By the time you read this I will be shot full of vaccine to protect me from the flu and Covid over the coming winter months. Although I spend most of my life in front of a computer, Mel has a customer-facing job and I'm in and out of the local shops. While it's impossible to protect yourself 100% from catching something, you can reduce the risk of getting a bad dose. An ounce of prevention and all that.
Yes, the Seasonal Vaccine Programme began on Wednesday October 1st and I was booked in for Thursday morning. Just good luck, really; I knew it was coming and managed to book myself an early slot at a pharmacy in Colchester. If you're eligible, it's worth sorting out an appointment thought the NHS website as it's easy (must be if I can manage it), quick, and gives you some choice of when and where you get your jab(s).
Why all this talk of flu jabs? Frankly, it's for my selfish benefit, as I know that my audience here, and for the books I publish, skews towards the older gentleman. I have two books coming out in November and I'm hoping to have another one out not long after Christmas. Basically, I can't afford to lose anyone: a lot of you are repeat customers and I need every one of you to stay healthy.
And, yes, you didn't mis-read me. Two books coming out in November! I have a proof copy of THE AIR ACE PICTURE LIBRARY COMPANION in my hands, and I've had good feedback from the few people who have seen it. I've started proofing and should have a second proof before the end of the month, which will mean I can print the book alongside MYTEK Volume 4.
The other bit of good news is that I've borrowed a stack of copies of the second series of Action, post-ban, which means that I can hopefully finish writing, scanning and designing the ACTION INDEX over the next few months.
The folks who had to wait weeks for the delivery of the first MYTEK volumes might find it amusing to hear that I'm possibly in the same boat with a book I ordered recently. I have been looking out for an affordable copy of Mike Ashley's Rise of the Cyberzines, volume five of his history of science fiction magazines, which came out from the Liverpool University Press in hardback for £95 in 2022 and appeared in paperback in 2024 priced £40, which is too rich for my wallet.
So when I saw a copy on sale for £25 plus £2.95 postage, I jumped on it. The order confirmation stated clearly that the order was from a British company and would ship from the UK. Well, it would at that price. The next day I get a message from the seller saying that there was a delay on the order and it would not arrive until November 12th. No other explanation.
I contacted Biblio, the platform through which I bought the book. 24 hours later, they contact the seller asking for further information. Four hours later, I'm told that the book will be with me some time between the 3rd and the 8th of October. Whether it arrives or not... well, we will just have to wait and see. At least there's now a paper trail that should allow me to get my money refunded if the book doesn't turn up.
At the same time, I've now had two Evri packages go astray since Ebay introduced their "Simple Delivery" system, which is anything but. Back in the day, everything went out 48 hour tracked post and it worked. Now I have to use prepaid postage labels which cost the customer more and there's a fee added to the price of the books, plus VAT (yes, I know there's no VAT on books in the UK, but there are some VATable costs incurred through Ebay).
An order that arrived yesterday was for Myteks 1 and 2. Same buyer, same address, same price for the books. But when I downloaded the postage labels, they were for different services, one charging £2.75, the other £2.94, neither of which actually cover the cost of postage and packing: £2.70 for postage, 35p for the envelope and 4p for the label, bringing the total p&p to £3.09. Not a huge difference in the big scheme of things, but it will mount up over time. So the two books went off in different directions, one down to the Post Office in the village, the other around the corner to the Co-op, our local Evri pick-up point. I had to cue up twice! (First world problems, eh?)
The Colchester Comic Mart is on Saturday (4 October); the books have already been dispatched (thanks, Karl!) and copies of MYTEK and all the other titles from Bear Alley will be available. I'll even knock the cost of postage off.
The venue is the Colchester Baptist Church, which is right in the town centre—see map (click for a bigger version)—and easily accessible. There are car parks nearby, plenty of tea rooms, eateries and pubs within easy walking distance, and lots of see and do. We have a castle and it's just off the High Street. There are 12 charity shops and one good second-hand book shop.
Hopefully I'll see you there.
Friday, October 03, 2025
Thursday, October 02, 2025
Robot Archie and the World of the Future
I was reading occasional issues of Lion around the period that this latest collection of Robot Archie stories reprints. My seven-year-old self wasn't especially impressed by Archie's time travel shenanigans, which didn't compare well to the cross-time adventures of Tim Kelly and Doc Diamond, and the artwork by Solano Lopez on the latter was more dynamic than that of Ernest Kearon—I know now that Lopez had been drawing comics for longer than Kearon by a couple of years, but Kearon's artwork seems not to have evolved over time as much as some of his contemporaries. Some of his characters look as stiff as Archie.
But... and it's a big but... I found myself enjoying these stories as I was reading the book. Trying to follow a story based on isolated episodes may explain why 'Kelly's Eye' was so much better. I knew what was going on, and, looking back, my favourites in Lion included things like Zip Nolan, whose adventures were complete each week. Of the ongoing stories, Paddy Payne, another favourite, was being drawn by Joe Colquhoun, Frank Hampson was drawing Dan Dare (both were reprints, but I didn't know that at the time) and Solano Lopez was drawing 'Gargan', three impeccable artists whose work always impressed.
In the world of the future, humans have been at peace for thousands of years and have forgotten how to fight, so when an invasion force of Krulls arrives, Archie can defend only part of the city they have landed in. While he shows the inhabitants the basics of warfare and makes bows and arrows, more Krulls attack. Archie now thinks himself to be a Warlord and arms his followers with swords and other ancient weapons from museums to stave off the attacks.
Ted Cowan's storyline is filled with extraordinary images—a wave of 'tin cans' forms into a mechanical serpent that Archie is able to ride like a bucking bronco, an abandoned tropical island where cars seem to drive themselves, Archie piloting a World War I bomber... indeed, the third story in which Archie and his companions Ted Ritchie and Ken Dale land during the Great War is the best of the bunch, with Ernest Kearon's artwork coming alive ashe tackles tanks, planes, ships and submarines rather than the clunky science fictional hover-cars and ray-guns of previous tales.
There are two back-up stories, one from an annual and one from a later holiday special which pitched Archie against another of Ted Cowan's creations, The Spider.
Read in full, you can't deny that the stories are entertaining. They're not the best Lion had to offer, but Archie is an icon and deserves his place in the pantheon of weird heroes that the Treasury of British Comics is unearthing.
Robot Archie and the World of the Future by E. George Cowan & Ernest Kearon.
Rebellion ISBN 978-183786554-3, 11 September 2025, 144pp, £16.99. Available via Amazon.
But... and it's a big but... I found myself enjoying these stories as I was reading the book. Trying to follow a story based on isolated episodes may explain why 'Kelly's Eye' was so much better. I knew what was going on, and, looking back, my favourites in Lion included things like Zip Nolan, whose adventures were complete each week. Of the ongoing stories, Paddy Payne, another favourite, was being drawn by Joe Colquhoun, Frank Hampson was drawing Dan Dare (both were reprints, but I didn't know that at the time) and Solano Lopez was drawing 'Gargan', three impeccable artists whose work always impressed.
In the world of the future, humans have been at peace for thousands of years and have forgotten how to fight, so when an invasion force of Krulls arrives, Archie can defend only part of the city they have landed in. While he shows the inhabitants the basics of warfare and makes bows and arrows, more Krulls attack. Archie now thinks himself to be a Warlord and arms his followers with swords and other ancient weapons from museums to stave off the attacks.
Ted Cowan's storyline is filled with extraordinary images—a wave of 'tin cans' forms into a mechanical serpent that Archie is able to ride like a bucking bronco, an abandoned tropical island where cars seem to drive themselves, Archie piloting a World War I bomber... indeed, the third story in which Archie and his companions Ted Ritchie and Ken Dale land during the Great War is the best of the bunch, with Ernest Kearon's artwork coming alive ashe tackles tanks, planes, ships and submarines rather than the clunky science fictional hover-cars and ray-guns of previous tales.
There are two back-up stories, one from an annual and one from a later holiday special which pitched Archie against another of Ted Cowan's creations, The Spider.
Read in full, you can't deny that the stories are entertaining. They're not the best Lion had to offer, but Archie is an icon and deserves his place in the pantheon of weird heroes that the Treasury of British Comics is unearthing.
Robot Archie and the World of the Future by E. George Cowan & Ernest Kearon.
Rebellion ISBN 978-183786554-3, 11 September 2025, 144pp, £16.99. Available via Amazon.
Labels:
Review,
Robot Archie
Wednesday, October 01, 2025
Rebellion Releases — 1 October 2025
He’s the superpowered superbrat – Grant Morrison and Steve Yeowell’s ‘Zenith’ is the cutting superhero horror satire from the pages of 2000 AD. With Rob Williams, Patrick Goddard & Steve Yeowell revisiting the world of Zenith with the new ‘Red Dragon’ series beginning in 2000 AD, Molch-R & KLO-E revisit the original to explore what it says about superheroes, politics, pop music, and the 1980s versus now.
Hosted by 2000 AD Brand Manager Michael ‘Molch-R’ Molcher and comics critic and creator of The Gutter Review, Chloe ‘KLO-E’ Maveal, In Orbit Every Wednesday from the 2000 AD Thrill-Cast goes live every Wednesday with the latest news about 2000 AD and Rebellion’s new comics, exciting special guests, and chat about the sheer love of comics! At half an hour per episode, IOEW is perfect listening for your commute, burning through your chores, or when you’re just getting your day started. Subscribe now on YouTube, Spotify, Apple Podcasts or your favourite podcast app!
Get the four Zenith collections from the 2000 AD webshop.
And now, this week's release...
2000AD Prog 2452
Cover: Mike Dowling.
JUDGE DREDD // AND TO THE SEA RETURN by Rob Williams (w) Henry Flint (a) Annie Parkhouse (l)
RED DRAGON by Rob Williams (w) Steve Yeowell & Patrick Goddard (a) Dylan Teague (c) Simon Bowland (l)
BRASS SUN // PAVANE by Ian Edginton (w) INJ Culbard (a) Simon Bowland (l)
VOID RUNNERS // BOOK TWO by David Hine (w) Boo Cook (a) Annie Parkhouse (l)
ROGUE TROOPER // GHOST PATROL by Alex de Campi (w) Neil Edwards (a) Matt Soffe (c) Jim Campbell (l)
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