The work of one of the UK’s most famous comic artists, Ian Kennedy, has been celebrated in a beautiful art book, The Art of Ian Kennedy.
Ian is the longest serving DC Thomson Media illustrator, having
worked for the publisher for 70 years, beginning his career in the
company’s Art Department back in 1949. Since then, he has contributed to
many of DC Thomson Media’s comics, such as Commando, Britain’s
longest-running war comic, Starblazer, Hotspur and many more.
Incredibly, Ian has created over 1,250 Commando covers, which continue
to be very popular amongst readers.
The art book showcases Ian’s fantastic array of work for not only DC
Thomson Media but also his own personal collection. The high spec
160-page art book includes both never before seen and classic covers, as
well as illustrations from the DC Thomson archives, featuring titles as
diverse as Lucky Charm and Buddy. Set out chronologically, the book
showcases Ian’s career at the famous Scottish publishing house, from his
early days working on ‘Red-Skull Branson’ and ‘Commando Jim’ to his
most recent covers and commissions for Commando.
Gordon Tait, Heritage Comics and Licensing Editor, said, “The
opportunity to work closely with Ian on this project has been an
incredible and most rewarding experience. Many visits to the DC Thomson
archives and Ian’s studio have provided a unique insight into the world
of this most talented and inspiring comic creator.
“The Heritage Comics team are proud to present the first-ever ‘Art
Of’ book dedicated to the artist and his career at DC Thomson. Fans of
Ian’s work and of comic art, in general, are in for a real treat with
this book. I hope, like me, you’ll discover something new every time you
come to it”.
There is an official launch for the book to be held today (Thursday) at DC Thomson's HQ which they plan to live stream on Facebook from around 6.00 pm. Check with the Commando Facebook page.
The Art of Ian Kennedy is available to buy from the DC Thomson Shop for £40. Also available via Amazon.
Showing posts with label Ian Kennedy. Show all posts
Showing posts with label Ian Kennedy. Show all posts
Thursday, April 25, 2019
Tuesday, March 28, 2017
Last chance to buy: Frontline UK
(* As this is the final week of our 25% off Sale of Frontline UK here at
Bear Alley Books, here's a
taster of the introduction which takes a look at the history of the strip...)
The comic strip ‘Frontline UK’ owes its origins to the youthful reading of one of D.C. Thomson’s editorial staff. At the age of nine, Bill Graham was a keen reader of The Wizard, with its regular cocktail of sport, western, war and adventure stories and where Wilson the wonder athlete, roughneck footballer Bernard Briggs and secret agent Bill Samson, the Wolf of Kabul, were among the paper’s most popular characters.
In the constant churn of stories and serials there was room for a little of everything and in the 1950s, science fiction was gaining a foothold in the pages of The Wizard: ‘The Crimson Comet’ had almost destroyed the Earth as early as 1946, and when ‘The Sun Turned Blue’ in 1950, it heralded an invasion of flying saucers.
While the creatures and plants of ‘The Purple Killers From Below’ and ‘The Monster in Hyde Park’ might be seen as typical of the science fiction in children’s papers, The Wizard also tackled more apocalyptic themes in ‘I Saw the End of the World’, which opens with a vivid flash in the sky when lightning detonates a cargo of hydrogen bombs off the coast of America, causing a five-mile-high wall of fire to sweep across the globe; and ‘Lost Men in Space’, in which the earth is suffering from the Great Blight, which stops crops from growing in earth’s soil—sixty years before this became a key ingredient of Christopher Nolan’s movie Interstellar. When a meteorite crashes onto a farm and plants begin to sprout again, an expedition is sent into space in search of the planet from which the meteor came.
In issue 1550 (29 October 1955), one of The Wizard’s regular authors, Gilbert Dalton, penned ‘The Yellow Sword’, a story that took as its premise an invasion of Britain. It was not a new idea: Sir George Chesney had imagined a German incursion reaching the heart of Surrey in his story ‘The Battle of Dorking’ in 1871, and many other foreign armies, usually German, marched through England’s green and pleasant lands, especially after the 1906 serialisation of William Le Queux’s The Invasion of 1910 in the Daily Mail.
Such stories became a staple of boys’ papers as early as 1897 when Hamilton Edwards’ penned ‘Britain in Arms’ and its immediate sequel ‘The Russian Foe’, which ran for 70 weeks in The Boys’ Friend. Even longer was the 100-episode epic trilogy ‘Britain Invaded’, ‘Britain at Bay” and ‘Britain’s Revenge’ that appeared in the same paper in 1906-08. Even after a staggering 700,000 words, author Sidney Gowing (writing as John Tregellis) would return to the theme again in 1912 with ‘Kaiser or King’ and its sequel ‘The Flying Armada’ and yet again with ‘The Legions of the Kaiser’ (and sequel ‘The Mailed Fist’), which was running when the Great War broke out in 1914.
‘Yellow Sword’ author Gilbert Dalton was certainly well aware of the history of this kind of literature, even naming a major character Major Chesney. Unlike many of his predecessors, however, the enemy was a fictional Asiatic country and two World Wars had already been fought. Dalton was well aware that an enemy blitzkrieg would put most of Europe under the control of Britain’s foes.
The year was 1968 and the story’s hero was John Maitland, who had joined the Royal Warwickshires in order to fight the invading Kushantis. However, after only a few months he is a broken man, trudging in his torn and dirty uniform back towards Hopebridge village in the Midlands where he was formerly a schoolmaster.
The Kushantis have landed at Dover, Folkestone and around Southampton. Maitland, grimy, nervous and injured, his left arm in a sling, believes he is the sole survivor of a battalion scourged by low-flying planes. Britain’s Navy has been reduced to sunken hulks, her aircraft shot down and her soldiers dead or captured, swamped by the sheer weight of numbers arriving from the East.
The British government has surrendered to the Imperial Kushanti Oligarchy and an occupying army arrives in Hopebridge, led by the ruthless Lieutenant Fang, who raises the black flag with its emblem of a yellow sword over the village.
Over the course of fifteen episodes, Maitland was able to pull together a small group from the villagers and his school’s pupils to help him defy the enemy and then to link up with the larger resistance forces in the surrounding area.
‘The Yellow Sword’—and its 18-episode, 1957 sequel, ‘Will o’ the Whistle’, in which, 25 years on, the Kushantis use gas to execute a bloodless coup—made a strong impression on young Bill Graham, who would grow up to join The Wizard’s publisher, Dundee-based D. C. Thomson.
(* You can read the rest of the introduction in Frontline UK, available from Bear Alley Books.)
(* Frontline UK © DC Thomson.)
The comic strip ‘Frontline UK’ owes its origins to the youthful reading of one of D.C. Thomson’s editorial staff. At the age of nine, Bill Graham was a keen reader of The Wizard, with its regular cocktail of sport, western, war and adventure stories and where Wilson the wonder athlete, roughneck footballer Bernard Briggs and secret agent Bill Samson, the Wolf of Kabul, were among the paper’s most popular characters.
In the constant churn of stories and serials there was room for a little of everything and in the 1950s, science fiction was gaining a foothold in the pages of The Wizard: ‘The Crimson Comet’ had almost destroyed the Earth as early as 1946, and when ‘The Sun Turned Blue’ in 1950, it heralded an invasion of flying saucers.
While the creatures and plants of ‘The Purple Killers From Below’ and ‘The Monster in Hyde Park’ might be seen as typical of the science fiction in children’s papers, The Wizard also tackled more apocalyptic themes in ‘I Saw the End of the World’, which opens with a vivid flash in the sky when lightning detonates a cargo of hydrogen bombs off the coast of America, causing a five-mile-high wall of fire to sweep across the globe; and ‘Lost Men in Space’, in which the earth is suffering from the Great Blight, which stops crops from growing in earth’s soil—sixty years before this became a key ingredient of Christopher Nolan’s movie Interstellar. When a meteorite crashes onto a farm and plants begin to sprout again, an expedition is sent into space in search of the planet from which the meteor came.
In issue 1550 (29 October 1955), one of The Wizard’s regular authors, Gilbert Dalton, penned ‘The Yellow Sword’, a story that took as its premise an invasion of Britain. It was not a new idea: Sir George Chesney had imagined a German incursion reaching the heart of Surrey in his story ‘The Battle of Dorking’ in 1871, and many other foreign armies, usually German, marched through England’s green and pleasant lands, especially after the 1906 serialisation of William Le Queux’s The Invasion of 1910 in the Daily Mail.
Such stories became a staple of boys’ papers as early as 1897 when Hamilton Edwards’ penned ‘Britain in Arms’ and its immediate sequel ‘The Russian Foe’, which ran for 70 weeks in The Boys’ Friend. Even longer was the 100-episode epic trilogy ‘Britain Invaded’, ‘Britain at Bay” and ‘Britain’s Revenge’ that appeared in the same paper in 1906-08. Even after a staggering 700,000 words, author Sidney Gowing (writing as John Tregellis) would return to the theme again in 1912 with ‘Kaiser or King’ and its sequel ‘The Flying Armada’ and yet again with ‘The Legions of the Kaiser’ (and sequel ‘The Mailed Fist’), which was running when the Great War broke out in 1914.
‘Yellow Sword’ author Gilbert Dalton was certainly well aware of the history of this kind of literature, even naming a major character Major Chesney. Unlike many of his predecessors, however, the enemy was a fictional Asiatic country and two World Wars had already been fought. Dalton was well aware that an enemy blitzkrieg would put most of Europe under the control of Britain’s foes.
The year was 1968 and the story’s hero was John Maitland, who had joined the Royal Warwickshires in order to fight the invading Kushantis. However, after only a few months he is a broken man, trudging in his torn and dirty uniform back towards Hopebridge village in the Midlands where he was formerly a schoolmaster.
The Kushantis have landed at Dover, Folkestone and around Southampton. Maitland, grimy, nervous and injured, his left arm in a sling, believes he is the sole survivor of a battalion scourged by low-flying planes. Britain’s Navy has been reduced to sunken hulks, her aircraft shot down and her soldiers dead or captured, swamped by the sheer weight of numbers arriving from the East.
The British government has surrendered to the Imperial Kushanti Oligarchy and an occupying army arrives in Hopebridge, led by the ruthless Lieutenant Fang, who raises the black flag with its emblem of a yellow sword over the village.
Over the course of fifteen episodes, Maitland was able to pull together a small group from the villagers and his school’s pupils to help him defy the enemy and then to link up with the larger resistance forces in the surrounding area.
‘The Yellow Sword’—and its 18-episode, 1957 sequel, ‘Will o’ the Whistle’, in which, 25 years on, the Kushantis use gas to execute a bloodless coup—made a strong impression on young Bill Graham, who would grow up to join The Wizard’s publisher, Dundee-based D. C. Thomson.
(* You can read the rest of the introduction in Frontline UK, available from Bear Alley Books.)
(* Frontline UK © DC Thomson.)
Tuesday, March 21, 2017
BEAR ALLEY BOOKS - LAST CHANCE TO BUY
ON SPECIAL OFFER AT BEAR ALLEY BOOKS
If you look over to the right hand column, you'll see that we have a special offer on two of our latest books from Bear Alley. You can save 25% off the cover price for the next few weeks. This will be your last chance to buy Frontline UK and Arena as our license for these titles runs out shortly and both books will be officially OUT OF PRINT after March 31st.
So if you want copies, grab 'em now. After the end of the month, they'll be disappearing for good.
Frontline UK by William Corderoy, Ian Kennedy & Clemente Rezzonico.
Arena by David H. Taylor & Enrique Alcatena.
Saturday, May 23, 2015
Ian Kennedy's Scalextric Catalogue
When Hornby celebrated their 25th annual Scalextric catalogue in 1983, they celebrated in style with a series of stunning illustrations by none other than Ian Kennedy. The front cover is quite a well-known image as it has been posted around the web on a number of occasions. However, Kennedy also supplied a number of illustrations inside the catalogue, which made innovative use of mixing art and photography.
The following year's catalogue wasn't nearly as exciting. The cover art—which you'll find below the Kennedy artwork—was by Leonard. Leonard who?
The following year's catalogue wasn't nearly as exciting. The cover art—which you'll find below the Kennedy artwork—was by Leonard. Leonard who?
Labels:
Ian Kennedy,
scrapbook
Thursday, December 11, 2014
Wednesday, December 10, 2014
Tuesday, December 09, 2014
Monday, December 08, 2014
Ian Kennedy Commando covers 1
To celebrate the release of Frontline UK, I'm running a little series of Ian Kennedy covers from Commando. If you want to see Kennedy's black & white artwork on the Frontline UK series, you'll find the order form here.
(* Commando © D. C. Thomson & Co. Ltd.)
(* Commando © D. C. Thomson & Co. Ltd.)
Labels:
Commando,
Ian Kennedy
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