The latest book from Andrew Nette and Iain McIntyre, following on from
Girl Gangs, Biker Boys and Real Cool Cats, is a study of countercultural
pulp and popular fiction paperbacks of the 1950s,’60s and ’70s. The
title, Sticking It to the Man, hides a smorgasbord of revolutionary
fiction that sprang from the growth of anti-authoritarianism in the
decades after the Second World War, when consumerism pacified the
middle-classes but made many aware of the inequalities of life.
The Sixties especially became the decade of dissent with protests rising
in campuses and spilling out onto the streets in the form of peace
marches against the H-Bomb, against Viet Nam, marches in support of
black rights, of gay and lesbian rights, the rise of the Black Panthers
and the White Panthers—all of which coincided with the post-War decline
of pulp magazines and the growth of paperback publishing as the chief
outlet for the pulpier end of the market. At the same time, rulings
brought down by courts in a number of obscenity cases offered new
protection for the publication on novels about taboo subjects, including
prostitution, interracial relationships and homosexuality.
With some publishers happy to push the envelope to make their otherwise
niche books stand out, writers found their subjects in the headlines of
newspapers—not always the best source of accurate information, but
certainly a good guide to what people were talking about and what
authors who could turn a book around quickly should be writing about to
take advantage of the zeitgeist.
Between them, the 26 contributors to this volume cover a bewildering
range of topics. The opening essay looks at the works of Chester Himes, a
crime writer who created police officers of colour tackling crime
against a structure of white power. This is followed by essays on gay
fiction in the days when homosexuality was considered deviant; E. R.
Braithwaite’s ground-breaking To Sir, With Love; lesbian pulp novels; a
look at John Rechy’s City of Night; and a study of black archetypes in
crime novels, which also touches on Chester Himes’s novels.
The book continues to build up a picture by supplying its readers with a
jigsaw of articles, features—some on individual authors, others on
broader subjects—and interviews with Nathan Heard, M. F. Beal, and
Australian publisher Gerry Gold.
As someone who is more familiar with British publishing and British
authors of this era, some of the articles have more resonance. ‘Ferment
in Fiction’ looks at Britain’s Angry Decade and works by Alan Sillitoe,
Simon Raven and a handful of others; and there’s some discussion of
Petra Christian and a number of Jim Moffatt’s more female-oriented
novels as by J.J. More, Leslie McManus and the Virginia Box series
published under his own name.
Other articles covered some novel areas completely new to me: Australian
industrial novels; the works of Robert Deane Pharr, Wally Ferris,
Donald Goines, Roosevelt Mallory, Jo Nazel, Vern E. Smith, Dambudzo
Marechera; and the Dark Angel series, to name a handful. Some were on
authors I was aware of but have never read: Iceberg Slim; Joseph Hansen;
and Mike Barry (Barry N. Malzberg’s pen-name for the Lone Wolf series).
The breadth and depth of the book should be recommendation enough, but
for a collector there’s also the joy of looking at the 350 or so covers
that are reproduced, and that it reminds me that I have a handful of
Shaft novels by Ernest Tidyman but I’ve never found the right time to
read any of them. Having read the lengthy section on Tidyman’s books,
and the article of vigilantes of the seventies, I think I’ll have to dig
out my Dirty Harry and Death Wish novels, put them on a pile with the
Shafts and make time.
(P.S. The introduction makes clear that there is to be a third volume, Dangerous Visions and New Worlds: Radical Science Fiction 1960 to 1985. Now that's a book I need to read!)
Sticking It to the Man: Revolutions and Counterculture in Pulp and Popular Fiction, 1950 to 1980 by Andrew Nette & Iain McIntyre. PM Press ISBN 978-1629-63524-8, December 2019, 319pp. Available via Amazon.
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