years of association with the various scouting movements and when he supplied the text and art material for the Scouts Pathfinder, Sixer, Girl Guide and Brownie annuals, it was always in apple-pie order with everything there and clearly identified. It was just a pity that the artwork he wanted us to include in the books was very dated and “old hat.”
So, one of the first photographic jobs I carried out for Purnell Books was to capture the images for four Scouting front covers – easy enough, as by this time, not only were my son and daughter old enough to have become enrolled in such organised shenanigans, but they also had chums on whom I could call to stand in.
As I’m speaking about books I produced over forty years ago, many of the covers that you see here I've had to find on the internet (if I can find them). In the picture montage that follows, you will see one that was being advertised by John R Hoggarth, who is selling a "Sixer Annual for 1973" – s’funny, as in 1972 I’d never heard of Purnell Books and the lad depicted on the cover happens to be my son.
Working out of Maidenhead rather than Central London did have its disadvantages. Finding a good assistant designer was vital, but there was little choice when it came to employing someone in Maidenhead. Purnell would place an advert, and often would receive just one application – leaving Purnell with the choice to either employ him or her, or soldier on, understaffed, and try advertising again at some later time.
Everyone makes mistakes, but I’d had one designer under my wing – Becky – who was making rather more mistakes than most. While working at a desk, it's easy to accumulate material when putting together one of these books and as not so easy to find space for it while you concentrate temporarily on something else.
Becky's solution was to use the top of her waste bin as a convenient shelf. One evening, she forgot to remove the pile she had been working on back onto her desk before going home. On seeing this pile which obviously was on the bin, the office cleaners were only doing their job when they subsequently removed it.
The missing book had been one of Robert Moss’s, and luckily, he had carbon copies of the written text and a good many duplicate photographs in his hoard of scouting material, or at least some very similar pictures that could easily replace those items that had been lost. Within a few days, everything had been replaced, but on the morning that Becky had discovered the loss, she’d spent most of the day climbing fruitlessly up and down the land-fill area where the refuse cart was rumoured to have dumped the missing material.
There was, I believe, method to my madness, in designing all four scouting books with a similar theme. I did notice when visiting such outlets as W H Smith that, due to their similarity, that store staff made a greater effort to display them as a set . . . which, after all, was the whole purpose of the exercise.
In general, the average print run for a Christmas annual was around 20,000 or 25,000, depending upon what the Sales Force felt they could handle. If a book was deemed by the Sales Department to be a less popular subject, then the run could go as low as 15,000 but there was very little point in producing a book if the potential sales were any lower. These lower print run titles included such characters a Parsley and Sooty – not because they were unpopular, but because there were so many other characters of that type for them to compete with.
Speaking of Sooty, I need to mention Jim Grey. Not long after our move to Maidenhead, a tall, thin Teddy Boy with a dark-green velvet jacket walked into my office complete with DA hairstyle and 2”-thick crepe-soled shoes. This was Jim Grey, at the time employed full-time to deliver mail for the GPO. His work samples had impressed me so much that I immediately gave him the Sooty Annual cover to illustrate.
The Sales Force invariably had the last say on the matter, and if the book featured a rather more popular subject – say the Pony Club or Jimmy Hill’s Football Review – then the initial print run might rise to around 30,000 units or even higher.
Seven years earlier and during my time at Century 21 Publishing, the three Monkees Annuals had been printed in Rotterdam and were overseen by Jacques Post. Together with a Dutch translation of this unique book, it had achieved a print run of a staggering 185,000 units. It was quite phenomenal! I feel proud at what Andy and I had been able to achieve. So it had been produced on the back of an American television program featuring a zany pop quartet – but as far as I know, there had been no other publication of its type anywhere else on the market.
Roger Perry
The Philippines
Coming Soon: In Part Fifteen, I meet up with Jon Pertwee once again and for two years, associate myself with Jimmy Savile.
I’d left Polystyle Publications on Friday, 9 November 1973 and started my new job with Purnell Books the following Monday. During the late morning or early afternoon, artists' agent Dennis Bosdet called in to find out how I was getting on. He was particularly interested as it had been his suggestion to Managing Editor Charles Harvey and his Number Two Michael Thomas that I might be interested in filling the post of Art Editor that had led me to Poland Street. With initial preliminary pleasantries over (taking all of 2·73 seconds to do so), Dennis quickly launched into something he was bursting to get off his chest.
“I got an urgent call from one of Jon Davis’s children to say that their father had stabbed and killed their mother with a bread knife!”
I knew Jon, of course, for we had met and chatted several times over the years, but I cannot say that I knew him all that well. One reason for this was that about every eight or ten weeks, Dennis had organised a gathering whereby four, five or six couples (plus Dennis and Bernard) had all met up at a certain Chinese Restaurant in Gerard Street which is the hub of London’s Chinese community. The live-in partner of Belinda Lyon (she was mentioned in Part Five, having created the art of our doll-dressing books) was himself a Chinese national and had presided over the meal, ordering all that we were about to eat. Over time, attending couples at these gatherings included Malcolm Stokes, Graham Allan, Jon Davis and several other artists that, after all these years, I now need to be reminded as to who they might have been. Plus, of course, their wives.
It was at one of these get-togethers that Graham Allan (with whom I had worked extensively at 96 Long Acre) had laughingly said that he couldn’t stand redheads . . . and yet, he had married one!
Jon Davis was a big giant of a man whose creative world had revolved around goblins and gnomes and all airy-fairy-like beings of that ilk – he of course had carried out creations of other subjects, but it was these that were what he had enjoyed the most. He lived in Sevenoaks with his wife and five children (although by that time, most had flown the nest and were in the throes of producing offspring of their own). They lived in a pleasant three-up-two-down semi in a short and compact cul-de-sac about a mile outside town. According to Dennis, the wife of their next-door neighbour was an actress and, earlier that year, she had come knocking upon their door so that she might ask Jon and Daphne for their thoughts and advice on a forthcoming employment matter.
It would appear that she had been offered a six-month contract to appear in a variety of plays touring all over South Africa, but had been concerned about leaving her husband on his own for that length of time (as far as I know, they had no children). She was keen to hear what Jon and Daphne thought she should do about it. They both agreed that she should go – particularly as jobs in repertory were few and far between – and tried to alleviate the woman’s worries by saying that, in her absence, they would keep en eye on her husband and would look after him as and when a bit of “looking after” was deemed to be required.
I didn’t hear the blow-by-blow account of what happened in her absence, but from what I understood Daphne had done rather more than keep an eye on her neighbour.
On the evening in question, Daphne had got herself ready to go out, and Jon had asked where she thought she was going.
“I’m going to the cinema with Malcolm,” she had replied smugly.
“Oh no you are not!” retorted Jon. But, ten minutes later, when he looked out of the kitchen window, there was Daphne, bold as brass, walking arm in arm with Malcolm down the cul-de-sac towards the main road.
Jon – in a fit of fury – grabbed hold of the nearest object to hand, which turned out to be a bread-knife, and had down the road after them and to where a small Renault-“Dauphine” mini-cab they had ordered was already waiting. The first thing the cab-driver knew that anything was amiss was when he saw this huge man – clearly in a state of intense fury – run up and plunge the knife he’d been wielding into the woman’s chest. Daphne died instantly and collapsed to the ground (although I have learnt since that it was only when she reached hospital that she was pronounced dead), Jon withdrew the knife and buried the blade up to the hilt in her companion – not actually killing him but certainly doing some damage by puncturing his lung.
An arrest was a foregone conclusion and, while Daphne and the hapless neighbour were being rushed off to the hospital, Jon was taken to a jail in Maidstone. Although he’d wanted to, while in custody, Jon had not been allowed to carry out any kind of illustrative work.
Some months later, Jon was sent for trial. A great hoard of Jon’s friends (including his own children) had appeared as character witnesses and had given the presiding Judge glowing reports on Jon’s character but painted rather a poor picture of Daphne. So Jon – who was given a two-year suspended sentence and was put on probation – was told to “go home” by the Judge. But before he left the Courtroom, the Judge had enquired if Jon had liked living where he did in Sevenoaks.
“Yes, Your Honour,” replied Jon, and proceeded to tell the Court of how as a family, they had moved a good number of times over the years to various spots in southern England, and that at long, long last, he and his family had felt that they had found somewhere that they all had thought was “just about right”.
“Yes,” said the Judge, “Quite right, quite right.” Then he turned to face the neighbour – whose name incidentally had been Butcher – and told him to stand up.
“Butcher,” he ordered, “You have 48 hours to vacate your house and find somewhere else to live.” And that was the end of that.
Jon went home, and a year or two later had found himself a charming new wife. On the occasions when we met up, the two girls had got on so well together that my wife Jenny and I often stayed with them in Sevenoaks.
On our first Sunday there, we’d woken to hear the transforming experience of Gustav Mahler’s Fifth Symphony permeating throughout the house. For those who might not recognise the title, it was a moving piece where one tends to forget the passing of time. It was used extensively in the film Death in Venice staring Dirk Bogarde and Björn AndrĂ©sen (with whom Bogarde’s character becomes infatuated).
One of my earliest encounters with a Purnell Books' contributor was with Jesse Davis – yes, another Davis, although I have no evidence that he was related to Jon. Jesse had supplied my predecessors with text and pictures for the pages of his book but as far as I could see had supplied nothing for the front cover. As Jesse lived in London, he called in to see me and when I sketched out how I saw the cover – I wanted a more dreamy, misty, homely sort of shot as I was keen to get away from the bog-standard shot of a ballerina on stage doing her “plum-fairy” thing – he was so enthused by my alternative way at looking at things that he instantly invited me to accompany him at the shoot he’d set up for a day or so later. To create the soft dreamy effect, he’d placed a piece of mid-brown nylon stocking over the lens.
My final six weeks of working in London had been unusual to say the least. In essence, I’d come in daily and toiled away totally on my own in a huge room where I systematically worked my way through the pile of wrapped-up packages. It was a bit like Christmas, as I never knew what the next parcel would bring.
These were the days when bomb scares were ten a penny – some being hoaxes while others were undoubtedly been real. At the beginning of 1974, bombs had exploded at Madame Tussauds Waxworks and at the Boat Show at Earls Court Exhibition Centre. In May, Heathrow airport was targetted; a month later, it was the turn of the Houses of Parliament; and, in July, the target was the Tower of London.
Given the situation, it didn’t come as a surprise when Purnell Books' Production Assistant Michael Gee called in to see me one afternoon to say that the bomb-scare we’d had earlier that day was nothing more than a hoax.
“What bomb scare?” I asked. Apparently everyone had been instructed to leave the building shortly before lunch, but no-one had given any thought of letting me know, so I had just carried on working during the lunch hour, while I chomped my way through the three rounds of Jenny’s lovingly-made sandwiches.
My second encounter with a Purnell Book contributor was with the author Robert Moss, a Spiritual Scientist who believed that even succumbing to the effects of the common cold was a sin (although a sin against whom, he didn’t actually divulge). Mind you, I’ve always thought much along the same lines . . . but it has nothing to do with any religious belief I can tell you.
Robert Moss had many years of association with the various scouting movements and when he supplied the text and art material for the Scouts Pathfinder, Sixer, Girl Guide and Brownie annuals, it was always in apple-pie order with everything there and clearly identified. It was just a pity that the artwork he wanted us to include in the books was very dated and “old hat.”
So, one of the first photographic jobs I carried out for Purnell Books was to capture the images for four Scouting front covers – easy enough, as by this time, not only were my son and daughter old enough to have become enrolled in such organised shenanigans, but they also had chums on whom I could call to stand in.
As I’m speaking about books I produced over forty years ago, many of the covers that you see here I've had to find on the internet (if I can find them). In the picture montage that follows, you will see one that was being advertised by John R Hoggarth, who is selling a "Sixer Annual for 1973" – s’funny, as in 1972 I’d never heard of Purnell Books and the lad depicted on the cover happens to be my son.
Working out of Maidenhead rather than Central London did have its disadvantages. Finding a good assistant designer was vital, but there was little choice when it came to employing someone in Maidenhead. Purnell would place an advert, and often would receive just one application – leaving Purnell with the choice to either employ him or her, or soldier on, understaffed, and try advertising again at some later time.
Everyone makes mistakes, but I’d had one designer under my wing – Becky – who was making rather more mistakes than most. While working at a desk, it's easy to accumulate material when putting together one of these books and as not so easy to find space for it while you concentrate temporarily on something else.
Becky's solution was to use the top of her waste bin as a convenient shelf. One evening, she forgot to remove the pile she had been working on back onto her desk before going home. On seeing this pile which obviously was on the bin, the office cleaners were only doing their job when they subsequently removed it.
The missing book had been one of Robert Moss’s, and luckily, he had carbon copies of the written text and a good many duplicate photographs in his hoard of scouting material, or at least some very similar pictures that could easily replace those items that had been lost. Within a few days, everything had been replaced, but on the morning that Becky had discovered the loss, she’d spent most of the day climbing fruitlessly up and down the land-fill area where the refuse cart was rumoured to have dumped the missing material.
There was, I believe, method to my madness, in designing all four scouting books with a similar theme. I did notice when visiting such outlets as W H Smith that, due to their similarity, that store staff made a greater effort to display them as a set . . . which, after all, was the whole purpose of the exercise.
In general, the average print run for a Christmas annual was around 20,000 or 25,000, depending upon what the Sales Force felt they could handle. If a book was deemed by the Sales Department to be a less popular subject, then the run could go as low as 15,000 but there was very little point in producing a book if the potential sales were any lower. These lower print run titles included such characters a Parsley and Sooty – not because they were unpopular, but because there were so many other characters of that type for them to compete with.
Speaking of Sooty, I need to mention Jim Grey. Not long after our move to Maidenhead, a tall, thin Teddy Boy with a dark-green velvet jacket walked into my office complete with DA hairstyle and 2”-thick crepe-soled shoes. This was Jim Grey, at the time employed full-time to deliver mail for the GPO. His work samples had impressed me so much that I immediately gave him the Sooty Annual cover to illustrate.
The Sales Force invariably had the last say on the matter, and if the book featured a rather more popular subject – say the Pony Club or Jimmy Hill’s Football Review – then the initial print run might rise to around 30,000 units or even higher.
Seven years earlier and during my time at Century 21 Publishing, the three Monkees Annuals had been printed in Rotterdam and were overseen by Jacques Post. Together with a Dutch translation of this unique book, it had achieved a print run of a staggering 185,000 units. It was quite phenomenal! I feel proud at what Andy and I had been able to achieve. So it had been produced on the back of an American television program featuring a zany pop quartet – but as far as I know, there had been no other publication of its type anywhere else on the market.
Roger Perry
The Philippines
Coming Soon: In Part Fifteen, I meet up with Jon Pertwee once again and for two years, associate myself with Jimmy Savile.
Thursday, July 26, 2007
Charles Whiting (1926-2007)
Charles Whiting, best known for his novels under the pen-name Leo Kessler, died on Tuesday, 24 July, aged 80. His total output under various pseudonyms included some 170 novels and 70 non-fiction titles.Obituaries: The Northern Echo (24 July); BBC News 24 (25 July); Daily Telegraph (26 July), The Guardian (23 August).
Novels
The Frat Wagon. London, Jonathan Cape, 1954.
Lest I Fall. London, Jonathan Cape, 1956.
Journey To No End. London, Jonathan Cape, 1957.
The Mighty Fallen. London, Jonathan Cape, 1958.
Kill Patton!. New York, Ballantine, 1974; as by Leo Kessler, Sutton, Severn House, 2003.
Orders to Kill. London, Corgi, 1974.
The Destroyers series:
__Operation Afrika. London, Sphere 9083-2, 1974; Los Angeles, Pinnacle 220757, 1975.
__Operation Stalag. London, Sphere 9084-0, 1974; Los Angeles, Pinnacle, 1976.
__Operation Caucasian Fox. London, Sphere 9085-9, 1974; as Operation Fox Hunt, Los Angeles, Pinnacle, 1977.
__Operation Il Duce. London, Sphere 9086-7, 1974.
__Operation Kill Ike. London, Sphere 9087-5, 1975
__Operation Werewolf. London, Sphere 9088-3, 1975.
T-Force series:
__The Big Breakout. London, Sphere 9091-3, 1976.
__Massacre at Metz. London, Sphere 9092-1, 1976.
__Highway Through Hell. London, Sphere 9094-8, 1976.
__The Last Mission. London, Sphere 9095-6, 1976.
Spymaster series:
__#1: Wolfhunt. London, Futura, 1977.
__#2: Doublecross. London, Futura 7463-3, 1977.
Bugles at Dawn. London, Century, 1990.
Sabres in the Sun. London, Century, 1991.
The Baltic Run. Sutton, Severn House, 1993.
In Turkish Waters. Sutton, Severn House, 1994.
Death on the Rhine (Common Smith). Sutton, Severn House, 1994.
Passage in Petrograd (Common Smith). Sutton, Severn House, 1995.
Death Trap (Common Smith). Sutton, Severn House, 1996.
The Japanese Princess (Common Smith). Sutton, Severn House, 1996.
Hell’s Angels (Common Smith). Sutton, Severn House, 1997.
S.A.S. series:
__#1: The Balkan Chase. Sutton, Severn House, 1999.
Novels as Richard DouglasThe Rig. London, Futura 7189-8, 1975.
Novels as Duncan Harding
Tug of War (December 22nd-December 31st 1941). London, Futura, 1975.
Torpedo Boat. London, Futura, 1976.
The Destroyer series:
__#1: Flotilla Attack. London, Futura, 1976.
__#2: Operation Chariot. London, Futura, 1977.
Come Hell or Highwater!. Sutton, Severn House, 1993.
Attack New York!. Sutton, Severn House, 1994.
Operation Judgement. Sutton, Severn House, 1994.
The Tobruk Rescue. Sutton, Severn House, 1995.
Operation Stormwind. Sutton, Severn House, 1996.
Assault on St. Nazaire. Sutton, Severn House, 1997.
Sink the Ark Royal. Sutton, Severn House, 1997.
Sink the Graf Spee. Sutton, Severn House, 1998.
Sink the Prince of Wales. Sutton, Severn House, 1998.
Special Boat Squadron series:
__#1: The Finland Mission. Sutton, Severn House, 1999.
__The Normandie Mission. Sutton, Severn House, 2000.
Sink the Scharnhorst. Sutton, Severn House, 1999.
Sink the Bismarck. Sutton, Severn House, 2001.
Sink the Hood. Sutton, Severn House, 2000.
Sink HMS Cossack. Sutton, Severn House, 2001.
Sink HMS Kelly. Sutton, Severn House, 2002.
Sink the Warspite. Sutton, Severn House, 2002.
Slaughter in Singapore. Sutton, Severn House, 2003.
Hell on the Rhine. Sutton, Severn House, 2003.
Ramps Down, Troops Away. Sutton, Severn House, 2004.
Clash in the Baltic. Sutton, Severn House, 2004.
Operation Torch. Sutton, Severn House, 2005.
Convoy of Death. Sutton, Severn House, 2005.
Assault on the Rock. Sutton, Severn House, 2006.
Massacre at Jutland. Sutton, Severn House, 2006.
Prepared to Die. Sutton, Severn House, 2007.
Novels as Ian Harding
Assault Troop series:
__#1: Blood Beach. London, New English Library, 1983.
__#2: Death in the Forest. Sevenoaks, New English Library, 1983.
__#3: Clash on the Rhine. Sevenoaks, New English Library, 1984.
__#4: End Run. London, New English Library, 1984.
Novels as Leo KesslerAssault Regiment Wotan series:
__#1: SS Panzer Battalion. London, Futura 7003-4, 1974.
__#2: Death’s Head. London, Futura 7048-4, 1974.
__#3: Claws of Steel. London, Futura 7097-2, 1974.
__#4: Guns at Cassino. London, Futura 7101-4, 1975.
__#5: The Devil’s Shield. London, Futura 7149-9, 1975.
__#6: Hammer of the Gods. London, Futura 7204-5, 1975.
__#7: Forced March. London, Futura 7358-0, 1976.
__#8: Blood and Ice. London, Futura 7483-8, 1977.
__#9: The Sand Panthers. London, Futura 7576-1, 1977.
__#10: Counter-Attack. London, Futura 1349-6, 1978.
__#11: Panzer Hunt. London, Futura ????-?, 1978?; 1520-0, 1979.
__#12: Slaughter Ground. London, Futura, 1978?
__#13: Hellfire. London, Futura 1391-7, 1978
__#14: Flashpoint. London, Futura, 1981?
__#15: Cauldron of Blood. London, Futura, 1981.
__#16: Schirmer’s Headhunters. London, Futura 2063-8, 1981
__#17: Whores of War. London, Futura 2237-1, 1982.
__#18: Schirmer’s Death Legion. London, Futura 2246-0, 1983.
__#1: Death Ride. London, Century, 1985; as Wotan #19, London, Futura 2637-7, 1985.
__#2: Slaughter at Salerno. London, Century, 1985; as Wotan #20, London, Futura 2660-1, 1985.
__#3: March or Die. London, Century, 1985; as Wotan #21, London, Futura 2662-8, 1985.
__#4: The Outcasts. London, Century, 1986; as Wotan #22, London, Futura 3646-1, 1988.
__#5: The Hess Assault. London, Century, 1987.
__#6: The March on Warsaw. London, Century, 1988.
Black Cossacks series:
__#1: The Black Cossacks. London, Futura 7254-1, 1975.
__#2: Sabres of the Reich. London, Futura 7387-4, 1976.
__#3: Mountain of Skulls. London, Futura 7525-7, 1978.
The Traitors. London, Futura, 1977.
Wolf. London, Futura 1318-6, 1978.
Stormtroop series:
__#1: Storm Troop. London, Futura 7550-8, 1978.
__#2: Blood Mountain. London, Futura 1330-5, 1978.
__#3: Valley of the Assassins [advertised as Operation Long Knife]. London, Futura 1485-9, 1979.
__#4: Red Assault. London, Futura 1601-0, 1979.
__#5: Himmler’s Gold. London, Futura 1843-9, 1980.
__#6: Fire Over Kabul. London, Futura 2223-1, 1982.
__#7: Wave of Terror. London, Futura 2300-9, 1983.
__#8: Eagles in the Snow. London, Futura 2355-6, 1983.
__#9: Fire Over Africa. London, Futura 2480-3, 1984.
Rommel series:
__Ghost Division. London, Futura, 1978.
__Massacre. London, Futura 1699-1, 1979.
Foreign Legion series:
__Hellfire. London, Futura 1391-7, 1978.
Breakthrough (novelisation of movie). London, Futura 1659-2, 1979.
The Sea Wolves series:
__#1: Sink the Scharnhorst!. London, Futura 1060-3, 1981.
__#2: Death to the Deutschland. London, Futura, 1982.
Submarine series:
__#1: The Wolf Pack. London, Century, 1985.
__#2: Operation Death Watch. London, Century, 1985.
__#3: Convoy to Catastrophe. London, Century, 1986.
__#4: Fire in the West. London, Century, 1986.
__#5: Flight to the Reich. London, Century, 1987.
S.S. Stuka Squadron series:
__#1: The Black Knights. London, Corgi 12216-5, 1983.
__#2: Hawks of Death. London, Corgi 12285-8, 1983.
__#3: Tank-Busters!. London, Corgi 12407-9, 1984.
__#4: Blood Mission. London, Corgi 12408-7, 1984.
The Black Knights, Hawks of Death (omnibus). London, Pan, 1986.
Otto Stahl series
__#1: Otto’s Phoney War. London, Futura, 1981.
__#2: Otto’s Blitzkrieg!. London, Futura, 1982.
__#3: Otto and the Reds. London, Futura 2196-0, 1982.
__#4: Otto an the Yanks. London, Futura 2313-0, 1983.
__#5: Otto and the SS. London, Futura 2376-9, 1983
__#6: Otto and the Himmler Love Letters. London, Futura 2561-3, 1984.
Rebel series
__#1: Cannon Fodder. London, Century, 1986.
__#2: The Die-Hards. London, Century, 1987.
__#3: Death Match. London, Century, 1988.
__#4: Breakout. London, Century, 1988.
S.S. Wotan series:
__#1 Assault on Baghdad. Wallington, Severn House, 1992.
__#2 Flight from Moscow. Wallington, Severn House, 1992.
__#3 Fire Over Serbia. Wallington, Severn House, 1993.
__#4 The Hitler Werewolf Murders. Sutton, Severn House, 1994.
__#5 Flight from Berlin. Sutton, Severn House, 1995.
__#6 Breakout from Stalingrad. Sutton, Severn House, 1995.
__The Wotan Mission. Sutton, Severn House, 1996.
__Death from Arctic Skies. Sutton, Severn House, 1997.
__Operation Fury. Sutton, Severn House, 1997.
__Death’s Eagles. Sutton, Severn House, 1998.
__Stalag Assault. Sutton, Severn House, 2000.
__Hitler Youth Attacks!. Sutton, Severn House, 2004.
__Operation Iraq. Sutton, Severn House, 2004.
__Operation Leningrad. Sutton, Severn House, 2005.
__The Reich Flies the Flag. Sutton, Severn House, 2006.
The Churchill Papers. Sutton, Severn House, 1998.
Patton’s Wall. Sutton, Severn House, 1999.
Battle for Hitler’s Eagle’s Nest. Sutton, Severn House, 2000.
Operation Glenn Miller. Sutton, Severn House, 2001.
The Great Escape. Sutton, Severn House, 2002.
Murder at Colditz. Sutton, Severn House, 2002.
Sirens of Dunkirk. Sutton, Severn House, 2003.
The Blackout Murders. Sutton, Severn House, 2004.
Monty's Fight for Victory. Sutton, Severn House, 2006.
Rommel's Last Battle. Sutton, Severn House, 2006.
Novels as John Kerrigan
The Phoenix Assault. London, Arrow Books, 1980; New York, Signet, Dec 1980; as The Bormann Mission by Leo Kessler, Sutton, Severn House, 1997.
SBS series:
__#1: Fireball. London, Arrow Books, 1983.
__#2: Bluebeard. London, Arrow Books, 1984.
__#3: Vermin. London, Arrow Books, 1984.
__#4: Watchdog. London, Century, 1984.
The O’Sullivans of the SAS series:
__Kill Rommel. Sutton, Severn House, 1995.
__#2: Surprise Attack. Sutton, Severn House, 1996.
__#3: Revenge!. Severn House, 1996.
Novels as Klaus Konrad
Russian series:
__#1: First Blood. London, Futura, 1980.
__#2: March on Moscow. London, Futura, 1981.
__#3: Front Swine. London, Futura 2197-9, 1982.
Novels as K.N. KostovPunishment Battalion 333 series
__#1: The Gulag Rats. London, Arrow Books, 1981.
__#2: Baptism of Blood. London, Arrow Books, 1981.
__#3: Blood on the Baltic. London, Arrow Books, 1981.
__#4: The Steppe Wolves. London, Arrow Books, 1981.
__#5: Cossack Attack. London, Arrow Books, 1982.
Novels as Duncan Stirling
The Screaming Eagles. London, Arrow Books, 1983; as by Leo Kessler, Sutton Severn House, 2001
Non-fictionSpiegel-Gesprache: An English-German interpreter’s course, with Gerard Gilbertson. London, Longman, 1967.
Decision at St Vith. New York, Ballantine, 1969.
48 Hours to Hammelburg. New York, Ballantine 02450-2066-9, 1970; London, Arrow 919990-4, 1979.
Patton. New York, Ballantine [War Leader Book #1] 02450-2099-5, 1970; London, Pan, 1973.
The Battle of the Ruhr Pocket, April 1945. New York, Ballantine [Battle Book #21], 1971 [cy1970]; as by Leo Kessler, London, Leo Cooper, 1989; Chelsea, MI, Scarboroough House, 1990; as by John Kerrigan, Madison Books, n.d.; as Ike’s Last Battle: The Battle of the Ruhr Pocket, April 1945 by Charles Whiting, Barnsley, Leo Cooper, 2002.
Bradley. New York, Ballantine [War Leader Book #5] 03450-2288-2, 1971.
Massacre at Malmedy. The story of Joachen Peiper’s battle group, Ardennes, December 1944. London, Leo Cooper, 1971.
Gehlen: Germany’s Master Spy. New York, Ballantine Books, 1972.
Skorzeny. New York, Ballantine [War Leader Book #11] 03450-2617-9, 1972; as Skorzeny: The Most Dangerous Man in Europe, London, Leo Cooper, 1998.
Werewolf. The story of the Nazi Resistance Movement, 1944-1945. London, Leo Cooper, 1972; as Hitler’s Werewolves: the story of the Nazi Resistance Movement, 1944- 1945. New York, Stein & Day, 1972; as SS Werewolf. The story of the Nazi Resistance Movement, 1944-1945, London, Arrow Books, 1982.
Canaris. New York, Ballantine Books, 1973.
The End of the War: Europe: April 15-May 23 1945. New York, Stein & Day, 1973.
Finale at Flensburg: the story of Field-Marshal Montgomery’s battle for the Baltic. London, Leo Cooper, 1973.
The Hunt for Martin Bormann. New York, Ballantine, 1973; revised as The Hunt for Martin Bormann: The Truth, London, Leo Cooper, Oct 1996.
The War in the Shadows. New York, Ballantine, 1973.
A Bridge at Arnheim. London, Futura 0-8600-7121-9, 1974.
Hunters from the Sky: the history of the German Parachute Regiment, 1940-1945. New York, Stein & Day, 1974; London, Leo Cooper, 1975.
The Battle for Twelveland: an account of Anglo-American intelligence operations within Nazi Germany, 1939-1945. London, Leo Cooper, 1975; as The Spymasters: the true story of Anglo-American intelligence within Nazi Germany, 1939-1945. New York, Saturday Review Press, 1976.
Bloody Aachen. London, Leo Cooper, 1976; New York, Stein & Day, 1976.
The Iron Fist. The story of the S.S. Panzer Divisions between 1943-1945 (as Leo Kessler). London, Futura 7487-0, 1977.
Paul Valery. London, Athlone, Press, 1978.
Death of a Division. London, Leo Cooper, 1979; New York, Stein & Day, 1980.
The Great York Airraid. The Baedecker bombing attack on York, April 29th 1942, illustrative material by Eric Taylor. Clapham, N. Yorkshire, Dalesman, 1979.
Yorkshire at War. The story of fighting Yorkshire at home and abroad, 1939-1945, with Eric Taylor. Clapham, N. Yorkshire, Dalesman, 1980.
The Home Front: Germany. Alexandria, VA, Time-Life Books, 1982.
Siegfried: The Nazi’s Last Stand. New York, Stein & Day, 1982; London, Leo Cooper, 1983.
’44: In Combat on the Western Front from Normandy to the Ardennes. London, Century, 1984; New York, Stein & Day, 1984.
Ardennes: The Secret War. London, Century, 1984; New York, Stein & Day, 1985.
First Blood: The Battle of the Kasserine Pass 1943. London, Leo Cooper/Secker & Warburg, 1984; as Kasserine: The Battlefield Slaughter of American Troops by Rommel’s Afrika Korps, New York, Military Heritage Press, 1984.
‘45: The Final Drive from the Rhine to the Baltic. London, Century, 1985.
Bounce the Rhine. [cy1985]; New York, Stein & Day, 1986; London, Grafton, 1987.
Britain Under Fire: The Bombing of Britain’s Cities 1940-1945. London, Century, 1986.
Operation Northwind: The Unknown Battle of the Bulge. London, Leo Cooper/Secker & Warburg, 1986; as The Other Battle of the Bulge: Operation Northwind, Chelsea, MI, Scarborough House, 1990.
SS Peiper: The life and Death of SS Colonel Jochen Peiper (as Leo Kessler), London, Leo Cooper/Secker & Warburg, 1986; as Joachen Peiper: Battle Commander, SS Leibstandarte Adolf Hitler by Charles Whiting, Barnsley, Leo Cooper, 1999.
The York Blitz, 1942: The Baedeker Raid on York, April 29th 1942 (as Leo Kessler), with Eric Taylor. York, William Sessions, 1986.
The Long March on Rome: The Forgotten War. London, Century, 1987.
Patton’s Last Battle. New York, Stein & Day, 1987.
Poor Bloody Infantry. London, Stanley Paul, 1987.
The Three Star Blitz: The Baedecker Raids and the Start of Total War, 1942-1943. London, Leo Cooper, 1987.
The Battle of Hurtgen Forrest: the untold story of a disastrous campaign. London, Leo Cooper, 1989; New York, Orion Books, 1989.
The Last Battle: Montgomery’s Campaign April-May 1945. Ramsbury, Marlborough, Wilts., Crowood, 1989; as Monty’s Greatest Victory: The Drive for the Baltic, April 1945, Barnsley, Leo Cooper, 2002.
Hero: The Life and Death of Audie Murphy. Chelsea, MI, Scarborough House, 1990; as American Hero: The Life and Death of Audie Murphy. York, Eskdale Publications, 2000.
Papa Goes to War: Ernest Hemingway in Europe, 1944-45. Ramsbury, Marlborough, Wilts., Crowood, 1990; as Hemingway Goes to War, Stroud, Sutton, 1999.
Betrayal at Venlo: the secret story of appeasement and treachery, 1939-45 (as Leo Kessler). London, Leo Cooper, 1991.
Warriors of Death: The Final Battles of Hitler’s Private Bodyguards, 1944-45. London, Arrow, 1991.
The March on London: Covert Operations in the Battle of the Bulge, December 1944. London, Leo Cooper, 1992; Conshohocken, PA, Pen & Sword Books, Jul 1996.
Slaughter Over Sicily: Airborne Massacre. London, Leo Cooper, 1992.
The Fighting Tykes: an informal history of the Yorkshire regiments in the Second World War, with Eric Taylor. London, Leo Cooper, 1993.
The Last Assault: The Battle of the Bulge Reassessed. London, Leo Cooper, 1994; New York, Sarpedon, 1994.
Kommando: Hitler’s Special Forces in the Second World War (by Leo Kessler). London, Leo Cooper, 1995.
Death on a Distant Frontier. A lost victory, 1944. London, Leo Cooper, 1996; New York, Sarpedon, 1996.
Paths of Death and Glory: The War in Europe, January-May 1945. Sutton, Severn House, 1997.
Bloody Breman: Ike’s Last Battle. London, Leo Cooper, 1998.
The Battle of the Bulge: The Untold Story. Stroud, Sutton Publishing, 1999.
Battleground Korea: The British in Korea. Stroud, Sutton Publishing, 1999.
Forgotten Army: U.S. 7th Army. Rockville Centre, NY, Sarpedon, 1999; as America's Forgotten Army: The Story of the U.S. Seventh, New York, St. Martin's Paperbacks, 2001.
Heydrich: Henchman of Death. Barnsley, Leo Cooper, 1999.
West Wall: The Battle for Hitler’s Siegfried Line, September 1944-March 1945. Staplehurst, Spellmount, 1999.
Hitler’s Secret War: The Nazi Espionage Campaign Against the Allies. London, Leo Cooper, 2000.
The Search for ‘Gestapo’ MĂĽller: The Man Without a Shadow. Barnsley, Leo Cooper, 2000.
Decision at St. Vith. Staplehurst, Spellmount, 2001; Havertown, PA, Casemate, 2002.
American Eagles: The 101st Airborne’s Assault on Fortress Europe, 1944-45. York, Eskdale, 2001.
Ghost Front: The Ardennes before the Battle of the Bulge. New York, Da Capo Press, 2002.
The Field Marshal's Revenge. The breakdown of a special relationship. Staplehurst, Kent, Spellmount, 2004.
Target Eisenhower: Military and Politial Assassination in WWII. Staplehurst, Kent, Spellmount, 2005.
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