Thursday, August 13, 2015

Commando issues 4835-4838

Commando issues on sale 13 August 2015.

Commando No 4835 - Voyage of the Eagles
Luke Carrick was unexpectedly “press-ganged” into Royal Navy service at the height of the Napoleonic Wars in the early 19th Century. Serving on board the HMS Hera, a frigate, Luke’s resentment at his treatment and loathing of authority steadily grew as the ship embarked on a series of increasingly dangerous voyages.
   Luke’s older brother, Silas, had died in mysterious circumstances a few years earlier. Convinced that the British officer responsible for Silas’ death was now fighting alongside him, vengeance — even more than survival — was now on the young sailor’s mind.

Introduction
With only a few notable exceptions — step forward the Convict Commandos — recurring characters have been rare on the pages of Commando over the last 50-odd years. However we were of the opinion that you, our readers, might like a series which carried the story over more than one issue. With the pen of Ferg Handley recruited to do the writing, we decided that a historical saga spanning many generations would hit the spot.
   Episode Nine sees the continuing story of three — entirely fictional —inter-linked families and how they find themselves in the thick of the action of the Napoleonic Wars.
   The majority of this exciting instalment takes place at sea — with Royal Navy vessels clashing against their French counterparts. Yet for one of our characters, these tumultuous battles are only a backdrop to a personal quest for revenge…
   We hope you enjoy this story and the journey to come.
Scott Montgomery, Deputy Editor

Story: Ferg Handley
Art: Keith Page
Cover: Keith Page

Commando No 4836 – Rocket Blitz
PURPLE with rage, the Luftwaffe squadron leader shook his fist at the lone Typhoon disappearing over the horizon. All around him, shattered planes and burning hangars covered his blitzed airfield, victims of one pilot.
   And on the airfield in Belgium a British squadron leader scanned the horizon for the same plane. He was furious too. That plane was his own brand-new Typhoon, and it had been stolen!

Introduction
This is classic Commando in every sense. From the wonderfully lurid colours of Ken Barr’s cover, to Gordon Livingstone’s dynamic black-and-white line art and McOwan (first name unknown)’s all-important script — these three elements fuse together perfectly for an epic tale of guts versus glory.
   When a plucky mechanic takes it upon himself to stand up to a ruthless squadron leader, we’re set for a brilliant story which is all about one man having the courage to do the right thing, whatever the cost.
Scott Montgomery, Deputy Editor

Story: McOwan
Art: Gordon Livingstone
Cover: Ken Barr
Originally Commando No 312 (February 1968), re-issued as No 1027 (May 1976)

Commando No 4837 – Sniper Zone
Salerno, Italy, 1943.
   Life as a sniper suited Lance-Corporal Eric Shaw. He had seen a lot of mates die after a couple of tragic accidents and now he had become a loner – guilty that he had survived when they hadn’t.
   His sharp-shooting skills improved with each day and he tried to help out any Allied troops whenever he could. Nonetheless, Eric was unexpectedly working alongside a fellow sharp-shooter – an American. Little did the two crack-shots know that soon the hunters would became the hunted – in the... SNIPER ZONE

Story: George Low
Art: Rezzonico
Cover: Janek Matysiak

Commando No 4838 – Desperate Measures
THEY were trapped in neutral Spain – the pilot of a ditched Hurricane and the first mate of a merchant ship which had also become a casualty of war.
They weren’t the best of mates, but they were all that stood between the British fleet at Gibraltar and a lethal strike force. The odds were stacked against them, but they weren’t quitters, and now was the time to take... DESPERATE MEASURES

Introduction
As ever, veteran Commando artist Ian Kennedy’s terrific cover gives us a tantalising glimpse of what this book is all about.
   Air and sea — as a Fleet Air Arm Hurricane blasts from a cam-ship via catapult…we see that there is also some kind of mysterious raid happening underneath the murky depths of the ocean, led by a pair of manned torpedo chariots.
   Air and sea — as a pilot and a sailor bitterly clash.
   Air and sea — with both combining to form a winning Commando story.
Scott Montgomery, Deputy Editor

Story: C.G. Walker
Art: Keith Shone
Cover: Ian Kennedy
Originally Commando No 2698 (September 1993)

Fred Bennett in the Union Jack (gallery 3)




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Monday, August 10, 2015

Fred Bennett

I've always liked Fred Bennett's artwork. I was not really aware of many of the artists who worked on boys' papers – my research tended to be into the authors using the limited resources I had available to me. However, I've seen a fair number of boys' papers over the years, enough to have spied a few artists that I particularly like.

I probably first saw Bennett's artwork on Union Jack as I have been a fan of Sexton Blake for many years. Bennett was, however, also to be found elsewhere, notably in Chums and The London Magazine. His boys' adventure illustrations were to be found in Halfpenny Marvel, Big Budget, The Boys' Friend, Boys' Herald, Crusoe Magazine, Nelson Lee Library and Champion – for which he produced the debut front cover. John Jukes, a prolific artist himself, said of Bennett: "He ranged widely with his work ... I well remember a classic week when I came across a Bennett in my father's Punch, a full-pager in the Penny Magazine of some comic pirates, a Jack, Sam & Pete series in the Marvel and a sketch in the Daily Mail advertising Dunlop tyres, I think they were. At the time he seemed to be all over the shop."

His work wasn't universally liked. John Jukes considered Bennett as a great favourite. "I liked his unusual style and when he illustrated Jack, Sam & Pete yarns you always used to consider they were all the better stories for it." John Medcraft, on the other hand, took the opposite view of his efforts in Halfpenny Marvel: "Fred Bennett perpetrated the illustrations to the first few titles, very poor stuff, his characters were nondescript and his conception of the aboriginal inhabitants of South America and the Philippines was ludicrous."

Bennett was also an illustrator for The Scout and was the Official Artist at the 1929 Boy Scouts' World Jamboree.

Frederick Stanley Bennett was born in London in 1876, the son of Henry George Bennett, a lithographic draughtsman, and his wife Sophia Elizabeth (nee Winn), who were married in Islington in 1873. They had seven children, six of whom survived childhood, namely: Henry G. (1874), Frederick Stanley, Norman Charles (1878-1958) Laura Sophia (1881-1967) Jessie E. (1883) and Olivia Alice (1885-1974)

Frederick grew up in Stoke Newington and later in Hampdon Road, North Haringay [fl.1901], and Spencer Avenue, Bowes Park [fl.1911] with various members of his family. He had begun his career as a solicitor's clerk after leaving school at 14, but soon after turned to lithography, following in his father's (and elder brother's) footsteps. His first illustrations began appearing in the late 1890s and, around the turn of the century, he joined Amalgamated Press as a staff artist.

His work was enjoyed by many of the older fans of boys' papers, especially Len Hawkey, who collected photocopies of Bennett's Union Jack illustrations (some of which found their way to me, forming the basis for this little series!) and appreciated what he described as Bennett's "seemingly effortless style, impeccable line, always brimming with action."

His illustrations also appeared in comics, including Illustrated Chips, Merry & Bright, The Jester, Puck (dating back as far as the very first cover) and The Favorite Comic.

Although he was already 39 years of age, Bennett enlisted on 10 December 1915 to fight during the First World War. He was called up in May 1916 and served with the 6th Battalion, The Buffs (East Kent Regiment) from 1917, promoted to Corporal in France in 1917 and then to Sergeant in 1918 ahead of his return to England.

Bennett continued to work for Amalgamated Press throughout the inter-war years, towards the end of his career producing covers and illustrations for Modern Wonder, Wild West Weekly, Chums Annual, Arthur Askey Annual and Sexton Blake Annual.

Some of this artwork was published posthumously, as Bennett died in Palmers Green, Middlesex, on 13 September 1939, aged 63. He left his effects to his sister, Laura.

Saturday, August 08, 2015

Alastair Reynolds cover gallery

Alastair Reynolds was recommended to me by a friend, Ed Grey, who was already raving about his work when Reynolds was a relative newcomer. So I've been picking up his books when I see them. I haven't had a chance to read one yet, although Blue Remembered Earth is heading onto the 'master' reading pile once I've scanned the cover. (It will be joining a dozen or more books, but it's a step closer!)

In the meantime, here's a partial gallery, which I will update as I find more of his books.

Revelation Space (Gollancz, 2000)
Gollancz 978-0575-08309-7, 2008, 567pp, £7.99. Cover by Chris Moore

Chasm City (Gollancz, 2001)
Gollancz 978-0575-08315-8, 2008, 634pp, £7.99. Cover by Chris Moore 

Redemption Ark (Gollancz, 2002)
Gollancz 0575-07384-5, 2003, 646pp, £6.99. Cover by Chris Moore

Absolution Gap (Gollancz, 2003)
Gollancz 0575-07557-0, 2004, 662pp, £6.99. Cover by Chris Moore

Century Rain (Gollancz, 2004)
Gollancz 057507691-7, 2005, 532pp, £6.99. Cover by Chris Moore

Pushing Ice (Gollancz, 2005)
Gollancz 978-0575-08331-0, 2008, 517pp, £7.99. Cover by Chris Moore

The Prefect (Gollancz, 2007)
Gollancz 978-0575-08218-2, 2008, 502pp, £7.99. Cover by Chris Moore

House of Suns (Gollancz, 2008)
Gollancz 978-0575-08237-3, 2009, 502pp, £7.99. Cover by Chris Moore
Gollancz 978-0575-09912-8, 2010, 502pp, no price. Cover by Chris Moore *SFX/Waterstones promo edition.

Terminal World (Gollancz, 2010)
 Gollancz 978-0575-08850-4, 2011, 490pp, £8.99. Cover by Chris Moore

Blue Remembered Earth (Gollancz, 2012)
Gollancz 978-0575-08830-6, 2012, 548pp, £8.99. Cover by carrdesignstudio.com

On the Steel Breeze (Gollancz, 2013)
Gollancz 978-0575-09047-7, 2014, 517pp, £8.99. 

Harvest of Time (BBC Books, 2013)

Poseidon's Wake (Gollancz, 2015)
Gollancz 978-0575-09051-4, 2016, 598pp, £8.99. 

The Medusa Chronicles, with Stephen Baxter (Gollancz, 2016)
Gollancz 978-1473-21020-2, Jan 2017, 336pp, £8.99.

Revenger (Gollancz, Sep 2016)
Gollancz 978-0575-09055-2, May 2017, 432pp, £8.99. Cover by blacksheep-uk.com

Slow Bullets (Gollancz, Feb 2017)
Gollancz 978-1473-21843-7, Feb 2018, 192pp, £8.99.

Permafrost (Tor.com, Mar 2019)
X

COLLECTIONS

Diamond Dogs, Turquoise Days (Gollancz, 2003)
Gollancz 0575-05716-3, 2003, 231pp, £5.99. Cover by Chris Moore

Zima Blue and Other Stories (San Francisco, CA, Night Shade Books, 2006; revised, London, Gollancz, 2009)
Gollancz 978-0575-08455-1, 2009, 455pp, £7.99. Cover by Chris Moore

Galactic North (Gollancz, 2006)
Gollancz 978-0575-08312-7, 2006, 337pp, £7.99. Cover by Chris Moore

Deep Navigation (Framingham, MA, NESFA Press, 2010)
(no UK paperback)

Beyond the Aquila Rift: The Best of Alastair Reynolds, ed. Jonathan Strahan & William Schafer
Gollancz 978-1473-21636-5, Jun 2017, 784pp, £10.99.

Friday, August 07, 2015

Comic Cuts - 7 August 2015

This was my last full week on the magazine: we're off to the printers on Tuesday and I'm then planning to take a couple of days off. Not that I'm going to have much time between issues this month as our October number will be a show issue with extra pages. Ad sales may mean we get in plenty of advertorial material, but this often doesn't come in – or, indeed, isn't sold in – until the last minute. It's my job to assume that there won't be any and I'll be filling all the gaps between the adverts without any help from the advertisers. So I'm going to be kept busy.

In the gaps between work, we've been watching quite a lot of TV, catching up on shows like Humans (fine SF drama about synthetic humans possibly with human feelings) and Sabotage (about the bombing of the heavy water factory in Norway in WW2); we've slipped seamlessly into watching the third season of American fantasy/horror series Grimm and Belgian disease-outbreak drama Cordon. It's a barrel of laughs round here!

Actually, we do leaven all this drama with lots of comedy. It seems that they've boosted the signal strength and we've been receiving some of the freeview channels that we hadn't previously been able to get. So I've introduced Mel to Alan Davis's As Yet Untitled and Dave Gorman's Modern Life Is Goodish, which I used to watch on my laptop through Dave On Demand. There are definitely some advantages to working from home. We've also added Taskmaster to the weekly schedule, which already includes The Last Leg, which is the funniest thing on TV at the moment.

But what about your tomatoes?, I hear you cry. OK, some tomato news: we've had 90 so far this year, the bulk coming from one hanging basket which still has loads of fruits left. We have only had two cucumbers and the leaves of the plant are turning yellow. I think that's it for cucumbers. We've about five reasonably sized runner beans, but I'm not 100% sure when it's best to pick them.

Things in the way of the path news: I was commenting about this a couple of weeks ago and this week another diversion appeared on the path, ten yards in front of the one already there. It only lasted a couple of days, but the original diversion is still in place with no sign of it leaving. It did, however, pick up a new sign... I wonder who Mavis is?

 
Random scans. It's been a few weeks since we last had anything by Oliver Brabbins, so here are a handful of covers from around 1949, the first for Hamilton & Co., the three western covers for Grant Hughes.

 
 
I'm not sure if I'll get a chance to write up any more notes from Caught in the Act. We shall just have to wait and see. There is likely to be some bits about artist Fred Bennett as I've just dug out some old photocopies of some of his artwork.

(* The photo at the top is actually four photos merged. This is the view along the Colne from a promenade that we wander onto most Sundays when we're out for a walk. I had to go back a bit – to 7 July – to find some nice sunny shots, but even when it's a little cloudy it's still a gorgeous view.)

Thursday, August 06, 2015

Caught in the Act: libels in American papers (1)

In Britain, it was widely thought that American magazines and newspapers relied too much on scandals for sales and were not as rigorous in applying standards as their British counterparts—although Hollywood's depiction of news rooms was in part responsible for this. Yellow press dramas were popular in the 1930s: Exclusive, for instance, involved a newspaper proprietor making sure a lift will crash and cause injuries; Back in Circulation saw reporters Pat O'Brien (who had starred in The Front Page) and Joan Blondell digging up the dirt on an innocent woman they think is guilty of murder; meanwhile Myrna Loy played the titular Libeled Lady as newspaper owner Spencer Tracy sets out to "honey trap" her with a married man.

Perhaps one of the reasons was that defamation laws in America differed from state to state, although it was possible to bring libel actions against the same defendant in any number of different jurisdictions (known as the "multiple publication rule"), a legal device since abandoned in the USA. [see, for instance, Libel Lessons From Across the Pond: What British Courts Can Learn from the United States' Chilling Experience with the 'Multiple Publication Rule" in Traditional Media and the Internet by Itai Maytal (http://www.swlaw.edu/pdfs/jimel/3_1_maytal.pdf)]  The same system was (and still is) applicable in the UK: what became known as the Duke of Brunswick rule derived from an 1849 case which meant that the purchase of a newspaper, magazine or book constituted a separate "publication". In practical terms, it meant that a case against a single American newspaper or magazine could result in action against anyone stocking or distributing the title.

Thus, one of the unexpected issues that came to light with the import of American magazines to Britain was that of libel.

The earliest example I have been able to find in respect of what might be called a popular magazine dates from 22 June 1927 when Benjamin William Batten, joint secretary of the London branch of the Musicians' Union, claimed damaged for an alleged libel published in the 25 August 1926 issue of Variety. The defendent was the Pall Mall Deposit and Forwarding Company Ltd., who distributed copies of the paper in the UK.

In opening the case before the Lord Chief Justice at the King's Bench Division, Sir Patrick Hasatings, K.C., speaking for the plaintiff, said that the distributor of a newspaper was not liable as the publisher of a libel in the newspaper if he could prove that he had not known that the newspaper contained the libel, that his ignorance was not due to any negligence on his part, and that he had no ground for supposing that the newspaper was likely to contain libellous matter. [The law here is laid down in Emmens v. Pottle (16 QBD 354) and Vizetelly v. Mudie's Select LIbrary, Ltd. ([1900] 2 QB 170)]

The defendants, he continued, relied on that defence and it was his role to prove that the defendents ought to have satisfied themselves of the contents of the newspaper before they distributed it.

In this instance, the alleged libel hinged on regulations brought in to aid British musicians find work. In 1921, limits were placed on the number of foreign musicians and the Musicians' Union and the authorities at the Home Office assisted each other in making decisions as to whether individual foreign musicians should or should not be allowed to enter the country.

Mr Batten's son was involved in the Savoy Havana Band that played at the Savoy Hotel, which included a number of American musicians. In August 1926, Mr. de Mornys, the musical director of the Savoy Hotel, was in the United States to choose one or two American musicians to play in the UK. The regulations restricting Americans from playing had proven controversial and the 18 August issue of Variety published an article in which the writer, discussing the recent controversy of American bands having been refused permission to enter England, commented on the fact that an Englishman had come to America to engage Americans for London.

The concluding paragraph read:
One deduction has it that Reggie Batten, who is band leader at the Savoy Hotel, London, is the son of the secretary of the British Musicians' Union, and can accordingly arrange for the necessary permits to suit convenience if desiring to import American music men.
Mr. de Mornys telegraphed Mr. Batten asking him to take steps to prevent the sale of that issue of Variety in England. Mr. Batten went to the offices of Pall Mall Deposit and Forwarding Company, who had been distributing Variety in the UK for 25 years, and showed them Mr. de Mornys's telegram, and a representative of the defendent said that he would take steps to see that when the newspaper arrived in this country it would not be distributed.

In the next issue of Variety, an article appeared that stated that Mr. de Mornys had telegraphed the British Musicians' Union in order to attempt to restrain the distribution of the August 18 issue. It then gave the effect of the previous article and repeated the concluding paragraph.

Mr. Edward John Doble, managing director of Pall Mall Deposit and Forwarding, admitted when cross-examined by Sir Patrick Hastings that it was possible from the passage to believe it suggested that Mr. Batten could be actuated, because of his son, in favour of the Savoy Band in preference to others. Further cross-examination elicited the information that his company distributed on average 60 copies of Variety every week.

Defending Mr. Doble's company, Mr. Ernest Charles, said that the defendants' experience after 25 years of distribution was that Variety was not a newspaper in which libels were published. The company had refused to handle the issue of August 18 following the warning received from De Mornys. How could his client be expected to know that the issue for August 25 would repeat the offence, argued Mr. Charles, who also described as "rubbish" Mr. Batten's suggestion that, because of the words complained of, he had been held up to public scandal and hatred.

In his summing-up the following day, the Lord Chief Justice explained the law and said that the jury might think that the defendants had been altogether too casual in dealing with the issue of Variety of August 25 after being warned of libellous matter which had appeared in the issue of August 18.

Mr. Batten had brought the action to show that what had been stated was absolutely untrue and to vindicate his position and character. The jury returned a verdict for Batten, assessing the damages at £100, with costs.

The case had a sequel in a second case against another distributor of Variety, Daws Shipping Agency. When approached by Mr Batten, following his receipt of a telegram from Mr. de Mornys, Mr. Robert Daws assured him that the matter would be dealt with. When Mr. Batten called again, Mr. Daws told him that the offending paragraph had been cut out of copies.

When Mr. Batten went back a week later and picked up a copy of the August 25 issue, Daws had jokingly said "You are not going to sue us for libel, are you?" Unfortunately, Batten found that the libel of August 18 had been repeated in this issue and did indeed sue.

The defendents argued that, following Batten's second visit, Batten had thanked Daws for the courteous and proper manner in which he had dealt with the libel in the issue of August 18 (excising the offending paragraph) and told him that, if there were any further trouble, he would let him know.

Since Daws had heard nothing more, he reasonably concluded that there was no further trouble. As he had distributed Variety for 26 years without complaint, Daws said, he had no reason to suppose that there would be any repetition of the libel in the issue of August 25.

However, a new jury convened to hear this second case also returned for the plaintiff and Daws Shipping Agency was fined £25 damages, with costs.

Appeals against the judgements were heard at the Court of Appeal on 18 November 1927 before the Master of the Rolls, who, in giving judgement, said that the defence offered by both companies was based on Emmens v. Pottle. This defence was, in part, that the defendants "had no ground for supposing that the newspaper was likely to contain libellous matter". However, in both cases being considered, the defendants had taken no particular care to examine the issue of August 25 before distributing it, despite having the issue of August 18 "as a danger signal before them". Lord Justice Atkin and Lord Justice Lawrence delivered judgement to the same effect and the appeals were dismissed with costs.

Sources: Portsmouth Evening News (24 June 1927), The Times (23 June 1927, 24 June 1927, 19 November 1927), Yorkshire Post (24 June 1927), Variety (18 August 1926, 25 August 1926), Wells Journal (23 March 1937).

Wednesday, August 05, 2015

Caught in the Act: Gorringe's

(More research for Caught in the Act... this is part of my research into how American magazines were distributed in the UK.)

Gorringe's Travel and News Agency boasted in 1919 that they carried the largest selection of American periodicals in London.

Frank Joshua Gorringe was born on September 5 1880 and baptized a year later, on 11 September 1871, in Chelsea, London. He was the son of Joshua Frank Gorringe, a licensed victualler, and Emma Eliza Gorringe (nee Hollot), of 617 King's Road, Fulham. Because his father was known as Frank, his son was called Joshua, and it was as Joshua F. Gorringe he is to found in the 1891 census, as a boarder at school in Little Ilford, Essex, run by Cecile Barbier and Florence Benington.

By 1911, Frank was a shipping agent, living with his brother in Chiswick, although he shortly after moved to 24 Nightingale Road, Carshalton, where he was listed in the 1913-15 telephone directories.

At the age of 38, Gorringe was married on 29 September 1918 to 23-year-old Dora Green. At that time his residence was given as Rusford Road, Streatham. In later electoral roll records the two could be found at 27 Charing Cross Mansions [fl. 1921/25], and then at 4 Acanthus Road, Battersea [fl.1927/33]. [Dora Gorringe was living in Kingston-upon-Thames in the 1960s and is believed to have died there in 1976, aged 83.]

During this period—and at least as early as 1910—Gorringe was associated with Robert Whitfield Beaumont Daw (1869-1942), running the business of Daw's Steamship Agency—general freight insurance, railway, shipping, forwarding and general bullion and money changers—of 17 Green Street, Charing Cross Road. The partnership was dissolved by mutual consent in May 1918, with Gorringe taking on the business which, from November 1918, became known as Gorringe's Shipping and American News Agency. [Daw's Shipping Agency was struck off the company register in 1934.]

Gorringe's was like a number of firms and brought in American periodicals as part of their general business, which boasted of being the principal agency for makubg travel arrangements for theatrical artistes journeying between America and Europe; Gorringe's adverts appeared prominently in Variety.

On 27 August 1925, an Extraordinary Resolution was passed during a meeting of the company that Gorringe's should be voluntarily wound up and that a liquidator should be appointed.

What happened to Frank Gorringe in later life is a bit of a mystery. I have found one family tree which claims that he died on 12 December 1962, aged 83. However, a little investigation proves that this date relates to Frank Gorringe of 135 Sevenoaks Way, St. Paul's Cray, Kent, who left his estate to his spinster sister, Ivy. Earlier records reveal that he was born in St. Mary Cray, Orpington, in 1880, and was a gardener in St. Paul's Cray at the time of the 1911 census.

His company, however, seems to have survived the liquidation and I believe it continued in business but under different hands. At some point, the company was taken over by an American comedian by the name of Fred Duprez (photo above) who found a great deal of success touring the British music halls with his act and with his comedy play My Wife's Family, which went on to be filmed many times. (Below you'll find a couple of recordings by Duprez... something to listen to while you read the rest of this post!)


Duprez was born in Detroit on 6 September 1884 and had first appeared on the stage in 1899. After spending five years in stock and repertory companies, he began appearing on the variety stage. He first appeared in England in 1909 at the Bedford Music Hall, Camden Town.

He toured extensively in Mr Manhattan in 1920, 1921 and 1924 and in a number of reviews over the years. He also acted in a number of films in the 1930s.

Duprez was certainly a director of the company, although how active he was in the day-to-day running I have no idea, as he had a busy career on the stage. I have only been able to discover two other names associated with the company around that period: C. J. Vidler and B. A. Sheppard. The former, I believe, was also a comic actor associated with Duprez. The latter has eluded me completely. Vidler was chairman of a company by name of Milton Gorringe, which was almost certainly related and which went into liquidation in 1936. [I believe he might be Cyril John Vidler, 1903?-1965, who is described as a "director" on passenger lists as Vidler travelled between the UK and America in the 1930s. Whether this is a company director or a stage director isn't revealed.]

Fred Duprez died suddenly. He had been in America for a week with his wife, Florence, and was travelling home on board a liner on 27 October 1938 when he had a heart attack. The news was sent by cable to Gorringe's, who noted him as a former director. Duprez was survived by his wife and daughter, June Duprez, who was an actress.

Gorringe's Shipping and American News Agency was eventually struck from the company register in March 1957.

Tuesday, August 04, 2015

Caught in the Act: Henry Chalmers Roberts

Although there was a constant crossover of content between British and American magazines, it was only the introduction of the International Copyright Treaty in 1891 that ended the wholesale pirating of stories and features. Some American publishers had established London offices for the distribution of their titles, or struck deals with already established British publishers. Thus Harper's Magazine began a European edition in 1850 published by Sampson Low, Lippincott's Magazine was published by Ward Lock from 1890 and many other American titles were published by Frederick Warne, Macmillan, Hodder & Stoughton and T. Fisher Unwin.

Chalmers Roberts came to the UK in 1900 as a representative of Doubleday, Page & Co. to set up a deal to publish a British edition of Doubleday's The World's Work magazine, launched in American in  November 1900. The British publisher was William Heinemann, who had already forged links with Frank Doubleday in the 1890s.

The World's Work: An illustrated magazine of national efficiency and social progress (there was a brief period when the title became The World's Work and Play; the subtitle was later shortened to A Magazine of Today) debuted in December 1902. Initially edited by globe-travelling journalist and Liberal MP Henry Norman, MP, it would eventually run to 252 monthly issues until 1923 when it was retitled World Today.

Henry Chalmers Roberts was born in Austin, Texas, on 31 July 1870 [possibly 1869], the eldest son of Major General Albert Samuel Roberts and his wife Fanny Gordon (nee Chalmers). He was educated in private schools in Texas and Virginia before attending the University of Texas.

Roberts was sent to the American Legation, Constantinople, in 1893, as a junior diplomat. Here he became a war correspondent for the Daily News during the Turko-Grecian War of 1897; he later covered the Spanish-American War for the Daily Mail in 1898. As a journalist, Roberts contributed to Atlantic, Harper's, Everybody's and The World's Work.

Established in the UK, Chalmers Roberts became managing director of  World's Work Ltd., which was wound-up in November 1913 and relaunched as World's Work (1913) Ltd., based in Kingswood, Surrey, where William Heinemann had their print works.

The growth of cheaper, popular fiction magazines in the USA was reflected in the UK, with the British edition of Short Stories published by World's Work from March 1920. This proved so popular that it was published twice a month from 1922 until the outbreak of the Second World War. Further popular imports followed, including The Frontier in April 1925 and West in August 1926—all three titles relying heavily on westerns, which were proving hugely popular in Britain in the 1920s.

In the 1930s, World's Work continued to produce British editions, launching All-Star in 1931, based on the Doubleday title which folded soon after, leading All-Star to merge with Frontier; the merged papers folded in 1933, briefly making way for All-Star Detective Magazine.

World's Work began publishing their own titles alongside short-lived reprints of Modern Stories and All Western Magazine, most notably the Master Thriller series, which reprinted stories from Short Stories, Frontier and elsewhere mixed in with the occasional original. Spin-offs from this series included a number of highly collectable horror magazines and the science fiction magazine Tales of Wonder. The editor of the latter, Walter Gillings, would later recall meeting with Chalmers Roberts, describing him as "a large, bewhiskered man more than twice my age with a vast experience of the publishing world." ['The Impatient Dreamers 6 Year of the Blast-Off', Vision of Tomorrow, p.21]

This would have been in 1937. Chalmers Roberts had for many years lived at 25 Jermyn Street, London SW1 and was single. In 1944, Somerset Maugham's The Razor's Edge was published by Heinemann in the UK and Doubleday in the USA, which its author characterised as a thinly veiled true story. Roberts was reputedly the inspiration for the character Elliott Templeton, and was described by Maugham's biographer Selina Hastings as "a retired American diplomat [and] pederast." [Quoted in Gay Novels of Britain, Ireland and the Commonwealth, 1881-1981: A Reader's Guide by Drewey Wayne Gunn, p.38]

Roberts returned to America, where he died in New York on 2 April 1949, aged 79. A brief obituary in The Times (5 April 1949, p.6) noted that he "played an active part in the promotion of Anglo-American relations, on the committee of the English-Speaking Union and as a member of the Pilgrim Club, throughout the 40 years he spent in London."

Update: There is some question as to whether Chalmers Roberts came to the UK in 1900 in order to set up the World's Work magazine or whether he arrived later, as some sources state that he came to the UK in 1906. My source for 1900 is Who's Who Among North American Authors. Both the 1929 and 1939 editions state that he "Went to London in 1900 as representative of Doubleday, Page and Co., residing there since."

The 1906 date relates to when he took over the editorship of the magazine from Henry Norman, who was the founding editor and ran the magazine for five years. Chalmers Roberts took over as editor with issue 49, the fifth anniversary issue, dated December 1906. Roberts subsequently travelled between the UK and the USA fairly regularly, obtaining a passport in 1915 at which time he was said to have been working in Washington DC (having returned to the USA shortly after the outbreak of the First World War). He was listed as living at 25 Jermyn Street, London, as early as 1908, but I have been unable to trace his whereabouts earlier than that.

(* The Mystery Stories pic is from the FictionMags Index where a number of issues of the magazine still need to be indexed – so if you have copies of issue #12, 16, 17, 22 please get in touch.)

Saturday, August 01, 2015

Arthur Salcroft

Arthur Salcroft was the author of three crime novels, The Mystery of the Walled Garden (March 1928), The Twisted Grin (January 1929) and John Traile: Smuggler (July 1929). The books were given some good reviews. Of the first the Birmingham Post said, "An ingenious plot is here developed and unravelled with skill beyond the average," whilst the Daily Mail said, "Mr. Salcroft is to be especially congratulated ... command of material resources and marvellous mechanical inventions."

The Dundee Courier (12 May 1928) said of it:
Arthur Salcroft's novel, The Mystery of the Walled Garden (Hutchinson, 7s 6d), is a detective story out of the usual run. The author does not present the reader with a murder to arouse the interest, but a mystery to solve which is as baffling as the inevitable murder which ultimately  takes place. The key to the mystery lies within a "walled garden" and although Allandale, a rising young barrister, is prevented from investigating it, he becomes personally involved. Cupid then steps in and brings happiness to Allandale and Mrs. Radalin, a charming widow, thus providing a satisfactory ending to a delightful mystery tale.
"Suspicion in connection with a murder falls right and left, and as usual the reader is soon lost in a maze of possibilities," said the Aberdeen Journal (19 April 1928). "Relief from theorising is afforded, however, by the presence of a fascinating widow whose charms are far from being lost on the young barrister who is investigating the murder."

Salcroft's second novel appeared in February 1929 and was reviewed by the Dundee Courier (15 February 1929) thus:
The opening pages of The Twisted Grin by Arthur Salcroft (Hutchinson, 7s. 6d) promise tense excitement and the promise is fulfilled. The story concerns the adventures, and incidentally the love story, of a young doctor who is implicated in a search to recover a mysterious death ray apparatus that has fallen into unscrupulous hands. if at times the narrative flags a little, the mystery and the numerous exciting episodes make a story that can confidently lay claim to be a real "thriller".
Salcroft's third novel was more of an action-adventure concerting John Traile, a young and adventurous London solicitor, who, while holiday-making in Devonshire, discovers a gang of modern-day smugglers at work. For the love of a lady, John allows himself to be drawn into the smugglers' organisation, and takes his part in rum-running and other less reputable schemes.

Arthur Edward Beecroft was born in Hastings, Sussex, on 12 June 1887,  the third child of Edward Robert Beecroft, a warehouseman, and his wife Alice Mary Beecroft (nee Cook). Edward grew up in Tunbridge Wells and lived with his parents throughout his education at Tunbridge, The Leys and Cambridge. He trained as a barrister, passing in Criminal Law and Procedure in his exams at the Inns of Court in November 1911 and passing his final exams in June 1912.

Beecroft's war service is related in Gallipoli: A Soldier's Story, published in 2015 by Robert Hale, who have written the following about the book:
At the start of the First World War, Arthur Beecroft was a recently qualified barrister in his twenties. Determined to enlist despite a medical condition, he volunteered for military service, first as a regular soldier, then as a despatch rider. Offered a commission in the Royal Engineers, in 1915 he saw action at Gallipoli. Now a byword for catastrophic military disaster, the Gallipoli Campaign was the ill-conceived Allied invasion of the Dardanelles. The campaign stalled almost immediately, resulting in over half a million casualties on both sides. Lucky to survive, several years later Beecroft wrote a detailed memoir of his experiences. Discovered by his granddaughter and now reproduced here almost exactly as it was written nearly a century ago, Beecroft's vivid narrative takes us through those heady days of the declaration of war, enlistment, initial training, the bungled landing at Suvla Bay, and the exceptionally difficult conditions of the Gallipoli terrain. This is no mere jingoistic account. With a keen eye, Beecroft brings to life the men dogged by disease and exhaustion - ordinary soldiers who, even as they suffered the betrayal of incompetent leadership, displayed extraordinary reserves of heroism and bravery. Throughout this rare insight into what it was like for an ordinary 'civilian soldier' swept up in the fog of war, Beecroft's authentic voice still speaks honestly to us today - of comradeship and devotion to duty, of fear and facing death. Now published for the first time in the centenary year of the Gallipoli Campaign, this is a soldier's story in his own words.
Beecroft enlisted in 1914 and served as a Signals Officer during the Gallipoli campaign. After the war he was awarded an MBE in 1922.

In her introduction to Gallipoli, Beecroft's granddaughter, Prue Sutton, notes:

My grandfather was a colourful character in many ways. As a young man he travelled across the United States in a stagecoach and also explored parts of South America. After losing an eye from infection, he would often wear a monocle, which made him quite scary to us grandchildren! He was highly principled and expected one to do one's best at all times; he sometimes had a short temper and didn't suffer fools gladly. He was a fearsome adversary as a barrister in Court. Between cases he would sit at his typewriter in his chambers and write detective novels and plays.
Why "Arthur Salcroft" stopped writing is unknown. Certainly Arthur Beecroft became involved in the discussion about simplifying litigation, saying that procedures needed to  made less technical and less expensive and that delays to trials in some courts "almost amounts to a denial of justice."

Beecroft was married to Beryl Constance Salt in 1919 and had two children, Pamela, born in 1920 (who married Squadron Leader Douglas Hamilton Grice in 1941), and Robert C. born in 1922. Both Mr and Mrs Beecroft were involved in active service during the Second World War, Arthur Beecroft serving in the Home Guard, and Beryl Beecroft as a Squadron Officer with the W.A.A.F., for which she received an OBE. 

"He was a passionate gardener and later in life he loved to paint rural scenes in and around Buckinghamshire where he lived most of his life," recalls Prue Sutton. Arthur Beecroft died peacefully in a nursing home at Gerrards Cross on 12 March 1974 and is buried at Chilterns Crematorium.

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