Friday, November 29, 2024
Comic Cuts — 29 November 2024
I had a fantastic day at the Paperback and Pulp Book Fair on Sunday. The trek up to London began poorly with an extremely heavy bag to carry and a replacement bus service... but once I was on the train everything brightened up considerably.
I was carrying 15 copies of the Utopian book, 3 of the Badgers, 4 Hank Jansons and 1 Phantom for someone who had asked me to bring it to the Fair. I had intended weighing it, but we currently own the world's most sarcastic bathroom scales. When I stand on it, rather than a weight, it tells me I'm old. I'm not kidding... see the photo.
I made it all the way to Holborn, via Liverpool Street, without any problems. The plan was to switch to the Piccadilly line and go to Russell Square, but the Piccadilly line was shut down for engineering works, so I had to walk all the way up Southampton Row—where, of course, 'Hank Janson' (Steve Frances) had his office. I was expecting rain and had dressed appropriately, but it was still dry as I made my way towards Coram Street. I managed not to take a wrong turn, as I did at the last Fair, and arrived at the Holiday Inn at about 9:45.
It was already very busy, and remained so until about mid-day. I spent the first couple of minutes trying to find somewhere to park my bag. I spotted a gap under one of the tables and, with the OK of the dealer whose table it was, I pulled out a handful of books, dumped my coat and jumper on the bag and stood up. I sold three books without moving!
Over the next few hours I managed to sell a few more and by the end of the day I was left with only the four Hank Janson books to take home... plus the dozen or so books I'd bought. It would have been one more, but I stupidly left it, meaning to go back to the dealer, but ended up chatting friends and by the time I returned it was gone. It was not meant to be.
My treat this time—I'm usually after cheap bargains but I always pick up one book for which I pay a little more—was a copy of Sinister Forces by Alvin Westwood, an early Brown Watson SF novel that I didn't have. The cover was a bit worn, but I'm not complaining. I did find a few bargains, too, thanks to Maurice Flanagan's £1 bargain basement books. Some excellent titles and most not in bad shape... but if you have multiple copies of the same book, as dealers who buy in bulk often do, it's worth making space and earning a bit back to pay off your purchases by offering books at bargain prices.
It was great to see so many people: Jamie Sturgeon, Ashley Bowden (whose Female Detectives book I had a small hand in publishing), Graham Andrews (who also has a book out—American Rivals of James Bond—that's worth a look), Jules Burt (who interviewed me briefly about the new book), 'Dorset Bob' Wardzinski (who sold me Sinister Forces), Geoff West, my ex-boss Laurence Heyworth, Tom Lesser, over from the States.. too many people to list here.
One disappointment is that my photographic skills deserted me. I ran around with the camera quickly, snapping shots of tables and dealers, but the light levels were not great and everyone insisted on moving around in the foreground and pulling focus, so I ended up with a load of slightly blurry shots. I tried using the flash, but was stood too far back, hoping to get the whole of various dealer's tables in shot, so the flash made little impact. I did take a couple of shots of the room as people were packing up, so you can at least see what the room was like (see the header pic. The pic immediately above is the hall where the ephemera side of the fair was taking place). However, I know that Jules Burt was filming, and his video is now available on Youtube.
Heading home, the bag was much lighter. The gods of transport were smiling on me and there was a train waiting at Liverpool Street for me, and the bus that was taking me the last leg of my journey was also ready to go.
It was a good day, business wise, although I didn't make much. I think I took about £300, but the train fare was £50, I spent about £40 and restocks have just cost me £200. So I'm about a tenner up! I'll try not to spend it all at once.
Wednesday, November 27, 2024
Rebellion Releases — 27 November 2024
Time for a reload! The ultimate 2000 AD mix-tape returns this Free Comic Book Day for a new collection of The Best of 2000 AD celebrating the past, present, and future of The Galaxy’s Greatest Comic!
Taking place annually every May, Free Comic Book Day is an international event which finds participating comic shops giving away comic books from all the top publishers today – absolutely free! It’s not only a way to champion comics and find new readers, but a way to help support local comic book stores.
Featuring a new cover from all-powerful artist Hayden Sherman (Absolute Wonder Woman), next year The Best of 2000 AD will once again blast backwards and forwards through the timeline to deliver Thrill-Power straight to your cerebral cortex! If you love comics, ask your local retailer to order copies of Best of 2000 AD for May – it’s perfect for first-time readers!
If you’ve always wanted to try out 2000 AD for the first time, this issue will feature titanic action and classic characters including Judge Dredd, Rogue Trooper, Judge Anderson, and more!
First up, Judge Dredd has to endure an all-out assault as he’s attacked on all sides – but why is everyone in Mega-City One gunning for the Lawman of the Future? In a classic story from superstar artist Jock (Wytches) and Dredd’s co-creator John Wagner, be careful when you’re Crossing Ken Dodd…
Next, Alex de Campi (Parasocial) and Silvia Califano (Star Trek) team up for a new story featuring Psi-Judge Anderson, celebrating 45 years since she first hit the streets of Mega-City One. Expect a high-stakes journey across the astral plane as Anderson comes face to face with cosmic horror...
Then, we have a classic Rogue Trooper Thriller from Peter Milligan (Hellblazer) and master artist José Ortiz which is guaranteed to get you fanatical! With Duncan Jones’ Rogue Trooper feature film on the horizon, we’ve dived into the archives for a story which finds Rogue taking the fight straight to the Nort Army…
And finally we have a first for The Best of 2000 AD – a glimpse into the actual future, as Ian Edginton and D’Israeli (War of the Worlds) present a new volume of their acclaimed Scarlet Traces… before the series debuts in the weekly 2000 AD later in 2025! Face the future, Earthlets, as a war of the worlds leads humanity into a new age of warfare…
Make sure you head to your local comic book store on 4th May 2025 and pick up your copy of The Best of 2000 AD, Earthlets – you’ll never be the same again!
ABOUT FREE COMIC BOOK DAY— Free Comic Book Day is the comic book specialty market's annual event where participating comic book shops around the world give away comic books absolutely free to anyone who comes into their comic shops. The event seeks to celebrate comic books, foster the literacy they encourage, and highlight the vital role that comic shops play within the communities they serve. FCBD is the perfect opportunity to introduce friends and family to the many worlds of wonder available at local comic shops. From superheroes to slice-of-life to action/adventure and beyond, Free Comic Book Day has a comic book for everyone!
That's in the future... what's out today?
2000AD Prog 2410
Cover: Mark Harrison.
JUDGE DREDD // THE COMFORT ZONE by Mike Carroll (w) Ben Willsher (c) Annie Parkhouse (l)
THE OUT // BOOK FOUR by Dan Abnett (w) Mark Harrison (a) Simon Bowland (l)
NIGHTMARE NEW YORK by Kek-W (w) John Burns (a) Annie Parkhouse (l)
AZIMUTH // THE FABLED BASILISK by Dan Abnett (w) Tazio Bettin (a) Matt Soffe (c) Jim Campbell (l)
ROGUE TROOPER // WHEN A G.I. DIES by Garth Ennis (w) Patrick Goddard (a) Rob Steen (l)
Battle Action Vol.3 #4
Cover: Henry Flint.
JOHNNY RED // A COUPLE OF HEROES by Garth Ennis (w) Keith Burns (a) Jason Wordie (c) Rob Steen (l)
EL MESTIZO // THE GENERAL by Rob Williams (w) Henry Flint (a) Rob Steen (l)
Friday, November 22, 2024
Comic Cuts — 22 November 2024
The big news is that I will be attending the Paperback & Pulp Book Fair and I will have copies of DREAMING OF UTOPIA with me. I will only have a dozen or so copies, and only a handful of other books (BEYOND THE VOID, TRIALS OF HANK JANSON) on me because I'm travelling up by bus and train and the trolley proved problematical last time.
Lugging books around aside, I'm looking forward to the Fair. If you've not been, its been held the past couple of years at the Holiday Inn London Bloomsbury, Coram Street, London WC1N 1HT. The nearest tube station is Russell Square, although I usually use the central line to Holborn and walk up Southampton Row, as I'm not sure how much time I'd save changing onto the Piccadilly Line and waiting for a second train. [[UPDATE: Um... I might be heading to Russell Square... I've just checked the weather and it looks like Holborn could involve a long walk in the rain!]]
I think next time I'll explore the possibility of getting a return to Stratford and jumping on the underground there. Stratford is Zone 2, so the underground won't cost any more and I might be able to get a cheaper fare than if I travel all the way into Liverpool Street. I swear there was some weird dynamic pricing thing going on when I explored the idea this morning and the cheapest price kept changing. Or I might have accidentally logged into two different sites. To be honest, I don't want to discover that I could have saved some money, as I've already bought the ticket!
I've had a fairly relaxing week working on the next batch of Bear Alley releases. They're slowly coming together, with artwork all cleaned, resized and now sitting in InDesign waiting for the addition of headers, page numbers and introductions. I'm working on the latter. First one is done; the second volume has some space, so I'm planning two longer essays on author and artist which I'm in the process of writing.
I'm also looking at the next index and doing an expansion of an earlier index (not one that has previously appeared from Bear Alley and now out of print). That should keep me busy for the foreseeable future.
Thursday, November 21, 2024
Commando 5803-5806
It’s getting colder out there, but luckily there’s enough explosive action in the next round of Commando comics to keep you warm all winter long! Issues 5803-5806 go on sale from today, the 21st November, 2024!
5803: Codename Warlord: Hit Piece
Lord Peter Flint — otherwise known as Codename: Warlord - always relied on his cowardly persona to ensure no-one suspected him of being one of Britain’s top secret agents!
So when a society journalist tried to write a character assassination hit piece on him, that was the least of Flint’s worries. His top priority was stopping a cell of hitmen from completing an actual assassination plot, and halting the Italian invasion of Monte Carlo at the same time!
It’s all in a day’s work for Warlord!
Join everybody’s favourite (off-screen) secret agent as he races across Europe in a code-cracking adventure courtesy of master plot twister Dominic Teague!
Story: Dominic Teague
Art: Carlos Pino
Cover: Carlos Pino
5804: The Spy That Never Was
When you find two men, one unconscious, handcuffed together and in the middle of the desert, you want to know what’s going on. And when one says he’s a Military Police Sergeant taking a suspected spy to stand trial, it sounds a fair enough answer.
But when the other guy tells you that the Sergeant is really the spy — which do you believe?
That was the question facing Corporal Jack Wills — and an awful lot of men’s lives depended on him getting the right answer.
The only tough choice our readers are facing this month is which brilliant Commando issue to read first! I spy a classic caper with all the twists and turns of a crime thriller, but with typical Commando grit!
Story: Skentleberry
Art: Usero
Cover: Penalva
5805: Tomasz and the Return Journey
Scotland, 1940. Polish corporal, Tomasz Zielinski, has never been one to suffer bullies lightly. Now though, his hot headedness has landed him in a glasshouse. When a mysterious message arrives in his cell, an opportunity for freedom arises. Little does Tomasz know, his superiors have much bigger plans for him. His skills as a soldier are needed elsewhere. The time has come for him to return home.
Witness the triumphant return of Corporal Tomasz! For him though, it’s no traditional homecoming, full of dogfights, sniper fire, and even a shootout on top of a train – next stop, adventure!
Story: Colin Maxwell
Art: Manuel Benet
Cover: Manuel Benet
5806: The Cave of Hercules
On the island of Sicily, there was a secret cave — the Cave of Hercules. Hidden for centuries, it was rumoured to contain treasure beyond price. And now one man, Horace Gee, had cracked the ancient clues and worked out just exactly where it must be. But there was one big snag — the cave was in enemy-held territory and Horace was a sailor, unlikely to go ashore with the troops. However, where a chap like Horace was concerned you could never be sure what was going to happen next!
We can’t overemphasise the strength of this issue – it’s truly Herculean! With a muscular script from roger Sanderson and epic artwork by Carrion and Jeff Bevan, this story certainly isn’t a trial to get through!
Story: Roger Sanderson
Art: Carrion
Cover: Jeff Bevan
Wednesday, November 20, 2024
Rebellion Releases —20 November 2024
“Vastly influential. Stunning. Dominated the genre of Science-Fiction epics.” The Independent
The best-selling Treasury of British Comics archival series The Rise and Fall of the Trigan Empire reaches its sixth, and penultimate, amazing volume, which you can pre-order now!
The end is nigh! This penultimate omnibus collection of the original The Rise and Fall of the Trigan Empire stories, collects all the strips originally published in Look & Learn from 1977 through to 1980. This sixth book contains Oliver Frey and Mike Butterworth’s final work on the series, as they pass the baton to Ken Roscoe and Gerry Wood who will work on the remainder of the series.
This volume collects – for the first time – thirteen classic, fast-paced, yet beautifully painted, stories featuring the Emperor Trigo, ruler of the Trigan Empire, holding the line against monsters, alien threats, and internal usurpers, with the help of his nephew Janno, and the scientist Peric.
This volume comes with a new cover from acclaimed artist Chris Weston, available in either standard paperback or webshop-exclusive hardback editions!
And now, this week's releases...
2000AD Prog 2409
Cover: Tazio Bettin.
JUDGE DREDD // THE COMFORT ZONE by Mike Carroll (w) Ben Willsher (c) Annie Parkhouse (l)
THE OUT // BOOK FOUR by Dan Abnett (w) Mark Harrison (a) Simon Bowland (l)
NIGHTMARE NEW YORK by Kek-W (w) John Burns (a) Annie Parkhouse (l)
AZIMUTH // THE FABLED BASILISK by Dan Abnett (w) Tazio Bettin (a) Matt Soffe (c) Jim Campbell (l)
ROGUE TROOPER // WHEN A G.I. DIES by Garth Ennis (w) Patrick Goddard (a) Rob Steen (l)
Judge Dredd Megazine #474
Cover: Nick Percival.
JUDGE DREDD // MEMORY LANE by Mike Carroll (w) Nick Percival (c) Annie Parkhouse (l)
DEATH CAP // FRONTIER JUSTICE by T.C. Eglington (w) Boo Cook (c) Simon Bowland (l)
FARGO & MCBANE // NEW YORK'S FINEST by Ken Niemand (w) Anna Readman (a) Quinton Winter (c) Annie Parkhouse (l)
DEVLIN WAUGH // TWO MONTHS OFF by Alex Kot (w) PJ Holden (a) Jack Davies (c) Jim Campbell (l)
JUDGE DREDD: FALSE WITNESS by Brandon Easton (w) Kei Zama (a) Eva De La Cruz (c) Shawn Lee (l)
CADET RICO // THE CYCLE by Liam Johnson (w) Rob Richardson (a) Jim Campbell (l)
RILEY'S REBELS by Honor Vincent (w) Stewart K. Moore (c) Simon Bowland (l)
LAWLESS // A TOWN CALLED BADROCK by Dan Abnett (w) Phil Winslade (a) Simon Bowland (l)
Cadet Dredd: Tooth and Claw by Matt Smith, Chris Weston, and others.
Rebellion ISBN 978-183786257-3, 20 November 2024, 208pp, £16.99. Available via Amazon.
Before Judge Dredd, there was Cadet Dredd – a keen, fresh-faced apprentice, and stickler for the rules, with no idea of the legend he will one day become.
Young Joe hits the streets of Mega-City One for the first time, facing off against perps, monsters and genetically modified movie stars as he learns how to become the greatest Judge the Meg has ever seen.
Zarjaz adventures await inside this thrilling new collection!
Rebellion Presents: The José Muñoz Collection
Rebellion ISBN 978-183786249-8, 20 November 2024, 128pp, £16.99. Available via Amazon.
Rebellion presents three action-packed stories from the legendary Lion comic, all featuring the work master of chiaroscuro-style black-and-white art - José Antonio Muñoz.
In 1973, Muñoz worked on three short-lived strips in Lion. A Stitch in Time follows the adventures of a young boy named Stitch Cotton and his alien friend, Varl, after they steal a time machine from the sinister space-master, Mr. Universe. Lost in Limbo Land(written by 2000 AD regular, Chris Lowder), follows Barry Smith - a studious bookworm who is struck by lightning and flung into a world of Norse myth and legend.
The final strip, Sark the Sleeper, sees a starship commander accidentally woken from hypersleep by two boys who are completely unaware that they passengers flying through deep space in search of a new home.
Friday, November 15, 2024
Comic Cuts — 15 November 2024
I'm now taking orders for DREAMING OF UTOPIA, the new book about Utopian Publications and the history of Lloyd Cole and Benson Herbert. The proof I was talking about last week finally turned up and was pretty close to what I wanted, so with a couple of very small tweaks I decided to have the printer run off some copies so I'll have some at the Paperback & Pulp Book Fair in Bloomsbury on the Sunday, November 24th.
The book won't be available on eBay or Amazon until after the Book Fair as I want to take the small print run up to London with me. I won't be taking as many copies as I did the Badger book (BEYOND THE VOID) as I'm going to be carrying the damn things in a bag rather than try to get the trolley on and off the train again, which has given me eight months of problems with the tendons in my right arm. So I'll be bringing fewer copies, only a couple of the Badger book and maybe a couple of THE TRIALS OF HANK JANSON, unless you've asked (as one person has) for a copy of one of our other books.
As usual, I'll offer a bit of a discount to anyone ordering in the next couple of weeks. I take these advance orders through Paypal — just go to the Bear Alley Books page for price info. and where to send it. Make sure you let me know your address!
While I'm waiting for that order to go through — I'm also waiting on restocks of THE PHANTOM PATROL, which is why I haven't been able to put in a bigger order for the new books — I've put my nose to the grindstone of getting the next book started. A quick Thank You to everyone who has joined in trying to decipher my cryptic crossword-style clue to what it is — a couple of early entries were mentioned in the comments last week, but I've also had correct answers from Kid Robson, Mike Williams, Mike Hall and Ronald McNeil over the last few days.
The new books won't be out for a little while yet as I have introductions to write, pages to lay out and covers to sort out. There are four volumes and I want to get the first two out together with the others following a couple of months apart, as that will help spread my costs a little. It isn't cheap doing these books and the more I publish, the more stock I need to carry.
I'm hoping that, in between, I can work on a couple of other projects. In no particular order, I want to get the War, Battle and Air Ace libraries back in print, but in a different format, and I'd love to get back to two books I started ages ago, indexing Valiant and Action. There's another comic strip I have my eye on for reprinting, too. And I'd like to do another book about old paperbacks and already have some of the next one written... and, of course, another Forgotten Authors volume.
That should keep me busy in 2025... only six weeks away as I type this and with a lot of mince pies to be eaten before the clock strikes and the fireworks go off.
Wednesday, November 13, 2024
Rebellion Releases — 13 November 2024
Judge Death is “the most dangerous threat Mega-City One faces, and he’s on the loose again.” – Slings And Arrows
The Essential Judge Death: My Name Is Death is the perfect introduction to Judge Dredd’s greatest foe.
From the pen of acclaimed Judge Dredd creator John Wagner (A History of Violence) comes the origin story of 2000 AD‘s most enduring villain. Includes Young Death, with art by Peter Doherty (Shaolin Cowboy), Tea With Mrs. Gunderson by artist Dean Ormston (Black Hammer) and the classic My Name Is Death and The Wilderness Days with art by Frazer Irving (Batman & Robin).
This collection is an ideal jumping on point for new readers.
To be published on 18 June 2025, the book can now be ordered at the 2000 AD website.
And now, this week's release...
2000AD Prog 2408
Cover: Cliff Robinson / Dylan Teague (cols).
JUDGE DREDD // THE COMFORT ZONE by Mike Carroll (w) Ben Willsher (c) Annie Parkhouse (l)
THE OUT // BOOK FOUR by Dan Abnett (w) Mark Harrison (a) Simon Bowland (l)
NIGHTMARE NEW YORK by Kek-W (w) John Burns (a) Annie Parkhouse (l)
AZIMUTH // THE FABLED BASILISK by Dan Abnett (w) Tazio Bettin (a) Matt Soffe (c) Jim Campbell (l)
ROGUE TROOPER // WHEN A G.I. DIES by Garth Ennis (w) Patrick Goddard (a) Rob Steen (l)
Friday, November 08, 2024
Comic Cuts — 8 November 2024
I have a fairly dull life punctuated by occasional moments of intense pleasure. As I spend most of my life writing and designing books as Bear Alley Books, most of those moments are tied to the completion of little essays, introductions, finishing the design of a book or a cover, or the arrival of the first printed copies.
Balanced against that is the tightening of the stomach moments: facing a blank page; trying to get an idea out of my brain and down my arm and onto the computer without it turning into a disaster; waiting for proofs to arrive. You catch me in that moment... I'm expecting a proof of the new book to arrive today. I know it isn't the final version because I've already made changes to the text, but that was expected. To get the book out in time for the Paperback & Pulp Book Fair in Bloomsbury on November 24 I had to get a proof copy of the book ordered so I could check how the colours print before I had finished proofing the text.
That I've now done, with only one or two sentences needing to be rewritten, usually for explanation or clarity. It's useful to have that time spent on designing a book and worrying about images as it gives you a bit of distance from the text and you can read it with fresh eyes.
If the cover and the colours are OK, I should be able to re-upload the inside pages and produce a short run of copies, enough to cover my trip to London at the end of the month.
So it's cover reveal day. This one was relatively easy as I knew what I wanted from the start, and I put together the cover pretty much as you see it before I even started on the book, which was a great relief—normally I struggle with covers and leave them to last. Then I ask Martin Baines to perform some wizardry, as I did with BEYOND THE VOID, my history of Badger Books. I had the basic idea to do it as a film poster, but ran into the problem mentioned above: getting it onto the computer screen in any way similar to how I imagined it in my brain.
Thankfully this one worked out OK. But Martin will be back and is already working on some ideas for the next book.
Talking of which, I started the new book on Wednesday. It's going to take a while to get it all together, because it's going to run to four quite hefty volumes. It's a reprint of a classic strip, but I'm keeping it secret as to what it is, although if you really want to know, here's a cryptic clue: Untangle the gym kit, thyme to go ape (5,3,6). If you solve it, please just let me know in a comment (they all pass through my hands before being posted, so I'll see them) or email me (my address is in the left-hand column) and I'll let you know if you're right. But I'm not going to name names publicly until contracts are signed.
Once I've seen the proof, I should have a page up for DREAMING OF UTOPIA within a few days, so I should be able to start taking orders. I should have more news on that here next week, or you can keep an eye on my Facebook pages—mine and the page for Bear Alley Books.
Thursday, November 07, 2024
Commando 5799-5802
We’re spanning both World Wars in this round of Commando adventures. Two new WW1 stories and two classics set in WW2 will hit the shelves today, on 7th November – right on time for Remembrance Day!
5799: Eagle-eyed Cadman
The Western Front, January 1915. When Lieutenant Gerald Cadman claims the credit for Private Tom Smith’s perfect shot, it creates a chance for him to escape the trenches and become a sniper.
Earning glory while hiding and never getting close to the enemy? It sounds just like the kind of fighting Cadman can get behind! But the life of a marksman proves more difficult and dangerous than Cadman could have ever expected!
Keep a keen eye out for this latest caper from the Coward of the Fighting 43rd! With a high-calibre script from Andrew Knightley and artwork from Mike Dorey that’s bang on target, this is one issue you won’t want to miss!
Story: Andrew Knighton
Art: Mike Dorey
Cover: Mike Dorey
5800: Cannonball Casey
Meet Private Casey, the biggest scrounger in the army. He’d pinch anything unless it was nailed down — and while he was at it he let the other guys get on with the fighting.
The exact opposite of a hero, that was Private Casey.
So how come a guy like that managed to win a medal for bravery?
This classic issue really is a blast. A real change of heart story from Fitzsimmons with heroic artwork by Aguilar and an explosive cover from Penalva. Not to bang on about it, but the twists and turns will blow your mind!
Story: Fitzsimmons
Art: Aguilar
Cover: Penalva
First published as no. 533
5801: Hold Until Relieved
Major John Lloyd read the message handed to him by the dispatch rider with his heart in his throat. His orders were to defend the strategic village of Vorrain, with only his inept Lieutenant Gordon Foreman and a handful of men in newly constructed pillboxes. They were hopelessly outnumbered and outgunned.
But he had his orders to ‘hold until relieved’ and against the odds they were going to.
You’ll certainly be relieved to get a hold of this issue! This is another WW1 story that grips from start to finish and doesn’t let up. If it’s heart-in-your-mouth action you’re grasping for, you won’t be left empty-handed!
Story: Stephen Hume
Art: Jaume Forns
Cover: Marco Biachinin
5802: Winners Losers
Karl Von Hessler always had to win. A trophy held aloft or medal on his chest were prizes worth any sacrifice. His brother Ulrich had different rules. During the First World War, he’d sickened of the killing and vowed never to wear a uniform again. Instead, he’d turned to medicine and the fight against death.
But in 1939, war returned and sought Ulrich out in the shape of his hated brother. He knew then that he had one last duty to perform in German uniform — a duty far different from anything Karl could suspect.
No medals for guessing how this one turns out! There’s no brotherly love lost in this epic story by CG Walker spanning both world wars. Friends become enemies, enemies become friends - so much for family values!
Story: CG Walker
Art: Blasco
Cover: Ian Kennedy
First published as no. 1634
Wednesday, November 06, 2024
Rebellion Releases — 6 November 2024
A bit of a change of pace this week as we look ahead to some of the Treasury of British Comics releases you can expect to see next year.
Adam Eterno: Grunn the Grim by E. George Cowan, Chris Lowder (w), Solano Lopez (a)
Rebellion 978-183786470-6, 27 February 2025, 112pp, £14.99. Available via Amazon.
FOR THE FIRST TIME - ADAM JOURNEYS INTO THE FUTURE!
Cursed by an old alchemist to live forever - unless struck from a weapon made of gold - Adam Eterno has gained the power to travel through the ages, fighting evil and injustice.
Now Adam has been transported into a dystopian future where a cruel police regime led by Grunn the Grim, rule over the population with an iron fist...
Written by Edward George Cowan (Robot Archie) and Chris Lowder (Dan Dare), with stunning art by Solano Lopez (Janus Stark), this book features Adam's first adventures published in Lion.
The Haunting of Jilly Johnson by Rafael Busóm Clúa (a)
Rebellion 978-183786539-0, 8 May 2025, 80pp, £14.99. Available via Amazon.
From the very first night in her new flat, Jilly Johnson is haunted by nightmares and calls out the name of a man who Jilly does not know. Spooked by a fortune teller, and by what she sees as the flat itself sending her messages, she becomes determined to find out more about the previous tenants, and the accident that led to the death of one of them. And then in The Island of Stones, two English tourists on holiday on a Greek island meet a modern master sculptor, known for his stone statues of the human form, and discover the secret of his success – the head of Medusa. This story acts as a showcase for Rafael Busom Clua, who initially caught the reader's eye with his incredibly stylish work on Sugar Jones.
Maroc the Mighty by Don Lawrence (a)
Rebellion 978-183786517-8, 22 May 2025, 96pp, £16.99. Available via Amazon.
Originally serialised in Lion, Maroc the Mighty is a action-packed adventure story about a thirteenth century superhero! A knight fighting in The Crusades, John Maroc comes into possession of the 'The Hand of Zar' - a magic amulet which grants its wearer superhuman strength, but only when bathed in the sun's rays.
This medieval supehero strip was illustrated by Don Lawrence and published in Lion between his work on the Karl the Viking series and his beautifully-painted The Trigan Empire.
The Rise and Fall of the Trigan Empire Volume VI by Mike Butterworth (w), Oliver Frey (a)
Rebellion 978-183786534-5, 17 July 2025, 240pp, £24.99. Available via Amazon.
This penultimate omnibus collection of the original The Rise and Fall of the Trigan Empire stories, collecting all the strips originally published in Look & Learn from 1977 through to 1980. This book contains Oliver Frey and Mike Butterworth’s final work on the series, as they pass the baton to Ken Roscoe and Gerry Wood who will work on the remainder of the series.
This volume collects for the first time thirteen classic, fast-paced, yet beautifully painted, stories featuring the Emperor Trigo, ruler of the Trigan Empire, holding the line against monsters, alien threats, and internal usurpers, with the help of his nephew Janno, and the scientist Peric.
Rat Pack: Convict Commandos by Alan Hebden (w), Cam Kennedy, Eric Bradbury,
Rebellion 978-183786537-6, 17 July 2025, 128pp, £19.99. Available via Amazon.
Major Taggart leads the squad of four soldiers, court martialled for various offences and dubbed the Rat Pack. These soldiers are sent on do-or-die missions for the Allies during World War II, and despite them resent Taggart and not trusting each other, they must still complete their missions against the Nazi forces.
With stories ranging from finding stolen diplomatic papers, destroying German-held dams in Norway, and hijacking Hitler’s personal train in order to steal Nazi war plans, this collection brings together the ultimate, and greatest, Rat Pack stories in one volume, with stunning art by Cam Kennedy and Eric Bradbury.
And now, this week's bumper crop of releases...
2000AD Prog 2407
Cover: Paul Williams.
JUDGE DREDD // THE COMFORT ZONE by Mike Carroll (w) Ben Willsher (c) Annie Parkhouse (l)
THE OUT // BOOK FOUR by Dan Abnett (w) Mark Harrison (a) Simon Bowland (l)
NIGHTMARE NEW YORK by Kek-W (w) John Burns (a) Annie Parkhouse (l)
AZIMUTH // THE FABLED BASILISK by Dan Abnett (w) Tazio Bettin (a) Matt Soffe (c) Jim Campbell (l)
ROGUE TROOPER // WHEN A G.I. DIES by Garth Ennis (w) Patrick Goddard (a) Rob Steen (l)
Scream! 40th Anniversary Special
Cover: Dani.
THE DRACULA FILE // HOMO SACER by Alex Paknadel (w) Alejandro Aragon (a) Jason Wordie (c) Jonathan Stevenson (l)
THE THIRTEENTH FLOOR by Torunn Gronbekk (w) Emily Schnall (a) Jonathan Stevenson (l)
AND HIS SKIN IS COLD by George Pooley & Anna Readman (w) Anna Readman (a) JP Jordan (c) Rob Steen (l)
INVERTED BURIAL by V.V. Glass (w & a) Jonathan Stevenson (l)
Treasury of British Comics Annual 2025 by Paul Grist, Alec Worley, Simon Furman, Ian Rimmer, Tom Tully, John Smith, Donne Avenall, Steve Moore (w) Simon Williams, Mike Collins, Anna Morozova, Carlos Ezquerra, Mike Western, Mick McMahon, Leo Baxendale, Ian Kennedy, John Burns, Frank Langford, Massimo Belardinelli, Eric Bradbury (a)
Rebellion 978-183786498-0, 6 November 2024, 112pp, £25.00. Available via Amazon.
Due to popular demand, Rebellion are celebrating the holiday season with another thrill-packed Treasury of British Comics Annual!
We have delved in the IPC/Fleetway archive to bring you a selection of some of the greatest strips ever to appear in British comics, specials and annuals, from such esteemed titles as Scream!, Battle, Tiger, Valiant and Lion.
This collection features three brand new stories from industry superstars including Simon Furman and Mike Collins on Kelly's Eye Vs The White Eyes, Alec Worley and Anna Morozova on Black Beth and Paul Grist and Simon Williams on Robot Archie.
Essential Judge Dredd: Tour of Duty Book Two by John Wagner, Al Ewing, Gordon Rennie (w) Simon Fraser, Carl Critchlow, Colin MacNeil, Cliff Robinson, PJ Holden, Mike Collins, Paul Marshall (a)
Rebellion 978-183786198-9, 6 November 2024, 224pp, £24.99. Available via Amazon.
The essential Judge Dredd graphic novel series – this is the ultimate introduction to the Lawman of the Future!
After Dredd and Hershey’s decision to restore mutant access to Mega-City One is confronted with widespread criticism, Dan Francisco - a reality TV star who holds the people’s favour - challenges Hershey’s leadership as Chief Judge. Under his rule, the conditions of mutants across the Big Meg would be worse than ever. But when Judge Francisco is gunned down on camera in an alleged mutant attack, Dredd begins to suspect someone else might be masterminding the rushed election…
Monday, November 04, 2024
Eagle Times v37 no3 (Autumn 2024)
If you're like me, you won't let the odd inconsistency or error spoil the telling of a good story, and Jeff Arnold's creator Charles Chilton could certainly spin a good yarn. But it's still fun to pick at the loose threads as David does here.
Steve Winders offers a similarly detailed account of 'Danger Unlimited', a 1961-62 strip that featured two former Royal Marine Commandos hired to take a dispatch bag from Jamaica to Buenos Aires. The story was by radio and TV scriptwriter Leonard Fincham and Steve reveals that the basic plot was also used by the author for an episode of The Avengers.
Steve is back again for a look at the back page biography of 'Lincoln of America', which spanned 26 episodes in 1955. It takes the story from his tough childhood to his first job as a ferryman, his involvement in the Black Hawk War (pointing out a highly inaccurate image of Lincoln in uniform) and his work as a lawyer. The story will conclude next issue.
A change of pace brings us to Marie Severin, nothing to do with Eagle but an active artist in the 1950s, including colouring work for E.C. and drawing 'Doctor Strange' and 'Spider-Woman' amongst many others.
And another change of pace takes us to the Royal Oak, a Royal Navy battleship that was attacked by a German U-Boat at Scapa Flow. (Earlier this year, I dug out my copy of Gunther Prien's I Sank the Royal Oak, written shortly before his death in 1941, the cover of which appears on page 26 of my book Beyond the Void.)
Steve Winders begins another P.C. 49 story while David Britton rounds out the issue with an obituary of Ron French, a stalwart of the Eagle Society and regular at many Eagle Dinners, who died in July, aged 87.
This issue introduces a queries column and a quiz amongst its shorter features.
The quarterly Eagle Times is the journal of the Eagle Society, with membership costing £30 in the UK, £50 (in sterling) overseas. You can send subscriptions to Bob Corn, Mayfield Lodge, Llanbadoc, Usk, Monmouthshire NP15 1SY; subs can also be submitted via PayPal to membership@eagle-society.org.uk. Back issues are available for newcomers to the magazine and they have even issued binders to keep those issues nice and neat.
Sunday, November 03, 2024
The Redemption of Andy Capp by Paul Slade
Andy Capp has often been denounced as a drunken wife-beater and that's an accusation Paul Slade dives straight into in his essay collection The Redemption of Andy Capp. There must be more going on for the strip to have lasted almost seventy years, 15,000 strips drawn by his creator Reg Smythe, who died in 1998, at which time the strip was being syndicated to over 1,700 newspapers around the globe, translated into 14 languages and read daily by an estimated 250 million in 52 countries. There has to be more.
"It was a different time," some will argue, and indeed it was, with slapping and smacking far more acceptable than nowadays. Let's not forget that one in eleven women over the age of 16 suffers domestic abuse even now; things were a lot worse in the 1950s and 1960s. But Smythe was already cutting back on strips that involved violence by the early 1960s... or at least disguising the violence as a cloud of dust with a couple of fists and feet sticking out—impossible to know whether Andy or Flo was getting the better of the other.
Slade quotes Smythe, his niece (Helene de Klerk, author of My Dancing Bear) and others on the subject that Flo is no doormat in their relationship but the fact is that the strip has moved away from domestic violence to the occasional thrown pan. Co-author Lawrence Goldsmith says of Andy's violent past "People still refer to Andy like that, but he hasn't actually been that way for over 40 years."
Slade's account of Smythe's upbringing paints the artist's parents as the models for Andy and Flo, Richard Smyth a heavy-drinking boat-builder in a flat cap and Florrie Smyth (née Pearce) an argumentative barmaid, her hair in curlers and held in place with a scarf. Young Reg saw nothing more of his father after joining the army at 18., but his mother would later confirm that it was her relationship with Richard that was the basis for Andy and Flo.
After the war, Smythe found work as a clerk with the G.P.O., but his interest in drawing led him to approach editors and an agent, Charles Gilbert, who managed to sell two of his cartoons to Everybody's, earning the artist more than he earned from the Post Office. Thereafter, he churned out 60 cartoons a week in his evenings which meant he could marry and set up home.
He added the 'e' to his signature in the 1950s because he thought it looked classier and was soon working regularly for the Daily Mirror. In July 1957, while visiting his mother at 37 Durham Street, Hartlepool (later to become Andy & Flo's address), he received a telegram: "Mr Cudlipp needs a cartoon to appeal to Northern readers. You are wanted straight away." This was to appear on the 'Laughter' cartoon page of the Manchester edition of the paper.
Andy first appeared on 5 August 1957... but the rest of Andy's (and Reg Smythe's) story is for Paul Slade to tell, as he does in detail in his essay that takes up over 70 pages of his latest 190-page book. While Andy gives his name to the book's title, the eight essays and reviews in the book cover a broad range of comic-related subjects, including Tintin, Frank Miller's Born Again and Elektra: Assassin, and Peter Jackson's London is Stranger Than Fiction (full disclosure: there's a quote from me in the latter essay which caught me by surprise because I'd forgotten all about Paul mailing me some questions about Jackson).
The final piece was inspired by a nature talk given by David Attenborough about a caterpillar that fools ants into thinking it is an ant larvae; they treat it like a Queen until a butterfly emerges... but sometimes wasps lay their eggs in the caterpillar larvae and wasps emerge. It all sound horrifying and Slade has turned it into a very creepy comic strip (drawn by Hans Rickhelt).
Along the way there's a look at superhero court cases between Marvel and various creators (Jack Kirby, Siegel & Schuster, Steve Gerber, etc.) and a brief interview with 'Alex' co-creator Russell Taylor.
There should be something here for everyone and the centrepiece essay on Andy Capp is a fully-referenced and compelling argument that the character should be reassessed and not condemned for how he was—a wastrel born out of Smythe's own experiences—but appreciated for the world famous character he is.
The Redemption of Andy Capp by Paul Slade.
Self published, 26 August 2024, 191pp, £9.80. Available via Amazon.
Friday, November 01, 2024
Comic Cuts — 1 November 2024
23 days to go before the Paperback & Pulp Book Fair and the release of my latest book, DREAMING OF UTOPIA. The race is on!
I mentioned last week that I had a deadline if I was to guarantee publication of the book, which was that day, 25 October. Actually, to make allowances for the weekend, it should have been the 23rd or 24th. But I was still working on the final article last Friday, had it finished on Saturday, and designed on Sunday. Finished up a checklist and index on Monday, put in the page numbers and gave the whole thing a very quick check.
I was up nice and early on Tuesday to finish off the cover, which I usually have problems with. That proved to be the case here, as I uploaded the image as a wraparound only to discover it was slightly oversized despite me following the guideline about how big the spine should be. Resized the cover, reuploaded and now the change of size had moved the spine lettering slightly onto the front cover.
That was when George and John arrived — both Bear Alley Books writers. John is the subject of AND THE WHEELS WENT ROUND (the link takes you to Amazon) and George wrote A LAVERDA JOURNEY, about his trip around the world, which I designed for him. George is handling sales himself (which is why the book is "currently unavailable" on Amazon, but you can see the cover at the link) and if you want a copy, just drop me a line and I'll pass your request along to George.
It was just a social call, so we had a chat and then headed down to the pub for lunch, which was most enjoyable.
Later that afternoon, I was working on the cover again.... a slight nudge of the spine lettering to the left and everything was... not OK because I'd accidentally reworked the original, which was the slightly too big version despite me renaming it so that I didn't do precisely that. After tinkering with the resized version (and with the rejected version now deleted), I had the lettering almost right, but decided to take it down a couple of points to allow for the slight movement of the printing machines.
I finally got everything just so and now I'm waiting on a printed proof to see how the colours come out.
Of course, ten minutes after paying for the printed proof, I realised I'd forgotten to put in the little end-stop I always create for the last line of articles. D'oh.
So, Tuesday the 29th was the day I ordered proofs. I will probably need a second proof before ordering a print run and I have 25 days rather than 30. Should be do-able (he says confidently), but I had a mare of a job getting the Badger Books book just so... so I'm not counting all my chickens before they hatch. But I'm hopeful—and keeping my fingers crossed—that you'll see copies on sale at the Book Fair.
I managed to catch up on a few things on Wednesday and Thursday, including backing-up quite a lot of files that had built up while I was nose to the grindstone, catching up on e-mail, looking into the background of an artist called 'Dubarry', which is obviously not his real name, but neither was his 'real' name as he was born under another name entirely. I also mowed the lawn and read a bit of a book, because that's how exciting my life is when I'm not writing. Oh, I am going to visit a little local art gallery shortly because we met and liked the artist who is exhibiting a while back and it will be great to see what she has come up with in the meantime.
A bit of culture after dealing with some of those old Utopian covers with their naked ladies. It is amazing to think that they could get away with this during and just after the war. These slim booklets are incredibly scarce nowadays and included highly collectable authors like Robert Bloch and John Wyndham (hiding behind the pen-name Johnson Harris).
Notice that I have yet to reveal the cover... that's a deliberate choice. I'm waiting to see that the colour proof looks OK before I show it off! Hopefully next week...
In the meantime, I have the text to proof.