Tuesday, June 17, 2014

Francis Matthews (1927-2014)

The actor Francis Matthews died on Saturday at the age of 86. Although he had a lengthy career in film and on stage, Matthews was best known for playing the role of Paul Temple and the voice of Captain Scarlet on TV.

Both characters also had lengthy careers in comics and the Paul Temple strip was greatly influenced by the 52-episode TV series broadcast in 1969-71. Artist John McNamara gradually revised the look of the character in the daily strip to look a little more like the Matthews, as can be seen in the example below from the 1970 serial 'Paul Temple and the Groomgate Killer'. Steve was also given a makeover and was styled after actress Ros Drinkwater, who appeared opposite Matthews in the TV show.

Obituaries: The Guardian (15 June 2014), Daily Telegraph (16 June 2014), The Independent (18 June 2014).

John McNamara

A self-portrait of the artist, lighting a pipe, a globe showing travel between Woking (England) and Wellington (New Zealand) to one side
John Joseph McNamara, born 20 April 1918, began his artistic career as a teenager around 1934, drawing caricatures of film, sporting and local personalities for numerous New Zealand publications, including Paramount Theatre of Stars (1935), Standard (1936), Radio Record, New Zealand Sporting Life and Referee, Junior for NZ, Boys and Girls (1937-38), Clarion (1938), Cappicade (1937-39) and Katipo (1940). By the late 1930s he was also a political cartoonist working regularly for the Southern Cross where his work continued to appear until at least 1951.

He drew hundreds of caricatures and illustrations of famous sporting figures of the era including footballers Jim Taylor, Jack Lee, Neil Franklin and Dennis Compton, rugby players Morrie Doyle, Billy Wallace, Stan Dean, Ken Jones, boxers Cyril Hurne, Time Tracy, Eddie Thomas and Don Cockell, golfer Zoe Hudson, snooker world champion Joe Davis, cricketers Freddie Brown and Len Hutton, jockeys Lester Piggott and Gordon Richards and others, including illustrations of the 1948 Olympic team and a series of portraits of rugby players involved in New Zealand's 1949 tour of South Africa.

At the same time he continued to draw political cartoons for Southern Cross and New Zealand Listener, including aspects of the 1949 election in which Peter Fraser was defeated by Sidney Holland. McNamara was critical of the latter's links with the British Conservatives.

McNamara travelled to the UK in March 1950 at the age of 31 and found work on British newspapers. Although the full extent of his work over here is unknown, he appears to have found work fairly quickly. Two early strips -- possibly both published in the Daily Herald -- featured "Bats" Belfry, which had a horse racing background and involved bet setting and detective work, and an adaptaion of C. S. Forester's character Horatio Hornblower. McNamara also found work with Amalgamated Press drawing issues of Thriller Comics, ranging from adaptations of Westward Ho!, The Red Badge of Courage and Hopalong Cassidy to the adventures of Dick Turpin and Robin Hood.

In 1958, McNamara took over the artwork for Francis Durbridge's "Paul Temple" comic strip, which had been appearing regularly in the London Evening News since 1950, originally drawn by Alfred Sindall and subsequently by others.

McNamara drew the popular strip until it came to an end on 1 May 1971, during which time Paul Temple underwent a change in appearance so that the character in the newspaper resembled Francis Matthews, who played Temple in the BBC TV series (1969-71). The strip came to an end shortly after the TV show's third season finished.

McNamara died in Surrey in February 2001, aged 82.

Artwork for sale at the Illustration Art Gallery by John McNamara can be found here.

(* The portrait of McNamara is from the archive of the National Library of New Zealand.)

Monday, June 16, 2014

Dwight V Swain

Art: Ed Valigursky

Dwight V(reeland) Swain was born in Rochester, Michigan, on 17 November 1915, the son of John Edgar Swain and his wife Florence Marietta (nee Vreeland). He grew up in Ohio, where his father worked as a railroad telegrapher, and was educated at Jackson Junior College and the University of Michigan, where he earned a B.A. in 1937. He later earned an M.A. from the University of Oklahoma in 1954.

In order to make ends meet during the Depression, Swain pulled weeds, peddled gadgets door to door, dealt blackjack, hustled packing cases, worked for a mind-reader and interviewed murderers for true crime books. He began his career as a writer in 1934, working on the staff of various daily and weekly newspapers in Michigan, Pennsylvania, California and Oklahoma. He sold his first story to Target Magazine in around 1935 but considered his first "big" sale to True in around 1939.

He joined Flying Magazine as an editorial assistant in 1941. He joined the US Army in October 1942 and served for the duration of the war, rising to the rank of Sergeant.

Swain began writing science fiction in 1941, making his SF debut with 'Henry Holt's Super-Solvent' in the November 1941 issue of Fantastic. Over the next decade he contributed to a range of pulp magazines, including Mammoth Adventure, Mammoth Western, Mammoth Detective, Mammoth Mystery, Dime Western Magazine, Dime Detective Magazine, Giant Western, Thrilling Wonder Stories, Imagination and others. Talking later of his science fiction, he said: "Most of my print science fiction consisted of magazine novels (25,000–40,000 words) of the space opera variety—Lord knows how many I did. I feel there's still a place for adventure and strong story lines in the field, and am unhappy to see so many books coming out which are, in effect, more word photography and/or introspection. The field was infinitely more fun back in the days when Ray Palmer edited Amazing Stories/Fantastic Adventures (where I broke in), with heavy emphasis on action/conflict/humor." (Science Fiction and Fantasy Literature Volume II, ed. Robert Reginald, Douglas Menville & Mary A. Burgess, 1979)

In September 1949, Swain joined the staff of the University of Oklahoma, first as a script writer in the Motion Picture Unit, scripting around 50 educational and instructional films until 1965, including films such as Mental Hospital (1953) and Time Out For Trouble (1961) for the Oklahoma State Department of Health. He joined the faculty as a professor of journalism from 1952, a position he retained until retiring in 1974.

He was vice president of B.H.S. Productions Inc. between 1961 and 1971, under which aegis he produced Stark Fear, a 1962 psychological thriller starring Beverly Garland and Skip Homeier. In 1965, he created the 'Fact and Fiction' writing course for Palmer Writers' School, and served on its national advisory board between 1966 and 1974.

In his late sixties, Swain became a field reporter on Central American guerrilla activities for Eagle Magazine in 1983-84 and wrote the column 'Pulp' for Mystery Scene from 1989.

Swain was married to Margaret Simpson, a musician and college teacher in 1942, with whom he had one son, Thomas McCray Swain; they divorced in 1968 and he married Joye Raechel Boulton, a dancer, interpreter, teacher and writer, in 1969, who was 25 years his junior. The couple raised a number of orphan children.

He lived most of his career in Norman, Oklahoma, and was made an honorary Lieutenant Governor of Oklahoma in 1970. A scholarship in his name to the School of Journalism at the University of Oklahoma was first awarded in 1974. He received numerous awards in Oklahoma for his writing and film work and was inducted into the Oklahoma Professional Writers Hall of Fame as Grand Master in 1991.

Swain committed suicide on 24 February 1992 after suffering from asthma, heart problems and diabetes.

PUBLICATIONS

Novels
The Transposed Man. New York, Ace Books D113, 1955 (omnibus with One In 300 by J. T. McIntosh); London Panther 696, 1957 (omnibus with 'The Predators' by E. C. Tubb).
Monster. New York, Pinnacle Books, 1991.

Novels as Nick Carter (series: Nick Carter–Killmaster)
The Pemex Chart. New York, Charter Books, 1979; London, Star, 1980.

Novels as John Cleve (with Andrew J. Offutt)
Spaceways #16: The Planet Murderer. New York, Berkley, 1984.

Non-fiction
Tricks and Techniques of the Selling Writer. New York, Doubleday, 1965; revised as Techniques of the Selling Writer, University of Oklahoma Press, 1974.
Film Scriptwriting: A Practical Manual. Hastings House, 1976; 2nd ed. revised, with Joye R. Swain, Focal Press, 1988.
Scripting for Video and Audiovisual Media. Focal Press, 1981; revised as Scripting for the New AV Technologies, with Joye R. Swain, 1991.
Creating Characters. How to Build Story People. New York, Writer's Digest Books, 1990.

Plays
Dimensions, with Joye R. Swain (KOKH-TV, 1982)

Sunday, June 15, 2014

Cordwainer Smith Cover Gallery

Cordwainer Smith was the pen-name of American scholar and psychological warfare expert Paul Linebarger. You can discover more about Smith's fascinating life via his entry on Wikipedia and via the official website run by his daughter. The Science Fiction Encyclopedia has an extensive and erudite entry written by John Clute.

You Will Never Be the Same (Chicago, Illinois, Regency Books, 1963)
(no UK paperback, above is the Berkley edition)

The Planet Buyer (New York, Pyramid Books, 1964)
Sphere 0722-17942-1, 1975, 156pp, 40p.

Space Lords (New York, Pyramid Books, 1965)
Sphere 0722-17938-3, 1970, 160pp.
Sphere 0722-17939-1, Mar 1972, 159pp, 30p.

Quest of the Three Worlds (New York, Ace Books, 1966)
VGSF 0575-04125-0, 1987, [192pp].

The Underpeople (New York, Pyramid Books, 1968)
Sphere 0772-17941-3, 1975, 143pp, 40p.

Under Old Earth and Other Explorations, ed. Anthony Cheetham (London, Panther, 1970)
Panther 0586-03302-5, 1970, 187pp.


Stardreamer (New York, Beagle Books, 1971)
(no UK paperback, above is the Beagle edition, cover by Jonah Kinigstein)

The Best of Cordwainer Smith, ed. J. J. Pierce (Garden City, New York, Nelson Doubleday, 1975; as The Rediscovery of Man, London, Victor Gollancz, 1988)
VGSF (25) 0575-04165-X, 1988, [400pp].
Millennium 1857-98819-1, 1999, 377pp. Cover by Chris Moore
Gollancz 978-0575-09424-6, 2010, viii+381pp. Cover by Chris Moore

Norstrilia (New York, Ballantine Books, 1975; with five additional stories as We, the Underpeople, New York, Baen Books, 2006)
VGSF 0575-04166-8, 1988, 277pp.
VGSF 0575-07018-8, 2000, 288pp.

The Instrumentality of Mankind (New York, Ballantine Books/Del Rey, 1979)
VGSF (28) 0575-04167-6, 1988, 238pp, £3.50. Cover by John Avon

The Rediscovery of Mankind (Framingham, Massachusetts: The NESFA Press, 1993; abridged as When the People Fell, New York, Baen Books, 2007)
(no UK paperback)

Scanners and Others: Three Science Fiction Stories (Rockville, Maryland, Wildside Press, 2010)
(no UK paperback)

Saturday, June 14, 2014

Robert Ayton - The Story of Radio (Ladybird Books, 1968)

 
 
 
 
(* © Ladybird Books; the cover of my copy was badly torn, so I've performed a little cut-and-paste repair work. Not perfect, but certainly an improvement over the original, I promise.)

Friday, June 13, 2014

Comic Cuts - 13 June 2014

I'm pleased to begin this week's column with more good news. I've now completed the layouts for the main introduction of the Countdown to TV Action index plus two sidebar features, which make up the first 141 pages of the book. And I'm racing through the main index and trying to get my imagination around what page 157 could look like given the choice of pictures we have.

Regular readers of this column will know how painfully slow I am at this part of the job. I'll be the first to admit that when I started the research on the book—way back in November 2013!—I thought this one would be a breeze. Hah! I should know better by now as I've been fooled by that before... having spent some months on the Lion index back in 2012, I thought I'd knock out a couple of shorter books, only to find that both Ranger and Boys' World took far longer to research and piece together than I had imagined. And so has this latest tome, although when I started I had no idea that the introduction would balloon into an epic 40,000-worder.

Another factor in my slow progress is the simple fact that I'm not a designer by trade and have never claimed to be. What little skill I have I picked up from working with some good people back in my days at Aceville and Trinity. The man to blame is probably Graham Baldock, designer on a number of titles I worked on over the years. If it wasn't for him, I wouldn't know how to use cross-headings, pull-outs, runarounds... knowledge I've put to absolutely no use whatsoever in the book! It's not that kind of book.

That's a conscious choice. Rightly or wrongly, I think a book of this kind demands clarity of layout. And even without using all the tools available to designers, I think this is still a good-looking book. That's one of the advantages of writing about a medium awash in action-packed artwork. It makes my job a lot easier.

 
There was a brief pause in work earlier in the week as I put together an obituary for Joy Laurey, creator of Mr Turnip. I had written about her a year or two back but I'll update the column and repost it in the near future. Meanwhile, the Guardian has posted the piece online and it should appear in the paper shortly.

Mr Turnip appeared in Mickey Mouse Weekly around 1951 and in TV Comic around 1954. Both versions of the strip were credited to Joy Laurey and I've yet to find any credit for the artwork. Perhaps it was by Laurey herself, although a part of me wonders whether the TV Comic artwork was by another hand.

Today's random scans are a random selection of war stories in honour of the recent celebrations. I don't really have any comments to make on these, just that I'm amazed how diverse the covers of books were back in the 1950s and 1960s.

 
Next week... I'm not sure. I have a couple of galleries that need updating and a few new ones that need finishing off. Tomorrow is the last of the Robert Ayton galleries and I'm planning to put together some more of these Ladybird-related posts. I've had about 50 Ladybird books cluttering up my shelves for years... it's about time I did something with them.

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