Sunday, August 18, 2013

Joe Humphrey

Although he wrote only one story for Boys' World, that single credit hides a potentially interesting story. "Our Enemy the Moon" appeared in issue 5 (23 February 1963) and, unusually for British comics, included a brief biographical panel with a tiny photograph. The panel reads thus:
ABOUT THE AUTHOR
When the Royal Marine Commando was formed, Joe Humphrey was one of the first to volunteer. After months of secret training, he and his comrades were ready to strike at the enemy. Sergeant Joe Humphrey was a Section Leader in this raid which he recounts.
The story is about an attack from the Adriatic Sea on a small coastal town in Italy where the Germans had the HQ if their First Parachute Division. For a tale in a boys' comic it had what could be considered quite a downbeat ending; the Commandos come face to face with the enemy and four of their number are killed, their bodies left amongst the orange trees, including that of one of Humphrey's good friends.

A little searching on the internet reveals that Sgt. Joe Humphrey has left more than this one story behind. a Fairbairn-Sykes fighting knife and scabbard and a green beret, all belonging to Joseph Humphrey, can be found at the Imperial War Museum. Various other objects collected by Humphrey during his wartime service have also been donated as well as a photo album with various photos and postcards collected by Humphrey during his time as a Royal Marine Commando.

Humphrey joined the Royal Marines in 1937 and took part in many of their earliest operations, including the Dieppe Raid, the landings in Sicily and the invasion of the Italian mainland. He was blinded in 1944 while serving with 40 Commando. According to Mark Seaman (Research & Information) "I understand the circumstances [of his blinding] were not those as described in the 'St Dunstan's Review' for my information is that his injuries were sustained as a result of a German blast grenade. He became a very distinguished member of the Royal Marines Association and was a good friend of Major-General Julian Thompson."

Humphrey's wartime exploits are explored more fully in Lost Voices of the Royal Navy by Max Arthur.

Saturday, August 17, 2013

Dan Lloyd

Dan Lloyd, for many years the chief sub-editor on Eagle, has for many years been an editor, compiler of crosswords and researcher into the paranormal.

Born in Newcastle upon Tyne on 28 March 1931, Joseph Daniel Lloyd's childhood was relatively uneventful up until the age of seven, when he was suddenly rushed off to The Royal Victoria Infirmary with a severe case of scarlet fever. Four weeks later, after numerous inoculations into his backside, he was allowed to go home. He still remembers with affection the doctor who gave him a penny on his birthday; the pleasure was, however, short-lived as, before being allowed to leave the hospital, Lloyd was obliged to surrender the penny on the grounds that it might be contagious!

At the outbreak of war he was evacuated along with his sister Margaret to Ellington in Northumberland, a pretty coastal village about 20 miles north of Newcastle. His brother, Alan was not so lucky, for although he too was evacuated, he’d become separated from his brother and sister and was sent to the Lake District, where he had to scour the hills for firewood before being allowed to have breakfast!

Dan Lloyd’s father, Joseph Daniel Lloyd, served as a policeman based in and around Newcastle during the war years. “My father was thrown out of the house on his ear by my mother when she found out that he was philandering with another woman. I don't think I ever saw him again,” recalls Lloyd. Meanwhile Dan’s mother, Margaret (nee Younger), kept the home fires burning while at the same time holding down a job in one of Newcastle’s sub-Postal Offices.

Leaving school at the age of 15, Lloyd began developing an interest in Morse Code and discovered that by stretching a cable that linked his house with the house of nearby friend, the two boys were able to send messages to each other (all pretty good Sexton Blake stuff!}. But these were the days when the Ministry of Information were advising people to be on their guard—“Careless Talk Costs Lives”—and that you never knew who was listening in. One of Lloyd’s neighbours had grown suspicious of the sudden appearance of this wire and thinking maybe that there were spies in the neighbourhood had cut it in half with a pair of scissors, thus ending their nightly communications.

By the time he reached the eligible age of 17, Lloyd joined the Royal Navy. It was now 1948 and to all intents and purposes, he’d said ‘goodbye’ to his family home for the very last time. Having avidly read magazines such as Champion, Hotspur and Rover, reading and writing was his forte and it was natural for him to take up the trade of writer for his seven-year enlistment. Lloyd’s chief aim was to travel and serve abroad and he quickly discovered that, to speed matters up, he should volunteer for a three-month intensive shorthand and typing course at the Royal Navy’s secretarial training school. Within a few months, Lloyd had set sail for Malta where he joined the staff of Admiral of the Fleet, Louis Francis Albert Victor Nicholas Mountbatten, 1st Earl Mountbatten of Burma—more commonly known as Lord Mountbatten. His tour of duty was aboard HMS Liverpool, but life at sea again had to be placed on hold while HMS Liverpool went into dry dock for an intensive refurbishment programme in Valletta lasting five months.

It was during the time he was Mountbatten’s personal stenographer that he learnt of the Admiral’s interest in Unidentified Flying Objects. Early in January 1950 the Admiral called Lloyd to his stateroom and dictated a letter that was to be sent to the editor of the Sunday Dispatch in Fleet Street. Several years later, Lloyd discovered that the Sunday Dispatch’s editor and Lord Mountbatten were firm friends, Charles Eade having served as Mountbatten’s Press Liaison officer during World War II. Lloyd also came to learn that during the late summer of that year, the Sunday Dispatch had been partly responsible for launching the flying saucer debate as part of a circulation battle between the Sunday Dispatch and the Sunday Express.

In May 1952, halfway through his seven-year commitment, Lloyd returned to the UK for a period of well-earned leave. With his tour of duty in the Mediterranean now over, he was posted to a land-based ship in Greenwich, South-East London, where from January 1953 to the early part of 1956, he completed his seven-year obligation.

Now that he was familiar with living in and around the boundaries of London, Lloyd spent the following three years taking on various forms of employment ranging from Reuters—the world renowned newspaper agency in Fleet Street—to a job with Amalgamated Press.

At this latter establishment Lloyd was part of a team that compiled prize crosswords for the magazine Everybody’s, where entrants had to abide by simple rules, one being that the applicant had to complete the puzzle without help from a second person. Part of Lloyd’s duties was to travel to the successful winner’s home and, if he or she had complied with all the rules, he was at liberty to announce that they would receive a cheque in due course.

It all sounded very simple, but when Lloyd went to one winner’s house, to his dismay, he discovered that the entrant was totally blind and it had been his wife who had filled in the answers. In theory, this act had broken one of the major rules. Excusing himself, he’d gone down to a nearby phone-box and on contacting head office, Lloyd had outlined the predicament he had found himself in, but then had gone on to point out that if the local newspaper learnt that the winner had been defaulted due to having been blind then Everybody’s would receive a large amount of adverse publicity. A few days later, the winner deservedly got his cheque.

During 1959, there had been a great deal of upheaval and unrest within the publishing and printing industry: in February, Amalgamated Press had been acquired by the Mirror Group (and had changed their name from Amalgamated Press to Fleetway Publications due to the publishing company having had their offices in a building called Fleetway House); there had been a six-week-long national printers’ strike during the summer; and in March, Dan Lloyd had joined Eagle.

It was a Catch 22 situation. Magazine experience was deemed essential in order to qualify for NUJ membership, but a job on a magazine was often open only to those who were already members. Out of the blue Lloyd had written to the Reverend Marcus Morris and was surprised to discover that there was indeed a vacancy for a sub-editor on Eagle. At the interview, when he was asked by Eagle’s Chief Sub-Editor Derek Lord as to how soon he could start, Lloyd’s response was “Would tomorrow be too early?” and they had all shaken hands, the deal done.

During the ten years that Lloyd worked on Eagle—first as a sub-editor, then later as Chief Sub-Editor—many changes were taking place within the publishing world. In the same year that Lloyd joined Hulton’s, through disagreements between the Rev. Marcus Morris and Lord Hulton, Morris had resigned to take up a position at The National Magazine Company group (where, after a five year gap, Morris became editor-in-chief and orchestrated the launching of Cosmopolitan); Hulton Press had been taken over by Odhams Press, who in turn were taken over two years later by Fleetway (the Mirror Group); and with the hierarchy of Fleetway Publications being given the right to take the reins of the four ex-Hulton comics, in a show of indignation, many senior staff had resigned, including Lloyds’ immediate boss, Derek Lord. In an undisputed cost-cutting exercise, the editorial offices that had once been home to Juvenile Publications—the umbrella heading under which Eagle, Girl, Swift and Robin were collectively known—now had to be vacated. In fact, they were moved twice—the first relocation to a building at the rear of Hulton House better known to the staff as “The Annex”, and then a second major move two years later when, during the weekend of Saturday, 23rd and Sunday, 24th November 1963, the staff were moved from 161-166 Fleet Street to  the old and obsolete Daily Herald Newspaper building at 96 Longacre.

Dan Lloyd during his days in the Navy

It was from events that took place over the following seven or eight months at Longacre that Lloyd's life took a significant turn, for it was his close encounters with two newly established individuals that gave rise to his greater interest in the paranormal. Of these, the first was Madge Harman.

The office Lloyd was allocated also housed two others, one being Eagle designer Brian (Benny) Green. In later years—and this may have been due to the influence emanating from the other person in that room—Green had taken over and run an occult bookshop in South London’s Crystal Palace. The other was Madge Harman, employed as secretary to a dapper “City Gent” whose office was just four doors down the lengthy narrow corridor from where Madge, Brian and Dan were sat.

Madge Harman was a closet ‘psychic’. An example of her extraordinary sixth sense was when one of Lloyd’s bachelor chums (drinking partners) called into the office late one morning to find out if Dan was “free for lunch”. These were the days when Lloyd regularly met with five others of a similar standing but from all walks of life. Lloyd introduced Harman to his flatmate Peter Henderson and, as they shook hands, Harman had suddenly gone quiet and in a disheartened voice murmured: “Oh dear, you’ve had some bad news this morning... I’m so sorry,”

Lloyd had no idea as to what on earth she was talking about, but Henderson soon made everything clear by admitting that, just that morning, he had received a letter from his fiancĂ©e in Paris with news that she was breaking off their engagement. The letter was tucked away in Peter Henderson’s inside jacket pocket. Perhaps Harman had also seen that Henderson was destined to die from the effects of alcohol poisoning in late 1979 while still middle-aged.

It was also during those early months at Longacre that a second strange occurrence had taken place.

The man for whom Madge Harman worked was Waveney Girvan. In a way, Girvan stood out like a sore thumb at Long Acre, mainly due to his austere attire. Although most staff were smartly-turned out, they were also for the most part dressed casually. Girvan, however, was never seen without his standard 'city business suit' of black jacket, trousers in narrow grey and black stripes, a bowler-hat, and a neatly rolled umbrella, Girvan was the editor of a magazine called the Flying Saucer Review. This quarterly journal—first established in 1955 by the former R.A.F. pilot Derek Dempster—had established itself as being one of the most influential journals serving the UFO community. Due to Lloyd’s own increasing interest into the paranormal, it became a regular event for Lloyd and Girvan to discuss matters relating to the latest paranormal findings.

While on holiday, Lloyd took with him a copy of Girvan's book, Flying Saucers and Common Sense, published nine years earlier in 1955. In chapter four, Lloyd was brought up with a start to read that Girvan had revealed a personal letter written to the editor of the Sunday Dispatch in 1950 by Earl Mountbatten. Girvan went on to say that this letter had followed an earlier article concerning a wave of UFO sightings in America, particularly one in the town of Orangeburg, South Carolina. The letter had said:
These extraordinary things have now been seen in almost every part of the world—Scandinavia, North America, South America, Central Europe, etc. Reports are always appearing and the newspapers generally try to ridicule them. As a result it is difficult for any seriously interested person to find out very much about them. I should therefore like to congratulate you on having had both the intelligence (and, incidentally, the courage) to print the first serious helpful article which I have read on the Flying Saucers. I have read most other accounts up to date, and can candidly say yours interested me the most.
Lloyd could hardly wait to return to his place of work and tell Girvan that he could confirm this story because it was he, who, fifteen years earlier, had typed out Mountbatten's words. Now it was then Girvan’s turn to be astounded. As a consequence, Waveney had born Lloyd off to his club near Whitehall where, as being the one and only person who could confirm all that Girvan had written in his book, Lloyd found himself obliged to make an impromptu talk in front of a large gathering of dedicated followers and believers!

Within a matter of weeks, on 22 October 1964, Waveney Girvan died. He too had had psychic powers and perhaps had known that the end was near, for whenever Harman had gone into his office, not only did he hide his hands by placing them onto his lap under the desk, but on passing something to her, he never allowed Harman to have any physical contact with him.

Despite having lost its key leader, the Flying Saucer Review continued without a break, now under the editorship of Charles Bowen, a long-time contributor to Juvenile Publications, with Dan Lloyd stepping into the breach as assistant editor. Much of the magazine’s content was put together in Lloyd’s Chelsea flat, with the aid of an invaluable proof-reader who conveniently lived one floor above in the same block. The proof-reader’s name was Eileen Linda Buckle (b. 27 April 1940), an attractive and intellectual long-time friend, to whom Lloyd eventually became married on 28 March 1980—his 49th birthday.

With the closure of Eagle in April 1969 Lloyd opted for a career of freelancing that enabled him to take on a wide range of editing work. Amongst other commissions, this included a series of small books for the Milk Marketing Board.

Early in 1971, with ex-working colleague Roger Perry now acting as Art Editor for Countdown, Lloyd was encouraged to take the opportunity to become the periodical’s Science Correspondent and writing a variety of weekly articles. Owing to the magazine’s fluid appearance—for Perry believed that “variety is the spice of life”—there was never a regimented size or shape that Dan was obliged to adhere to.

In January 1974 Lloyd once again worked alongside Perry at Purnell Books, whose offices had moved from Poland Street in the West End of London to Maidenhead, Berkshire. Owing to stringent measures introduced by the Conservative Government in an effort to conserve electricity by introducing a three-day-week, Editor Sue Hook—unable to cope with the workload—had sought help and not only had Lloyd been brought in on a temporary measure but at Lloyd’s recommendation, Eileen Buckle was also commissioned to carry out the proof-reading of manuscripts..

Between 1977 and 1989, Lloyd went on to work as a sub-editor for TV Times magazine. The Art Editor at TV Times was Bruce Smith, who, sixteen years earlier, had been one of the four designers working closely with Lloyd at Hulton House. This had been between the summer of 1960 (when Smith joined Juvenile Publications) and 1963 when he had left to take up the post of Art Editor on Homemaker, the first practical “how-to-do-it” monthly magazine that first saw light of day in March 1959. But for Lloyd, his life was being severely hampered by a relatively unknown condition that had become simply known as 'yuppie flu'. Following years of study, this affliction was officially recognised as a bona fide medical condition and given the grand title of Chronic Fatigue Syndrome (CFS). The symptoms of CFS include un-refreshed sleep, widespread muscle and joint pain, increased sensitivity to light and headaches of a type not previously experienced. After battling with this condition for a number of years, it seemed a good time for Lloyd to take early-retirement.

During his early years Lloyd had been a keen walker with holidays often taken up circumnavigating the Isle of Wight or simply striding along river banks of the Thames—many of these ventures in the company of Derek Lord. Lloyd has said: “Rain or shine, our small group of avid walkers would set forth on a Sunday to enjoy the countryside to the north side of London, and occasionally to the south,” He went on to say: “Rain never seemed to deter us, and if it rained, it was part of the adventure to remove our shoes, wring out our socks, and carry on tramping! Any hostelry we happened to encounter en route was greeted with glee and many a pub seat must have borne the signs of our visit by the telltale patches of dampness from our sodden rumps!”

Two of Lloyd’s other interests were astrology and homoeopathy. His interest in the former begun in the early-1970s while still bachelor-free and living in Chelsea. There had been a tight nucleus of five others—all in a similar-disposition—who regularly met. Out of the blue, one had requested Lloyd create his Birth Chart. With him knowing absolutely nothing about how to construct horoscopes, at the chum’s insistence, Lloyd researched the subject and had taught himself the art. But the odd thing was that having become proficient in the craft, the friend who had initially made the request now seemed to have little or no interest ... to the point of not even being able to recall having asked Dan to do it in the first place. Perhaps the powers that be had felt Lloyd needed a prompt in that direction.

During its compilation, although the author of this article has known Dan Lloyd for more than fifty-two years, he has learnt so much more about this quiet, good-natured, private man than he’d ever been able to glean before. For forty years, Lloyd has been heavily into astrology, not only erecting dozens and dozens of Birth Charts for a variety of friends and acquaintances and has carried out research on a number of notable personalities... and yet, it would appear that he has chosen to close his mind to all those he grew up with. During the late-'70s, Lloyd gave guidance to first Perry in the art, and also taught his wife-to-be.

Dan Lloyd and his wife now live in Leatherhead.

(* Biographical sketch compiled by Roger Perry, who also supplied the colour photos of Dan, taken in September 2009.)

Friday, August 16, 2013

Comic Cuts - 16 August 2013

Well, I tried. It would have been so nice to have been able to announce that the latest Bear Alley book was finished when we're celebrating Bear Alley's seventh (seventh!!!) birthday, but sometimes you have to admit defeat. I'm three days off finishing and checking the layouts and I have some images that are placeholders while I wait for cleaner scans, but I should have the book sent off to the printers to get a proof next week. At which point I will put up the pre-order form. Hopefully the book will be on sale from 30 August.

So... seven years writing Bear Alley. We've seen some blogs come and go in that time yet Bear Alley seems to turn up with surprising regularity; I haven't missed many days since we moved house three years ago. Admittedly I'm aided greatly by the good folk at Look and Learn who have let me run riot through their comics for strips to publish online but even they take time to prepare and post. A week-long strip can often take up most of a Sunday to sort out; the Comic Cuts columns take a morning but the biographical features and cover galleries can be the work of days.

For those of you who haven't been here for the full seven years you may like to know why this blog is called Bear Alley. Well, the very first post was entitled "Why Bear Alley?" and it should tell you everything you need to know. However, I don't think I've ever discussed the actual circumstances that led me to set up Bear Alley online.

Peter Haining was one of the people directly responsible. It wasn't his intention, but he was working on a book and had borrowed a shed load of old paperbacks that he wanted to have scanned. You can see quite a few of my books in Peter's The Classic Era of American Pulp Magazines (2000) and The Classic Era of Crime Fiction (2002), and he used to pop round in his car to pick up a box of books every now and then. His later trips were to borrow war books for a series of titles he was writing about World War II.

One day he phoned, trying to chase down information on the author Ernest McKeag; it so happened that I had written an article on McKeag, intending it to be published in my paperback fanzine PBO, which ran for nine issues in 1995-1998 before I ran out of time/energy. I dug out the McKeag piece for Peter but was already wondering whether I could figure out a way of publishing it online.

This wasn't my first attempt. Way back in January or February 2003, I had come up with the idea for a Vintage Paperbacks Website for which would be like an online edition of PBO, with articles published in quarterly "issues". I threw myself into it with a fair amount of gusto and wrote five or six articles, compiled a variety of bibliographies and even gathered together bits of news... but my enthusiasm for the whole thing began to sour towards the end of March as I realised how long it was taking and that, while I was writing these pieces, I wasn't actually earning a living.

A couple of the articles eventually made their way into print: a piece on Len Deighton appeared in Crime Time in 2004 and one on T. Lobsang Rampa eventually surfaced in Dodgem Logic in 2010 but I suspect a bit of digging around on my hard drive could turn up a few other lost pieces from the Vintage Paperbacks Website.

I digress. Fast forward from March 2003 to August 2006. One-time Tharg David Bishop had started a blog in October 2005—the still highly enjoyable, eclectic Vicious Imagery—so I asked him how easy it was to publish through Blogger. His response was along the lines of "It must be easy if I can do it," which was just the right answer for someone who struggles with anything new.

And that, dear readers, is how Bear Alley came to be...

Today's random scans celebrate the work of Douglas R. Mason, who was a writer of SF under his own name and the pen-name John Rankine. Born in Howardon, Wales, on 26 September 1918, Mason was very active in the 1960s and 1970s, his novels including five novelisations based on the Space: 1999 TV show. He died in Bristol, Gloucestershire, on 8 August 2013, aged 94.

 
 
We have a couple of biographies over the weekend, including a lengthy piece on long-time Eagle sub-editor Dan Lloyd. Next week... the race is on for me to finish this book, so we shall just have to see how I do over the weekend.

Thursday, August 15, 2013

Bear Alley Books Bestsellers: to August 2013

Of everything I've done with Bear Alley, Bear Alley Books is my proudest achievement. Here's a list of our top-selling titles so far for 2013. In a not so surprising change since the last top-sellers list, the latest books prove to be outselling the old books. But I'm pleased to say that some of the older books, even those dating back a couple of years, continue to sell, even if in small numbers.










No. 11/12 = Eagles Over the Western Front Vol. 2 / Vol. 3





Commando 4627-4630

Commando issues on sale 15 August 2013.

Commando 4627 – Race Of Death

Pre-war, Ben Radley and Hugo Carlyle had been professional racing cyclists. And after they joined up they were soon using bicycles once more — as an integral part of the daring missions their Commando raiding team pulled off. Using two wheels they could go where bigger, noisier vehicles could not.
   Eventually, on one operation their luck ran out and they were captured. Then, out of the blue, came a slim chance for freedom…if only they could out-pedal an old adversary…

Story: Alan Hebden
Art: Morahin
Cover: Ian Kennedy

Commando 4628 – Strike From The Sun

Out of the glaring sun they swooped, these messengers of death, to smash great gaps in the formations of German bombers that swarmed over England. And leading them was one of the greatest Spitfire pilots of all time — a man of iron will and brute courage. Boldness, daring, strength flowed from him into those who flew at his wing-tips. When he led…the squadron was invincible.

Introduction
It’s one thing to be able to draw complete aircraft, quite another to draw them disintegrating but Peter Ford handles both situations very well indeed. So much so that he has time for a little fun on page 19 and pushes the envelope on page 51.
   In doing so he sparks this Clegg story into the life its author always intended, the tale of a set of washed-up pilots given another chance to shine. You certainly get a hint of that tension in the pilot’s face on the cover. Good work by Ferraz, one of only two covers he supplied for Commando.
   Better see if they can take the chance, then…

Calum Laird, Commando Editor

Story: Clegg
Art: Peter Ford
Cover: Ferraz
Originally Commando No 64 (April 1963)

Commando 4629 – Mission: Berlin

Berlin had been a battleground throughout the Second World War — first as Allied bombers pummelled the heart of Hitler’s Reich then later as Soviet forces overran the city.
   After Germany’s surrender, the city was divided up amongst the Allies and slowly but surely tensions rose until the city became a battleground once more. Perhaps there were not the pitched battles of previous years, but the skirmishes could be just as deadly…as Captain Tony Hibbert of the Parachute Regiment discovered when he was sent to join the curiously named BRIXMIS.

Story: Mike Knowles
Art: Janek Matysiak
Cover: Janek Matysiak

Commando 4630 – Massacre At Mendhi Pass

A green flare arched into the sky above the Mendhi pass on the North-West Frontier of India and, within minutes the British convoy was winding its way through the mountain gorge. An ominous atmosphere had filled the air and all instincts told Lieutenant Martin Kenwood to turn back, but duty conquered his fears and made him go on. Then suddenly a dark, fearsome figure rose to its feet and screeched the command —
“Death to the infidels!” 

Introduction
Here’s some classic Commando action — courtesy of a couple of Kennedys. I am, of course, referring to our long-time cover artist Ian Kennedy, who does us proud as usual, while the other is none other than Cam Kennedy. Like his namesake, a fan favourite in the world of comics.
   These drawing legends are not related but they are firm friends — and at a Dundee comic convention, Ian jokingly called Cam his brother! They may not be bonded by blood but as well as a surname they share an amazing talent for illustration, in parallel careers spanning many years.

Scott Montgomery, Deputy Editor

Story: Lomas
Art: Cam Kennedy
Cover: Ian Kennedy
Originally Commando No 860 (August 1974); previously reprinted as Commando No 2155 (February 1988)

Friday, August 09, 2013

Comic Cuts - 9 August 2013

Coming Soon!

My second full week on doing layouts. I'm writing this Thursday morning, having spent the first hour proofing text for the next section I'm putting together. As of last night I'd completed 85 pages, including the first 45 pages of the Introduction, the Annuals section, the Title Index and two sections of story prĂ©cis. Will I have the book finished by next Friday, which is when we'll be celebrating our 7th anniversary? Er... I really don't know. But I should be able to put together a pre-order form over on the Bear Alley Books site so you can order your copy. I don't want to blow my own trumpet—well, not too loudly—but I think this will one of the best-looking books we've done to date.

I'm sad to say that the series Del Tebeo al Manga: Una Historia de los CĂłmics from Panini Comics in Spain has come to an end after ten volumes. This is a series of books edited by Antoni Guiral covering the history of comics around the world across an astonishing 2,096 pages. This isn't the first attempt at a global study of comics: The World Encyclopedia of Comics edited by Maurice Horn was probably the first and I was one of the writers involved in The Essential Guide to World Comics a few years ago, but these are both single volume books. Del Tebeo al Manga [From Comic Book to Manga] has taken an all-encompassing look at comics of all types—from adventures strips to humour to strips for the very young.

The latest volume looks at graphic novels and albums across Europe and South America, including my take on the subject, 'Los Novelas Gráficas en Gran Bretaña'. Thankfully someone else did the translation into Spanish because my knowledge of Spanish begins and ends with "siesta" (a tradition I have followed for years!). I'm very proud to have contributed to three of the volumes.

Random scans this week are a selection of the books I've picked up over the past few weeks. Actually, the first cover is an old one. One Man's War bought John Scalzi to the attention of many fans when it was published in 2005. It was published in the UK in 2007 and three follow-ups (The Ghost Brigades, The Last Colony and Zoe's Dream) followed in 2008-09. Redshirts is not part of that series but, rather, is a humour novel about a worrying situation on board the space ship Intrepid where low-ranked crewmen keep dying on Away Missions.

Neal Asher is a fellow Essex-born writer. I don't know him, but I thought I'd give his books a try, so I've picked up a couple. It is going to be ages before I get around to reading them, but I'll get around to them. The cover shown is by Jon Sullivan.

And finally, Philip K. Dick's Time Out of Joint. It's one of the books that I got rid of a decade ago when I downsized my paperback collection... and I've probably spent nine of the past ten years picking up books I used to have.

Next week will see the conclusion of 'Twenty Thousand Leagues Under the Sea'. I should have news of the release of the Boys' World book next week. See you then.

Sunday, August 04, 2013

John Boland

Bertram John Boland was born in Sparkbrook, Birmingham, Warwickshire, on 12 February 1913, the son of Albert Edward Boland, a manufacturer, and his wife Elizabeth (nee Mills). In the 1930s he worked in a large variety of jobs—farm hand, labourer, deck hand, lumberjack, railroad worker, factory worker, commercial traveller, etc.—and travelled widely. At the age of 17 he went to Canada and also visited the U.S., Alaska and Europe.

After the war Boland became a manufacturer's agent, selling advertising signs and automobile components. He married Philippa J. H. Carver in Birmingham in 1952 (the Philippa to whom many of his books were dedicated) and they continued to live in Northfield, Birmingham, until he went freelance in 1956. Soon after, he and Philippa moved to Wandsworth, London. They later moved to East Sussex, where they lived on the edge of Ashdown Forest.

As well as writing novels, Boland was a regular in John Carnell's SF magazines in the late 1950s and contributed several hundred short stories to newspapers. He worked for TV, writing an episode of No Hiding Place (1963) and founded John Boland Productions Ltd., a film company, in 1964. He penned two movie scripts, The Stone Desert and The Golden Fleece, neither of which were filmed.

Boland was the Chairman of the Birmingham Writers' Group, and Vice-Chairman (1956-57) and Chairman (1958-60) of the Writer's Summer School as well as being connected with other similar groups.

He died on 9 November 1976. The IMDb entry for Boland gives his date of death as 19 June 1976 in San Mateo, California. Not true: this was taken from the American SSDI and is the death date for John J. Boland, born 24 May 1889 in Ireland, who emigrated to the USA in 1908 and worked as a conductor for the US Railroad Co.; he later worked as a riveter in a ship yard and as a labourer after serving as a Sergeant in the US Army during WWI.

PUBLICATIONS

White August (London, Michael Joseph, 1955)
Digit Books, (May) 1957, 188pp, 2/6. Cover by Ralph Bruce
Mayflower Books 9514, 1963, 192pp, 3/6. Design by Sam Suliman

No Refuge (London, Michael Joseph, 1956)
Mayflower Books 6458, 1963, 191pp, 3/6. Cover by Richard Powers?; design by Sam Suliman

The League of Gentlemen (London, T.V. Boardman & Co., 1958)
Pan Books G298, 1960, 159pp, 2/6. Cover by Sam Peffer
Tandem Books T59, 1966, 189pp, 3/6.

Queer Fish (London, T.V. Boardman & Co., 1958)
(no UK paperback)

Bitter Fortune (London, T.V. Boardman & Co., 1959)
(no UK paperback)

Mysterious Way (London, T.V. Boardman & Co., 1959)
(no UK paperback)

Operation Red Carpet (London, T.V. Boardman & Co., 1959)
(no UK paperback)

The Midas Touch (London, T.V. Boardman & Co., 1960)
(no UK paperback)

Negative Value (London, T.V. Boardman & Co., 1960)
(no UK paperback)

The Gentlemen Reform (London, T.V. Boardman & Co., 1961)
Tandem Books T91, 1967, 183pp, 3/6.

The Golden Fleece (London, T.V. Boardman & Co., 1961)
(no UK paperback)

Inside Job (London, T.V. Boardman & Co., 1961)
(no UK paperback)

Vendetta (London, T.V. Boardman & Co., 1961)
(no UK paperback)

Fatal Error (London, T.V. Boardman & Co., 1962)
(no UK paperback)

The Gentlemen at Large (London, T.V. Boardman & Co., 1962)
Tandem Book T98, 1967, 180pp, 3/6.


Counterpol (London, George G. Harrap & Co., 1963)
Tandem Books T10, 1964, 191pp, 3/6.

Counterpol in Paris (London, George G. Harrap & Co., 1964)
(no UK paperback)


The Catch (London, George G. Harrap & Co., 1964)
Tandem Books T48, 1965, 220pp, 3/6. Cover by J. Pollack

The Good Citizens (London, George G. Harrap & Co., 1965)
(no UK paperback)

The Disposal Unit (London, George G. Harrap & Co., 1966)
(no UK paperback)

The Gusher (London, George G. Harrap & Co., 1967)
(no UK paperback)

Painted Lady (London, Cassell, 1967)
(no UK paperback)

Breakdown (London, Cassell, 1968)
(no UK paperback)

The Fourth Grave (London, Cassell, 1969)
(no UK paperback)

The Shakespeare Curse (London, Cassell, 1969)
(no UK paperback)

The Big Job (London, Cassell, 1970)
(no UK paperback)

Kidnap (London, Cassell, 1970)
(no UK paperback)

Holocaust (London, Futura, 1974)
Futura 0860-07111-1, 1974, 192pp.

PLAYS

Murder in Company: A play, with Philip King
French 0573-01289-X, 1973, 68pp.

Elementary, My Dear, with Philip King
French 0573-01577-5, 1975, 80pp.

Who Says Murder?, with Philip King
French 0573-01582-1, 1975, 79pp.


NON-FICTION

Free-lance Journalistm (London, T.V. Boardman & Co., 1960)
(no UK paperback)

Short Story Writing (London, T.V. Boardman & Co., 1960; revised as Short Story Technique, Crowborough, Sussex, Forest House Books, 1973)

The Trade of Kings (Crowborough, Sussex, Forest House Books, 1972)

Saturday, August 03, 2013

Jeffery Lloyd Castle

A query was sparked by the appearance of a story in the pages of Cornhill Magazine v.167 no.998 (Winter 1953/54) with a short story, 'The Piper'. Castle wrote a couple of SF novels but was otherwise almost completely unknown. The issue carried the briefest of biographies, which revealed: "Jeffery Lloyd Castle is a writer and student by inclination, engineer by profession, soldier by hazard. His first book Satellite E One is being published next year by Eyre & Spottiswoode."

The book did indeed appear, in 1954, and is described thus on the paperback edition from World Distributors, published in 1962:
"Preparing for a trip to E One meant more than being fitted out with a fancy space suit. It meant learning to walk again – without the help of gravity!
     "My first attempt was an utter failure. Every step turned into a bounce, and before I knew it I was off on a buoyant trip into nothing. In a week I would be the first space pioneer, but right now I was as helpless as a one-year-old."
     Here is a vivid novel about a successful expedition through the airless, waterless, gravity-less regions of outer space – a story charged with the unknown, unimaginable dangers of the ultimate frontier.
The book was successful enough to have an American edition and went into paperback in both the US and UK. Castle's second novel wasn't so successful, appearing in the USA but not in the UK. This second novel, Vanguard to Venus, concerned a race of descendents from ancient Egypt who have created a city on Venus.

Castle published only one more known book, How Not to Lose at Poker, which guided readers through the probabilities associated with various forms of poker.

Castle was born Geoffrey Lloyd Castle on 6 April 1898, in Surbiton, Surrey, the son of Phillip Castle, the director and chairman of Castles Shipbreaking Co. Ltd., and his wife Jessie Maud May (nee Cock). Castle served with the Royal Field Artillery (RFC) during WWI before joining the RFC in 1916; relinquished his temporary commission in the RFC in 1920 and resigned his commission with the RFA in 1923. Was called up in 1939 to serve again with the Royal Artillery. At other times he worked as an aeronautical engineer.

Castle was married in 1938 to Clara Margery Melita Sharp (the Margery to whom Satellite E One was dedicated). He died 8 February 1990 in Aldeburgh, Suffolk, aged 91.

PUBLICATIONS

Novels
Satellite E One. London, Eyre & Spottiswoode, 1954; New York, Dodd, Mead & Co., 1954.
Vanguard to Venus. New York, Dodd, Mead & Co., 1957.

Non-fiction
How Not to Lose at Poker. London, Peter Davies, 1970; Boston, Little Brown, 1970.

Friday, August 02, 2013

Comic Cuts - 2 August 2013

The last week has been very productive and I'm something like 50 pages into the design of the Boys' World book. I might also add that I'm very pleased with the look of the pages... I do, after all, have a pool of some of the finest comic strip artists and illustrators to draw from.

The only down side is that the printing of the original comics left a lot to be desired. Perhaps not the printing but the paper on which they were printing. Modern scanners are unforgiving and every page I've scanned has been marred by being able to see the lettering and images that seep through from the reverse of the page. Every single image needs touching up and a spread can take anything up to an hour to clean up. If only they had drawn everything in lovely, uncomplicated line art rather than line and wash... I can knock out a line art page in a couple of minutes if it's not especially grubby.

I'm hoping to start taking orders in a couple of week's time. I can't promise but it would be nice to have everything finished by the 15th as that will be the seventh anniversary of Bear Alley. Yes, it's our birthday again and we're rapidly approaching 3,000 posts since BA launched on 15 August 2006. If I can get my act together for long enough, I'll hopefully have something surprising and silly for that Friday's Comic Cuts. All I need to do is find some spare time between now and then.

The latest issue of Jeff Hawke's Cosmos has touched down. Volume 8 no.1 (Apr 2013, but released July) steps out into the unknown as editor William Rudling begins a chronological reprinting stories that originally appeared under the name Lance McLane in the Scottish Daily Record, but which were syndicated under the original name of the character, Jeff Hawke. 

The stories in this volume follow immediately on from the story 'The Woman Who Would Be King', included in the previous issue, in which Hawke found himself in an alternate reality. The Earth is in the grip of a new Ice Age, and Jeff and the crew of the Hope attempt to use an alien artefact to burn through to some of Earth's ancient scientific centres in 'The Ice Burner', This issue also contains the stories 'Chalk Circle', 'Sorcerer's Apprentice', 'The Song of the Charioteer' and 'The Little People', all from 1978.

In addition to ten month's worth of the daily strip, you'll also find Andrew Darlington's feature on an obscure Syd Bounds space hero, an obituary of Colin Andrew and Duncan Lunan's always fascinating story and space notes in this 88-page issue. Subscription rates are £26 for three issues here in the UK and £31/38/41 for overseas subscribers, payable in a variety of ways. You can find more details (and back issues) at the Jeff Hawke Club webpage or by contacting william AT williamrudling.co.uk.

Also out in July was Illustrators issue 4 from Book Palace. There's a fantastic lead feature by Bryn Havord on Michael Johnson, whose work epitomized a style of illustration that came to the fore in the swinging sixties. Johnson sculpted his artwork so that some pieces look like they were chipped out of wood with a chisel. For someone who likes his comic strips and illustrations to look realistic and highly finished, I should have problems with Johnson's rough-hewn daubings. But, thanks to an education in romantic art by my pals David Roach and Roger Berry these past couple of years, I'm more able to appreciate the subtlety and beauty of his work.

Other features this issue include a long, rambling interview with Chris McEwan, a look at the cover artwork and artists behind the Pan Book of Horror Stories (a chronological gallery of which can be found here) and a nice piece on Bear Alley favourite L. Ashwell Wood's cutaway drawings.

Together they make another superb issue of this quarterly magazine, which you can order from Book Palace. Full subscription and ordering details can be found here.

Above is a painting by Michael Johnson for a Corgi Books cover. I love this because the model is Sue Longhurst who was one of the Sues that I fancied in my early teenage days. Sue Longhurst, Susan Penhaligan, Susannah York, Susan George... there was just a lot of fanciable Sues whose films were turning up on TV at a time when I was starting to take notice of such things.

No time for any random scans today. I have posts lined up for the weekend but I'm not sure what will be running next week. I want to find a strip but I also really need to be working on the Boys' World book. We shall just have to see what happens.

BEAR ALLEY BOOKS

BEAR ALLEY BOOKS
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