Sunday, August 10, 2014

Neil Gaiman cover gallery

NOVELS


Good Omens
, with Terry Pratchett (1990)
Corgi 0552-13703-0, 1991, 382pp. 
Corgi, 2011
World Book Night 978-0552-15984-5, 2012, 414pp. [bound with a chapter of The Man Who Was Thursday by G. K. Chesterton]
Corgi, 2014
Corgi 978-0552-17645-3, 2019, 404pp, £8.99. Cover by Amazon Content Services Ltd.

Neverwhere (1996; preferred text 2005)
BBC 0563-38746-7, 1996, 256pp, £9.99.
BBC/Penguin 0140-26651-8, 1997, 336pp. TV Tie-In.
Headline Feature 0747-26668-9, 2000, 387pp, £6.99. Cover photo (c) Special Photographers Library
Review 978-0755-32280-0, 2005, 372pp. [preferred text]
---- [17th imp.] n.d., 372+[10]pp, £7.99. Cover design by gray318
Review 0755-33418-3, 2005. [preferred text]
---- [16th imp.] n.d., 372+[10]pp, £6.99. Cover design by gray318

Stardust (1999)
Headline Feature 0747-26369-8, 1999, 280pp, £5.99. Cover by Lalique
Headline Feature 0747-27419-3, 1999, 256pp.
Review 978-0755-32282-4, 2005, 196pp.
Review 978-0755-33751-4, 2007, 196+[18]pp, £7.99. Cover still. Movie Tie-In.
Headline 978-0755-32282-4 [19th imp.] 2013, 196+16pp, n/pr. Typographical cover/background by BhajjuShyam *giveaway with The Guardian. Includes preview of The Ocean at the End of the Lane.

American Gods (2001)
Headline Feature 0747-27417-1, 2001, 504pp, £10.00. Cover by Photonica [tpb]
Headline 0747-26374-4, 2002, 632pp.
Review 978-0755-32281-7, 2005, 640+[16pp]. Cover design by gray318 [preferred text]
---- [22nd imp.] n.d., 640+[16pp], £7.99.
Headline Review 978-0755-38624-6, 2011, xiv+658pp. [10th anniversary ed.]
Headline 978-0755-39692-3, 2012.
Headline 978-1472-24554-0, 2017, 640pp+[80pp], £8.99. Cover (c) FreemantleMedia [tv tie-in, includes novelette "Monarch of the Glen"]

Anansi Boys (2005)
Review 0755-30508-6, 2005, 348pp.
Headline Review 978-0755-30509-4, 2006
---- [9th imp.] n.d., 457pp, £7.99. Cover design by gray318

InterWorld, with Michael Reaves (2007)
HarperCollins Children's Books 978-0007-52342-9, 2013, 288pp, £7.99. Cover by Colin Anderson

The Ocean at the End of the Lane (2013)
Headline 978-1472-20032-7, 2013, 248pp, £14.99. [tpb]
Headline 978-1472-20034-1, Apr 2014, 255pp, £7.99. Cover photo by Hengki Koentjoro

The Silver Dream: An InterWorld Novel, by Michael Reaves & Mallory Reaves, story by Neil Gaiman & Michael Reeves (2013)
HarperCollins Children's Books 978-0007-52347-4, 2013, 250pp, £7.99.

Eternity's Wheel, by Michael Reaves & Mallory Reaves, story by Neil Gaiman & Michael Reeves (2015)
US edition: HarperTeen 978-0062-3976502, May 2015, 288pp,

FOR CHILDREN

The Day I Swapped My Dad For Two Goldfish, illus. Dave McKean (1997)
Bloomsbury Children's 0747-57518-5, 2004, [56pp].
Bloomsbury 978-0747-57840-6, 2005, [60pp]. [with CD]

Coraline, illus. Dave McKean (2002; illus. Chris Riddell, 2012)
Bloomsbury 0747-56210-5, 2002, 184pp.
Bloomsbury 0747-59730-8, 2009, 192pp. Movie Tie-In.
Bloomsbury978-1408-84175-4, 2013, 208pp.

The Wolves in the Walls, illus. Dave McKean (2003)
Bloomsbury 0747-57472-3, 2004, [56pp], £5.99. Cover by Dave McKean

Melinda, illus. Dagmara Matuszak (2005)
(no UK paperback)

MirrorMask, illus. Dave McKean (2005)
Bloomsbury 978-0747-59986-9, 2008, £10.99.

Odd and the Frost Giants, illus. Brett Helquist (2008)
Bloomsbury 978-0747-59538-0, 2008, 96pp.

The Dangerous Alphabet, illus. Gris Grimly (2008)
(no UK paperback)

 
The Graveyard Book, illus. Dave McKean (2008)
Bloomsbury 978-0747-59884-8, 2008, 288pp. [illus. Chris Riddell]
Bloomsbury 978-0747-59480-2, 2008, 288pp. [illus. Chris Riddell]
Bloomsbury 978-0747-59862-6, 2009, 312pp, £7.99. [illus. Dave McKean]

Blueberry Girl, illus. Charles Vess (2009)
Bloomsbury 978-0747-59598-4, 2010, [32pp].

Crazy Hair, illus. David McKean (2009)
Bloomsbury 978-0747-59599-1, 2010, [40pp].

Instructions, illus. Charles Vess (2010)
Bloomsbury 978-1408-80865-8, 2013.

Chu's Day, illus. Adam Rex (2013)
Bloomsbury 978-1408-82801-4, 2014, £6.99.

Fortunately, the Milk, illus. Skottie Young (2013; illus. Chris Riddell, 2013)
Bloomsbury 978-1408-84179-2, 2014, 139pp, £5.99.

Chu's First Day at School, illus. Adam Rex (Jul 2014)
(no UK paperback)

The Sleeper and the Spindle, illus. Chris Riddell (Oct 2014)
(no UK paperback)

Hansel & Gretel, illus. Lorenzo Mattotti (Dec 2014)
(no UK paperback)

Chu's Day at the Beach, illus. Adam Rex (May 2015)
(no UK paperback)

COLLECTIONS

Angels and Visitations: A Miscellany (1993)
(no UK Paperback)

Smoke and Mirrors: Short Fictions and Illusions (1998)
Headline Feature 0747-27418-5, 1999, 374pp, £9.99. Cover by J. K. Potter [tpb]
Review 978-0755-32283-1, 2005, 384pp.
---- [12th imp.] n.d., 384pp, £7.99. Cover design by gray318

Fragile Things (2006)
Headline Review 978-0755-33413-1, 2006, 366pp.
Headline Review 978-0755-33414-8, 2007, 440pp, £7.99. Cover design by gray318

M Is For Magic (2007)
Bloomsbury 978-0747-59568-7, 2008, xii+248pp.

Coraline  & Other Stories (2009)
Bloomsbury 978-1408-80345-5, 2009, x+277pp.

Trigger Warning Short Fictions and Disturbances (2015)
Headline 978-1472-21772-1, 2015, 303pp, £7.99. Cover (background art by Bhajju Shyam)

Norse Mythology (2017)
Bloomsbury 978-1408-89195-7, Mar 2018, 282pp, £8.99. Cover by Sam Weber

OTHERS

Duran Duran: The First Four Years of the Fab Five (1984)
(no UK paperback)

Ghastly Beyond Belief, with Kim Newman (1985)
Arrow Books 0088-36830-7, 343pp.

Now We Are Sick, with Stephen Jones (1991)
(no UK paperback)

Don't Panic: The Official Hitch-Hiker's Guide to the Galaxy Companion (1988; revised with David K. Dickson as Don't Panic: Douglas Adams and the Hitchhiker's Guide to the Galaxy, 1993; further revised by M. J. Simpson, 2002; further revised by Guy Adams, 2009)
Titan Books 1852-86013-8, 1988, 182pp.
Titan Books 1852-86411-7, 1993, 225pp.
Titan Books 1840-23501-2, 2002, x+242pp.
Titan Books 978-1848-56496-1, 2009 [5th ed.], 2009, xii+275pp.

A Walking Tour of the Shambles, with Gene Wolfe (2001)
(no UK paperback)

Adventures in the Dream Trade, ed. Tony Lewis and Priscilla Olson (2002)
(no UK paperback)

The Alchemy of MirrorMask, with David McKean (2005)
(no UK paperback)

MirrorMask: The Illustrated Script of the Motion Picture from the Jim Henson Company, with Dave McKean (2005)
(no UK paperback)

Neil Gaiman's 'Make Good Art' Speech, art by Chip Kidd (2013)
(no UK paperback)

ANTHOLOGIES

Temps, with Alex Stewart (1991)
Roc 0140-14560-5, 1991, 353pp.

Euro Temps, with Alex Stewart (1992)
Roc 0140-16713-7, 1992, 365pp, £4.99. Cover by Larry Rostant

Villains!, ed. Mary Gentle & Roz Kaveney, created by Mary Gentle & Neil Gaiman (1992)
Roc 0140-14561-3, 1992, 336pp, £4.99. Cover by Les Edwards

The Weerde: Book 1, with Mary Gentle & Roz Kaveney (1992)
Roc 0140-14562-1, 1992, 352pp.

The Weerde: Book 2: The Book of the Ancients, with Mary Gentle & Roz Kaveney (1993)
Roc 0140-16714-5, 1993, 386pp.

Stories, with Al Sarrantonio (2010)
Headline Review 978-0755-33661-6, 2010, 432pp.

Unnatural Creatures (Jun 2013)
Bloomsbury 978-1408-84546-2, (Feb) 2014, 480pp, £8.99.

Saturday, August 09, 2014

J T Edson: Trail Boss

(* As a tribute to the late J. T. Edson, who died on 17 July 2014, aged 86, here's an article/interview I wrote about his career back in 1992. It was originally published in Midweek, part of a little publicity campaigning for the upcoming Vintage Paperback and Pulp Book Fair. For reasons known only to the editor, it was published under the title "Happiness Is a Warm Gun". I'm overjoyed to change it back!)

J. T. Edson: Trail Boss

After over 30 years in the writing game, it seems as if J. T. Edson may at last be hanging up his Stetson, shucking his gun belt and taking a break from a career that has seen 128 novels in print. Plus three more already with his publisher, he quickly adds, laughing.

I'm sure he wouldn't thank me for the western style similes, despite the fact that he is an Honorary Deputy Sheriff in Thurston County, Washington, Travis County, Texas and Natrona County, Wyoming (and an Honorary Admiral of the Texas Navy, to boot): softly but firmly he warns me that he hates people who ask him for photographs dressed in cowboy clothing, although as a writer he has been associated with gun slinging adventure novels since his very first ­- Trail Boss ­- hit the stands in 1961, the runner-up in a prize competition offered by Brown Watson, publishers of paperbacks. In fact it was one of three books he had entered, the other two equally quickly accepted by the same firm. There has been no looking back since, as novel after novel flowed from his typewriter at the rate of between six and eight a year, until by 1965 he was dominating the western production line of his publisher. Their response was to keep his books in continuous print, selling out edition after edition and then to 'sell' him to Corgi Books.

Now, at 64, he finds writing at such a prolific rate less appealing, with the publishing market itself hit by recession, and an increasing censorship which he dislikes. "Writing just isn't the same,” he acknowledges. "I'm 65 next year, so I can retire. If I do, it will be because I object to the censorship.”

As a traditional western writer his books have included a broad cowhand humour, of the type that means tall guys are called Tiny and white horses are called N*gg*r, now deemed racist and editorially excised from new editions of his books. The sizeist remarks remain, but for how long? Certainly none of these newly discovered subversive angles to his work worried the fans who made up the members of the Edson Appreciation Society, which he ran with the aid of his secretary for 12 years, nor the visitors to the Second Vintage Paperback and Pulp Book Fair on October 10th where he is a Special Guest. Surprising, perhaps, to those who feel that westerns are purely Boys Own territory, is the fact that over half the membership of the Appreciation Society were female, and all with strong feelings for the characters:

"One of my characters, The Ysabel Kid, spent most of his time killing people ­shooting them with a Winchester or his horse would be kicking them to death. That was the character that got most of the ladies going...” to the degree, he adds, that when he introduced romantic relationships for other members of the Floating Outfit, the band of players who have featured in half of his books, one of his more devoted followers threatened to burn her collection unless. married off her hero to a nicer girl.

His books, however, cannot be described as sexist. Fiery females such as Calamity Jane (nothing like Doris Day!) and Belle Starr figure in his tales as strong leads for their own novels as well as appearing with other characters. And they're not the saloon gals or rancher's daughters you'd expect: "I always thought the ladies had a very bad deal. They were never allowed to do anything except be pretty, do something stupid and get captured,” says Edson. "My ladies don't do that. Anyone grabbing hold of my ladies gets kicked somewhere between the neck and the knee!”

It's the strength of his characters and the detailed historical accuracy of his work that have kept his fans coming back for more, although he would be the first to admit that his work is purely for escapism, with an element of soap opera stirred in for good measure. His characters’ lives are solidly entwined with each other, to the point of continually cross-referencing other tales, the head of the Edson clan's family tree being 'Ole Devil’ Hardin, whose first appeared in Edson's second printed novel, but whose history has been told through his own series, and through tales of the American Civil War, as well as appearing with later members of the Hardin family in the Floating Outfit novels ­ by which time he's confined to a wheelchair.

The Outfit itself was made up of the tall, innocently featured Ysabel Kid, Lon Dalton, dressed all in black with the walnut handled Colt Dragoon revolver, the shorter, more handsome Dusty Fog with his twin pearl-handled Peacemakers, and the six foot three, well-muscled and stylishly dressed Mark Counter. Alongside them rides Waco, Doc Leroy and countless other characters, the children, grandchildren and even great-grandchildren of the Hardin, Fog and Blaze families.

Whilst he's best known for the gun slinging, he has also written outside the western genre ­ and even some of the cowboy characters star in novels which are tightly plotted murder mysteries, although his only “straight” thriller was a collaboration with Peter Clawson. He has, however, rescued a number of other literary characters from obscurity, amongst them Mr. J. G. Reeder, created by Edgar Wallace, and the tales of the Tarzan-with-a-twist Bunduki, as well as weaving others into his history and genealogy, from Sir Henry Curtis (colleague of Rider Haggard's Allan Quartermain) to Doc Savage, the American pulp hero.

Another series, appearing in the boys comic, Victor, was based on his background as a Dog Trainer in the Royal Army Veterinary Corps, having been called up for National Service and posted abroad, first with the Rifle Brigade and later with the RAVC, serving his duties in Germany, Austria, Singapore and elsewhere.

Unable to return home at weekends, it was a period. used to great effect, reading widely and visiting the movies often, as well as being able to talk to firearms experts, all of which have been put to good use in his work. In fact it was whilst in Hong Kong that his first novel was written in the early 1950s: a win at the Bingo was partly used to purchase a typewriter and by the time he left Hong Kong and the RAVC he already had ten novels in manuscript. Via correspondence courses in short story writing he learned little more than how to set out a submission and that there was not much of a market for western short stories. He did, however, hear of the Brown Watson literary competition which was to launch his career.

Over 130 novels later he's now looking forward to the thought of retirement. Over the past few years the market for westerns has been poor, something. lays at the feet of American publishers: "Whatever America does, we follow two or three years later. The rumour went round the American publishers that the western was finished. Nobody checked with the readers¡ About two years ago the British publishers started doing less. It's very hard now ­ in the sixties there were plenty of small firms willing to take a chance with new writers.”

Despite all problems, Edson still retains his enthusiasm for the escapist-adventure type of novels, and his love for the old style movie westerns, particularly those of Audie Murphy. And even with the possibility of retirement looming the urge to write will never disappear. "I'll probably have a flood of ideas,” he threatens with a chuckle. Let's hope it's true, because there will always be a place for the fast-moving, entertaining novels he has provided his fans with for over thirty years.

Friday, August 08, 2014

Comic Cuts - 8 August 2014

The nearest thing to excitement this week took place on Tuesday. I was down the pub for lunch with my mum and went to clean my glasses on the tail of my shirt. Disaster! One of the little plastic nose rests pinged off and disappeared. Despite the aid of half of the pub's elderly lunchtime clientele, the damn thing was not to be found. [*]

First world problems, eh?

For the past couple of years, August has been a busy time for podcasts. There were a couple of daily podcasts—Richard Herring's Edinburgh Fringe Podcast, Peacock & Gamble Podcast—plus bi-weekly podcasts like Amnesty's Secret Comedy Podcast and The Dave Bi-Weekly. Over the years others have come and gone. The first Edinburgh podcast I remember listening to was Live at the Edinburgh Fringe, hosted by Miles Jupp for The Guardian back in 2009.

Richard Herring's decision to end his podcast and write a play (I Killed Rasputin) to compliment his daily stand-up appearance (Lord of the Dance Settee) instead was a blow; add to that Ray Peacock and Ed Gamble's decision to do their own shows this year rather than a team-up meant that things were looking bad for this year.

However, a little bit of digging has quickly turned up a fantastic daily show, MacAulay and Co, on BBC Radio 4extra in the evening and also available on the BBC's iPlayer for a week after the original broadcast. The show, co-starring Susan Calman, started last Tuesday and runs on weekdays at 9 o'clock in the evening. Fred MacAulay's show is regularly broadcast on BBC Radio Scotland, who have the show available as a podcast under the title Scotland's Funny Bits.

The Edinburgh Fringe Show podcast (at iTunes as TPC: Edinburgh Fringe Show) is an hour-long look at a broader range of Fringe shows; ThreeWeeks Edinburgh Festival Fringe Podcast, a podcast of varying length produced by ThreeWeeks, is more comedy oriented, as is Hatty's Half Hour, an approximately half hour (yes, really) podcast produced by Laugh Out London Comedy Club.

The other disappointment is that Answer Me This has become a fortnightly podcast due to pressure of other work. Helen Zaltzman is still doing Sound Women and Olly Mann is also doing the relatively new Media Podcast since June. Given their other commitments, we should be grateful that Answer Me This is still being produced—it's now approaching 300 episodes.

However, fact fans are now being served by the QI Elves who, in their spare time researching the TV show and writing books, have been podcasting a show entitled No Such Thing As A Fish. Launched in March, it features Dan Schreiber, Andrew Hunter Murray, James Harkin and Anna Ptaszynski (plus occasional guests) who discuss the favourite facts they have uncovered that week. If you're a fan of the TV show you'll know that the world is a more bizarre place than you could ever imagine, that history teaches us nothing because everything we know about history is wrong and that people are weird... I mean, really weird. It's utterly fascinating and entertaining and it will probably become your new source of facts to impress your friends down the pub.

All these podcasts are available for free via iTunes.

I was sorry to hear that Bryn Havord, who was a former assistant art director of Woman magazine in the 1950s and 1960s, passed away on 28 July. Between 1963 and 1965 he was associate editor and art director of Woman's Mirror, commissioning work from the likes of Walter Wyles, Eric Earnshaw, Michael Johnson and Gerry Francett. Bryn was also an equestrian painter and author. He won two national graphic design awards for his work in consumer magazines and national daily newspapers. He also designed photographic books, including Anthony Hopkins' Snowdonia (1993) and Scottish Castles (1997).

Bryn was born on 28 December 1937 and claimed that he had an inferior secondary modern education. He went to sea after leaving school at 14. For the last couple of years, Bryn was associate editor of Illustrators magazine, writing passionately about the artists he had worked with. He lived in Huntingdon, Cambridgeshire, and is survived by his wife, Elaine. They had three children: Nicola (deceased), Morgan and Bleddyn and six grandchildren.

Another death announced this week was that of 100-year-old Chapman Pincher, the spy-busting journalist who joined the Daily Express in 1946, eventually retiring in 1979. He wrote a couple of dozen books on subjects ranging from atomic power to the history of MI5, as well as thrillers.  He published an autobiography, Dangerous to Know, at the age of 99.

Obituaries: Daily Telegraph, The Independent, The Guardian.

I'm dedicating this week's random scans to a quartet of books by Pincher.

Hopefully I'll have a Neil Gaiman gallery up on Sunday—his prose work. I'll have to do his graphic novels some other time. There just aren't enough hours in the day. Tomorrow, I think it will be a piece on J. T. Edson and on Monday the first part of a two-part look at penny dreadful publisher Edward Harrison. That's as far as my crystal ball will let me see...

[*] It cost £2 at the opticians to have the piece replaced.

Thursday, August 07, 2014

Paul Charkin

There has been a minor mystery surrounding the birth of Paul Charkin for some while. It is relatively easily solved: he was born Percival Samuel Charkin in Muswell Hill, London, on 20 July 1907 and subsequently changed his name to Paul Samuel Charkin in February 1945, the announcement appearing in The London Gazette on 26 January 1945:
I, the undersigned PERCIVAL SAMUEL CHARKIN of 20 Richmond Hill Richmond Surrey, a British subject herewith give notice that twentyone days from the appearance of this announcement I wish to be known as Paul Samuel Charkin and shall use this name without prejudice to my rights as co-administrator of my deceased father's estate.
—Dated 15th January 1945. (080) PERCIVAL S. CHARKIN. 
Percy Charkin, as he was known in his early days, was the son of Samuel Charkin (1874?-1943), a Russian-born ladies tailor and fitter, who married Louisa Frances Estelle Walden (1885-1970) in Edmonton in 1906. Charkin has a much younger brother, Gordon Zadek Charkin, born in 1921 who later became an electrician. He was educated at Southoe House and County School, both in Richmond, Surrey, where his family lived for many years at 20 Richmond Hill.

Percy S. Charkin became a certified wireless watcher in July 1925 and later worked as a statistical engineering clerk. He also worked in his father's business and, in the 1930s, became a tramp, door-knocking canvasser and high-pressure salesman. He failed as a house agent and as a radio salesman.

During the Second World War he was conscripted into A.R.P. duties ("which I hated," he later wrote), and then to Red Cross work, which was more interesting.

Despite the change of name. it was as Percy Charkin that he married Celia Barnett (or Rubinowitz, 1906-2000) in Hackney in 2Q 1949. The marriage would appear to have not lasted as Charkin was living alone when he was based in 3 Alexandra Road, Twickenham in the early 1960s.

Charkin's first published story was "The Wrong Glass" which appeared in The Socialist Leader in 1952. He subsequently penned three science fiction novels, described by John Clute at the SFE as "routine". His only other known published work was the play The Weather Girl: A Comic Fantasy in One Act (Whiteway Press, 1947), but he wrote a number of others that exist in manuscript in the collection of Derek Gardner, a literary agent whose files were donated to the Harry Ransom Humanities Research Center, The University of Texas at Austin. These manuscripts include two that may be science fiction: Dolls of Ecstasy (which Charkin was working on in 1969) and World Without Dreams. Other titles include Bobbie's Chance, Bobbie's Choice, Gold—Master or Servant?, Jumbo's Night Out, The Lighhousekeeper's Son, A Man Called Drewett and Sambo of the South or Sambo the Idle.

Charkin was a founding member of the Richmond Arts Club and the Richmond Writers Circle.

He died in 1986.

Light of Mars
Badger Books SF12, 1959, 156pp, 2/-. Cover by Nicholson?

The Other Side of the Night
Badger Books SF24, 1960, 158pp, 2/-. Cover by Eddie Jones

The Living Gem
Digit Books R782, 1963, 160pp, 2/6. Cover by unknown

Sunday, August 03, 2014

E W Hildick on Comics (part 1)

The following is a chapter from A Close Look at Magazines & Comics (1966) by E. W. Hildick in which the former teacher looks briefly at the history of comics. It is basic and intended to promote discussion and activities in class but at the same time is an interesting summation of how a children's writer and former teacher viewed comics in the mid-Sixties.

More tomorrow.

 
 
 
(* © Estate of E W Hildick.)

Saturday, August 02, 2014

E W Hildick

"Several years ago, at the beginning of a long and often painful apprenticeship as a professional author, I decided to aim at having work accepted by as wide a variety of magazines as possible," wrote E. W. Hildick in 1966. "I regarded this not so much as a prudent financial bread-casting operation as a valuable literary exercise—an exercise to be marked by some of the toughest teachers in the world."

So begins the foreword to Hildick's book A Close Look at Magazines & Comics, published by Faber & Faber in 1966. Hildick goes on to explain how he studied each magazine he submitted his work to and in so doing learning more about the publishing world and the tough, taciturn editors who put magazines together. The exercise of study and submission earned him many sales and Hildick was able to boast that he had sold stories or articles to John O' London's Weekly, A.M.A., Reveille, Schoolmaster, Symbol, Football Monthly, Use of English, Times Educational Supplement, Yorkshire Post, Journal of Education, On the Road, The Writer, New Statesman & Nation, Co-operative News, Pick of Today's Short Stories, Farmers' Weekly, Teachers' World, Blighty, Yorkshire Evening Post, Look & Listen, The Lady, Evening News, Family Doctor, Bookseller, Time & Tide, The Londoner, Hardware Trade Journal, Cheshire Life, Glasgow Evening Citizen, Red Tape, Nottingham Weekly Guardian, Books, Woman & Shopping, Truth, Beat, Observer, Weekend, Yorkshire Life, Eagle, Man About Town, Radio Times, Spectator, Books and Bookmen, Forward Trends, Sydney Sun-Herald, Author, Teacher and the Kenyon Review.

Edmund Wallace Hildick was born in Bradford, W. Yorkshire, on 29 December 1925, the son of Edmund Vernon Hildick (1884-1958), a commercial traveller, and his wife Edith A. (nee Dews). A younger sister, Dorothy, was born in 1931.

He was schooled locally and later said that he knew he wanted to be a writer from the age of 14 and that his training in mathematics and science helped him become more precise in his writing. After working as a junior assistant at Dewsbury Public Library and as a clerk in a truck repair depot in Leeds, Hildick worked during the war as a laboratory assistant at the Admiralty Signals Establishment, Sowerby Bridge, Yorkshire, and Haslemere, Surrey. He then joined the Royal Air Force in 1946-48.

After the war, he attended City of Leeds Training College where he obtained his teacher's certificate in 1950. He taught at Dewsbury Secondary Modern School between 1950 and 1954, leaving in order to become a full-time writer.

Hildick felt there was a gap in the market for books for working class children and began writing a series of stories featuring Jim Starling. Jim's adventures were broadcast on the BBC and two novels (the third and fifth in the series) were serialised in Eagle: "Jim Starling and the Colonel" (1959) and "Jim Starling and the Spotted Dog" (1961).

In all Hildick wrote some 80 novels for children, as well as writing non-fiction and mystery novels for adults (as Wallace Hildick). His work won numerous awards, including an honor book citation from the International Hans Christian Andersen Award, in 1968 for Louie's Lot; the American Ambassador Books booklist selection for children's literature in 1970 for Manhattan Is Missing and Top Boy at Twisters Creek; an honor book citation from the Austrian Children and Youth Book Prize Award in 1976 for Lucky Les: The Adventures of a Cat of Five Tales; and Edgar Allan Poe special awards from the Mystery Writers of America in 1970 (for The Case of the Secret Scribbler) and 1995 (for Hester Bidgood Investigatrix of Evill Deedes).

Many of his novels featured Jack McGurk, who, as leader of a group of friends, helped unravel over two dozen mysteries. The later novels brought in elements of fantasy and time-travel.

Hildick's books have been widely translated in Germany, France, Italy, Portugal, Spain, Brazil, Japan, Poland, the former USSR, Yugoslavia, Sweden, Norway, Finland, Denmark, Iceland, Taiwan and Holland. In the late 1960s, many of Hildick's books were considered "too British" for American publication, a situation he remedied by writing books with American settings.

Hildick married Doris Clayton in 1950, who gave teaching in the 1960s to act as her husband's agent. Although he lived in England, he would spend part of each year in America. Hildick died on 12 February 2001.

PUBLICATIONS

Novels (for children, in series)

Jim Starling
Jim Starling, illus. Roger Payne. London, Chatto & Windus, 1958.
Jim Starling and the Agency, illus. Roger Payne. London, Chatto & Windus, 1958.
Jim Starling and the Colonel, illus. Roger Payne. London, Heinemann, 1960, Garden City, N.Y., Doubleday, 1968.
Jim Starling's Holiday, illus. Roger Payne. London, Heinemann, 1960.
Jim Starling and the Spotted Dog, illus. Roger Payne. London, Anthony Blond, 1963, revised, London, New English Library, 1971.
Jim Starling Goes to Town, illus. Roger Payne. London, Anthony Blond, 1963.
Jim Starling Takes Over, illus. Roger Payne. London, Anthony Blond, 1963, revised, London, New English Library, 1971.

Birdy Jones
Birdy Jones, illus. Richard Rose. London, Faber, 1963; Harrisburg, PA, Stackpole, 1969.
Birdy and the Group, illus. Richard Rose. London, Macmillan, 1968; Harrisburg, PA, Stackpole, 1969.
Birdy Swings North, illus. Richard Rose. London, Macmillan, 1969; Harrisburg, PA, Stackpole, 1971.
Birdy in Amsterdam, illus. Richard Rose. London, Macmillan, 1970; Harrisburg, PA, Stackpole, 1971.
Birdy Jones and the New York Heads. Garden City, N.Y., Doubleday, 1974.

Lemon Kelly
Meet Lemon Kelly, illus. Margery Gill. London, Jonathan Cape, 1963, published as Lemon Kelly, illus. Arvis Stewart, Garden City, N.Y., Doubleday, 1968.
Lemon Kelly Digs Deep, illus. Margery Gill. London, Jonathan Cape, 1964.
Lemon Kelly and the Home-made Boy, illus. Iris Schweitzer. London, Dobson, 1968.

Louie
Louie's Lot. London, Faber, 1965; New York, David White, 1968.
Louie's S.O.S., illus. Iris Schweitzer, Macmillan, 1968, Doubleday, 1970.
Louie's Snowstorm, illus. Iris Schweitzer. Garden City, N.Y., Doubleday, 1974; London, Deutsch, 1975.
Louie's Ransom, New York, Knopf, 1978; London, Deutsch, 1978 [1979].

The Questers
The Questers, illus. Richard Rose. Leicester, Brockhampton Press, 1966, illus. Ruth Chew, New York, Hawthorn, 1970.
Calling Questers Four, illus. Richard Rose. Leicester, Brockhampton Press, 1967.
The Questers and the Whispering Spy, illus. Richard Rose. Leicester, Brockhampton Press, 1967.

McGurk Mystery
The Nose Knows, illus. Unada Gliewe. New York, Grosset & Dunlap, 1973; illus. Val Biro, Leicester, Brockhampton, 1974.
Dolls in Danger, illus. Val Biro. Leicester, Brockhampton, 1974, published as Deadline for McGurk, illus. Lisl Weil, New York, Macmillan, 1975.
The Menaced Midget, illus. Val Biro. Leicesdter, Brockhampton, 1975.
The Case of the Condemned Cat, illus. Lisl Weil. New York, Macmillan, 1975, illus. Val Biro, Brockhampton, 1975.
The Case of the Nervous Newsboy, illus. Lisl Weil. New York, Macmillan, 1976, illus. Val Biro, Hodder & Stoughton (London), 1976.
The Great Rabbit Robbery, illus. Val Biro, Hodder & Stoughton, 1976, published as The Great Rabbit Rip-Off, illus. Lisl Weil, New York, Macmillan, 1977.
The Case of the Invisible Dog, illus. Lisl Weil. New York, Macmillan, 1977, illus. Val Biro, Hodder & Stoughton, 1977.
The Case of the Secret Scribbler, illus. Lisl Weil. New York, Macmillan, 1978, illus. Val Biro, Hodder & Stoughton, 1978.
The Case of the Phantom Frog, illus. Lisl Weil. New York, Macmillan, 1979, illus. Val Biro, Hodder & Stoughton, 1979.
The Case of the Snowbound Spy, illus. Lisl Weil. New York, Macmillan, 1980.
The Case of the Treetop Treasure, illus. Lisl Weil. New York, Macmillan, 1980, illus. Val Biro, Hodder & Stoughton, 1980.
The Case of the Bashful Bank Robber, illus. Lisl Weil. New York, Macmillan, 1981.
The Case of the Four Flying Fingers, illus. Lisl Weil. New York, Macmillan, 1981.
The Case of the Felon's Fiddle, illus. Lisl Weil. New York, Macmillan, 1982.
McGurk Gets Good and Mad, illus. Lisl Weil. New York, Macmillan, 1982.
The Case of the Slingshot Sniper, illus. Lisl Weil. New York, Macmillan, 1983.
The Case of the Vanishing Ventriloquist, illus. Kathy Parkinson. New York, Macmillan, 1985.
The Case of the Muttering Mummy, illus. Blanche Sims. New York, Macmillan, 1986.
The Case of the Wandering Weathervanes, illus. Denise Brunkus. New York, Macmillan, 1988.
The Case of the Purloined Parrot. New York, Macmillan, 1990.
The Case of the Dragon in Distress. New York, Macmillan, 1991.
The Case of the Weeping Witch. New York, Macmillan, 1992.
The Case of the Desperate Drummer. New York, Macmillan, 1993.
The Case of the Fantastic Footprints. New York, Macmillan, 1994.
The Case of the Absent Author. New York, Macmillan, 1995.
The Case of the Wiggling Wig. New York, Macmillan, 1996.

Ghost Squad
The Ghost Squad Breaks Through. New York, Dutton, 1984.
The Ghost Squad Flies Concorde. New York, Dutton, 1985.
The Ghost Squad and the Halloween Conspiracy. New York, Dutton, 1985.
The Ghost Squad and the Ghoul of Grunberg. New York, Dutton, 1986.
The Ghost Squad and the Prowling Hermits. New York, Dutton, 1987.
The Ghost Squad and the Menace of the Malevs. New York, Dutton, 1988.

Felicity Snell Mystery
The Purloined Corn Popper. New York, Marshall Cavendish, 1997.
The Serial Sneak Thief. New York, Marshall Cavendish, 1997.

Non-series/Short series
The Boy at the Window, illus. Ionicus. London, Chatto & Windus, 1960.
Mapper Mundy's Treasure Hunt, illus. John Cooper. London, Anthony Blond, 1963.
Lucky Les: The Adventures of a Cat of Five Tales, illus. Peter Barrett. London, Anthony Blond, 1967; revised, Leicester, Brockhampton, 1974.
Here Comes Parren, illus. Michael Heath. London, Macmillan, 1968; illus. Robert Frankenberg, Cleveland, World Publishing, 1972.
Back with Parren, illus. Michael Heath. London, Macmillan, 1968.
Top Boy at Twisters Creek, illus. Oscar Liebman. New York, David White, 1969.
Manhattan Is Missing, illus. Jan Palmer. Garden City, N.Y., Doubleday, 1969; London, Tom Stacey, 1972.
Ten Thousand Golden Cockerels, illus. Richard Rose. London, Evans Brothers, 1970.
The Secret Winners, illus. Gustave Nebel, New York, Crown, 1970.
The Dragon That Lived under Manhattan, illus. Harold Berson. New York, Crown, 1970.
My Kid Sister, illus. Iris Schweitzer. Cleveland, World Publishing, 1971; Leicester, Brockhampton Press, 1973.
The Prisoners of Gridling Gap, a Report: With Expert Comments from Doctor Ranulf Quitch, illus. Paul Sagsoorian. Garden City, N.Y., Doubleday, 1971; London, Stacey, 1973.
The Secret Spenders (sequel to The Secret Winners), illus. Gustave Nebel, New York, Crown, 1971.
The Doughnut Dropout, illus. Kiyo Komoda. Garden City, N.Y., Doubleday, 1972.
The Active-Enzyme, Lemon-Freshened, Junior High School Witch, illus. Iris Schweitzer, Garden City, N.Y., Doubleday, 1973.
Kids Commune, illus. Oscar Liebman. New York, David White, 1973.
Time Explorers, Inc., illus. Nancy Ohanian. Garden City, N.Y., Doubleday, 1976.
A Cat Called Amnesia, illus. Val Biro. New York, David White, 1976; London, Deutsch, 1977.
The Top-Flight Fully-Automated Junior High School Girl Detective, illus. Iris Schweitzer. Garden City, N.Y., Doubleday, 1977; as The Top- Flight Fully-Automated Girl Detective, London, Deutsch, 1979.
The Memory Tap. London, Macmillan Children's, 1989.
My Famous Father, illus. Leslie Smith. London, Macmillan Children's, 1990.
Hester Bidgood, Investigatrix of Evill Deedes. New York, Macmillan, 1994.

Novels (for adults) as Wallace Hildick
Bed and Work. London, Faber, 1962.
A Town on the Never. London, Faber, 1963.
Lunch with Ashurbanipal. London, Faber, 1965.
Le club des pisteurs. Hachette,  1969.
Those Daring Young Men in Their Jaunty Jalopies (as E. W. Hildick, novelisation of the screenplay by Jack Davies and Ken Annakin). New York, Berkley, 1969; as Monte Carlo or Bust!, London, Sphere, 1969.
Bracknell's Law. London, Hamilton, 1976; New York, Harper, 1976.
The Weirdown Experiment. London, Hamilton, 1976.
Vandals. London, Hamilton, 1977.
The Loop. London, Hamilton, 1977.

Non-fiction as Wallace Hildick
Word for Word: A Study of Authors' Alterations with Exercises. London, Faber, 1965; abridged as Word for Word: The Rewriting of Fiction, New York, Norton, 1965.
Writing with Care: 200 Problems in the Use of English. London, Weidenfeld & Nicolson, 1967; New York, David White, 1967.
Thirteen Types of Narrative. London & Melbourne, Macmillan, 1968; New York, C. N. Potter, 1970.
Children and Fiction: A critical study in depth of the artistic and psychological factors involved in writing fiction for and about children. London, Evans Brothers, 1970; Cleveland, World Publishing, 1971. 
Only the Best: Six Qualities of Excellence. New York, C. N. Potter, 1973.

Non-fiction as E. W. Hildick
A Close Look at Newspapers. London, Faber, 1966.
A Close Look at Magazines and Comics. London, Faber, 1966.
A Close Look at Television and Sound Broadcasting. London, Faber, 1967.
A Close Look at Advertising. London, Faber, 1969.
Cokerheaton (storypack), illus. Roger Payne. London, Evans Brothers, 1970.
Rushbrook (storypack). London, Evans Brothers, 1971.

Friday, August 01, 2014

Comic Cuts - 1 August 2014

Available now from Bear Alley Books

After my lazy week—reported last week—I have been doing my damnedest to drag myself back up to working speed and failing miserably. It's too warm and I still haven't got the balance right between windows, bedclothes and nightwear. I wake up tired and creaky and it takes a walk in the fresh air to get any vigour at all into my aching bones. I've usually reached some sort of equilibrium by my third coffee, at which point I can usually persuade myself to get the day's tasks started.

We all reach the point where we ask ourselves: "When did old age sneak up on me... and why the hell is it punching me repeatedly in the lower back?" Guess it's my turn this week.

On a more positive note, the second pass on the artwork for the next book continued and I pulled together a PDF of the whole story for the first time. And I've started pulling together disparate bits of research that will help with the introduction. And once I get a signed contract returned, I'll be able to tell you what the book is. Shouldn't be long now.

Mention of walks reminds me that the one or two amongst you following my attempts to lose a bit of weight might be cheered to hear that I'm starting to head in the right direction again after a couple of months fighting off a bit of a Christmas bounce. I've now lost over a stone since starting just over a year ago. The plan was (and remains) to lose weight at a pace where I can sustain the loss. It took me twenty years to put on five stone, so losing it over time by making lifestyle changes makes more sense than attempting some faddy diet or an exercise regime that isn't sustainable. I've achieved a level of exercise that I'm happy with, that I can fit around work and that seems to burn off more calories than I'm eating. It's slow but I don't care. And it means I can eat ice cream without feeling guilty.

Because I over-research everything, I've been aware of the 1 lb of fat = 3,500 calories formula from the beginning and it's fun to be able to say things like: "I've burned off 56,000 more calories than I've consumed in the last year." So I was a bit surprised to discover that the formula seems to be based on a series of approximations that could mean that, if you count calories and use that as the basis for your diet, you might find you're not losing the weight you want to lose.

I'm not a calorie counter. Nor do I eat any less than I used to. What I've done is replace some food with vegetation—mostly lettuce and tomatoes—which means that instead of, say, ham and cheese, I'll have one (ham or cheese) and some salad. That way I don't feel hungry, I've eaten something healthy and I've taken in fewer calories. And I've halved my cheese consumption, which is good for my blood-pressure (cheese is chock full of fat and sodium!).

"Suppressed in Russia... acclaimed as a masterpiece throughout the free world," says the blurb on the back cover of Fontana's first edition of Dr Zhivago by Boris Pasternak, along with four quotes, ranging from Edmund Wilson's New Yorker review ("Doctor Zhivago will, I believe, come to stand as one of the great events in man's literary and moral history") to V. S. Pritchett in New Statesman ("The first work of genius to come out of Russia since the revolution").

Pasternak's novel, Doktor Zhivago was completed in 1956 and submitted to the Soviet magazine Noby Mir, where it was rejected on the grounds that it was too concerned with the individual characters rather than the advancement of society. It was first published in Italy as Il Dottor Zivago in 1957 and the novel was quickly translated into English and published in 1958, spending 26 weeks on the New York Times bestsellers list.

Pasternak was awarded the Nobel Prize for Literature for the novel, which was circulated in its original Russian, reputedly in editions printed by the CIA in France. When the prize was announced, anti-Pasternak campaigns were organized and the author was told that, should he travel to Stockholm to collect the prize, he would be refused reentry into the Soviet Union. Pasternak sent a telegram turning down the prize... but that is not how an award works. The Swedish Academy awarded him the prize anyway.

The controversy over the novel weakened Pasternak's health and he died in May 1960, aged 70.

Fontana Books 485M, (Jan) 1961, 542pp, 5/-, [typo].
----, 2nd imp., Mar 1961; 3rd imp., May 1961; 4th imp., Oct 1961; 5th imp., May 1962; 6th imp., Nov 1963; 7th imp., Dec 1965.
Fontana Books 1354, [8th imp.] Apr 1966, 542pp, 7/6, [photo]. Movie Tie-In.
----, 9th imp., Jun 1966; 10th imp., Jun 1966; 11th imp., Oct 1966; 12th imp., Nov 1966; 13th imp., Jan 1967; 14th imp., Mar 1967; 15th imp., Apr 1967; 16th imp., Jul 1967; 17th imp., Oct 1967; 18th imp., Dec 1967; 19th imp., Mar 1968; 20th imp., Jul 1968.
Fontana Books 2198, [22nd imp.] 1969, 608pp.
----, 29th imp., Mar 1971, 608pp, 50p, [photo]. Movie Tie-In.
Collins & Harvil, 1966. Movie Tie-In.

I'm hoping to have a short piece about the children's author E. W. Hildick up in the next few days, along with some scans of a section from his A Close Look at Magazines & Comics, which is not an especially close or accurate look at comics. But it's interesting to see what this popular children's author thought of them.

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