With plenty more to look at today - just scroll down if you're after the upcoming releases listings and the latest episode of Paul Temple - I'm going to keep this short.
Work: going OK. I'm still doing the same job - I've done about two and a half thousand images over the past couple of months and I've no idea how many more I still have to go.
Bear Alley Books: I managed to sort out a few more pages including the one you can see at the top of this column. I've still to make a final decision but I'm 90% certain the collection will be called The Black Pirate and Other Stories. C. L. Doughty is the artist and, to my mind, he's one of the finest artists to have worked in British comics - also a fantastic painter and illustrator. I'm hopeful that this little collection will earn Doughty a few more well-deserved fans.
With Commando earning a few column inches in newspapers during its 50th anniversary celebrations, I thought I'd mention another D. C. Thomson related reprint project: the Comic Art Website has been producing screenprints based on various Thomson characters for about eight years. Former Rover and Victor reader John Patrick Reynolds, who runs the site, tells me he is in the process of producign a new series of Victor prints to celebrate that title's 50th anniversary, the first of which you can see pictured above, based on an image from a 1960s Victor Book. John has little prints, big prints and canvas prints on offer, so you should be able to find something to fit any gap on your wall you need filling.
And so... this week's set of random scans is a whole series of books. The Mortal Engines quartet (also known as the Hungry City Chronicles) is an award-winning series by Philip Reeve, a childrens' book illustrator turned childrens' book writer. I spotted them in a charity shop last weekend and took a peek at Chapter one of Mortal Engines, which opens with a mobile city of London hunting a small mining town across the dry bed of what was once the North Sea. After an opening paragraph like that I couldn't resist buying the lot!
Reeve is certainly worth checking out and there are plenty of bargains to be had at Amazon where you can buy sets of the four original books and copies of the series' prequel, the Fever Crumb quartet, of which three books - Fever Crumb, A Web of Air, Scrivener's Moon - have currently been published.
The covers of the four titles show below are by David Frankland.
Next week: a hopefully less cluttered blog and more Paul Temple.
Friday, September 30, 2011
Thursday, September 29, 2011
Wednesday, September 28, 2011
Tuesday, September 27, 2011
Monday, September 26, 2011
Strip Magazine sneak preview
John Freeman has announced that a sampler of the first issue of Strip Magazine is now online. The new British anthology comic will be on sale in UK comic shops from 20 October 2011.
Strip Magazine launches with a 68-page first issue, priced £2.99, featuring nine strips, a plethora of features and a free poster. The strip lineup includes:
Cosmic Patrol by Mauricet & Janssens
Black Ops Extreme by John Freeman & P J Holden
Hook Jaw by Pat Mills & Ramon Sola [a classic reprint from Action, remastered by Jim Campbell & Gary Caldwell]
Hush, Hush by Stephen Walsh & Keith Page [a prequel to Print Media's recent graphic novel release Iron Moon]
Recovery Inc. by Dean Deckard & Michael Penick
Warpaint by Phil Hester & John McCrea
Strip Challenge: Ex-Agent by David & Graham Stoddard [winning competition entry]
Age of Heroes by James Hudnall & John Ridgway
Autospy & Ape by by Jon Rushby
Features in the strip sampler include a look back at Action and an interview with P J Holden.
Strip Magazine will not initially be available on news stands but, should the magazine prove successful, plans are afoot to widen the distribution in early 2012. Future strips will include 'Lawless' by Ferg Handley & Kev Hopgood and 'Crucible' by John Freeman & Smuzz.
Strip Magazine launches with a 68-page first issue, priced £2.99, featuring nine strips, a plethora of features and a free poster. The strip lineup includes:
Cosmic Patrol by Mauricet & Janssens
Black Ops Extreme by John Freeman & P J Holden
Hook Jaw by Pat Mills & Ramon Sola [a classic reprint from Action, remastered by Jim Campbell & Gary Caldwell]
Hush, Hush by Stephen Walsh & Keith Page [a prequel to Print Media's recent graphic novel release Iron Moon]
Recovery Inc. by Dean Deckard & Michael Penick
Warpaint by Phil Hester & John McCrea
Strip Challenge: Ex-Agent by David & Graham Stoddard [winning competition entry]
Age of Heroes by James Hudnall & John Ridgway
Autospy & Ape by by Jon Rushby
Features in the strip sampler include a look back at Action and an interview with P J Holden.
Strip Magazine will not initially be available on news stands but, should the magazine prove successful, plans are afoot to widen the distribution in early 2012. Future strips will include 'Lawless' by Ferg Handley & Kev Hopgood and 'Crucible' by John Freeman & Smuzz.
Labels:
Comics News
Sunday, September 25, 2011
Hal Clement: Cover Gallery
(* The following was written for The Guardian back in 2003 but was never used; a shame, but these things happen. I'm breaking my rule of thumb to only post British paperbacks in galleries as so few of Clements' books had UK editions... but I've left a hole for Cycle of Fire as I'm hoping that someone can send me a scan of the Corgi cover.)
Harry Clement Stubbs, who died on 29 October 2003 at the age of 81, had two careers that entwined and complimented each other. After two years in public schools, he taught high school science for thirty-eight years at Milton Academy in Massachusetts. At the same time, as Hal Clement, he wrote meticulously plausible science-fiction based on the scientific knowledge of the time.
Born in Somerville, Massachusetts, on 30 May 1922, Stubbs’ first brush with science fact and fiction was the Flash Gordon comic strip. As Flash blasted off for Mars the strip gave some facts about the journey which prompted questions from 8-year-old Harry; his father took him to the local library and Harry emerged with a book on astronomy and a novel by Jules Verne.
He studied astronomy at Harvard University, obtaining a BS in 1943, but his math was not strong enough to take it up as a full-time career. He served as a bomber pilot, flying 35 combat missions from England with the 8th U.S. Air Force. He remained in the U.S. Air Force Reserve until 1976, retiring with the rank of Colonel. He used his GI grant to study teacher training at Boston University, receiving his M.Ed in 1947, and later obtained a masters degree in chemistry from Simmons College in 1963.
Stubbs – as Clement – began writing whilst at Harvard, selling his first story, “Proof,” to John W. Campbell’s Astounding Stories at the age of 19. From the start he penned “hard” science-fiction, where a problem was set out scientifically and science was essential to its solution. Clement was as rigorous as any golden age mystery writer in setting out the conceits of each story so that readers had a fair chance of reaching the solution ahead of the characters. Indeed, one of the arguments of that period was that a traditional detective novel was impossible in science-fiction because new technologies would have evolved, an argument Clement answered with Needle, in which an alien police officer arrives on Earth in pursuit of a criminal; the problem is that these aliens live symbiotically within a host and the quarry may have invaded the body of any person on the planet.
In common with many novels where the puzzle is the plot, characterisation tended to fall by the wayside. This was amply made up for by Clement’s creation of extreme environments and the challenges they created. In Iceworld, which concerns the smuggling of the most dangerous narcotic known, nicotine, by sulphur-breathing aliens, the alien planet was Earth; in Close To Critical, the planet Tenebra has a crushing gravity, atmospheric pressure, scorching temperatures and constantly shifting crust, towards which the children of an alien diplomat are drifting; in his last novel, Noise, Kainui is a waterworld peopled by sea-faring colonists living in floating cities surrounded by corrosive salt seas and constantly rocked by seaquakes.
Clement’s most famous work, Mission Of Gravity, was set on Mesklin, whose rapid rotation – a day lasts only 18 minutes – has created a disk-shaped world with 3 times Earth’s gravity at the equator and nearly 700g at the poles. When a research probe sent to the pole fails to relaunch, a group of scientists hire one of the caterpillar-like natives, Captain Barlennan, to save the data it has collected. Barlennan, however, is not only a typical Mesklinite – fifteen inches in length and two inches high – but also a shrewd operator who spends much of his time trying to think of ways to sweeten the deal he has struck. The crafty merchant also appeared in a sequel, Star Light.
Following his retirement in 1987, Clement was able to concentrate more actively on writing and as well as new novels (Still River, Fossil) also participated in the republication of his best work in the three-volume series The Essential Hal Clement. He was inducted into the Science Fiction and Fantasy Hall of Fame in 1998 and received the Grand Master Award of the Science Fiction Writers of America in 1999. Clement also gave his name to the Hal Clement Award for Excellence in Children’s Science Fiction Literature, awarded annually since 1992.
A popular attendee of conventions, sometimes as a fan artist (he painted starscapes under the name George Richard), he died in his sleep only days after his appearance as a guest at MileHighCon at Lakewood, Colorado.
Clement was survived by his wife, Mary Elizabeth (Myers) whom he married in 1952, two sons, George and Richard, and a daughter, Christine.
NOVELS (series: Mesklin; Needle)
Needle (Needle). Garden City, New York, Doubleday, 1950; London, Gollancz, 1961; as From Outer Space, New York, Avon, 1957.
Corgi Books YS1383, 1963, 158pp, 3/-. Cover by unknown
Iceworld. New York, Gnome Press, 1953.
(no UK edition)
Mission of Gravity (Mesklin). Garden City, New York, Doubleday, 1954; London, Hale, 1955.
Penguin 1978, 1963, 199pp, 3/6. Cover by Yves Tanguy ('The Doubter')
New English Library 0450-02994-8, Jun 1976, 192pp, 60p. Cover by Eddie Jones [introduction by Robert Conquest]
Gollancz VGSF 0575-04022-X, 1987, 203pp.
Gollancz 0575-07094-3, 2000, 203pp.
The Ranger Boys in Space (for children). Boston, Page, and London, Harrap, 1956.
(no UK paperback edition)
Cycle of Fire. New York, Ballantine, 1957; London, Gollancz, 1964.
Corgi Books GS7417, 1966, 171pp.
Close to Critical (Mesklin). New York, Ballantine, 1964; London, Gollancz, 1966.
Corgi Books 0552-07915-4, 1968, 158pp, 3/6. Cover by unknown
Star Light (Mesklin). New York, Ballantine, 1971.
(no UK edition)
Ocean on Top. New York, DAW, 1973; London, Sphere, 1976.
Sphere 0722-12444-9, 1976, 159pp, 60p. Cover by David Bergen
Left of Africa (for children). New Orleans, Aurian Society Press, 1976.
(no UK edition)
Through the Eye of a Needle (Needle). New York, Ballantine, 1978.
(no UK edition)
The Nitrogen Fix. New York, Ace, 1980.
(no UK edition)
Still River. New York, Ballantine, Jun 1987; London, Sphere, Nov 1988.
Sphere 0747-49117-9, 1988, 280pp.
Fossil: Isaac's Universe. New York, DAW, Nov 1993.
(no UK edition)
Half Life. New York, Tor Books, Sep 1999.
(no UK edition)
Noise. New York, Tor Books, Sep 2003.
(no UK edition)
Natives of Space. New York, Ballantine, 1965.
(no UK edition)
Small Changes. Garden City, New York, Doubleday, 1969; as Space Lash, New York, Dell, 1969.
(no UK edition)
The Best of Hal Clement, edited by Lester del Rey. New York, Ballantine, 1979.
(no UK edition)
Intuit, introduction by Poul Anderson. Cambridge, Massachusetts, NESFA Press, Sep 1987.
(no UK edition)
The Essential Hal Clement, Volume 1: Trio for Slide Rule and Typewriter (contains Close to Critical, Iceworld, Needle), edited by Anthony R. Lewis. Framington, Massachusetts, NESFA Press, Apr 1999.
(no UK edition)
The Essential Hal Clement, Volume 2: Music of Many Spheres, edited by Mark L. Olson & Anthony R. Lewis, introduction by Ben Bova. Framington, Massachusetts, NESFA Press, Feb 2000.
(no UK edition)
The Essential Hal Clement Volume 3: Variation of a Theme by Sir Isaac Newton (contains Mission of Gravity, Under, Lecture Demonstration, Star Light, Whirligig World (non-fiction)), edited by Mark L. Olson & Anthony R. Lewis, introduction by David Langford. Framinton, Massachusetts, NESFA Press, Sep 2000; as Heavy Planet: The Essential Mesklin Stories, New York, Tor Books, 2002.
NON-FICTION
Some Notes on Xi Bootis. Chicago, Advent, 1959.
EDITED BY HAL CLEMENT
First Flights to the Moon, introduced by Isaac Asimov. Garden City, New York, Doubleday, 1970.
The Moon, by George Gamow, introduction by Isaac Asimov. London, Abelard Schuman, 1971.
Harry Clement Stubbs, who died on 29 October 2003 at the age of 81, had two careers that entwined and complimented each other. After two years in public schools, he taught high school science for thirty-eight years at Milton Academy in Massachusetts. At the same time, as Hal Clement, he wrote meticulously plausible science-fiction based on the scientific knowledge of the time.
Born in Somerville, Massachusetts, on 30 May 1922, Stubbs’ first brush with science fact and fiction was the Flash Gordon comic strip. As Flash blasted off for Mars the strip gave some facts about the journey which prompted questions from 8-year-old Harry; his father took him to the local library and Harry emerged with a book on astronomy and a novel by Jules Verne.
He studied astronomy at Harvard University, obtaining a BS in 1943, but his math was not strong enough to take it up as a full-time career. He served as a bomber pilot, flying 35 combat missions from England with the 8th U.S. Air Force. He remained in the U.S. Air Force Reserve until 1976, retiring with the rank of Colonel. He used his GI grant to study teacher training at Boston University, receiving his M.Ed in 1947, and later obtained a masters degree in chemistry from Simmons College in 1963.
Stubbs – as Clement – began writing whilst at Harvard, selling his first story, “Proof,” to John W. Campbell’s Astounding Stories at the age of 19. From the start he penned “hard” science-fiction, where a problem was set out scientifically and science was essential to its solution. Clement was as rigorous as any golden age mystery writer in setting out the conceits of each story so that readers had a fair chance of reaching the solution ahead of the characters. Indeed, one of the arguments of that period was that a traditional detective novel was impossible in science-fiction because new technologies would have evolved, an argument Clement answered with Needle, in which an alien police officer arrives on Earth in pursuit of a criminal; the problem is that these aliens live symbiotically within a host and the quarry may have invaded the body of any person on the planet.
In common with many novels where the puzzle is the plot, characterisation tended to fall by the wayside. This was amply made up for by Clement’s creation of extreme environments and the challenges they created. In Iceworld, which concerns the smuggling of the most dangerous narcotic known, nicotine, by sulphur-breathing aliens, the alien planet was Earth; in Close To Critical, the planet Tenebra has a crushing gravity, atmospheric pressure, scorching temperatures and constantly shifting crust, towards which the children of an alien diplomat are drifting; in his last novel, Noise, Kainui is a waterworld peopled by sea-faring colonists living in floating cities surrounded by corrosive salt seas and constantly rocked by seaquakes.
Clement’s most famous work, Mission Of Gravity, was set on Mesklin, whose rapid rotation – a day lasts only 18 minutes – has created a disk-shaped world with 3 times Earth’s gravity at the equator and nearly 700g at the poles. When a research probe sent to the pole fails to relaunch, a group of scientists hire one of the caterpillar-like natives, Captain Barlennan, to save the data it has collected. Barlennan, however, is not only a typical Mesklinite – fifteen inches in length and two inches high – but also a shrewd operator who spends much of his time trying to think of ways to sweeten the deal he has struck. The crafty merchant also appeared in a sequel, Star Light.
Following his retirement in 1987, Clement was able to concentrate more actively on writing and as well as new novels (Still River, Fossil) also participated in the republication of his best work in the three-volume series The Essential Hal Clement. He was inducted into the Science Fiction and Fantasy Hall of Fame in 1998 and received the Grand Master Award of the Science Fiction Writers of America in 1999. Clement also gave his name to the Hal Clement Award for Excellence in Children’s Science Fiction Literature, awarded annually since 1992.
A popular attendee of conventions, sometimes as a fan artist (he painted starscapes under the name George Richard), he died in his sleep only days after his appearance as a guest at MileHighCon at Lakewood, Colorado.
Clement was survived by his wife, Mary Elizabeth (Myers) whom he married in 1952, two sons, George and Richard, and a daughter, Christine.
NOVELS (series: Mesklin; Needle)
Needle (Needle). Garden City, New York, Doubleday, 1950; London, Gollancz, 1961; as From Outer Space, New York, Avon, 1957.
Corgi Books YS1383, 1963, 158pp, 3/-. Cover by unknown
Iceworld. New York, Gnome Press, 1953.
(no UK edition)
Mission of Gravity (Mesklin). Garden City, New York, Doubleday, 1954; London, Hale, 1955.
Penguin 1978, 1963, 199pp, 3/6. Cover by Yves Tanguy ('The Doubter')
New English Library 0450-02994-8, Jun 1976, 192pp, 60p. Cover by Eddie Jones [introduction by Robert Conquest]
Gollancz VGSF 0575-04022-X, 1987, 203pp.
Gollancz 0575-07094-3, 2000, 203pp.
The Ranger Boys in Space (for children). Boston, Page, and London, Harrap, 1956.
(no UK paperback edition)
Cycle of Fire. New York, Ballantine, 1957; London, Gollancz, 1964.
Corgi Books GS7417, 1966, 171pp.
Close to Critical (Mesklin). New York, Ballantine, 1964; London, Gollancz, 1966.
Corgi Books 0552-07915-4, 1968, 158pp, 3/6. Cover by unknown
Star Light (Mesklin). New York, Ballantine, 1971.
(no UK edition)
Ocean on Top. New York, DAW, 1973; London, Sphere, 1976.
Sphere 0722-12444-9, 1976, 159pp, 60p. Cover by David Bergen
Left of Africa (for children). New Orleans, Aurian Society Press, 1976.
(no UK edition)
Through the Eye of a Needle (Needle). New York, Ballantine, 1978.
(no UK edition)
The Nitrogen Fix. New York, Ace, 1980.
(no UK edition)
Still River. New York, Ballantine, Jun 1987; London, Sphere, Nov 1988.
Sphere 0747-49117-9, 1988, 280pp.
Fossil: Isaac's Universe. New York, DAW, Nov 1993.
(no UK edition)
Half Life. New York, Tor Books, Sep 1999.
(no UK edition)
Noise. New York, Tor Books, Sep 2003.
(no UK edition)
COLLECTIONS
Natives of Space. New York, Ballantine, 1965.
(no UK edition)
Small Changes. Garden City, New York, Doubleday, 1969; as Space Lash, New York, Dell, 1969.
(no UK edition)
The Best of Hal Clement, edited by Lester del Rey. New York, Ballantine, 1979.
(no UK edition)
Intuit, introduction by Poul Anderson. Cambridge, Massachusetts, NESFA Press, Sep 1987.
(no UK edition)
The Essential Hal Clement, Volume 1: Trio for Slide Rule and Typewriter (contains Close to Critical, Iceworld, Needle), edited by Anthony R. Lewis. Framington, Massachusetts, NESFA Press, Apr 1999.
(no UK edition)
The Essential Hal Clement, Volume 2: Music of Many Spheres, edited by Mark L. Olson & Anthony R. Lewis, introduction by Ben Bova. Framington, Massachusetts, NESFA Press, Feb 2000.
(no UK edition)
The Essential Hal Clement Volume 3: Variation of a Theme by Sir Isaac Newton (contains Mission of Gravity, Under, Lecture Demonstration, Star Light, Whirligig World (non-fiction)), edited by Mark L. Olson & Anthony R. Lewis, introduction by David Langford. Framinton, Massachusetts, NESFA Press, Sep 2000; as Heavy Planet: The Essential Mesklin Stories, New York, Tor Books, 2002.
NON-FICTION
Some Notes on Xi Bootis. Chicago, Advent, 1959.
EDITED BY HAL CLEMENT
First Flights to the Moon, introduced by Isaac Asimov. Garden City, New York, Doubleday, 1970.
The Moon, by George Gamow, introduction by Isaac Asimov. London, Abelard Schuman, 1971.
Labels:
Author,
Cover Gallery
Saturday, September 24, 2011
Victor Canning... plural
Some while back I ran some columns headed "Mysteries That Have Me Mystified" and this could have been one of them... but I've managed to resolve it.
When I was running names for the Encyclopedia of Science Fiction (shortly to appear online) one that I planned to return to was Victor Canning. Although both his birth date (16 June 1911) and death date (21 February 1986) were known, I had failed to turn up a record for his birth. Most frustrating.
Well, there's a reason. The family name was actually Cannings, as if it were a plural. His parents, Frederick Harry Cannings (a taxi driver), and mother, Mabel Jessie Goold, were married in 1910 and Victor, registered as Victor Cannings, was born in Plymouth the following year. A sister, Dorothy, followed in 1914; another sister, Sylvia Jean Cannings, was born in Plymouth in 1918. Sylvia - better known as Jean - married John H. C. Tearle; this excellent website about Canning notes that she died in 2010, aged 92.
Birth, marriage and census records confirm that Victor's father was called Cannings and that Victor and his sisters were born with that surname. However, when Frederick H. Cannings died in 1968, aged 82, his death was registered in Hemel Hempstead as Frederick H. Canning; Victor's marriage in 1935 (to Phyllis McEwen) and Sylvia's marriage in 1937 were also registered under the name Canning, which makes me think that the whole family changed their name officially some time between 1918 and 1935, and possibly earlier.
Canning's earliest published stories may have appeared in the late 1920s in boys' magazines; the earliest traced was published anonymously in 1932. His first adult story appeared in the Evening News in 1934, the same year his first novel appeared, both credited to Victor Canning.
When the Cannings family changed their nameto Canning is perhaps unimportant... at least I've managed to solve the reason why I couldn't find his birth record.
When I was running names for the Encyclopedia of Science Fiction (shortly to appear online) one that I planned to return to was Victor Canning. Although both his birth date (16 June 1911) and death date (21 February 1986) were known, I had failed to turn up a record for his birth. Most frustrating.
Well, there's a reason. The family name was actually Cannings, as if it were a plural. His parents, Frederick Harry Cannings (a taxi driver), and mother, Mabel Jessie Goold, were married in 1910 and Victor, registered as Victor Cannings, was born in Plymouth the following year. A sister, Dorothy, followed in 1914; another sister, Sylvia Jean Cannings, was born in Plymouth in 1918. Sylvia - better known as Jean - married John H. C. Tearle; this excellent website about Canning notes that she died in 2010, aged 92.
Birth, marriage and census records confirm that Victor's father was called Cannings and that Victor and his sisters were born with that surname. However, when Frederick H. Cannings died in 1968, aged 82, his death was registered in Hemel Hempstead as Frederick H. Canning; Victor's marriage in 1935 (to Phyllis McEwen) and Sylvia's marriage in 1937 were also registered under the name Canning, which makes me think that the whole family changed their name officially some time between 1918 and 1935, and possibly earlier.
Canning's earliest published stories may have appeared in the late 1920s in boys' magazines; the earliest traced was published anonymously in 1932. His first adult story appeared in the Evening News in 1934, the same year his first novel appeared, both credited to Victor Canning.
When the Cannings family changed their nameto Canning is perhaps unimportant... at least I've managed to solve the reason why I couldn't find his birth record.
Labels:
Author
Two minor authors: James M. Small and Allan M. Streete
I've always had a fascination for the post-war boom in writing when, despite the paper shortage, there seemed to be dozens of small magazines popping up all over the place to replace regular pre-war markets that had either folded or were stumbling on with reduced page counts. Perhaps the war itself, which resulted in the biggest upheaval in lives seen since the Great War, was partly responsible: young men, many of them away from home for the first time, might have picked up their pens and found comfort in writing - whether it was letters to their families or fiction.
During that post-war period, many new writers had brief writing careers and many of them are completely unknown.
James M. Small, for instance, had a small run of stories published by Gerald G. Swan in the period 1946-50.
Malorky's Lad (Boxing Shorts 2, Jun 1946)
Ghost Gun on the Prod (Hands Up Annual 1947, Nov 1946)
The Doctor Needs a Wife (Affinity, Jan 1947)
Gloves Off (Scramble, Feb 1949)
Slippered Feet! (Scramble, Jun 1949)
The Fame of the Name (serial; Scramble, Dec 1949-2 Jan 1950)
Rosemary's Indian Prince (Romances, 3 Jun 1950)
Only one, Ghost Gun on the Prod, was published by someone other than Swan, namely Western Book Distributors. A collecting pal of mine bought a copy recently which may reveal the true name of the author, who had underlined the story on the table of contents and written his own name on the opening page of the story and on the reverse of the frontispiece.
His real name was Dennis Small and it would appear that he was a nurse. The information recorded in the book includes the fact that he attended Oxford University, from which he graduated with a BA, was an SRN and SEN (State Registered Nurse and State Enrolled Nurse) and served in the RAF. At the time the note was made, he was living at 25 North Road, Whitehall, Bristol.
Further digging through birth, death and marriage records turns up a possible suspect: Dennis Edward Small, born 19 September 1922, who died in Bristol in 1993. I can't say with any certainty that this is author Dennis Small, but he fits the bill.
The second author is Alan M. Streete. Unlike James M. Small, Alan M. Streete has an entry in The Author's and Writer's Who's Who which records his birth in Romsey, Hampshire, in 1911. He was educated at Ranelagh School, Athlone, and the Royal School, Cavan, both in Ireland. He also attended Trinity College, Dublin.
The entry records his marriage to Joan Gerada Marie Cavadino, which information reveals that Alan M. Streete was actually a pen-name for one Sydney Street. His birth, registered in Ringwood, Hamps., was on 26 January 1911 and he married in Edmonton, Middlesex, in 1934. Although A&WWW notes two sons, I can only find one, John A. Small, born in Edmonton in 1935.
Sydney Street - born only a few weeks after the famous siege of Sidney Street in Stepney - became a schoolmaster and, based in Sydenham after the Second World War, founded the South London Writers Group, of which he was Honorary Secretary. He contributed to John Hammerton's Second Great War, the New Book of Knowledge (War supplement), Sun, Sun, Sun, Mercury, Chamber's Journal, World Digest and other magazines. His interests were listed as tennis, swimming and fishing.
Street died in East Dorset in 1998.
During that post-war period, many new writers had brief writing careers and many of them are completely unknown.
James M. Small, for instance, had a small run of stories published by Gerald G. Swan in the period 1946-50.
Malorky's Lad (Boxing Shorts 2, Jun 1946)
Ghost Gun on the Prod (Hands Up Annual 1947, Nov 1946)
The Doctor Needs a Wife (Affinity, Jan 1947)
Gloves Off (Scramble, Feb 1949)
Slippered Feet! (Scramble, Jun 1949)
The Fame of the Name (serial; Scramble, Dec 1949-2 Jan 1950)
Rosemary's Indian Prince (Romances, 3 Jun 1950)
Only one, Ghost Gun on the Prod, was published by someone other than Swan, namely Western Book Distributors. A collecting pal of mine bought a copy recently which may reveal the true name of the author, who had underlined the story on the table of contents and written his own name on the opening page of the story and on the reverse of the frontispiece.
His real name was Dennis Small and it would appear that he was a nurse. The information recorded in the book includes the fact that he attended Oxford University, from which he graduated with a BA, was an SRN and SEN (State Registered Nurse and State Enrolled Nurse) and served in the RAF. At the time the note was made, he was living at 25 North Road, Whitehall, Bristol.
Further digging through birth, death and marriage records turns up a possible suspect: Dennis Edward Small, born 19 September 1922, who died in Bristol in 1993. I can't say with any certainty that this is author Dennis Small, but he fits the bill.
The second author is Alan M. Streete. Unlike James M. Small, Alan M. Streete has an entry in The Author's and Writer's Who's Who which records his birth in Romsey, Hampshire, in 1911. He was educated at Ranelagh School, Athlone, and the Royal School, Cavan, both in Ireland. He also attended Trinity College, Dublin.
The entry records his marriage to Joan Gerada Marie Cavadino, which information reveals that Alan M. Streete was actually a pen-name for one Sydney Street. His birth, registered in Ringwood, Hamps., was on 26 January 1911 and he married in Edmonton, Middlesex, in 1934. Although A&WWW notes two sons, I can only find one, John A. Small, born in Edmonton in 1935.
Sydney Street - born only a few weeks after the famous siege of Sidney Street in Stepney - became a schoolmaster and, based in Sydenham after the Second World War, founded the South London Writers Group, of which he was Honorary Secretary. He contributed to John Hammerton's Second Great War, the New Book of Knowledge (War supplement), Sun, Sun, Sun, Mercury, Chamber's Journal, World Digest and other magazines. His interests were listed as tennis, swimming and fishing.
Street died in East Dorset in 1998.
Labels:
Authors
Friday, September 23, 2011
Comic Cuts - 23 September 2011
I'm starting to sound like a stuck record, but I've little to report. Metadata is taking almost every waking moment and everything else is being squeezed into the wee hours of the morning. Correspondence is becoming more monosyllabic. I've only managed to read about thirty pages of the novel I'm reading since last Saturday, although I'm doing rather better with a John Le Carré audio book I downloaded [legally] on Tuesday. I'm about halfway through that. No artwork cleaning since Sunday, although I managed a few covers for today's random scans.
On the positive front, I now have most of the missing Doughty strips needed for the book I'm working on (a sample of which is this week's column header) and the little dummy I put together for another book arrived on Monday and was sent out again on Tuesday. Now it's down to wrangling permission from the copyright holder. I suspect it will be a while before I have any news.
More positive news: restocks of Eagles Over the Western Front are now in, so I can turn around orders a little quicker than I managed last week. Sales are still steady - I even had a couple of orders for the Hurricane/Champion index creep in. There's still a long way to go before I can start lighting cigars with rolled £50 notes, but I'm pleased with the way things are going. Keeping a tight rein on costs is paying off!
The latest issue of Jeff Hawke's Cosmos is another bumper package of stories and features. This issue runs to a magnificent 116 pages and contains four Jeff Hawke yarns: 'The Venusian Club' (1967-68; written by Willie Patterson), 'Daughter of Eros' (1969; written by Syd Jordan), 'Survival' (1960; written by Willie Patterson) and 'Some Day I'll Find You' (1971; written by Syd Jordan). All have artwork by Syd Jordan, with assists from Colin Andrew and Nick Faure, and Syd even appears as himself to introduce the last story. There's also a bonus strip, 'The Devil at Rennes Le Chateau', which originally appeared in A1.
This issue also includes the usual notes on stories and astronomy by Duncan Lunan, plus Andrew Darlington's look back at the Martin Magus stories of William F. Temple, making up another winning package. With around 60 stories reprinted so far - this being the start of the magazine's 7th volume - it should soon be possible to read all of the Jeff Hawke yarns in order!
Subscriptions are £20 for 3 issues, which is excellent value for money, and you can get full details from editor William Rudling by e-mailing william@williamrudling.co.uk; for further details, check out the Jeff Hawke Club website.
Another excellent magazine that landed on our doormat this week is The Paperback Fanatic, which has reached issue 20, something of a milestone, so congratulations to editor/publisher Justin Marriott (my own best effort at a regular fanzine, PBO, fizzled out after only 9 issues!). This issue is dubbed a Universal special, with most of the articles centred around the US publisher behind imprints Beacon, Award and, in the UK, Tandem and Softcover Library. After an overview, Justin pens a piece on softcore publisher Beacon Books, who published some interesting authors, usually tucked away behind pen-names, including hardboiled crime writers Charles Willeford and Peter Rabe and collectable porn writer Orrie Hitt, who is the subject of another article in this issue. Softcover Library and Tandem's Dollars westerns round out the issue nicely, while a selection of Beacon original artwork and a gallery of Tandem science fantasy novels both make good use of the colour printing.
Justin is considering various options about how The Paperback Fanatic is to be formatted in the future, so for the latest subscription details it's probably best to contact him directly at thepaperbackfanatic@sky.com.
I promised last week that I would dig out the remaining two covers that Carlo Jacono did for Badger Books and, true to my word, here they are. Both are from the 'floating head' school of cover art which Badger regular Henry Fox also liked.
Today's random scans... well, as I was talking about Francis Durbridge and his novels the other week, I thought I'd dig out a couple of covers. The first is a Paul Temple novel that originally appeared not as by Francis Durbridge but as by Paul Temple (Hodder & Stoughton, 1957). 'Paul Temple' was the joint pen-name of Durbridge and James Douglas Rutherford McConnell, who usually wrote under the pen-name Douglas Rutherford, and was used on two novels, the other being East of Algiers (Hodder & Stoughton, 1959; Hodder paperback 1960).
Next up is The Scarf (Hodder & Stoughton, 1960; Hodder paperback 1962), based on a six-part TV series by Durbridge broadcast in 1959. Note that the cover again says "Francis Durbridge presents..." rather than the usual form of byline. Were Durbridge's non-Temple novels also ghosted by other hands?
And, finally, another Paul Temple adventure, this one definitely ghosted (by Tony Hussey).
One thing I find very surprising about Francis Durbridge: you don't see many of his books around. I appreciate that charity shops have no time for pre-decimal books these days, but you would think that the Paul Temple novels at least would have sold in numbers great enough for copies to still trickle in occasionally. But that's not the case around here. I haven't seen a second hand copy in years.
Talking of Paul Temple... the latest mystery will be continuing next week while I get my nose back to the grindstone. I'm planning to get a couple of early nights, so we'll just have to wait and see if I can post anything else. Fingers crossed.
On the positive front, I now have most of the missing Doughty strips needed for the book I'm working on (a sample of which is this week's column header) and the little dummy I put together for another book arrived on Monday and was sent out again on Tuesday. Now it's down to wrangling permission from the copyright holder. I suspect it will be a while before I have any news.
More positive news: restocks of Eagles Over the Western Front are now in, so I can turn around orders a little quicker than I managed last week. Sales are still steady - I even had a couple of orders for the Hurricane/Champion index creep in. There's still a long way to go before I can start lighting cigars with rolled £50 notes, but I'm pleased with the way things are going. Keeping a tight rein on costs is paying off!
The latest issue of Jeff Hawke's Cosmos is another bumper package of stories and features. This issue runs to a magnificent 116 pages and contains four Jeff Hawke yarns: 'The Venusian Club' (1967-68; written by Willie Patterson), 'Daughter of Eros' (1969; written by Syd Jordan), 'Survival' (1960; written by Willie Patterson) and 'Some Day I'll Find You' (1971; written by Syd Jordan). All have artwork by Syd Jordan, with assists from Colin Andrew and Nick Faure, and Syd even appears as himself to introduce the last story. There's also a bonus strip, 'The Devil at Rennes Le Chateau', which originally appeared in A1.
This issue also includes the usual notes on stories and astronomy by Duncan Lunan, plus Andrew Darlington's look back at the Martin Magus stories of William F. Temple, making up another winning package. With around 60 stories reprinted so far - this being the start of the magazine's 7th volume - it should soon be possible to read all of the Jeff Hawke yarns in order!
Subscriptions are £20 for 3 issues, which is excellent value for money, and you can get full details from editor William Rudling by e-mailing william@williamrudling.co.uk; for further details, check out the Jeff Hawke Club website.
Another excellent magazine that landed on our doormat this week is The Paperback Fanatic, which has reached issue 20, something of a milestone, so congratulations to editor/publisher Justin Marriott (my own best effort at a regular fanzine, PBO, fizzled out after only 9 issues!). This issue is dubbed a Universal special, with most of the articles centred around the US publisher behind imprints Beacon, Award and, in the UK, Tandem and Softcover Library. After an overview, Justin pens a piece on softcore publisher Beacon Books, who published some interesting authors, usually tucked away behind pen-names, including hardboiled crime writers Charles Willeford and Peter Rabe and collectable porn writer Orrie Hitt, who is the subject of another article in this issue. Softcover Library and Tandem's Dollars westerns round out the issue nicely, while a selection of Beacon original artwork and a gallery of Tandem science fantasy novels both make good use of the colour printing.
Justin is considering various options about how The Paperback Fanatic is to be formatted in the future, so for the latest subscription details it's probably best to contact him directly at thepaperbackfanatic@sky.com.
I promised last week that I would dig out the remaining two covers that Carlo Jacono did for Badger Books and, true to my word, here they are. Both are from the 'floating head' school of cover art which Badger regular Henry Fox also liked.
Today's random scans... well, as I was talking about Francis Durbridge and his novels the other week, I thought I'd dig out a couple of covers. The first is a Paul Temple novel that originally appeared not as by Francis Durbridge but as by Paul Temple (Hodder & Stoughton, 1957). 'Paul Temple' was the joint pen-name of Durbridge and James Douglas Rutherford McConnell, who usually wrote under the pen-name Douglas Rutherford, and was used on two novels, the other being East of Algiers (Hodder & Stoughton, 1959; Hodder paperback 1960).
Next up is The Scarf (Hodder & Stoughton, 1960; Hodder paperback 1962), based on a six-part TV series by Durbridge broadcast in 1959. Note that the cover again says "Francis Durbridge presents..." rather than the usual form of byline. Were Durbridge's non-Temple novels also ghosted by other hands?
And, finally, another Paul Temple adventure, this one definitely ghosted (by Tony Hussey).
One thing I find very surprising about Francis Durbridge: you don't see many of his books around. I appreciate that charity shops have no time for pre-decimal books these days, but you would think that the Paul Temple novels at least would have sold in numbers great enough for copies to still trickle in occasionally. But that's not the case around here. I haven't seen a second hand copy in years.
Talking of Paul Temple... the latest mystery will be continuing next week while I get my nose back to the grindstone. I'm planning to get a couple of early nights, so we'll just have to wait and see if I can post anything else. Fingers crossed.
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Thursday, September 22, 2011
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