Wednesday, July 23, 2025

Rebellion Releases — 23 July 2025

UPCOMING RELEASES FROM 2000AD AND THE TREASURY OF BRITISH COMICS:


And now, this week's release...


2000AD Prog 2442
Cover: Cliff Robinson with Dylan Teague

JUDGE DREDD // TUNNELS by Rob Williams (w) RM Guera (a) Giulia Brusco (c) Simon Bowland (l)
THE RAVILLIOUS PACT by T.C.Eglington (w) Steven Austin (a) John Charles (c) Simon Bowland (l)
THARG'S 3RILLERS // RELICT: INVASIVE SPECIES by Honor Vincent (w) Lee Milmore (a) Simon Bowland (l)
AZIMUTH // ABANDONED BY GOD by Dan Abnett (w) Tazio Bettin (a) Matt Soffe (c) Jim Campbell (l)
SCARLET TRACES // EMPIRE OF BLOOD by Ian Edginton (w) D'Israeli (a) Annie Parkhouse (l)

Monday, July 21, 2025

Bob Haberfield & His Art


In his introduction to the latest book from Jayde Design, Ben Haberfield relates his father's story: Bob Haberfield was raised by his mother in Melbourne, Australia, after his father was killed during WW2, leaving school at 13 to become an apprentice mechanic. Quitting after a couple of years, he attended Melbourne Tech from the age of 16 doing a night course in graphic design and life drawing while working as a layout and design trainee with an advertising firm.

He was taught and influenced by artists Clifton Pugh and Ian Stone who encouraged him to paint, particularly abstract painting, which he first exhibited in 1964 to positive reviews. He met Melanie, a young Englishwoman who had worked as an au pair in Paris, and she became his second wife in 1967; their honeymoon was Bob's first experience of travel outside Australia.

Renting an apartment in Paris, Bob painted record sleeves and perfected his talents as a flamenco guitarist, but moved to London when Melanie fell pregnant. The strain of having to earn a living yet to not compromise his artistic vision proved too much; while Melanie took their son Ben on holiday to Italy, Bob emptied their flat in Elgin Avenue and disappeared. Introduced to Buddhism, he joined a commune in Wales.

He was by then regularly painting covers for Mayflower, and the Buddhist influence can be seen in many of these painted in the early 1970s. Although Melanie tracked him down and joined him in Wales, commune life became increasingly controlling and she left. Bob also left, destitute (all his earnings from painting went to the commune) and living on the streets around King's Cross until a friend paid his fare back to Australia.


He returned to advertising, working hard and drinking hard. The loss of his girlfriend to breast cancer saw him heartbroken and he returned to London in 1981 to try to reconnect with his son, whose mother was running a clothes shop in Camden Road. Shortly after, he moved to a commune in Manchester, and later to a house in Wales, but his drinking was getting worse. A blazing row with his son meant he cut off contact for a year before phoning to admit that he had been wrong and that he had been sober ever since. The two developed a relationship that was to last.

Retiring from his career in illustration, Bob spent his time painting and listening to music until his death in 2021, aged 83.

This semi-tragic tale lay behind the dozens of covers and illustrations that Bob Haberfield painted for records, books and magazines, as well as his years in advertising between the early 1960s and his death 60 years later. Across the pages of two books, hundreds of pieces are presented for the first time for anyone outside of Bob's family as—beyond a handful in his early days—he never exhibited or sold his work. 

In the first book we are introduced to Bob Haberfield The Man, with essays by his son Ben Haberfield and friend Garry Kinnane, and some 300 pages of artwork; in the second we have Bob Haberfield His Art, which is a curated gallery of his career, including books—memorable and instantly recognisable from the covers of Moorcock, Jack Vance, Cordwainer Smith, Brian Aldiss, Robert Silverberg, Roger Zelazny, etc.—records and an incredibly diverse range of illustrations and advertisements. This volume also includes the reminiscences of various friends and followers.


This is the volume for me. Bob Haberfield's covers were a mix of surrealism, Hindi and Buddhist imagery and bright, rainbow colours. If your knowledge of the surreal is Dali or Ernst, these are more subtle pieces in a trippier headspace. It lends itself to horror stories, of which he illustrated plenty, most notably Clark Ashton Smith and HP Lovecraft for Panther in around 1973-74, and one of his most outstanding images, the motorcycle-riding Hitler on Norman Spinrad's The Iron Dream. But from the same brush came covers for children's books by Enid Blyton and Paul Galico, and it is a treat just to wander through the rich imagination on show throughout both books, whether you want something realist or something abstract.

This is a beautifully printed pair of books designed by John Coulthart, that slip into a sturdy case, published by Jayde Design who you'll have met here at Bear Alley as they published James Cawthorn: The Man and His Art and Cawthorn's The Stormbringer Sessions some years ago. The quality of the books is up to that earlier standard.

Bob Haberfield: The Man and His Art compiled by Ben Haberfield, with John Davey and John Guy Collick. Jayde Design ISBN 978-106838612-1, 28 July 2025, 376+232pp, £52.00 [slipcase edition, price includes shipping within the UK]. Order from Jayde Design.

Note: Bob Haberfield has an official website.

Friday, July 18, 2025

Comic Cuts — 18 July 2025


I'm starting to hear from people who have received their copies of the MYTEK THE MIGHTY volumes and I'm pleased to say that I haven't heard a bad word said against them. Lots of positive reviews, which fills me with joy because it means that putting the time and effort into making the books as good as I could was all worth the effort.

I'll be honest, the best bits of the book-making process for me are re-reading the strips after a long break and writing the introductions; the bit in the middle (scanning, cleaning, and occasionally re-lettering the artwork) can get a bit boring a project as big as MYTEK. Designing the book can also be stressful as I'm  not trained, using old software and have to do everything from scanning images to writing captions.


Fifteen years or so ago when I dreamed up this daft idea of publishing my own books, the design was almost a hill too far to climb. If I could have passed that on to anyone else I would have, but the simple fact is that I couldn't get it to work; I'd still be sorting out scans, writing captions and all the rest of it. At least doing it myself means I'm only scanning and cleaning up the images I'm using, which saves a considerable amount of time.

And time is quite important. The less time I spend on each book, the more books I can get out. The target for Bear Alley Books was 100 books, mostly written by me but with some licensed books thrown into the mix. Well, I've published over 40 books now, so I'm well on my way. I'm not earning a fortune, hence the occasional disappearance while I work elsewhere to earn a bit of money to top up the bank account, but I enjoy what I do, and that counts for a lot.


At the moment, orders are taking somewhere around 10-12 days between processing and delivery. I can't always let everyone know when books are on their way because Paypal does not supply me with a contact email address and going through their messaging system with individual tracking numbers is too time consuming. I do, however, try to supply tracking information to anyone outside the UK. (But please forgive me if I don't. It's not always convenient to do it immediately, and sometimes I forget.)

Progress on the AIR ACE COMPANION is good. I'm working my way through the main introduction at the moment with only maybe another six or eight pages to go. All the biographical sketches are now finished and that just leaves the index and the creators' index to complete. No idea how long that will take, but most of the tricky pages are done.


I've also decided on my favourite issue from the whole run. It's 'Fighter, Fighter!' (Air Ace 39, February 1961) with some frankly astonishing artwork by Ian Kennedy. I was a huge fan of this story as it was one I had in my collection. When I was editing books for Carlton, they asked for an Air Ace volume and I made sure this one was included, so it's a story that you should be able to find and read. It was reprinted as Battle 798. You should find this story if you get a chance—your eyes will thank you and fill your brain with dopamine.

That sounds like a damn fine idea... I think I'm going to take another look!

  • 17 Jul. The Hollywood Reporter has revealed that Taika Waititi (Thor: Ragnarok) is to direct a new Judge Dredd movie, from a script by Drew Pearce (The Fall GuyMission Impossible: Rogue Nation). Can I be the 10,000th person to call for Karl Urban to be reinstated as Dredd.
  • 14 Jul. Rich Johnston has noted that a scene in the new Superman movie seems to have been lifted from an episode of The Authority by Mark Millar and Frank Quitely. (Spoilers)
  • 13 Jul. Loving the Alien is a new podcast, the first episode featuring Sean Phillips talking about his past work, Criminal and the upcoming Criminal TV series from Amazon Prime. (1h 5m)
  • 13 Jul. David LloydCarlos Yacolca and Alberto Rayo discuss the webcomic Aces Weekly at AIPT. "Apart from basic maintenance costs, online comics have no need to pay for repro, printing, packaging, and distribution. The pages are just files to be slotted in, sometimes just before the day they’re due to be read, and it’s all just sent down the super highway. And it looks better on screen — no bad printing to worry about — and you can have it really big on your smart TV! Sadly, the mass of comics readers are still hopelessly in love with their customary form on paper and cling to it with annoying tenacity, so despite all the good things we offer for a good cause, we’re still battling for it.”
  • 10 Jul. Chris Weston reveals that the MCU is still using comics as concept art, writing on Facebook: "Wow. They've literally reproduced my cover from "Fantastic Four: First Family"! Come on, Marvel Studios, that's got to be worth a couple of free tickets, surely!
  • 7 Jul. Al Ewing and Dan Cornwell take Judge Dredd on holiday in the upcoming 2000AD Sci-Fi Special. Ewing: "In some ways, it was like slipping back into an old and comfortable pair of shoes – or tight boots, maybe. Part of that is that it was quite a light brief ... I don’t have to worry that much about what Dredd’s been up to in the years since I last handled the character, or how the politics of Mega-City One have developed – it’s just Dredd being Dredd..."
  • 5 Jul. Glenn Fabry and Simon Furman have been honoured at the London Film and Comic Con at Olympia and have been inducted into the LFCC Hall of Fame. Rich Johnston has photos at the link.
  • 4 Jul. Comics by Perch interviews Mark Millar about his new project with John Romita Jr., Psychic Sam, which is available on Kickstarter now. (video, 59m)
  • 30 Jun. Si Spurrier discusses his new comic The Voice Said Kill, drawn by Vanesa R. Del Rey, a 4-issue Image Comics miniseries. "Unless you’re doing the same damn thing over and over again, every project feels like a palate cleanser from the one before. So it seems I am doing what amounts to a relatively straightforward crime thriller. For me, it’s as challenging and as delightful and as fun." 
  • 30 Jun. "A Page I Love" with artist Chris Weston... it's a page of Trigan Empire art by Don Lawrence. (video, 8m) 
  • 28 Jun. The Joker cover for Detective Comics #880 by Jock was sold by Heritage Auction for $288,000. Jock posted on Threads that it was: "probably the piece I’m most associated with; I sold the original just after it was published, and now the buyer is finally putting it back up for sale. Estimates are pretty high, and although I don’t get a cut, I’m intrigued… how much do you think it will go for?”
  • 27 Jun. The Forbidden Planet TV channel has posted a panel from the recent Enniskillen Comic Fest celebrating the 50th anniversary of Battle Picture Weekly. On the panel were the title's co-creator, John Wagner (Darkie's Mob, HMS Nightshade), editors Dave Hunt and Steve MacManus, artist Mike Dorey (Hellman of Hammer Force) and writers Gerry Finley-Day (Rat Pack, D-Day Dawson) and Alan Hebden (Major Eazy, Fighting Mann). (video, 59m)
  • 20 Jun. Andrew Sumner interviews Michael Moorcock over at Forbidden Planet TV about the new Titan hardback edition of Elric: The Balance Lost volume one, Mike's just completed new novel, the last of the Whispering Storm trilogy, and many other topics. (video, 1h 1m)
  • 16 Jun. The Crime Writers' Association published their  longlists for the upcoming 2025 Dagger Awards back in April. Well, they're down to their shortlists have been announced and D.V. Bishop is still in the running for the Gold Dagger for best crime novel and the Historical Dagger for best historical crime novel with A Divine Fury. DV is, of course, better known as David or Bish-OP to 2000AD and Judge Dredd Megazine readers.
  • 13 Jun. Michael Sheen, interviewed in The Times, says of Good Omens "I really don’t know what’s going to happen with it. We were both relieved we finished the story, but that’s within this really difficult, complicated, disturbing context. I hope people get to see it, but that, to a large extent, is out of our hands.”
  • 12 Jun. Sean Phillips is the subject of the latest Wordballoon video. "Sean talks about his long time collaborations with Ed Brubaker, his working relationship with his son Artist Jacob Phillips, updates on the Amazon Prime adaptation of Criminal, future projects and more . Ed and Sean are also releasing a new Criminal Graphic Novel In August." (video, 1h 1m)

Thursday, July 17, 2025

Commando 5871-5874


It’s that time again Commando fans!  We’ve a bumper crop of World War 2 action for this round – as much bravery and derring-do as you can handle! Issues 5871-5874 will go on sale from today, Thursday 17th July 2025!


5871 V-1 Conspiracy 

After the crushing defeat of D-Day, Germany had resorted to launching so-called vengeance weapons to terrorise the British. In response, Helen McGrath of the SOE and Captain Tim Lidster of the OSS, had been tasked with tracking down the architect of the latest portable V1 launchers – Major Walter Himpel of the Luftwaffe. Little did they know, their mission would prove to be far more than they bargained for, Himpel had a much more diabolical plan in mind - one that would target the mainland of the United States!
    Better hail a cab because we’re off to the Big Apple! Rossa McPhillips makes his second appearance of the month with a story that spans continents, made all the grander by the interior art of Alejandro Perez Mesa and Marco Bianchini’s explosive cover – think this is one to miss? Forget about it!

Story: Rossa McPhillips
Art: Alejandro Perez Mesa
Cover: Marco Bianchini


5872 River Raiders

Officially, it’s a D.U.K.W. but it’s always called a DUCK. It’s a six-wheeled truck that can speed over land at 50 mph or move through water at five or six knots. Normally, they’re used for carrying cargo, but Sergeant Mick Nelson turned his D.U.K.W. into a floating battleship and made a name for himself as boss of the jungle rivers of Burma!
    Delving back into the deep waters of Commando’s past, we’ve fished out this beauty from way back in 1969. Focused on the iconic D.U.K.W. amphibious vehicle, there’s no ducking the action in this one!

Story: Staff
Art: R. Fuente
Cover: Penalva
First published 1969 as No. 418


5873 Escape Act

US General Pete McAvoy wasn’t much of a fan of the theatre. He thought it was a useless distraction and waste of time when there was a war to be won. 
    Then the aircraft he was in was shot down on its way to the front. Now he would have to play the part of Flight Lieutenant Giles Bastow to stop the Germans working out who he was and how much intel he had. In order to escape the prison camp, he would have to put on the biggest performance of his life!
    Here’s one for the thespians among you! We’re not shy about our love for drama here at Commando, but it’s never been quite so literal as in this theatrical extravaganza from Sean Mason, with spectacular interior art by Paolo Ongaro and a sensational cover by Marco Bianchini.

Story: Sean Mason
Art: Paolo Ongaro
Cover: Marco Bianchini


5874 You Need Courage

If you were ever looking for Martin Baxter, you’d always find him where the fighting was thickest and fiercest. Everyone agreed it took courage to do the things he did – all except one man that is. But even that man would soon have cause to change his tune!
    Rip-roaring classic Commando reprint incoming! With incredible art AND script by Anglo and outstanding cover from Philpot to boot, this is one issue you won’t want to miss!

Story: Anglo
Art: Anglo
Cover: Philpot
First published 1984 as No. 1789

Wednesday, July 16, 2025

Rebellion Releases — 16 July 2025


The 2000 AD Annual 2026
brings Thrill-Power home for Christmas with a standard-edition cover from superstar artist Ladronn (Final Incal) and webshop-exclusive cover from 2000 AD legend Simon Bisley (Sláine)!

Inside, we’ve got all-new stories for you featuring Judge Dredd, Rogue Trooper and Judge Anderson – from an all-star lineup of 2000 AD writers and artists including Rob Williams, Joe Currie, T.C. Eglington, Staz Johnson and more. We also have some surprises from the archives for you this year, readers – but we’ve been sworn to secrecy for now! 

With over a hundred pages, The 2000 AD Annual 2026 contains a hearty mix of all-new stories, features and hidden gems from the archives – making it the ultimate stocking Thriller.

Tharg The Mighty blesses us once more with such nuclear-powered comics to keep your fires burning! Who needs a winter fuel allowance?

The 2000 AD Annual is now available to pre-order from the 2000 AD webshop, as either standard hardcover or webshop-exclusive editions!

And now, this week's releases...


2000AD Prog 2441

Cover: Colin Macneil.

JUDGE DREDD // TUNNELS by Rob Williams (w) RM Guera (a) Giulia Brusco (c) Simon Bowland (l)
THE RAVILLIOUS PACT by T.C.Eglington (w) Steven Austin (a) John Charles (c) Simon Bowland (l)
THARG'S 3RILLERS // RELICT: INVASIVE SPECIES by Honor Vincent (w) Lee Milmore (a) Simon Bowland (l)
AZIMUTH // ABANDONED BY GOD by Dan Abnett (w) Tazio Bettin (a) Matt Soffe (c) Jim Campbell (l)
SCARLET TRACES // EMPIRE OF BLOOD by Ian Edginton (w) D'Israeli (a) Annie Parkhouse (l)


The 2000AD Sci-Fi Special 2025
Cover: Chris Weston.

JUDGE DREDD // COSTAFERATU by Al Ewing (w) Dan Cornwell (a) Pippa Bowland (c) Annie Parkhouse (l)
THE OUT // THE WAR OF ART by Dan Abnett (w) Mark Harrison (c) Simon Bowland (l)
FUTURE SHOCKS // G.A.R.I. by Andi Ewington (w) Nick Dyer (a) Jim Campbell (l)
AMPNEY CRUCIS INVESTIGATES... // EVIL UNDER THE SUN by Ian Edginton (w) D'Israeli (a) Annie Parkhouse (l)
STRONTIUM DOG // THE HOLLIDAY JOB by Karl Stock (w) Jake Lynch (a) Jim Boswell (c) Rob Steen


Judge Dredd Megazine 482
Cover: John McCrea with Mike Spicer.

JUDGE DREDD // A TRUE TASTE by Alec Worley (w) Clint Langley (a) Quinton Winter (c) Annie Parkhouse (l)
MEGA-CITY 2099 // ANGER MACHINE by Karl Stock (w) Conor Boyle (c) Simon Bowland (l)
CADET DREDD // THE HAUNTING OF ISO-BLOCK 8 by Paul Starkey (w) Nick Brokenshire (a) Jim Campbell (l)
TALES FROM THE BLACK MUSEUM by James Peaty (w) Warren Pleece (a) Annie Parkhouse (l)
ROK THE GOD by John Wagner & Alan Grant (w) Dan Cornwell (a) Abby Bulmer & Jim Boswell (c) Jim Campbell (l)
BARREL & HAMMER // HAMMER TIME by David Barnett (w) Luke Horsman (a) Simon Bowland (l)

Rogue Trooper: The Complete Collection volume 2 by Gerry Finley-Day, Alan Moore, Simon Geller, Steve MacManus (w) Cam Kennedy, Brett Ewins, Boluda, Jesus Redondo, Robin Smith, Trevor Goring (a
Rebellion ISBN 978-183786535-2, 16 July 2025, 368pp, £24.99. Available via Amazon.

The Complete Rogue Trooper series continues to collect every adventure of one of 2000 AD’s most popular characters, originally created by Gerry Finley-Day and Dave Gibbons (Watchmen), this second volume features the work of veteran artists Cam Kennedy (Star Wars: Dark Empire) and Brett Ewins.
    The hunt for the Traitor General, who betrayed Rogue and caused the deaths of his fellow soldiers, comes to a conclusion, bringing to an end the first phase of Rogue’s storyline. [Previously announced for 4 June 2025]


The Rise and Fall of the Trigan Empire: Volume 6 by Mike Butterworth, Ken Roscoe (a) Oliver Frey, Gerry Wood (a)
Rebellion ISBN, 16 July 2025, 240pp, £24.99/ Available via Amazon.

This penultimate omnibus collection of the original The Rise and Fall of the Trigan Empire stories, collecting all the strips originally published in Look & Learn from 1977 through to 1980. This book contains Oliver Frey and Mike Butterworth’s final work on the series, as they pass the baton to Ken Roscoe and Gerry Wood who will work on the remainder of the series.
    This volume collects for the first time thirteen classic, fast-paced, yet beautifully painted, stories featuring the Emperor Trigo, ruler of the Trigan Empire, holding the line against monsters, alien threats, and internal usurpers, with the help of his nephew Janno, and the scientist Peric.

Friday, July 11, 2025

Comic Cuts — 11 July 2025


I've been kept busy with advance orders for MYTEK THE MIGHTY, which is going pretty well. I'm not measuring like for like precisely, but I think it will do better than PHANTOM PATROL but won't hit the dizzying heights of my COUNTDOWN index, which took off like a rocket. But it's going to wipe its face. 

Which is a relief, because with these licensed titles you have to pay the fees up front, there have been proofs to pay for and then a print run, which will be my sales stock for the next few months. Most of this is paid for before I see a penny, and I'm also going to be carrying quite a bit of stock because print prices are to rise in about three weeks. I'll absorb the increases where I can, but I might have to charge a little more for one or two of my books... I still need to sit down with a pen and the back of a fag packet to get my head around the implications.


The launch of MYTEK was a bit of a mad dash. I usually do a small printing of maybe 10 copies to make sure the books print consistently, and these had just arrived when my friend Jules Burt asked for some cover scans as he was launching a video review on Wednesday. I was thinking that I had until Friday and could amble through a few jobs that needed doing; this was not to be and I had to bring everything forward a day, writing up a column for the Bear Alley Books page, making sure I let people know through Facebook's Bear Alley Book page, and setting up various links from one to the other. It might not sound like much, but it all takes time — and I do have other things to do, too. (Write this blog being one of them.)

Once the news was let loose on the world, I had some fun filming a little video. I don't know if I'm getting any better at these, but I think the 13 minute video only took 20 minutes to film. I tend to do these off the cuff with only a broad idea of what I want to say. This time I got most of it right first time, remembered to have copies of the book next to me so I could show them on camera, made sure I could wear that t-shirt without causing the camera to go crazy. I had problems once during an interview and since then I've always worn a colour t-shirt for Comic Cuts videos and other video recordings.


Many years ago, I was asked to be part of a show called For Love or Money on, I think, Channel 4, to talk about old gangster paperbacks. I took up a hold-all full of them and hung around the office where we were to film but nobody was answering the door. After about 15 minutes of panic, someone arrived—I'll call her the runner as I can't recall her actual position—and said that the crew was running late, so we trotted around the corner to the pub. 

While I was relaxing into a pint, this girl asked: "Do you have a change of shirt?" This was unexpected, so I told her "No." My pale blue shirt might be a problem, she explained, because they wanted to blue-screen images of books behind me while I talked. "But don't worry, we'll sort something out."

The crew arrived and set up in the office, so there was now a couple of blokes (cameraman, sound engineer) and a couple of girls (the producer/director and the runner I'd been to the pub with). The shirt thing was still an issue as the only suitable clothing I could wear belonged to the director... but she had nothing on underneath (it was a warm summer evening). Some clothes juggling later, I'm in her t-shirt, she is in the blouse belonging to the runner, which was quite a tight fit, and the runner was in her bra, sat just to one side of the producer. 

I'm surprised I managed to answer any of their questions. Also, the t-shirt had a small, circular logo, which was cut out by the blue-screen effects, so it looked like I had been shot in the chest. That was my first ever TV interview. I don't think any since have matched it!


I'm sixty pages into the AIR ACE COMPANION and it's turning into a bit of a monster. I was aiming for under 100 pages, but it might creep over that. There are just too many brilliant artists who need illustrating! I've already increased the number of biographies from 10 to 15. The full list now includes F. Solano Lopez, Nino Caroselli, George Stokes, Aldo Di Gennaro, Ian Kennedy, Fernando Fernandez, Juan Zanotto, Pino Dell'Orco, Victor Hugo Arias, E.L. Blandford, Juan Abellan, Graham Coton, Marcello Ralli, Alan Willow, Luis Martinez Mira, Leopoldo Ortiz and Leopoldo Sanchez.

If you're wondering why Giorgio Di Gaspari or Alessandro Biffignandi, two of the chief cover artists, are missing... there will be plenty of room for them when I get around to the WAR AND BATTLE COMPANION. Oh, boy... I've just committed myself to yet another book!

Wednesday, July 09, 2025

Rebellion Releases — 9 July 2025


3900 AD. Rollo Stones and Danny Charters are the ‘Legend Testers’ – employees of the Central Knowledge Museum, tasked with taking exhibits back through time to see if they are genuine or not. Using the world’s only time machine called, ‘The Time Chamber’, Rollo and Danny throw themselves into peril, seeking out the truth behind myths and legends. From werewolves to Greek Gods, the Legend Testers are ready to face any supernatural challenge!

This collection includes the entire run of The Legend Testers strip from Smash!, all beautifully illustrated by Spanish art superstar, Jordi Bernet.

You can pre-order The Legend Testers in paperback or hardback now. To be published 14 January 2026.

And now, this week's releases...


2000AD Prog 2440
Cover: Tazio Bettin.

JUDGE DREDD // TUNNELS by Rob Williams (w) RM Guera (a) Giulia Brusco (c) Simon Bowland (l)
THE RAVILLIOUS PACT by T.C.Eglington (w) Steven Austin (a) John Charles (c) Simon Bowland (l)
THARG'S 3RILLERS // FAR FROM EDEN by Alan Kerr (w) Ian Richardson (a) Pippa Bowland (c) Simon Bowland (l)
AZIMUTH // ABANDONED BY GOD by Dan Abnett (w) Tazio Bettin (a) Matt Soffe (c) Jim Campbell (l)
SCARLET TRACES // EMPIRE OF BLOOD by Ian Edginton (w) D'Israeli (a) Annie Parkhouse (l)

Friday, July 04, 2025

Comic Cuts — 4 July 2025


As someone who dislikes insects (I can't sleep if there's a fly or a moth in the room) I didn't have the best start to the week. We discovered we had been colonised by moths — little flying pieces of dust that we'd spot flitting across the TV screen of an evening in increasing numbers. It meant we had to spend Sunday and Monday moving everything and spraying the carpet with moth killer. We ran out of spray with some areas still to go, so I've just spent another £50 to eradicate the little bastards, so we can go over the whole house a couple of times.

I will say that our first attack on the problem seems to have made a difference. Far fewer visible by midweek, but clearly we need to eradicate them all. Moving boxes, beds and book cases on the hottest day of the year so far wasn't what we had planned.

And on the second, even hotter day I was sat indoors with the windows closed because July 1st was "Flying Ant Day" here in Wivenhoe. We've had ants under the patio for years and it grew to such a problem that we had to have the patio around the back door redone. But they didn't do the whole of the patio, which has had weeds burrowing into every crack and ants tunneling under every slab probably since the day the patio was laid. 

On Tuesday, they came out in force, a writhing sea of insects that will haunt your nightmares if you dare to watch the video below. Meanwhile, I was sat indoors with the windows shut to make sure they didn't fly into the house...


It wasn't all insects. We did some useful things around the house like defrost the fridge and the freezer and mow the lawn. Then we collapsed into a sweaty heap and cooled ourself down with Magnums and ice lollies. I've even taken to eating an apple as a snack rather than a couple of biscuits. 

The lack of snacking (or maybe the increase in sweating) has meant I've achieved a little milestone. My weight has been a problem for years: it soared after I gave up smoking in 2012 and peaked at over 17 stone. It took me two years to lose two stone, before my weight went back into reverse and I put on a stone. Then, in 2019 I started to lose weight again, and again lost two stone before it bounced back a stone. I managed to lose a bit last year, then bounced straight back to where I had been over winter.

Now I've managed to lose half a stone since January. That's not a huge amount, but I'm losing it steadily, as that (I'm told) is the best way to make sure the weight stays off. I'm not setting any targets, and I'm still ten pounds heavier than I was in June 2020, but hopefully I can keep up the exercise and, more importantly, stop eating quite so many snacks.

Progress has been slow but steady on the Air Ace book because I'm still designing some of the biographical pages — I also replaced one that I'd already written as it turned into a bit of an epic about someone who contributed only one issue. Picking out illustrations is a problem with some of the more prolific artists, too... for instance, I'm going through the Air Ace contributions of Solano Lopez, and that means trawling through over 1,500 pages to pick maybe 40 examples, which I'll whittle down to two dozen in the final design. It all takes time.

And today (Thursday) was a bit manic as Bear Alley launched MYTEK THE MIGHTY — finally! It seems to have taken forever, especially as I completed work on all four books back in April. The bulk of the time since then has been spent waiting on printed proofs, corrected proofs and final proofs. The latter arrived last Saturday and I've been trying to think how best to launch the books. I was thinking maybe at the weekend.

However, my hand was forced by Jules Burt, who was doing a video and wanted to post it on Wednesday.. Who am I to argue with one of Booktube's finest (it's like Booktok for Youtube). that meant I spent today (yes, it's still Thursday) dodging about trying to sort out a few images and covers to launch the regular information column that gets posted on the Bear Alley Books site, posting details on Facebook and wondering whether I should do a little launch video as I've done for some books in the past. Maybe I can do that for the weekend. 

The first orders have come in and I'm processing them as they arrive. In between I've been reading my Prog magazine and playing Hall of the Mountain Grill by Hawkwind in memory of Simon House, who died recently. I went there once, the Mountain Grill in Notting Hill, and had a rather greasy cup of tea. 

But that's a story for another day. Now it's back to MYTEK... and hopefully there will be more over the weekend.

Thursday, July 03, 2025

Commando 5867-5870


We’re covering land, sea and air in this round of Commando capers! Whether it’s submarines or mosquitoes, fishing boats or castles, yessir we’ve got you covered. Issues 5867-5870 will go on sale from today, Thursday 3rd July 2025!


5867 Battle of Castle Gorbach 

Germany, 1945. As the Second World War draws to a close, US forces advance on the German Alps, convinced of Hitler’s intentions to hold a last stand – his so-called ‘national redoubt’. 
    In that mountainous region, the ancient Castle Gorbach held many prisoners of war from countries conquered by Germany. But their usefulness was running out. Their only chance was to seek help from a passing American squadron – but would their distress signal be answered?
    A Gothic castle in the German mountains, a rebellious US squadron, European dignitaries held captive by malicious Nazis – this one really is a cinematic adventure! With a nail-biting script from Rossa McPhillips, mood-drenched art by Vicente Alcazar, and a truly dramatic cover by Simon Pritchard, you won’t want to put it down!

Story: Rossa McPhillips
Art: Vicente Alcazar
Cover: Simon Pritchard


5868 Black Mossie

For months, Stan Warner and Barney Tyson had flown together in a Boulton Paul Defiant, sharing deadly danger and seeing many of their mates spiralling down in flames. They both knew the Defiant was no match for the enemy fighters, and all their working hours were spent dreaming of when they’d get a better plane. 
    Well, that day finally came, and even Stan and Barney were speechless with wonder. For here was a Mosquito – black, sleek and deadly – which flew faster and hit harder than almost any other aircraft in the world. Now they could really get cracking!
    De Havilland Mosquitoes are definitely one of our top ten favourite British twin-engine multi-role combat aircrafts here at Commando, so it’s always welcome news when we come to reprint an issue all about the wooden wonder!

Story: McOwan
Art: DS Gomez
Cover: Ian Kennedy
First published 1971 as No. 588


5869 Missed the Last Bus Home

Norway, 1936. Four friends, once inseparable, found themselves growing apart. Olav, having attended university in Germany, returned home with some troubling new ideas. As the Nazis increased their stranglehold on Norway, Rolf, his sister Conny, and her husband Fredrik, grew increasingly worried about where Olav’s allegiances lay. 
    With the outbreak of World War Two, Conny and Fredrik were set on resisting the Nazi menace – while Rolf only wanted a quiet life. Before long, the influence of Nazism would tear these friends apart, forcing them to choose: surrender, resist, or die!
    Is there anything worse than missing your bus? Maybe if it’s the Shetland bus! This is an epic tale from Stephen Hume of friends torn apart by war and ideology, with fantastic art and cover by the inimitable Carlos Pino.

Story: Stephen Hume
Art: Carlos Pino
Cover: Carlos Pino


5870 Killer Sub

For one Swordfish pilot, there would be no rest until justice had been done.
    Revenge for a coldblooded slaughter at sea was all that he cared about now.
    His target was fixed in his mind. One day, he’d find and destroy the murdering captain of the…KILLER SUB
    A classic tale of a man blinded by his lust for vengeance – we do so love the drama! McDevitt’s script pairs majestically with Livingstone’s art, making for an unforgettable rollercoaster of an issue – and is that a Jeff Bevan cover we spy?

Story: McDevitt
Art: Gordon C Livingstone
Cover: Jeff Bevan
First published 1984 as No. 1791

Wednesday, July 02, 2025

Rebellion Releases — 2 July 2025


Our new trilogy of Definitive Editions continues this December, as we celebrate one of 2000 AD’s most enduring and loved characters – Sláine!

Sláine Mac Roth of the Sessair tribe is known as the Warped Warrior – a mighty barbarian who can master the ‘warp-spasm’, harnessing the power of the Earth to transform into a monstrous creature. Accompanied by his dwarf sidekick, Ukko, and wielding his legendary axe Brain-biter, he travels Tir-Nan-Og, a land marred by warring tribes and ruled by merciless gods.

Created by Pat Mills and Angie Kincaid, Sláine: The Definitive Edition collects the complete series in order, and includes original covers from the full run. Volume 2 of the series finds Mills joined by artists Massimo Belardinelli, Glenn Fabry, David Pugh and Bryan Talbot as the woad warrior takes part in the Battle of Clontarf and heads down into the Tomb of Terror!

Tir-Nan-Og (the ‘Land of the Young’) is a violent world, home to warring tribes who worship gods both benign and malevolent. One such tribe is the Sessair, brave warriors of enormous skill and the best of them is a young barbarian named Sláine Mac Roth. Sláine is, among other things, a master of the ‘warp-spasm’ channeling the mystical power of the Earth through his body to become a mighty, monstrous berserker!

The adventures of Sláine Mac Roth continue in the second volume of the Definitive series, collecting the complete story in order. With character-defining arcs such as The Time Killer and The Tomb of Terror, this volume sees the exiled barbarian facing new trials and tribulations – including a trip through time which will have dangerous repurcussions for everyone on Earth!

Showcasing Pat Mills’s epic storytelling alongside the art of Glenn Fabry (Hellblazer, Swamp Thing), Bryan Talbot (The Adventures of Luther Arkwright), and David Pugh (Dan Dare), this is another unmissable entry for fans and new readers alike.

Available in standard paperback or as a limited embossed hardcover edition, volume 2 of the trilogy will be available from the 2000 AD webshop and comic shops through Diamond Distribution.

The Definitive Sláine Volume 2 is available for pre-order (paperbackhardback) now, and will be on shelves December 2025! 

And now, this week's release...


2000AD Prog 2439
Cover: Cliff Robinson / Dylan Teague.

JUDGE DREDD // TUNNELS by Rob Williams (w) RM Guera (a) Giulia Brusco (c) Annie Parkhouse (l)
NU EARTH WAR TALES // THE MAJOR by Gordon Rennie (w) Jake Lynch (a) Dylan Teague (c) Jim Campbell (l)
THARG'S 3RILLERS // FAR FROM EDEN by Alan Kerr (w) Ian Richardson (a) Pippa Bowland (c) Simon Bowland (l)
FUTURE SHOCKS // INFILTRATOR by Ed Whiting (w) Adam Stone (a) Simon Bowland (l)
SCARLET TRACES // EMPIRE OF BLOOD by Ian Edginton (w) D'Israeli (a) Annie Parkhouse (l)

Friday, June 27, 2025

Comic Cuts — 27 June 2025


As promised, here's a brief report on my trip to Stoke for the latest Comic Mart — The Commando and British Weekly Comic Mart to give it its full title. This is the 19th organised by the folk who run the similarly named Facebook page

Being a fan of few means, I rely greatly on the generosity of others, and in this case I was offered a lift up to Stoke by local collector/dealer Karl Kennedy, and accommodation by collector/dealer Andy Yates, proving that without a doubt, collectors and dealers in comics are the finest of men. Kindly, clean in mind and limb, and good to dogs.

I had four boxes of books to take with me, including a handful of proof copies of the first two volumes of the Mytek books, but not the number of copies I wanted to take thanks to late-running printing. Still, it meant that I could take a few indexes and examples of all the comic reprints I've put out over the years, as my intention was to let people see the range of titles we publish, and not just flog the latest book. So I had about twenty different titles with me (not all visible in the photo above).

We left Wivenhoe around 8.45am and had a problem-free drive up to Stoke, arriving  in Hanley about three and a half hour later. After negotiating the car park — badly laid out, poorly marked, with tight turns into walled ramps only inches wider than a modern car — we headed off to a local museum to see one of their exhibits: a spitfire. As I'm in the middle of designing the Air Ace Companion, I'm chock full of Battle of Britain lore and images from the comics, so to see the real thing was hugely impressive. 


After a tea and cake break, we wandered around Hanley, which was somewhat depressing in the humidity and heat of the early afternoon. Lots of empty shops, a few semi-busy chain shops, people slumped over in shop doorways and on benches, out of their brains on monkey dust (MDPV). We didn't find many charity shops (which was my sole reason to visit the town centre) but did find the local Forbidden Planet and a place called Geek World, which had some old British comics among the shelves of toy figures and boxes of DC/Marvel.

We headed off to Wolstanton where the show was to be held at the Methodist Church Hall, and met up with Stuart Steele and Ed Walker, who had just started to put up the stands on which they would be displaying artwork. The art show has been a highlight of the two Colchester shows that I have attended, with examples of Air Ace covers, and some beautiful modern work by Keith Burns, who, sadly, could not make this particular show. 


We headed off to Andy's where Stephen Hume (collector/dealer—so obviously a nice guy—and Commando author) had already arrived. After a couple of hours chatting, fussing the dog (Bailey), dinner and more chat, we all headed back to the Hall and spent an hour setting up tables, unpacking our boxes, which didn't take me very long, so I tried to make myself useful as a dogsbody, carrying boxes for anyone who needed a hand. 

We headed home at nine for beers and more chatter, interrupted some while later by someone wanting to unload at the church—impossible as none of the organisers were keyholders and the keyholders were probably in bed by then. It seemed like a smart move, so we also went to bed. I got to crash on a rather comfortable sofa, but was still up at 3.30 to visit the plumbing (damn those two pints of lager) and then couldn't get back to sleep. I did eventually, but it also meant I got a chunk of a book read, so the time was put to good use. 


We were away at 8 o'clock the following morning, putting out chairs, helping Stuart and Ed put artwork onto their stands, helping other dealers unpack as they arrived, and saying "Hi" to lots of people I either knew from Colchester Marts or was meeting for the first time or, in one case, someone who I'd met at an ACE Comics party.

Before we knew it, it was 10 o'clock and the doors were open. While I can't say we were swept off our feet by crowds, there was a steady enough stream of collectors coming through the door and they were keen to buy. I sold eighteen books in total and, thanks to some deep discounting on my part, took around £280. Not my best, but not my worst show. It meant I went home with three boxes rather than four, so I count that as a win.

I spent much of the show chatting with Mike Chinn, ex-Starblazer scriptwriter (we shared the same editors, tho' Mike was a regular far longer than I was) and now also self-publishing (you can find some of his books on Amazon). Also had a long chat with Justin Marriott about... well, all sorts of things: Jim Moffatt, Peter Haining, New English Library, talking to people who were unforthcoming, trying to get people to submit articles on time, his next, final, mammoth issue of Paperback Fanatic and what he wants to do in the future (which I'll let him tell you about). 

Elsewhere at the show there were a few oddities to be found. The best find — for me, anyway — were some original office copies of Fantastic where the payments were recorded. Most of the material was licensed from Marvel through Transworld Feature Syndicate who were later central to the creation of Marvel UK. There was very little originated material in Fantastic, just a cartoon page and some editorial matter, which was all handled internally by staff, although the colouring of covers and back cover posters was handled by Linden Artists who received less that what it cost to license the characters.

All fascinating (Fantastic, even) stuff. More notes for when I eventually revamp The Power Pack.

Stuart (top) and Ed, who are behind the art show.
All things considered, it was a great day and over too soon. Filling my three boxes and dismantling tables and lugging stuff back to cars for people and still nattering with anyone who wanted to natter... Karl had family visiting from Australia so he wanted to get away promptly. We were back on the road not long after 3 o'clock and I was back in Wivenhoe at 6.45pm in time for our regular Zoom games evening with friends.

I need to thank Jan Yates for keeping me topped up with cold water — I might be away from home but that doesn't mean I'm not taking a bunch of pills that require me to keep well hydrated — and for her fine bacon rolls. And for putting up with the disruption of having comic fans descending on her home (and that goes for the rest of the family, too).

Street Art, Hanley
Catching up on the rest of the week, I've another clutch of pages designed for the Air Ace book and I'm waiting on the arrival of a junction box to fix our hedge trimmer. I went out on Monday to cut back some bushes and the wire fell apart while I was merrily swinging away. A couple of years ago I managed to chop through the wire, which I had taped up with electrical tape. 

However, one of the unintended consequences of moving office means that I don't often open the back door to keep the utility room and my old office  cooler. It gets pretty hot in there, with the fridge and freezer, washing machine and tumble dryer also adding to the heat. A couple of weeks ago, when I cut the front hedge, the join separated — the tape felt tacky and had come loose in the heat. I taped it all up again, but clearly the results weren't as strong as the sun and the two halves of the wire parted again. So now I'm waiting on a little waterproof junction box that will join the two halves together safely.

Cheaper than a new hedge trimmer, but still a pain in the bum.

Hopefully there will be fewer surprises for me over the next week.

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