Thursday, February 08, 2018
Commando issues 5095-5098
Brand new Commando issues on sale today. See our soldiers sabotage Jerry lines after the Somme, bobsleigh down mountains in the French Alps with Allied generals, speed away in a Singer sports car through Singapore, and dig your way to freedom with our Sappers!
5095: Seized at the Somme
In what became known as The Great War, no other battle was as infamous as the Somme. With 20,000 British troops killed on the first day, it is an offensive that will never be forgotten. But when British Privates Billy Osgood and Alfie Adams are captured during the battle by the Germans, they are led away from the front line to a German POW camp where they are forced to work against the Allies. Well, not if Billy and Alfie have a thing or two to say about it!
Ferg Handley’s story is a chilling account of the brutality inflicted on prisoners of war, as his Allied heroes suffer at the hands of the Huns. Meanwhile, Morhain’s interior artwork, alongside Ian Kennedy’s hauntingly realistic cover are full of danger, from the jagged trees, barbed wire and wide open threat of no man’s land, to the claustrophobic intensity of the trenches!
Story: Ferg Handley
Art: Morhain
Cover: Ian Kennedy
5096: And Everywhere that Casey Went…
Handcuffed together, Yank Butch Casey and Commando Bill Craig hated each other’s guts. But now, with Jerries dressed as American M.P.s and a plan to assassinate a New Year’s party full of Allied generals, they were going to have to work together. Racing to the villa on Mont Ceindre in the French Alps, getting up there would be easy compared to getting back down alive…
Penned by Gerry Finley-Day of Battle Picture Weekly fame, and illustrated by Aguilar, this issue doesn’t shy away from action or atmosphere, creating a delightful winter package, wrapped up in neat bow with a dynamic snowscape cover from Penalva.
Story: Finley-Day
Art: Aguilar
Cover: Penalva
Originally Commando No. 458 (February 1970). Reprinted No. 1311 (April 1979).
5097: Singapore Strike
Light as a feather and with not an inch of spare flesh on his scrawny frame, Fred Burton looked as though he could be knocked down by the next strong gust of wind. But looks could be very deceiving, as one Japanese Kempeitai captain was about to find out, for Fred was actually a master of martial arts!
George Low’s story fleets from one side of the world to another, trading the rain-soaked London Docks for a tropical paradise, as Janek Matysiak’s cover and Keith Page’s interiors offer a bright and sunny alternative to the winter gloom for you to lose yourself in!
Story: George Low
Art: Keith Page
Cover: Janek Matysiak
5098: The Sappers
The Corps of Royal Engineers or ‘Sappers’ were a hardy bunch – and they had to be. Digging under enemy lines, the conditions were dark, damp and cramped, so it wasn’t long before intense claustrophobia could set in. That was precisely what happened to Martin Clark, after he was buried alive under Le Chateau Noir, only managing to dig himself free three days later. Now, working as a desk wallah in the Second World War, would he ever be able to go underground again? And if he did, would he be able to finish what he started twenty-nine years earlier?
Keith Shone’s interior artwork perfectly compliments the dark mood and grit of Roger Sanderson’s story, compacting the characters within his frames and drawing on the dreaded sense of claustrophobia, you cannot help but feel when reading this issue!
Story: Roger Sanderson
Art: Keith Shone
Cover: Ian Kennedy
Originally Commando No. 2672 (June 1993).
Wednesday, February 07, 2018
Rebellion Releases (2000AD)
Rebellion releases for 7–8 February 2018.
2000AD Prog 2067
Cover: Patrick Goddard & Chris Blythe
JUDGE DREDD: THE SHROUD by Michael Carroll (w) Paul Davidson (a) Chris Blythe (c) Annie Parkhouse (l)
SAVAGE: THE THOUSAND YEAR STARE by Pat Mills (w) Patrick Goddard (a) Ellie De Ville (l)
BRASS SUN: ENGINE SUMMER by Ian Edginton (w) INJ Culbard (a) Ellie De Ville (l)
BAD COMPANY: TERRORISTS by Peter Milligan (w) Rufus Dayglo (a) Dom Regan (c) Simon Bowland (l)
ABC WARRIORS: FALLOUT by Pat Mills (w) Clint Langley (a) Annie Parkhouse (l)
Ant Wars by various
Rebellion ISBN 978-178108550-9, 8 February 2017, 114pp, £12.99 / $17.99. Available via Amazon.
ANT WARS: When military personnel spray an untested insecticide on ants in the Brazilian rainforest, the colony mutate into super-intelligent creatures with a taste for human flesh! As the terrifying army head closer towards civilisation, Captain Villa and a young forest native race ahead in the vain attempt to warn a thoroughly unprepared world! Written by Gerry Finley-Day (Rogue Trooper), with Art by Joe Ferrer (Robo-Hunter), Azpiri (Black Hawk) and many others, Ant Wars is an exhilarating take on classic sci-fi movies.
ZANCUDO: 2127 AD: High above the Peruvian rainforest, vast, eerie creatures fix compound eyes on a vessel transporting the notorious Fendito ‘the Bandito’ back into custody in the South-Am mega-city of Cuidad Barranquilla. For ‘Banana City’ judges Xavi Ancizar and Sofia Perez, the bug hunt is just beginning ... Written by Simon Spurrier (X-Men Legacy) and featuring the art of British comics legend Cam Kennedy (Judge Dredd), witness all-out insect war with mankind in the middle!
2000AD Prog 2067
Cover: Patrick Goddard & Chris Blythe
JUDGE DREDD: THE SHROUD by Michael Carroll (w) Paul Davidson (a) Chris Blythe (c) Annie Parkhouse (l)
SAVAGE: THE THOUSAND YEAR STARE by Pat Mills (w) Patrick Goddard (a) Ellie De Ville (l)
BRASS SUN: ENGINE SUMMER by Ian Edginton (w) INJ Culbard (a) Ellie De Ville (l)
BAD COMPANY: TERRORISTS by Peter Milligan (w) Rufus Dayglo (a) Dom Regan (c) Simon Bowland (l)
ABC WARRIORS: FALLOUT by Pat Mills (w) Clint Langley (a) Annie Parkhouse (l)
Ant Wars by various
Rebellion ISBN 978-178108550-9, 8 February 2017, 114pp, £12.99 / $17.99. Available via Amazon.
ANT WARS: When military personnel spray an untested insecticide on ants in the Brazilian rainforest, the colony mutate into super-intelligent creatures with a taste for human flesh! As the terrifying army head closer towards civilisation, Captain Villa and a young forest native race ahead in the vain attempt to warn a thoroughly unprepared world! Written by Gerry Finley-Day (Rogue Trooper), with Art by Joe Ferrer (Robo-Hunter), Azpiri (Black Hawk) and many others, Ant Wars is an exhilarating take on classic sci-fi movies.
ZANCUDO: 2127 AD: High above the Peruvian rainforest, vast, eerie creatures fix compound eyes on a vessel transporting the notorious Fendito ‘the Bandito’ back into custody in the South-Am mega-city of Cuidad Barranquilla. For ‘Banana City’ judges Xavi Ancizar and Sofia Perez, the bug hunt is just beginning ... Written by Simon Spurrier (X-Men Legacy) and featuring the art of British comics legend Cam Kennedy (Judge Dredd), witness all-out insect war with mankind in the middle!
Monday, February 05, 2018
Ant Wars
'Ant Wars' is one of those old strips that long-time readers of 2000AD remember perhaps a little more fondly than they should. I doubt it was ever meant to be more than a filler and it was brought to a rapid conclusion when 2000AD merged with Starlord in 1978.
Mutated monsters were nothing new and 2000AD had had its fair share of animals-on-the-rampage yarns, from dinosaurs ('Flesh') to polar bears ('Shako') and giant ants had a whiff of desperation, trying to find something that could menace humanity in the wake of the success of James Herbert's Rats (1974) and Guy N. Smith's Night of the Crabs (1976), which spawned a whole slew of "nature running amok" titles that had their origins in monster movies of the Fifties.
Truth be told, I wasn't a huge fan of the artist, Jose Ferrer, whose scratchy linework didn't quite cut it as far as this fan of Jesus Blasco was concerned.
But...
... looking back on it now as a collected volume I was instantly drawn into the story, which powers along at breakneck speed because there is only seven pages in the first episode to set out its premise, introduce a bunch of characters, hint at some thematic ideas (technology vs. nature, the noble savage) and tell a kick-ass tale at the same time. Gerry Finley-Day throws us in at the deep end: the clearance of local natives in a Brazilian jungle to build a new road for oil tankers, plus a new form of experimental insecticide used to kill off soldier ants, equals GIANT ANTS.
The unlikely heroes are Captain Villa and a semi-literate local known as Anteater, who discover the gigantic insects after Anteater escapes a reservation set up by the army to house the native population. Villa is convinced that his military skills and training will keep them alive, but the army man is proven wrong time after time.
There are some tough adventures ahead of them as they try to warn civilisation about the menace, with some of the best episodes seeing them captured by gamblers on a riverboat and the carnage at the Rio Carnival. It's the only comic strip to answer that age-old question: are nipple tassels any defence against giant ants?
Before long, Argentina is also infested where new artist Alfonso Azpiri gets to illustrate an aerial attack by flying ants and the capture of Anteater by queen ants as the mutants make their way to the foothills of the Andes.
Rounding out the volume is 'Zancudo' from Judge Dredd Megazine (2005), described as a spiritual successor to the original in which Simon Spurrier and Cam Kennedy relate how Judge Xavi Ancizar and his amoureuse, Judge Sofia Perez, crash land in the South American jungle while overseeing the transfer of medical supplies to a penal colony. They are also delivering a psychic psychopath, Fendito, nicknamed 'El Bandito', who breaks free when their transporter crashlands in the jungle.
Soon, they discover a city of giant mosquitos and a race enslaved by the creatures. There's plenty of action and a surprise reappearance... but I'll say no more. Even in the short space of 24 pages, the story has an emotional depth that 'Ant Wars' doesn't have—it was, after all, aimed at an older audience. Not that 'Ant Wars' was trying to be anything other than what it was... a rattling-paced adventure with mutant horrors at its heart. And that it delivers.
Ant Wars. Rebellion ISBN 978-178107622-3, 8 February 2018, 112pp, £12.99. Available via Amazon.
Mutated monsters were nothing new and 2000AD had had its fair share of animals-on-the-rampage yarns, from dinosaurs ('Flesh') to polar bears ('Shako') and giant ants had a whiff of desperation, trying to find something that could menace humanity in the wake of the success of James Herbert's Rats (1974) and Guy N. Smith's Night of the Crabs (1976), which spawned a whole slew of "nature running amok" titles that had their origins in monster movies of the Fifties.
Truth be told, I wasn't a huge fan of the artist, Jose Ferrer, whose scratchy linework didn't quite cut it as far as this fan of Jesus Blasco was concerned.
But...
... looking back on it now as a collected volume I was instantly drawn into the story, which powers along at breakneck speed because there is only seven pages in the first episode to set out its premise, introduce a bunch of characters, hint at some thematic ideas (technology vs. nature, the noble savage) and tell a kick-ass tale at the same time. Gerry Finley-Day throws us in at the deep end: the clearance of local natives in a Brazilian jungle to build a new road for oil tankers, plus a new form of experimental insecticide used to kill off soldier ants, equals GIANT ANTS.
The unlikely heroes are Captain Villa and a semi-literate local known as Anteater, who discover the gigantic insects after Anteater escapes a reservation set up by the army to house the native population. Villa is convinced that his military skills and training will keep them alive, but the army man is proven wrong time after time.
There are some tough adventures ahead of them as they try to warn civilisation about the menace, with some of the best episodes seeing them captured by gamblers on a riverboat and the carnage at the Rio Carnival. It's the only comic strip to answer that age-old question: are nipple tassels any defence against giant ants?
Before long, Argentina is also infested where new artist Alfonso Azpiri gets to illustrate an aerial attack by flying ants and the capture of Anteater by queen ants as the mutants make their way to the foothills of the Andes.
Rounding out the volume is 'Zancudo' from Judge Dredd Megazine (2005), described as a spiritual successor to the original in which Simon Spurrier and Cam Kennedy relate how Judge Xavi Ancizar and his amoureuse, Judge Sofia Perez, crash land in the South American jungle while overseeing the transfer of medical supplies to a penal colony. They are also delivering a psychic psychopath, Fendito, nicknamed 'El Bandito', who breaks free when their transporter crashlands in the jungle.
Soon, they discover a city of giant mosquitos and a race enslaved by the creatures. There's plenty of action and a surprise reappearance... but I'll say no more. Even in the short space of 24 pages, the story has an emotional depth that 'Ant Wars' doesn't have—it was, after all, aimed at an older audience. Not that 'Ant Wars' was trying to be anything other than what it was... a rattling-paced adventure with mutant horrors at its heart. And that it delivers.
Ant Wars. Rebellion ISBN 978-178107622-3, 8 February 2018, 112pp, £12.99. Available via Amazon.
Labels:
Comic Review
Saturday, February 03, 2018
Reginald Mills
REGINALD MILLS
by
Robert J. Kirkpatrick
Like J. Dewar Mills, Reginald Mills (no relation) is also a rather enigmatic figure. Sources on the internet, largely websites dealing with paintings sold at auction, give his dates as 1896-1950, and, few, if any refer to his work as an illustrator of children’s books. Only the barest details of his life can be ascertained from online genealogy records.
The most comprehensive details are from his brief service in the army in 1914. His service record reveals that he was he enlisted, in the King’s Royal Rifle Corps, on 28 August 1914, his occupation given as art student. He was recorded as born in Hampstead, Middlesex, with his age given as 19 years 154 days. He was described as just over 5 ft 10 ins, with a sallow complexion and dark brown hair and eyes. His mother, Alice Mills, was living at 39 Cavendish Mansions, Mill Lane, West Hampstead. His army career was, however, very short-lived, as he was declared medically unfit owing to flat feet and bunions, and he was discharged on 23 September 1914.
Extrapolating back from his age on 28 August 1914, his date of birth can be fixed at 28 March 1895. Unfortunately, there are no online birth records which confirm this. When he married, in 1940, the marriage certificate showed his father as Horace Mills (deceased), a former artist. In the 1901 census, an Alice Mills, born in Aylesbury, Buckinghamshire, around 1874, and a Reginald Mills, born in Marylebone, London, aged 5, were living at 42 Cochrane Street, St. Marylebone. Ten years later, they were at 39 Cavendish Mansions, Hampstead. Alice’s husband was absent from the 1901 census record, and in 1911 she was recorded as a widow, living on private means, with Reginald at school. Unfortunately, there appears to be no online record of a marriage between a Horace Mills and an Alice (other than one between a Horace Mills and an Alice Susannah Martha Carter in Kingston, Surrey, in 1892 – however, Horace was a farmer in Essex, and he and his family appear elsewhere in subsequent census records).
Mills received his artistic training at the South London Technical School of Art, formerly the Lambeth School of Art. His professional career seems to have begun around 1920, and for many years he worked as both a painter and illustrator. He produced portraits, landscapes and genre paintings, and in 1930 he was elected a member of the Royal Society of British Artists. He exhibited widely, including at the Royal Academy of Arts and the Royal Institute of Painters in Watercolours.
As an illustrator of children’s books, his early work was largely for the publishers Frederick Warne & Co. He also worked for the Religious Tract Society, illustrating a handful of books plus occasionally contributing to The Boy’s Own Paper and The Girl’s Own Paper. He also contributed to The Wide World Magazine, The Woman’s Magazine and Chums. In 1930 he began an eight-year association with the Oxford University Press, specializing in illustrating boy’s school stories, by authors such as Gunby Hadath, Richard Bird and Michael Poole. He also contributed to annual volumes such as the Oxford University Press’s The Great Book of School Stories for Boys and The Big Book of School Stories for Boys. He also illustrated a small number of boys’ and girls’ adventure stories, and the occasional re-issue of a 19th century novel, such as William Harrison Ainsworth’s The Tower of London.
He also worked for the advertising agency James Haworth & Co., producing posters for companies such as the Cunard White Star Line.
He became best-known for his work during the Second World War, when he joined the Auxiliary Fire Service, and became one of a large group of fireman artists, recording the London Blitz in a series of paintings produced in his spare time. His pictures were widely exhibited, with several now held in national collections, including at the Imperial War Museum, and many of them appeared in two books: London’s Hour, As Seen Through the Eyes of the Firefighters, published by Staples Books in 1942; and In the Service of the Nation: The N.F.S. Goes into Action, published by Raphael Tuck & Sons (for the National Fore Service Benevolent Fund) in 1944.
In the meantime, he had married Theresa Beatrice Dancyger (born on 8 November 1914 in Paddington), at the Hampstead Register Office on 25 November 1940. She was the daughter of Moss Dancyger, a schoolteacher, and his wife Gertrude. They had been living at 60, Armitage Road, Hendon, although at the time of the marriage Theresa and Reginald were both at 39 Cavendish Mansions, Mill Lane, Hampstead, where Reginald had been living since at least 1911. Theresa was, at the time, working for the A.T.S. as a kine theodolite operator (checking the results of artillery fire by the use of photographs and mathematical calculation).
Between 1944 and 1946 Mills was in charge of an authorship section at the Ministry of Aircraft. He and his wife subsequently left London, moving to 28 Evesham Road, Cheltenham, Mills becoming a member of the Cheltenham Art Club, and working professionally for an engineering firm, S. Smith & Sons. In 1948 he was elected a Fellow of the Royal Society of Arts.
The quality of Mills’s work varied enormously. Many of his books had well-executed colour dustwrappers and frontispieces, and while some contained black and white halftone plates, again well-drawn, others contained simple black and white line drawings, which were often hastily-drawn and could almost have been sketches.
At some point, Mills and his wife moved back to London, living at 18 Deauville Mansions, Wandsworth. This was his address when he died on 12 September 1951, at St. Luke’s Hospital, Bayswater, after suffering from mouth cancer. His wife re-married in 1959, and died in 1996.
PUBLICATIONS
Books illustrated by Reginald Mills
The Making of a Woman by Amy Le Feuvre, Religious Tract Society, 1920(?) (re-issue)
The Rebellion of Margaret by Geraldine Mockler, Jarrold & Sons, 1923 (re-issue)
Uranias’s Training by Mary Bourchier Sanford, Religious Tract Society, 1925
The River Riders: An Exciting Lumberjack Story by T.C. Bridges, Frederick Warne & Co., 1925
The Star Chamber by William Harrison Ainsworth, Frederick Warne & Co., 1925 (re-issue)
Beyond the Hills by Maysel Jenkinson, Frederick Warne & Co., 1926
Scouts in Buckskin by Wingrove Willson, Aldine Pub. Co., 1926 (with other artists)
The World of Sport and Adventure edited by Wingrove Willson, Aldine Pub. Co., 1926 (with other artists)
The Magic Island by Ethel Talbot, “The Children’s Companion” Office, 1926
The House by the Chapel Rock by Maud Morin, Frederick Warne & Co., 1926
The Sioux of St. Jude’s by Wingrove Willson, Goodship House, 1926 (dustwrapper)
Cubs to the Rescue by Ronald S. Lyons, Frederick Warne & Co., 1927
The Two Recruits by D.S. Batley, S.P.C.K., 1927 (re-issue)
The Chums of Moorhaven by C.B. Rutley, Frederick Warne & Co., 1928
Crumbling Barriers and Other Stories by various authors, Frederick Warne & Co., 1928 (with other artists)
The Tower of London by William, Harrison Ainsworth, Frederick Warne & Co., 1928(?) (re-issue)
Those Dreadful Girls by Esther E. Enock, Religious Tract Society, 1928 (re-issue)
Isle of Gladness by Mary B. Sanford, “Every Girl’s Paper” Office, 1929
Alick’s Corner by Amy Le Feuvre, Religious Tract Society, 1929
Peter the Whaler by W.H.G. Kingston, The “Boy’s Own Paper” Office, 1930(?) (re-issue)
A School Feud by Richard Bird, Oxford University Press, 1930
The New School at Shropp: A Public School Story by Gunby Hadath, Oxford University Press, 1930
Terry Takes Charge: A Public School Story by Richard Bird, Oxford University Press, 1931
Brent of Gatehouse: A Public School Story by Gunby Hadath, Oxford University Press, 1931
Mystery Island: A Story for Wolf Cubs by Ronald Samuel Lyons, Frederick Warne & Co., 1931
The Big Five: A Public School Story by Gunby Hadath, Oxford University Press, 1932
The Bully of Boiling Creek by T.C. Burgess, Frederick Warne & Co., 1932
The Riddle of the Frontier by Robert Harding, The “Boy’s Own Paper” Office, 1932
The Gift of the Sea by Beatrice H.M. Walker, Religious Tract Society, 1932
The Mystery at Ridings: A Public School Story by Gunby Hadath, Oxford University Press, 1933
For the Sake of the House by Veronica Marlow, Oxford University Press, 1933
The Motor Car Mystery by T.C. Bridges, Frederick Warne & Co., 1933
The Hidden Door by Constance M. Evans, Frederick Warne & Co., 1933
Allies in the Fourth by Jessie McAlpine, Oxford University Press, 1933
Tales of Lexham by Charles Turley, Oxford University Press, 1934
The Fighting Fourth by Edith Mary de Foubert, Oxford University Press, 1934
The Lone Hand by T.C. Bridges, Frederick Warne & Co., 1934
The Exile by E.R.G.R. Evans, Frederick Warne & Co., 1934
The Cedar-wood Box by Constance M. Evans, Frederick Warne & Co., 1939
Play to the Whistle: A School Story by Michael Poole, Oxford University Press, 1934
That Eventful Term by Veronica Marlow, Oxford University Press, 1934
The World of Ice by R.M. Vallantyne, Religious Tract Society, 1934 (re-issue)
Revolt at Fallas: A Public School Story by Gunby Hadath, Oxford University Press, 1935
Grim Work at Bodlands: A Public School Story by Gunby Hadath, Oxford University Press, 1935
Revolution at Redways: A School Story by Michael Poole, Oxford University Press, 1935
The King’s Messenger by Frank W. Howe, Frederick Warne & Co., 1935
The Lower School Leader by Veronica Marlow, Oxford University Press, 1935
The Head Girl at Wynford by Winifred Darch, Oxford University Press, 1935
The Voodoo Stone by Gordon Hill Grahame, George G. Harrap & Co., 1935
Our Island Holiday by Josephine Smith Wright, George G. Harrap & Co., 1935
Bancroft of the Grammar School by Michael Poole, Oxford University Press, 1936
Mystery Camp by James Thomas Gordon, Oxford University Press, 1936
The Sanctuary of the Maidar by A. Lloyd Owen, George G. Harrap & Co., 1936 (with
Thomas Somerfield)
The Menace of the Terribore: A Modern Adventure Story by John Dolben Mackworth, George G. Harrap & Co., 1936
The Secret River by Constance M. Evans, Frederick Warne & Co., 1936
Captain Quid by Gurney Slade, Frederick Warne & Co., 1937
Major and Minor: A Public School Story by Gunby Hadath, Oxford University Press, 1938
London’s Hour, As Seen Through the Eyes of the Firefighters, Staples Books Ltd., 1942
The Feud at Twin Mountain by J.E. Grinstead, Wells Gardner, Darton & Co., 1943
The Trapper of Rat River by Charles Stoddard, Wells Gardner, Darton & Co., 1943
Trail Boss by Peter Dawson, William Collins, 1944
Gallop and Trot: Horses at Work and Rest by Lucy Elizabeth Kemp Welch, Oxford University Press, 1944
“In the Service of the Nation”: The N.F.S. Goes into Action, Raphael Tuck & Sons (for the National Fire Service Benevolent Fund), 1944
Some of China’s Children by Hal Beckett, Salvantionist Publishing, 1944
Oklahoma Law by Tex Holt, Wells Gardner, Darton & Co., 1946
Mallory of the Royal Mounted by Charles Stoddard, Wells Gardner, Darton & Co., 1946
The Flower Called “Faith-in-the-Night” by Madge Unsworth, Salvationist Pub. & Supplies, 1946
Forward Commandos! By Margery Bianco, Wells Gardner, Darton & Co., 1947 (dustwrapper)
Tales of Mystery and Imagaination (2 vols) by Edgar Allan Poe, Ivor Micholson & Watson, 1948 (covers)
Black Beauty by Anna Sewell, W. Foulsham & Co., 1948 (re-issue)
Rodeo Cowboy by Chuck Martin, Wells Gardner, Darton & Co., 1949
Young Britain’s Book of Farm Life, Oxo Ltd., 1950(?)
South with the Kittiwake by Parry Pearson, Frederick Warne & Co., 1952
Dramatised Bible Stories by George John Adams, Frederick Warne & Co., 1952
Drummer’s Hall by J.E. Taylor, Frederick Warne & Co., 1953
The Long Arm of the Cardinal by Gurney Slade, Frederick Warne & Co., 1953
Macaria by A.J. Evans Wilson, Hayes (dustwrapper) – date not known
Labels:
Artist,
Reginald Mills
Friday, February 02, 2018
Comic Cuts - 2 February 2018
After a mad dash to the finishing post, Forgotten Authors Volume 2 should be out any day now... maybe even today because the people behind Kindle move in mysterious ways, telling you you'll have 48 hours to wait and then... BAM! the book is up in one format but you might still be one sleep or two sleeps away from another format finding its way into the world, despite it being the same text.
The formatting didn't take as long as I'd remembered from last time, even tho' the book is 5,000 words longer. The Index for the print version took a couple of days to compile, and converting footnotes to endnotes for the e-book took a morning because every single one of the 224 notes in the book needed to be manually reformatted in Dreamweaver to stop the footnotes thinking they're superscript and screwing up the look of the paragraphs.
The reformatting and resizing is a useful process as I have to go through the text a few more times and it's a good opportunity to weed out a few more of the errors that inevitably creep into any book. There are probably a few still in there (as there were with volume 1) but I now cannot see the wood for the trees. If you buy a copy of the ebook or the print book, please don't think I'll be somehow insulted if you spot a mistake. I won't be and I'd rather know about it so I can correct it for future editions.
Next up: Volume 3! I've already written a few bits and have some pieces lined up for inclusion. Some come from the archives of Bear Alley, although I'll be given them all a bit of a revamp; some will be newly written for this volume and I have two fairly lengthy pieces in mind that appeared elsewhere, but, again, will be overhauled before they appear in the book.
I might also include a few short pieces about unresolved pen-names, and there's one essay I want to write where the author disappeared, never to be heard of again. I've spent quite a few weeks trying to track down information, but without success, so the book will also lay out all the clues I've gathered so far.
However, my plans for the weekend basically involve me sitting with my feet up watching Altered Carbon, which is out on Netflix today. I loved the book by Richard Morgan, which mashes together two of my favourite genres (hard-boiled detective / science fiction). It'll be interesting to see how mainstream viewers cope with the idea of re-sleeving (downloading a person into a different body) as it means the lead character, Takeshi Kovacs, changes race and gender in the book and hopefully that won't be lost during the run of the show. It's a darkly violent book, so we shall just have to wait and see how it translates to the screen.
I've been watching Hard Sun, which was trailed as high concept but that concept was purely a MacGuffin for a serial killer-of-the-week format. I almost gave up at the end of episode four, which is unusual for me, as I try to watch a series right to the end because even a failed series can fail in interesting ways. I'll soldier on, but only because there are only six episodes.
Double the length and ten times the quality... season six of Spiral, the French police procedural drama on BBC4. We're six episodes in and watching a new episode every evening we're in. The big difference between Spiral and Hard Sun is that, while almost all of the characters are deeply flawed, I actually give a damn about how they'll get through the problems they're facing.
Anyway, I thought I'd offer you a Richard Morgan cover gallery rather than the usual random scans, so you'll have to scan down. I'm sorry to say they're a rather uninspired selection of covers for the most part. I'll try to do better next week.
.
The formatting didn't take as long as I'd remembered from last time, even tho' the book is 5,000 words longer. The Index for the print version took a couple of days to compile, and converting footnotes to endnotes for the e-book took a morning because every single one of the 224 notes in the book needed to be manually reformatted in Dreamweaver to stop the footnotes thinking they're superscript and screwing up the look of the paragraphs.
The reformatting and resizing is a useful process as I have to go through the text a few more times and it's a good opportunity to weed out a few more of the errors that inevitably creep into any book. There are probably a few still in there (as there were with volume 1) but I now cannot see the wood for the trees. If you buy a copy of the ebook or the print book, please don't think I'll be somehow insulted if you spot a mistake. I won't be and I'd rather know about it so I can correct it for future editions.
Next up: Volume 3! I've already written a few bits and have some pieces lined up for inclusion. Some come from the archives of Bear Alley, although I'll be given them all a bit of a revamp; some will be newly written for this volume and I have two fairly lengthy pieces in mind that appeared elsewhere, but, again, will be overhauled before they appear in the book.
I might also include a few short pieces about unresolved pen-names, and there's one essay I want to write where the author disappeared, never to be heard of again. I've spent quite a few weeks trying to track down information, but without success, so the book will also lay out all the clues I've gathered so far.
However, my plans for the weekend basically involve me sitting with my feet up watching Altered Carbon, which is out on Netflix today. I loved the book by Richard Morgan, which mashes together two of my favourite genres (hard-boiled detective / science fiction). It'll be interesting to see how mainstream viewers cope with the idea of re-sleeving (downloading a person into a different body) as it means the lead character, Takeshi Kovacs, changes race and gender in the book and hopefully that won't be lost during the run of the show. It's a darkly violent book, so we shall just have to wait and see how it translates to the screen.
I've been watching Hard Sun, which was trailed as high concept but that concept was purely a MacGuffin for a serial killer-of-the-week format. I almost gave up at the end of episode four, which is unusual for me, as I try to watch a series right to the end because even a failed series can fail in interesting ways. I'll soldier on, but only because there are only six episodes.
Double the length and ten times the quality... season six of Spiral, the French police procedural drama on BBC4. We're six episodes in and watching a new episode every evening we're in. The big difference between Spiral and Hard Sun is that, while almost all of the characters are deeply flawed, I actually give a damn about how they'll get through the problems they're facing.
Anyway, I thought I'd offer you a Richard Morgan cover gallery rather than the usual random scans, so you'll have to scan down. I'm sorry to say they're a rather uninspired selection of covers for the most part. I'll try to do better next week.
Labels:
Comics News
Richard Morgan cover gallery
Altered Carbon (London, Gollancz/Orion, Feb 2002)
Gollancz/Orion 0575-07322-5, (Feb) 2002, 404pp, £9.99 [tpb]. Cover by Chris Moore
---- [xth imp.] £10.99 [tpb].
Gollancz/Orion 0575-07390-X, (Sep) 2002, 534pp, £6.99. Cover by Chris Moore
---- [2nd imp.] 2003
Gollancz 978-0575-08112-3, (Aug) 2007, 470pp, £7.99. Cover by Corbis
Gollancz 978-0575-08124-6, 2008, 471pp. Cover by Chris Moore
---- [2nd imp.]; [3rd imp.]; [4th imp.] £7.99
Gollancz 978-1473-22367-7, (Feb) 2018, 480pp, £8.99. TV tie-in edition.
Broken Angels (London, Gollancz/Orion, Mar 2003)
Gollancz/Orion 0575-07324-1, 2003, 394pp, £10.99 [tpb]. Cover by Chris Moore
Gollancz 0575-07550-3, (Dec) 2003, 490pp, £6.99. Cover by Chris Moore
Gollancz 0575-08125-2, (Nov) 2007, 496pp.
Market Forces (London, Gollancz, 2004)
Gollancz 0575-07567-8, (Mar) 2004, 386pp, £10.99 [tpb].
Gollancz 0575-07584-8, (Dec) 2004, 470pp, £6.99.
Gollancz 978-0575-08126-0, (Sep) 2008, 464pp, £7.99.
Woken Furies (London, Gollancz/Orion, Mar 2005)
Gollancz/Orion 0575-07326-8, (Mar) 2005, 436pp, £10.99 [tpb]. Cover by Chris Moore
Gollancz 0575-07652-6, (Sep) 2005, 563pp, £6.99. Cover by Chris Moore
Gollancz 0575-08127-9, (Nov) 2007, 576pp.
Black Man (London, Gollancz/Orion, May 2007; as Thirteen, The Easton Press, 2007)
Gollancz/Orion 0575-077767-0, (May) 2007, 546pp, £11.99 [tpb].
Gollancz/Orion 0575-07813-8, (Nov) 2007, 627pp, £7.99.
as Thirteen, Gollancz 978-1473-22538-1, (Sep) 2018, 656pp, £9.99.
The Steel Remains (London, Gollancz/Orion, (Aug 2008)
Gollancz 978-07950-2, (Aug) 2008, 352pp, [tpb].
Gollancz 978-0575-08549-7, (Nov) 2008, 353pp.
Gollancz 978-0575-08481-0, (Jul) 2009, 392, £7.99. Cover by Larry Rostant
The Cold Commands (London, Gollancz, Oct 2011)
Gollancz 978-0575-08487-2, (Oct) 2011, 407pp, £12.99 [tpb]. Cover by Jon Sullivan
Gollancz 978-0575-08489-6, (Aug) 2012, 481pp, £7.99. Cover by Jon Sullivan
The Dark Defiles (New York, Del Rey, Oct 2014; London, Gollancz, Nov 2014)
Gollancz 978-0575-08859-7, (Nov) 2014, 560pp, £14.99 [tpb].
Gollancz 978-0575-08860-3, (Sep) 2015, 549pp, £9.99. Cover by Jon Sullivan
Thin Air (London, Gollancz, Jul 2018)
Gollancz 978-0575-08857-3, (Jun) 2019, 544pp, £8.99.
Gollancz/Orion 0575-07322-5, (Feb) 2002, 404pp, £9.99 [tpb]. Cover by Chris Moore
---- [xth imp.] £10.99 [tpb].
Gollancz/Orion 0575-07390-X, (Sep) 2002, 534pp, £6.99. Cover by Chris Moore
---- [2nd imp.] 2003
Gollancz 978-0575-08112-3, (Aug) 2007, 470pp, £7.99. Cover by Corbis
Gollancz 978-0575-08124-6, 2008, 471pp. Cover by Chris Moore
---- [2nd imp.]; [3rd imp.]; [4th imp.] £7.99
Gollancz 978-1473-22367-7, (Feb) 2018, 480pp, £8.99. TV tie-in edition.
Broken Angels (London, Gollancz/Orion, Mar 2003)
Gollancz/Orion 0575-07324-1, 2003, 394pp, £10.99 [tpb]. Cover by Chris Moore
Gollancz 0575-07550-3, (Dec) 2003, 490pp, £6.99. Cover by Chris Moore
Gollancz 0575-08125-2, (Nov) 2007, 496pp.
Market Forces (London, Gollancz, 2004)
Gollancz 0575-07567-8, (Mar) 2004, 386pp, £10.99 [tpb].
Gollancz 0575-07584-8, (Dec) 2004, 470pp, £6.99.
Gollancz 978-0575-08126-0, (Sep) 2008, 464pp, £7.99.
Woken Furies (London, Gollancz/Orion, Mar 2005)
Gollancz/Orion 0575-07326-8, (Mar) 2005, 436pp, £10.99 [tpb]. Cover by Chris Moore
Gollancz 0575-07652-6, (Sep) 2005, 563pp, £6.99. Cover by Chris Moore
Gollancz 0575-08127-9, (Nov) 2007, 576pp.
Black Man (London, Gollancz/Orion, May 2007; as Thirteen, The Easton Press, 2007)
Gollancz/Orion 0575-077767-0, (May) 2007, 546pp, £11.99 [tpb].
Gollancz/Orion 0575-07813-8, (Nov) 2007, 627pp, £7.99.
as Thirteen, Gollancz 978-1473-22538-1, (Sep) 2018, 656pp, £9.99.
The Steel Remains (London, Gollancz/Orion, (Aug 2008)
Gollancz 978-07950-2, (Aug) 2008, 352pp, [tpb].
Gollancz 978-0575-08549-7, (Nov) 2008, 353pp.
Gollancz 978-0575-08481-0, (Jul) 2009, 392, £7.99. Cover by Larry Rostant
The Cold Commands (London, Gollancz, Oct 2011)
Gollancz 978-0575-08487-2, (Oct) 2011, 407pp, £12.99 [tpb]. Cover by Jon Sullivan
Gollancz 978-0575-08489-6, (Aug) 2012, 481pp, £7.99. Cover by Jon Sullivan
The Dark Defiles (New York, Del Rey, Oct 2014; London, Gollancz, Nov 2014)
Gollancz 978-0575-08859-7, (Nov) 2014, 560pp, £14.99 [tpb].
Gollancz 978-0575-08860-3, (Sep) 2015, 549pp, £9.99. Cover by Jon Sullivan
Gollancz 978-0575-08857-3, (Jun) 2019, 544pp, £8.99.
Thursday, February 01, 2018
Treasury of British Comics 2018 releases
Considered by many as the most important war story to appear in comics, a new definitive collection of Charley’s War to mark the centenary of the end of the First World War leads the 2018 schedule from The Treasury of British Comics from Rebellion.
Celebrating a year since its launch in June 2017, the Treasury of British Comics continues its mission to bring some of the classic British of the 1970s and ‘80s comics back into print.
Deeply affecting, unsparingly hard, and unflinchingly political, Charley's War follows a sixteen-year-old working class lad who eagerly signs up in 1916 but has his idealism quickly shattered in the hellish world of trench warfare where every day is a bitter fight for survival. A must for every book shelf and school library, this all-time classic of the medium features bold writing from Pat Mills (Nemesis the Warlock, Marshal Law) and breath-taking artwork from Joe Colquhoun. The first of three omnibus volumes will be released in April, with the next volumes due for release in May and June.
The Treasury of British Comics also continues its collections of never-before-reprinted girls comics, beginning with the first volume of stories from Jinty, featuring The Land of No Tears where, while undergoing surgery, Cassy Shaw is transported into a dystopian future in which people with genetic defects are regarded as second class citizens; meanwhile The Human Zoo sees twin sisters Shona and Jenny kidnapped along with their classmates by a superior race of telepathic aliens. Will the twins ever be able to reunite and escape by to Earth?
In the much-loved Bella at the Bar, Bella Barlow is a young orphan with ambitions to be a world class gymnastic – she has the talent, but is hampered by her cruel Uncle Jed and Aunt Gert who constantly exploit her for their own selfish gains. Published in the bestselling girls comic of its day, Tammy, and drawn by John Armstrong from 1974 to 1984, its writers include Jenny McDade, John Wagner, Primrose Cumming and Malcolm Shaw.
And in the third volume in the popular reprint series of stories from the supernatural horror comic for girls, Misty, Lona begins to exhibit supernatural powers which, unknown to her, are the result of her being raised by wolves as a baby in Wolf-Girl.
These will be complemented by two horror classics from the 1980s – The Thirteenth Floor from Scream! and first volume of Black Max from Lion and Thunder! Sentient and demented caretaker computer Max routinely murders people after luring them to his tower block's secret thirteenth floor in one of the British comics’ creepiest and most iconic characters. Devised by writers John Wagner and Alan Grant and artist José Ortiz, The Thirteenth Floor is a classic horror in the style of a science-fiction-tinged Penny Dreadful. Written by Ken Mennell and drawn by Eric Bradbury and Alfonso Font, Black Max is World War One evil flying ace Baron Maximilien Von Klorr who has trained two giant bats to attack British aircraft. Believing himself to be descended from the fabled Bat People, he is continually opposed by Lieutenant Tim Wilson of the Royal Flying Corps in a war comic with a horror twist!
Born a slave in Alabama, he became a bandit in Mexico and returned to become the scourge of the American Civil War! El Mestizo is a unique character from the heyday of British comics. Created by writer Alan Hebden and artist Carlos Ezquerra, and published in Battle Picture Weekly, El Mestizo is a Spaghetti Western meets Django Unchained as a black mercenary faces both danger and prejudice in the crucible of the Civil War.
The year ends with another volume from one of the masters of 20th Century comic art, Ken Reid. His Creepy Creations were a poster feature on the back page of every issue of Shiver and Shake between March 1973 and October 1974, all drawn by Reid in response to a sketch and title sent in by a reader. From The Mersey Tunneller to The Money-grabber of Montrose, these gruesome grotesques demonstrate Reid’s incredible talent for invention and subversion. This hardcover edition follows the critical success of 2017’s collection of his Faceache one-page comedy strips.
The full 2018 Treasury of British Comics graphic novel schedule (in paperback unless otherwise noted):
The Beatles Story by Angus Allan & Arthur Ransom
Rebellion ISBN 9781781086179, 22 February 2018, £12.99/$17.99 (hardcover). Available via Amazon.
The original long-lost Beatles graphic novel!
This was the very first graphic novel to chart the creation, evolution and break-up of the fab four, first published in 1981. The BeatlesStory is an exceptionally drawn account of the band from one of the UK's leading artists of his generation, Arthur Ranson (Batman, Judge Dredd, Button Man). Written by Angus Allan it includes fascinating insights into Paul McCartney and John Lennon’s first encounter, their early gigs in Hamburg's Kaiser Keller, through to the recording of the legendary Abbey Road album and the band's break-up.
First published in the pages of legendary UK youth magazine Look-In, this beautifully illustrated account is a treat for both the devoted Beatles admirer and new fans alike. This new edition is published in the Treasury of British Comics line, a series devoted to restoring lost comics classics.
This book features incredible black and white line art thoughout, from one of the most celebrated of British artists, famous for his distinctive photo-real style. Unlike recent graphic novel hit The Fifth Beatle or indy title Baby's in Black, both of which focused on anciallary characters in the Beatles history, this book is all about John, Paul, George and Ringo.
Charley’s War Vol. 1: Boy Soldier by Pat Mills & Joe Colquhoun
Rebellion ISBN 9781781086193, 18 April 2018, £19.99/$25. Available via Amazon.
THE MOST RENOWNED WAR STORY IN COMICS HISTORY RE-MASTERED TO MARK THE CENTENARY FIRST WORLD WAR.
Join 16 year-old Charley Bourne as he eagerly signs up to fight on the Western front in 1916. The idealistic working class boy experiences the perilous arena of trench warfare, where every waking moment is a bitter fight for survival.
As visceral, thrilling and compelling as on its debut, this intensely dramatic war story is the finest the comic book medium has ever produced. Written with acute political and historical insight by British comics legend Pat Mills, it is illustrated throughout with the breathtaking artwork of Joe Colquhoun.
This first volume of Charley’s War includes Charley’s harrowing participation in one of the bloodiest encounters in human history - The Battle of the Somme.
This new edition is re-lettered, with original colour spreads added back in to complement the extraordinary black and white artwork.
Charley’s War Vol. 2: Brothers In Arms by Pat Mills & Joe Colquhoun
Rebellion ISBN 9781781086209, 17 May 2018, £19.99/$25. Available via Amazon.
THE GREATEST ANTI-WAR STORY EVER TOLD.
Injured in The Battle of the Somme, Charley returns to wartime London and meets a deserter from the French Foreign Legion, Blue, who tells of his brutal experiences of the Battle of Verdun. All too soon Charley returns to the front line at Ypres where the threat from the German army is matched only by the inhumanity of his superiors! In the face of suffering and injustice, seeds of mutiny begin to grow among the ranks…
This second volume of Pat Mills and Joe Colquhoun’s masterpiece continues to tell the story of an ordinary soldier’s experiences in World War One, including the vibrant re-mastered colour pages from the original comic.
This new edition features original colour spreads added back in to complement the extraordinary black and white artwork.
Charley’s War Vol. 3: Remembrance by Pat Mills & Joe Colquhoun
Rebellion ISBN 9781781086216, 14 June 2018, £19.99/$25. Available via Amazon.
THE GREATEST ANTI-WAR STORY EVER TOLD.
This third volume of Pat Mills and Joe Colquhoun’s masterpiece continues to tell the story of an ordinary soldier’s experiences in World War One, including the vibrant re-mastered colour pages from the original comic.
This new edition features original colour spreads added back in to complement the extraordinary black and white artwork.
Jinty Vol. 1: The Human Zoo & The Land of No Tears by Pat Mills & Guy Peeters
Rebellion ISBN 9781781086247, 28 June 2018, £10.99. Available via Amazon.
A luxury treasury collection featuring stories from the bestselling British girl comics phenomenon – restored and remastered for the first time!
Whilst undergoing surgery on her lame leg, Cassy Shaw is transported into a dystopian future in which people with genetic defects are regarded as second class citizens. Unable to accept such objectionable discrimination, Cassy attempts to rally her peers (the Gamma girls) into beating the Alpha girls in several sporting events. Can she win the Golden Girl award and prove herself an equal?
Twin sisters Shona and Jenny are kidnapped along with their classmates by a superior race of telepathic aliens. Brought back to the aliens’ home planet, Shona and some other human captives are kept in cages where they are treated and displayed like animals, while Jenny is sold to another owner.
Will the twins ever be able to reunite and escape by to Earth?
Lost science-fiction tales of alternate realities, of the strange and uncanny! All starring the female lead characters of British 70s comics. Written by comic legend Pat Mills (Marshall Law) and illustrated by Misty artist Guy Peeters.
Bella At The Bar by Jenni McDade & John Armstrong
Rebellion ISBN 9781781086254, 12 July 2018, 96pp, £10.99. Available via Amazon.
Orphan Bella Barlow is a young girl with a great natural talent for gymnastics. Unfortunately her dreams and aspirations to be a world-class gymnast are being hindered by her legal guardians - uncle Jed and aunt Gertrude, who force and bully Bella to their own advantage. Can Bella escape a life of abuse and servitude? Will she finally realise her dreams of gymnastic stardom? The epic serial begins here!
Von Hoffman's Invasion Book One by Tom Tully & Eric Bradbury
Rebellion ISBN 9781781086261, 23 August 2018, 128pp, £12.99. Available via Amazon.
Mad scientists, giant monsters, and courageous saboteurs!
Luxurious treasury reprinting of one of the best – and maddest – British cult comics of all time!
LAND OF THE GIANTS!
Misty Vol. 3: Wolf Girl & Other Stories by various
Rebellion ISBN 9781781086513, 20 September 2018, £13.99. Available via Amazon.
The 13th Floor by John Wagner, Alan Grant & Jose Ortiz
Rebellion ISBN 9781781086537, 18 October 2018, £14.99. Available via Amazon.
Black Max Vol. 1 Ken Mennell & Alfonso Font
Rebellion ISBN 9781781086551, 04 October 2018, £10.99. Available via Amazon.
El Mestizo by Alan Hebden & Carlos Ezquerra
Rebellion ISBN 9781781086575, 15 November 2018, £14.99 (hardcover). Available via Amazon.
Ken Reid's Creepy Creations
Rebellion ISBN 9781781086605, 29 November 2018, £16.99 (hardcover). Available via Amazon.
Celebrating a year since its launch in June 2017, the Treasury of British Comics continues its mission to bring some of the classic British of the 1970s and ‘80s comics back into print.
Deeply affecting, unsparingly hard, and unflinchingly political, Charley's War follows a sixteen-year-old working class lad who eagerly signs up in 1916 but has his idealism quickly shattered in the hellish world of trench warfare where every day is a bitter fight for survival. A must for every book shelf and school library, this all-time classic of the medium features bold writing from Pat Mills (Nemesis the Warlock, Marshal Law) and breath-taking artwork from Joe Colquhoun. The first of three omnibus volumes will be released in April, with the next volumes due for release in May and June.
The Treasury of British Comics also continues its collections of never-before-reprinted girls comics, beginning with the first volume of stories from Jinty, featuring The Land of No Tears where, while undergoing surgery, Cassy Shaw is transported into a dystopian future in which people with genetic defects are regarded as second class citizens; meanwhile The Human Zoo sees twin sisters Shona and Jenny kidnapped along with their classmates by a superior race of telepathic aliens. Will the twins ever be able to reunite and escape by to Earth?
In the much-loved Bella at the Bar, Bella Barlow is a young orphan with ambitions to be a world class gymnastic – she has the talent, but is hampered by her cruel Uncle Jed and Aunt Gert who constantly exploit her for their own selfish gains. Published in the bestselling girls comic of its day, Tammy, and drawn by John Armstrong from 1974 to 1984, its writers include Jenny McDade, John Wagner, Primrose Cumming and Malcolm Shaw.
And in the third volume in the popular reprint series of stories from the supernatural horror comic for girls, Misty, Lona begins to exhibit supernatural powers which, unknown to her, are the result of her being raised by wolves as a baby in Wolf-Girl.
These will be complemented by two horror classics from the 1980s – The Thirteenth Floor from Scream! and first volume of Black Max from Lion and Thunder! Sentient and demented caretaker computer Max routinely murders people after luring them to his tower block's secret thirteenth floor in one of the British comics’ creepiest and most iconic characters. Devised by writers John Wagner and Alan Grant and artist José Ortiz, The Thirteenth Floor is a classic horror in the style of a science-fiction-tinged Penny Dreadful. Written by Ken Mennell and drawn by Eric Bradbury and Alfonso Font, Black Max is World War One evil flying ace Baron Maximilien Von Klorr who has trained two giant bats to attack British aircraft. Believing himself to be descended from the fabled Bat People, he is continually opposed by Lieutenant Tim Wilson of the Royal Flying Corps in a war comic with a horror twist!
Born a slave in Alabama, he became a bandit in Mexico and returned to become the scourge of the American Civil War! El Mestizo is a unique character from the heyday of British comics. Created by writer Alan Hebden and artist Carlos Ezquerra, and published in Battle Picture Weekly, El Mestizo is a Spaghetti Western meets Django Unchained as a black mercenary faces both danger and prejudice in the crucible of the Civil War.
The year ends with another volume from one of the masters of 20th Century comic art, Ken Reid. His Creepy Creations were a poster feature on the back page of every issue of Shiver and Shake between March 1973 and October 1974, all drawn by Reid in response to a sketch and title sent in by a reader. From The Mersey Tunneller to The Money-grabber of Montrose, these gruesome grotesques demonstrate Reid’s incredible talent for invention and subversion. This hardcover edition follows the critical success of 2017’s collection of his Faceache one-page comedy strips.
The full 2018 Treasury of British Comics graphic novel schedule (in paperback unless otherwise noted):
The Beatles Story by Angus Allan & Arthur Ransom
Rebellion ISBN 9781781086179, 22 February 2018, £12.99/$17.99 (hardcover). Available via Amazon.
The original long-lost Beatles graphic novel!
This was the very first graphic novel to chart the creation, evolution and break-up of the fab four, first published in 1981. The BeatlesStory is an exceptionally drawn account of the band from one of the UK's leading artists of his generation, Arthur Ranson (Batman, Judge Dredd, Button Man). Written by Angus Allan it includes fascinating insights into Paul McCartney and John Lennon’s first encounter, their early gigs in Hamburg's Kaiser Keller, through to the recording of the legendary Abbey Road album and the band's break-up.
First published in the pages of legendary UK youth magazine Look-In, this beautifully illustrated account is a treat for both the devoted Beatles admirer and new fans alike. This new edition is published in the Treasury of British Comics line, a series devoted to restoring lost comics classics.
This book features incredible black and white line art thoughout, from one of the most celebrated of British artists, famous for his distinctive photo-real style. Unlike recent graphic novel hit The Fifth Beatle or indy title Baby's in Black, both of which focused on anciallary characters in the Beatles history, this book is all about John, Paul, George and Ringo.
Charley’s War Vol. 1: Boy Soldier by Pat Mills & Joe Colquhoun
Rebellion ISBN 9781781086193, 18 April 2018, £19.99/$25. Available via Amazon.
THE MOST RENOWNED WAR STORY IN COMICS HISTORY RE-MASTERED TO MARK THE CENTENARY FIRST WORLD WAR.
Join 16 year-old Charley Bourne as he eagerly signs up to fight on the Western front in 1916. The idealistic working class boy experiences the perilous arena of trench warfare, where every waking moment is a bitter fight for survival.
As visceral, thrilling and compelling as on its debut, this intensely dramatic war story is the finest the comic book medium has ever produced. Written with acute political and historical insight by British comics legend Pat Mills, it is illustrated throughout with the breathtaking artwork of Joe Colquhoun.
This first volume of Charley’s War includes Charley’s harrowing participation in one of the bloodiest encounters in human history - The Battle of the Somme.
This new edition is re-lettered, with original colour spreads added back in to complement the extraordinary black and white artwork.
Charley’s War Vol. 2: Brothers In Arms by Pat Mills & Joe Colquhoun
Rebellion ISBN 9781781086209, 17 May 2018, £19.99/$25. Available via Amazon.
THE GREATEST ANTI-WAR STORY EVER TOLD.
Injured in The Battle of the Somme, Charley returns to wartime London and meets a deserter from the French Foreign Legion, Blue, who tells of his brutal experiences of the Battle of Verdun. All too soon Charley returns to the front line at Ypres where the threat from the German army is matched only by the inhumanity of his superiors! In the face of suffering and injustice, seeds of mutiny begin to grow among the ranks…
This second volume of Pat Mills and Joe Colquhoun’s masterpiece continues to tell the story of an ordinary soldier’s experiences in World War One, including the vibrant re-mastered colour pages from the original comic.
This new edition features original colour spreads added back in to complement the extraordinary black and white artwork.
Charley’s War Vol. 3: Remembrance by Pat Mills & Joe Colquhoun
Rebellion ISBN 9781781086216, 14 June 2018, £19.99/$25. Available via Amazon.
THE GREATEST ANTI-WAR STORY EVER TOLD.
This third volume of Pat Mills and Joe Colquhoun’s masterpiece continues to tell the story of an ordinary soldier’s experiences in World War One, including the vibrant re-mastered colour pages from the original comic.
This new edition features original colour spreads added back in to complement the extraordinary black and white artwork.
Jinty Vol. 1: The Human Zoo & The Land of No Tears by Pat Mills & Guy Peeters
Rebellion ISBN 9781781086247, 28 June 2018, £10.99. Available via Amazon.
A luxury treasury collection featuring stories from the bestselling British girl comics phenomenon – restored and remastered for the first time!
Whilst undergoing surgery on her lame leg, Cassy Shaw is transported into a dystopian future in which people with genetic defects are regarded as second class citizens. Unable to accept such objectionable discrimination, Cassy attempts to rally her peers (the Gamma girls) into beating the Alpha girls in several sporting events. Can she win the Golden Girl award and prove herself an equal?
Twin sisters Shona and Jenny are kidnapped along with their classmates by a superior race of telepathic aliens. Brought back to the aliens’ home planet, Shona and some other human captives are kept in cages where they are treated and displayed like animals, while Jenny is sold to another owner.
Will the twins ever be able to reunite and escape by to Earth?
Lost science-fiction tales of alternate realities, of the strange and uncanny! All starring the female lead characters of British 70s comics. Written by comic legend Pat Mills (Marshall Law) and illustrated by Misty artist Guy Peeters.
Bella At The Bar by Jenni McDade & John Armstrong
Rebellion ISBN 9781781086254, 12 July 2018, 96pp, £10.99. Available via Amazon.
Orphan Bella Barlow is a young girl with a great natural talent for gymnastics. Unfortunately her dreams and aspirations to be a world-class gymnast are being hindered by her legal guardians - uncle Jed and aunt Gertrude, who force and bully Bella to their own advantage. Can Bella escape a life of abuse and servitude? Will she finally realise her dreams of gymnastic stardom? The epic serial begins here!
Von Hoffman's Invasion Book One by Tom Tully & Eric Bradbury
Rebellion ISBN 9781781086261, 23 August 2018, 128pp, £12.99. Available via Amazon.
Mad scientists, giant monsters, and courageous saboteurs!
Luxurious treasury reprinting of one of the best – and maddest – British cult comics of all time!
LAND OF THE GIANTS!
Misty Vol. 3: Wolf Girl & Other Stories by various
Rebellion ISBN 9781781086513, 20 September 2018, £13.99. Available via Amazon.
The 13th Floor by John Wagner, Alan Grant & Jose Ortiz
Rebellion ISBN 9781781086537, 18 October 2018, £14.99. Available via Amazon.
Black Max Vol. 1 Ken Mennell & Alfonso Font
Rebellion ISBN 9781781086551, 04 October 2018, £10.99. Available via Amazon.
El Mestizo by Alan Hebden & Carlos Ezquerra
Rebellion ISBN 9781781086575, 15 November 2018, £14.99 (hardcover). Available via Amazon.
Ken Reid's Creepy Creations
Rebellion ISBN 9781781086605, 29 November 2018, £16.99 (hardcover). Available via Amazon.
Wednesday, January 31, 2018
Rebellion Releases (2000AD)
Rebellion releases for 31 January 2018.
2000AD Prog 2066
Cover: I N J Culbard
JUDGE DREDD: ECHOES by Michael Carroll (w) Colin MacNeil (a) Chris Blythe (c) Annie Parkhouse (l)
SAVAGE: THE THOUSAND YEAR STARE by Pat Mills (w) Patrick Goddard (a) Ellie De Ville (l)
BRASS SUN: ENGINE SUMMER by Ian Edginton (w) INJ Culbard (a) Ellie De Ville (l)
BAD COMPANY: TERRORISTS by Peter Milligan (w) Rufus Dayglo (a) Dom Regan (c) Simon Bowland (l)
ABC WARRIORS: FALLOUT by Pat Mills (w) Clint Langley (a) Annie Parkhouse (l)
2000AD Prog 2066
Cover: I N J Culbard
JUDGE DREDD: ECHOES by Michael Carroll (w) Colin MacNeil (a) Chris Blythe (c) Annie Parkhouse (l)
SAVAGE: THE THOUSAND YEAR STARE by Pat Mills (w) Patrick Goddard (a) Ellie De Ville (l)
BRASS SUN: ENGINE SUMMER by Ian Edginton (w) INJ Culbard (a) Ellie De Ville (l)
BAD COMPANY: TERRORISTS by Peter Milligan (w) Rufus Dayglo (a) Dom Regan (c) Simon Bowland (l)
ABC WARRIORS: FALLOUT by Pat Mills (w) Clint Langley (a) Annie Parkhouse (l)
Monday, January 29, 2018
Paperback Fanatic #39 (February 2018)
Fear not, gentle reader. It's not an overview of my incredible life (the audio book of which is guaranteed to help you sleep within seconds as I describe in painful detail such thrilling incidents as the filling out of my 2011-12 tax return form and what happened when I couldn't find the Certificate of Interest from my bank), but an article about the actor and model who shares my name.
Although he played the title character on TV's Flash Gordon in the 1950s, it was as a model that Holland found his greatest success. An early modelling job was playing Bob Colt for Fawcett Comics, a fake movie cowboy, and he also became Magnus, Robot Fighter, for Gold Key. But it was as the hero of countless paperback covers, most notably as Doc Savage, the Man of Bronze, that most people will recognise him... or The Avenger, or The Executioner, or even The Man From O.R.G.Y., because Holland was all of them.
Paul Bishop's entertaining article also looks at his work in men's magazines of the sixties and, later in the same issue, there's a comprehensive gallery of the Warner Paperbacks series of Avengers covers.by Peter Caras and George Gross.
Elsewhere in this issue, there's an interview with Andrew Nette, whose Girl Gangs, Biker Boys, and Real Cook Cats I reviewed here recently, in which he relates how the book – and its upcoming sequel – came to be, along with a small selection of his favourite covers from the book.
Another Australian, James Doig, discusses the pulp collection of the late Graeme Flanagan in a talk given at the Canberra Museum and Gallery in 2017, which is littered with fascinating tidbits about Australian pulp writers like the mysterious Gene Janes, whose pulp novel The Night the Z Men Landed became the Mel Gibson-starring movie Attack Force Z, and features some of the best covers from this issue.
Nigel Taylor offers plenty of insight into the works of SF author Keith Laumer, while Tom Tesarek looks at horror spiced with humour, dipping into the works of Charles Addams, Edward Gorey and Gahan Wilson. The issue wraps up with Peter Enfantino's look at the Frankenstein Horror Series published by Popular Library back in 1972, authored by the likes of Paul W. Fairman, Frank Belknap Long and Otto Binder.
It's a fun-packed 100 pages and is available via Amazon for £9.99. Order a penny chew at the same time and you can get free postage.
Saturday, January 27, 2018
J Dewar Mills
J. DEWAR MILLS
by
Robert J. Kirkpatrick
J. Dewar Mills is something of an enigma. As a male illustrator of children’s books, he unusually focused largely on stories for girls, especially school stories. As a person, his genealogy was very hard to unravel.
It is known from his First World War Navy and RAF service records that he was born in Glasgow on 8 November 1883. His marriage certificate shows his father as John Mills, a former cashier. In the 1891 census for Scotland, a John Mills, clerk, is recorded at Thompson Street, Glasgow, with his wife Elizabeth, and three sons, John, Dewar and James, aged 7, 5 and 2 respectively. In 1901, after the death of his father, he was living with his mother (recorded as Eliza) and brother Dewar in Maitland Street, Dunfermline, working as an apprentice designer.
It is not known when Mills moved to England. However, by 1914, he had a studio at 2 Brook Green Studios, 2 Dunsany Road, West Kensington. He married Dorothy Wallace (born in Kew in 1891, the daughter of William Alfred Wallace, a director of a catering company and former victualler, and his wife Elizabeth) on 31 October 1914 at the Registry Office in Fulham, London – they went on to have one child, Donald Campbell Dewar Mills, born on 26 June 1921. They lived for a while at 46 Bath Road, Bedford Park, West London, before moving to 9 North Avenue, Kew Gardens.
Mills joined the Royal Navy on 22 October 1917, his record stating his height at just over 5 ft 6 ins, with dark brown eyes, brown hair, and a sallow complexion. His occupation was given as “Artist and Draughtsman.” After serving briefly on four ships, as an Aircraftman, he was transferred to the RAF on 1 April 1918. After being transferred to the RAF Reserve on 15 March 1919, he was discharged from the service on 30 April 1920.
Nothing is known about Mills’s artistic training. He appears to have begun his career as an illustrator in around 1913, when he began contributing to The Strand Magazine and The Royal Magazine. In 1917, he began a long association with Cassell’s Magazine, and a year later he began providing illustrations for The New Magazine. He had also begun illustrating books, initially adult novels.
After the war, he went on to contribute to several more periodicals, including Hutchinson’s Magazine, The London Magazine, Pearson’s Magazine, The Sketch, Little Folks and The Girl’s Own Paper. In 1922, he began a long association with the publishers Blackie & Son and Ward, Lock & Co., illustrating hardback girls’ school stories. Amongst the authors whose books he illustrated were Evelyn Smith, May Wynne, Bessie Marchant, Lilian M. Pyke, Ethel Talbot, Christine Chaundler, Isabel M. Peacocke and Amy E. Seymour.
Between 1920 and 1924, he and his wife lived at 15 Crescent Mansions, Elgin Crescent, Kensington. They then moved to 13 Eliot Place, Blackheath, where they remained until 1933, when they moved to Flat 5, Beaconsfield Road, Greenwich. In 1924, he began contributing to The Illustrated London News, and he went on to contribute to The Illustrated Sporting and Dramatic News, Britannia and Eve, The Windsor Magazine, Printers’ Pie and The Passing Show (in which he illustrated some of A. J. Cronin’s “Dr Finlay” stories). He also designed posters, including for the department store Derry & Toms.
Mills appears to have stopped working immediately after the Second World War. In 1945, he and his wife were living at Malt House Farm, Abingdon, Oxfordshire. Between 1946 and 1952 they lived at 13 Bassett Road, Kensington, along with their son Donald. They were joined there in 1951 by Donald’s wife Hilda (née Stansfield) following their marriage. In 1952, John and Dorothy moved to ‘Birkholme’, Lower Hampton Road, Spelthorne. Their whereabouts after that are unknown, although it is known that John died in Sudbury, Suffolk, in June 1966, and Dorothy died in Chichester, West Sussex, in May 1991.
PUBLICATIONS
Books illustrated by J. Dewar Mills
Buccaneer’s Island by Henry Robswood Clarke, John Long, 1913
Chance: A Tale in Two Parts by Joseph Conrad, Methuen & Co., 1913 (dustwrapper)
Time o’ Day by Doris Egerton Jones, Cassell & Co., 1915
The Woman in the Bazaar by Alice Perrin, Cassell & Co., 1915
Hens and Chickens: A Story of Girl Life in the Great War by Winifred Pares, SP.C.K., 1921
The Black Blanket by Maxwell Laurie, T. Werner Laurie, 1921 (dustwrapper)
Nicky of the Lower Fourth by Evelyn Smith, Blackie & Son, 1922
Peggy’s First Term by May Wynne, Ward, Lock & Co., 1922
Peggy the Pilot by Lilian Turner, Ward, Lock & Co., 1922
The Adopted Family by Isabel M. Peacocke, Ward, Lock & Co., 1923
The Twins of Emu Plains by Mary Grant Bruce, Ward, Lock & Co., 1923
The Best of Chums by May Wynne, Ward, Lock & Co., 1923
The Fortunes of Prue by Bessie Marchant, Ward, Lock & Co., 1923
Ann’s Great Adventure by Edith E. Cowper, Blackie & Son, 1923
Sheila the Prefect by Lilian M. Pyke, Ward, Lock & Co., 1923
Biddy and Quilla: A School Story by Evelyn Smith, Blackie & Son, 1924
The Fourth Form Invaders by Nancy M. Hayes, Cassell & Co., 1924
A Bid for Safety by Bessie Marchant, Ward, Lock & Co., 1924
Jill of the Fourth Form by Lilian Turner, Ward, Lock & Co., 1924
The Girls of Old Grange School by May Wynne, Ward, Lock & Co., 1925
Between Two Terms by Ethel Talbot, Ward, Lock & Co., 1925
Val Forrest in the Fifth by Evelyn Smith, Blackie & Son, 1925
Lowanna: An Australian School Story by Castleden Dove, Oxford University Press, 1925
The Lone Guide of Merfield by Lilian M. Pyke, Ward, Lock & Co., 1925
The Guides of North Cliff by S.B. Owsley, Blackie & Son, 1925
The New Head and Barbara by Betty Laws, Cassell & Co., 1925
Tess and Tony by Doris A. Pocock, Ward, Lock & Co., 1925
Red Rose and Tiger Lily by L.T. Meade, Cassell & Co., 1925(?) (re-issue)
The School on the Cliff by Ethel Talbot, Ward, Lock & Co., 1926
A Credit to Her House by Christine Chaundler, Ward, Lock & Co., 1926
Hazel Asks Why by May Wynne, Ward, Lock & Co., 1926
The Glen o’ Weeping by Marjorie Bowen, John Long, 1926
A Will and a Way by Doris A. Pocock, Ward, Lock & Co., 1926
Reforming the Fourth by Christine Chaundler, Ward, Lock & Co., 1927
When I was Seven by Isabel M. Peacocke, Ward, Lock & Co., 1927
Phyllida in Form III by Evelyn Smith, Blackie & Son, 1927
A Disagreeable Girl by Jessie Leckie Herbertson, Ward, Lock & Co., 1927
Daphne, the Day Girl by Bertha Leonard, Cassell & Co., 1927
Golden Fiddles by Mary Grant Bruce, Ward, Lock & Co., 1928
Friends in the Fourth by Christine Chaundler, Ward, lock & Co., 1929
Lady Billie by Lilian Turner, Ward, Lock & Co., 1929
Nan of Northcote by Doris A. Pocock, Ward, Lock & Co., 1929
Meggy at St. Monica’s by Ethel Talbot, Ward, Lock & Co., 1930
Two New Girls by Amy E. Seymour, Blackie & Son, 1931
Juliet of the Mill by May Wynne, Ward, Lock & Co., 1931
The Junior Prefect by Christine Chaundler, Ward, Lock & Co., 1931
The Fourth Form Crusaders by Amy E. Seymour, Blackie & Son, 1932
The Cruise of the Crazy Jane by Isabel M. Peacocke, Ward, Lock & Co., 1932
Nesta’s New School by Angela Brazil, Blackie & Son, 1932
The Guardians of Tony by Isabel M. Peacocke, Ward, Lock & Co., 1933
Cathleen with a “C” by Isabel M. Peacocke, Ward, Lock & Co., 1934
Marjolaine by Isabel M. Peacocke, Ward, Lock & Co., 1935
Pioneer Pat by Ethel Talbot, Ward, Lock & Co., 1935
A Queen Among Girls by E. Davenport Adams, Blackie & Son, 1935 (re-issue)
Nesta Finds Her Niche by Doris A. Pocock, Ward, Lock & Co., 1936
The Good Intentions of Angela by Isabel M. Peacocke, Ward, Lock & Co., 1937
Little Men by Louisa M. Alcott, Blackie & Son, 1937 (re-issue)
The Girl Sandy by May Wynne, Ward, Lock & Co., 1938
Lizbett Anne by Isabel M. Peacocke, Ward, Lock & Co., 1939
The Coming of Verity by May Wynne, Ward, Lock & Co., 1940
Sadie Sees it Through by Ethel Talbot, Ward, Lock & Co., 1940
Two Thrilling Terms by Nancy Breary, Blackie & Son, 1943
The School in the Forest by Angela Brazil, Blackie & Son, 1944
Labels:
Artist,
J Dewar Mills
Friday, January 26, 2018
Comic Cuts - 26 January 2018
Anyone who has bought the previous book will notice that the new cover echoes that of the first volume, but with more going on. That was always the plan and the next volume will also involve the typewriter motif and notebook on the rear cover. The left hand side will become the cover of the ebook version, while the whole thing will be a wraparound for the print version. There will be a barcode on the rear... but I like this version.
The cup of tea makes a welcome return, although anyone who knows me will be scratching their head about now... tea? I usually drink black coffee, but I wanted something a bit more colourful. Nor is that my usual cup. There aren't any "Easter eggs" hidden in the picture, but you might recognise a chocolate chip cookie in the top right hand corner on a saucer. The books are a random handful that I grabbed out of a box.
Next time, if I have time, I'll see if I can sneak something in for Bear Alley readers.
The revisions to the text and the completion of the long (over 20,000 words!) opening essay means that the totaliser has leapt up to thirty completed essays, which puts me three fifths of the way to the originally planned Fifty Forgotten Authors. The choice of who to include has been a bit random – a word that describes an awful lot of what I do! – but based mostly on revising the oldest essays that originally appeared on Bear Alley, with some unpublished material thrown in to make sure there's will always be something new.
To give you an idea of how the new volume stacks up, 8 of the 10 essays originally appeared on Bear Alley, although one was a subset of another and the original 14,750 words has been expanded to 45,500. Of the other two essays, one began life as an essay about a related author, who still appears, but as a bit of a postscript in an otherwise new essay, and the introductory essay is new, but based on a piece I had written in rough fifteen years ago. So, even if you've followed Bear Alley for the past twelve years and read every word that has appeared, the book still contains 50,000 words of new material.
If I'm 3/5ths of the way through the book, it's looking more and more likely that the whole project will run to 220,000 words or so and will have taken roughly ten months to complete. Did I mention that my original thoughts on this project was that I could get the whole lot done and dusted in time to put the book out before Christmas? The me of last July was an idiot!
The next stage is to create a dummy book, properly laid out, so that I can compile the index for the print version. The ebook may or may not be easier: there's no index but I've got to remember how I managed to sort out all the footnote links.
I'm not including any random scans here, but don't fret. Scroll down and you'll find a hastily compiled skeleton cover gallery covering the British paperbacks of Ursula K. Le Guin. John Clute's obituary in The Guardian covers her career. There's also a little guide to some of her best books, an appreciation by Margaret Atwood and another by David Mitchell.
Labels:
Comics News
Ursula K. Le Guin cover gallery
NOVELS
Planet of Exile (New York, Ace Books, 1966)
Tandem Books 0426-06429-1, 1972
Star Books 0426-06429-1, 1978, 126pp, 60p.
City of Illusions (New York, Ace Books, 1967; revised as Worlds of Exile and Illusion, New York, Tor/Orb, 1996)
Panther Books
A Wizard of Earthsea (Berkeley, CA, Parnassus Press, 1968)
Puffin Books, 1971
Puffin Books
Puffin Books 978-014030-477-0, 2010,
---- [60th imp.]
The Left Hand of Darkness (New York, Ace Books, 1969)
Panther Books 0586-03641-5, 1973, 205pp, 30p. Cover by Colin Hay
---- [2nd imp.] 1973, 30p. Cover as above
---- [3rd imp.] 1975, 50p. Cover as above
Orbit 1857-23074-4, 1981, 256pp. Cover by Tim White
Gollancz [SF Masterworks]
The Lathe of Heaven (New York, Charles Scribner's Sons, 1971)
Panther Books
Gollancz [SF Masterworks]
Gollancz [SF Masterworks]
The Tombs of Atuan (New York, Atheneum, 1971)
Puffin Books
The Farthest Shore (New York, Atheneum, 1972; abridged, London, Victor Gollancz, 1973)
Puffin Books
The Dispossessed (New York, Harper & Row, 1974)
Panther Books 0586-04219-9, 1974, 319pp, 75p. Cover by Tony Roberts
Millennium 1857-98882-5 [SF Masterworks 16], 1999, 336pp, £8.99. Cover by Chris Moore
Gollancz [SF Masterworks]
The Word for World is Forest (New York, Berkley Books, 1976)
Panther Books
Gollancz
Malafrena (New York, Harper & Row, 1979)
Granada 0584-05159-7, £1.95.
The Beginning Place (New York, Harper & Row, 1980; as Threshold, London, Victor Gollancz, 1980)
Panther Books
The Eye of the Heron and Other Stories, with others, ed. Virginia Kidd (London, Victor Gollancz, 1982)
Panther Books 0586-05089-2,
Tehanu: The Last Book of Earthsea (New York, Atheneum, 1990)
X
Four Ways to Forgiveness (New York, HarperPrism, 1995)
X
The Telling (New York, Harcourt, 2000)
X
Gifts (New York, Harcourt, 2004)
X
Voices (London, Orion Children's Books, 2006)
Orion
Powers (London, Orion Children's Books, 2007)
X
Lavinia (Orlando, FL, Harcourt, 2008)
X
COLLECTIONS
The Wind's Twelve Quarters (New York, Harper & Row, 1975; in 2 vols., London, Panther, 1978)
X
The Wind's Twelve Quarters Volume One (London, Panther, 1978)
Panther Books
The Wind's Twelve Quarters Volume Two (London, Panther, 1978)
Panther Books
Orsinian Tales (New York, Harper & Row, 1976)
Panther/Granada 0586-04735-2, 1978, 175pp, £1.50. Cover by Peter Goodfellow
The Compass Rose (Portland, OR, Pendragon House / San Francisco, CA, Underwood-Miller, 1982)
X
Always Coming Home (New York, Harper & Row, 1985)
Gollancz [SF Masterworks]
Buffalo Gals and other Animal Presences (Los Angeles, CA, Capra Press, 1987)
Searoad: Chronicles of Klatsand (New York, HarperCollins, 1991)
X
A Fisherman of the Inland Sea (New York, HarperPrism, 1994)
X
Unlocking the Air (New York, HarperCollins, 1996)
X
Tales of the Catswings (London, Puffin Books, 1999)
Puffin Books
More Tales of the Catswings (London, Puffin Books, 2000)
Puffin Books
Tales from Earthsea (New York, Harcourt, 2001)
X
The Other Wind (New York, Harcourt, 2001)
Gollancz
The Birthday of the World and Other Stories (New York, HarperCollins, 2002)
X
Changing Planes (New York, Harcourt, 2003)
Gollancz
Science Fiction Stories (New York, HarperPrism, 2003)
X
The Wild Girls (Oakland, CA, PM Press, 2011)
X
The Unreal and the Real: Selected Stories, Volume One: Where on Earth (Easthampton, MS, Small Beer Press, 2012)
X
The Unreal and the Real: Selected Stories, Volume Two: Outer Space, Inner Lands (Easthampton, Small Beer Press, 2012)
X
The Found and the Lost: The Collected Novellas of Ursula K. Le Guin (New York, Simon & Schuster/Saga Press, 2016)
X
OMNIBUS (selected)
The Earthsea Quartet (London, Victor Gollancz, 1993)
Puffin Books, 1993.
Penguin Books 978-014015427-6, 1993, 690pp.
---- [26th imp.] nd, 690pp, £14.99. Cover by David Bergen
---- [at least 29 imps.]
as Earthsea: The First Four Books, Penguin 978-024199569-3, 2016, 690pp, £14.99. Cover design by Edward Bettison
The Wind's Twelve Quarters and The Compass Rose (London, Gollancz, 2015)
Gollancz [SF Masterworks]
Rocannon's World (New York, Ace Books, 1966; revised text, New York, Harper & Row, 1966)
Tandem Books 6437, 1972, 122pp, 25p.
Star 0426-06437-2, 1978, 122pp, 60p.
Planet of Exile (New York, Ace Books, 1966)
Tandem Books 0426-06429-1, 1972
Star Books 0426-06429-1, 1978, 126pp, 60p.
City of Illusions (New York, Ace Books, 1967; revised as Worlds of Exile and Illusion, New York, Tor/Orb, 1996)
Panther Books
A Wizard of Earthsea (Berkeley, CA, Parnassus Press, 1968)
Puffin Books, 1971
Puffin Books
Puffin Books 978-014030-477-0, 2010,
---- [60th imp.]
The Left Hand of Darkness (New York, Ace Books, 1969)
Panther Books 0586-03641-5, 1973, 205pp, 30p. Cover by Colin Hay
---- [2nd imp.] 1973, 30p. Cover as above
---- [3rd imp.] 1975, 50p. Cover as above
Orbit 1857-23074-4, 1981, 256pp. Cover by Tim White
Gollancz [SF Masterworks]
The Lathe of Heaven (New York, Charles Scribner's Sons, 1971)
Panther Books
Gollancz [SF Masterworks]
Gollancz [SF Masterworks]
The Tombs of Atuan (New York, Atheneum, 1971)
Puffin Books
The Farthest Shore (New York, Atheneum, 1972; abridged, London, Victor Gollancz, 1973)
Puffin Books
The Dispossessed (New York, Harper & Row, 1974)
Panther Books 0586-04219-9, 1974, 319pp, 75p. Cover by Tony Roberts
Millennium 1857-98882-5 [SF Masterworks 16], 1999, 336pp, £8.99. Cover by Chris Moore
Gollancz [SF Masterworks]
The Word for World is Forest (New York, Berkley Books, 1976)
Panther Books
Gollancz
Malafrena (New York, Harper & Row, 1979)
Granada 0584-05159-7, £1.95.
The Beginning Place (New York, Harper & Row, 1980; as Threshold, London, Victor Gollancz, 1980)
Panther Books
The Eye of the Heron and Other Stories, with others, ed. Virginia Kidd (London, Victor Gollancz, 1982)
Panther Books 0586-05089-2,
Tehanu: The Last Book of Earthsea (New York, Atheneum, 1990)
X
Four Ways to Forgiveness (New York, HarperPrism, 1995)
X
The Telling (New York, Harcourt, 2000)
X
Gifts (New York, Harcourt, 2004)
X
Voices (London, Orion Children's Books, 2006)
Orion
Powers (London, Orion Children's Books, 2007)
X
Lavinia (Orlando, FL, Harcourt, 2008)
X
COLLECTIONS
The Wind's Twelve Quarters (New York, Harper & Row, 1975; in 2 vols., London, Panther, 1978)
X
The Wind's Twelve Quarters Volume One (London, Panther, 1978)
Panther Books
The Wind's Twelve Quarters Volume Two (London, Panther, 1978)
Panther Books
Orsinian Tales (New York, Harper & Row, 1976)
Panther/Granada 0586-04735-2, 1978, 175pp, £1.50. Cover by Peter Goodfellow
The Compass Rose (Portland, OR, Pendragon House / San Francisco, CA, Underwood-Miller, 1982)
X
Always Coming Home (New York, Harper & Row, 1985)
Gollancz [SF Masterworks]
Buffalo Gals and other Animal Presences (Los Angeles, CA, Capra Press, 1987)
Searoad: Chronicles of Klatsand (New York, HarperCollins, 1991)
X
A Fisherman of the Inland Sea (New York, HarperPrism, 1994)
X
Unlocking the Air (New York, HarperCollins, 1996)
X
Tales of the Catswings (London, Puffin Books, 1999)
Puffin Books
More Tales of the Catswings (London, Puffin Books, 2000)
Puffin Books
Tales from Earthsea (New York, Harcourt, 2001)
X
The Other Wind (New York, Harcourt, 2001)
Gollancz
The Birthday of the World and Other Stories (New York, HarperCollins, 2002)
X
Changing Planes (New York, Harcourt, 2003)
Gollancz
Science Fiction Stories (New York, HarperPrism, 2003)
X
The Wild Girls (Oakland, CA, PM Press, 2011)
X
The Unreal and the Real: Selected Stories, Volume One: Where on Earth (Easthampton, MS, Small Beer Press, 2012)
X
The Unreal and the Real: Selected Stories, Volume Two: Outer Space, Inner Lands (Easthampton, Small Beer Press, 2012)
X
The Found and the Lost: The Collected Novellas of Ursula K. Le Guin (New York, Simon & Schuster/Saga Press, 2016)
X
OMNIBUS (selected)
The Earthsea Quartet (London, Victor Gollancz, 1993)
Puffin Books, 1993.
Penguin Books 978-014015427-6, 1993, 690pp.
---- [26th imp.] nd, 690pp, £14.99. Cover by David Bergen
---- [at least 29 imps.]
as Earthsea: The First Four Books, Penguin 978-024199569-3, 2016, 690pp, £14.99. Cover design by Edward Bettison
The Wind's Twelve Quarters and The Compass Rose (London, Gollancz, 2015)
Gollancz [SF Masterworks]
Subscribe to:
Posts (Atom)


















































































